Songs like Beechwood Park by The Zombies
Based on a tempo of (+/- 10%) and a similar genre
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Pete Dello and Friends
Do I Still Figure in Your Life
74 bpm • E Maj • 02:40 • -8.6db
29% Popularity • 48% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
29% Popularity • 48% Danceability • 52% Energy • 14% Liveness
1% Instrumentalness • 59% Positiveness
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The Zombies
Beechwood Park
74 bpm • D# Maj • 02:43 • -12.54db
29% Popularity • 46% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
29% Popularity • 46% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 34% Positiveness
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Fleetwood Mac
Emerald Eyes
74 bpm • F# min • 03:34 • -15.75db
54% Popularity • 57% Danceability • 42% Energy • 27% Liveness
1% Instrumentalness • 62% Positiveness
54% Popularity • 57% Danceability • 42% Energy • 27% Liveness
1% Instrumentalness • 62% Positiveness
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Alexander 'Skip' Spence
All Come to Meet Her
75 bpm • D Maj • 02:01 • -12db
23% Popularity • 46% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
23% Popularity • 46% Danceability • 44% Energy • 12% Liveness
1% Instrumentalness • 48% Positiveness
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Gandalf
Nature Boy
73 bpm • G min • 03:08 • -12db
32% Popularity • 34% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 34% Danceability • 28% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Jimi Hendrix
Have You Ever Been (To Electric Ladyland...
73 bpm • A# min • 02:10 • -9.2db
51% Popularity • 43% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
51% Popularity • 43% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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David Bowie
Soul Love - 2012 Remaster
73 bpm • D Maj • 03:34 • -12.14db
56% Popularity • 57% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
56% Popularity • 57% Danceability • 40% Energy • 22% Liveness
0% Instrumentalness • 71% Positiveness
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Tommy James & The Shondells
Lost in Your Eyes
73 bpm • G# Maj • 02:14 • -16db
45% Popularity • 38% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 38% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 63% Positiveness
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The Zombies
Smokey Day
73 bpm • G Maj • 02:25 • -15.49db
19% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 41% Danceability • 26% Energy • 24% Liveness
0% Instrumentalness • 26% Positiveness
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Felt
Look At The Sun
73 bpm • F# min • 03:13 • -10db
31% Popularity • 51% Danceability • 29% Energy • 13% Liveness
22% Instrumentalness • 33% Positiveness
31% Popularity • 51% Danceability • 29% Energy • 13% Liveness
22% Instrumentalness • 33% Positiveness
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Strawberry Alarm Clock
Soft Skies, No Lies
75 bpm • G Maj • 03:09 • -11.21db
25% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
25% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 82% Positiveness
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Yes
Sweetness - 2003 Remaster
75 bpm • A Maj • 04:33 • -11.28db
40% Popularity • 32% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
40% Popularity • 32% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Ultimate Spinach
Visions of Your Reality
76 bpm • D Maj • 05:49 • -9db
33% Popularity • 47% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
33% Popularity • 47% Danceability • 41% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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The Doors
End of the Night
72 bpm • B min • 02:50 • -12.54db
50% Popularity • 41% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
50% Popularity • 41% Danceability • 22% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Paul McCartney
Dear Boy - 2012 Remaster
76 bpm • A min • 02:13 • -9db
49% Popularity • 44% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
49% Popularity • 44% Danceability • 57% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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George Harrison
I Live for You (2014 Remaster)
71 bpm • C# Maj • 03:37 • -9.75db
51% Popularity • 40% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
51% Popularity • 40% Danceability • 45% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Strawberry Alarm Clock
Unwind With The Clock
76 bpm • G Maj • 04:13 • -12.77db
24% Popularity • 49% Danceability • 49% Energy • 27% Liveness
23% Instrumentalness • 75% Positiveness
24% Popularity • 49% Danceability • 49% Energy • 27% Liveness
23% Instrumentalness • 75% Positiveness
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Robert Lester Folsom
Ginger
77 bpm • E min • 02:48 • -11db
12% Popularity • 42% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
12% Popularity • 42% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Emitt Rhodes
You Take The Dark Out Of The Night
78 bpm • A Maj • 02:58 • -10.31db
28% Popularity • 56% Danceability • 48% Energy • 17% Liveness
30% Instrumentalness • 88% Positiveness
28% Popularity • 56% Danceability • 48% Energy • 17% Liveness
30% Instrumentalness • 88% Positiveness
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The Mamas & The Papas
Snowqueen Of Texas
78 bpm • C# Maj • 02:38 • -15.32db
53% Popularity • 66% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
53% Popularity • 66% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 72% Positiveness
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Chris Bell
I Am The Cosmos - Single Version
79 bpm • D# Maj • 03:43 • -7.04db
31% Popularity • 26% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
31% Popularity • 26% Danceability • 73% Energy • 36% Liveness
0% Instrumentalness • 65% Positiveness
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Cass Elliot
Didn't Want To Have To Do It (Ver. 1)
78 bpm • G# Maj • 03:37 • -14.45db
53% Popularity • 45% Danceability • 32% Energy • 13% Liveness
3% Instrumentalness • 32% Positiveness
53% Popularity • 45% Danceability • 32% Energy • 13% Liveness
3% Instrumentalness • 32% Positiveness
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Felt
Now She's Gone
70 bpm • E min • 05:31 • -11db
37% Popularity • 58% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
37% Popularity • 58% Danceability • 56% Energy • 9% Liveness
1% Instrumentalness • 21% Positiveness
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Tony, Caro & John
The Snowdon Song
79 bpm • D Maj • 03:05 • -4.44db
14% Popularity • 62% Danceability • 52% Energy • 15% Liveness
2% Instrumentalness • 18% Positiveness
14% Popularity • 62% Danceability • 52% Energy • 15% Liveness
2% Instrumentalness • 18% Positiveness
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The Zombies
You've Really Got a Hold On Me/Bring It ...
79 bpm • A Maj • 03:40 • -8.96db
31% Popularity • 24% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 24% Danceability • 48% Energy • 30% Liveness
0% Instrumentalness • 64% Positiveness
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Harry Nilsson
The Moonbeam Song
69 bpm • G Maj • 03:22 • -21db
35% Popularity • 39% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
35% Popularity • 39% Danceability • 11% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Margo Guryan
California Shake
79 bpm • A# Maj • 03:28 • -7.29db
37% Popularity • 51% Danceability • 66% Energy • 13% Liveness
9% Instrumentalness • 49% Positiveness
37% Popularity • 51% Danceability • 66% Energy • 13% Liveness
9% Instrumentalness • 49% Positiveness
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The Lovin' Spoonful
Didn't Want To Have To Do It
80 bpm • B min • 02:36 • -12.22db
41% Popularity • 46% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
41% Popularity • 46% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Paul McCartney
The Back Seat Of My Car - 2012 Remaster
81 bpm • A# Maj • 04:30 • -8db
41% Popularity • 26% Danceability • 59% Energy • 23% Liveness
1% Instrumentalness • 49% Positiveness
41% Popularity • 26% Danceability • 59% Energy • 23% Liveness
1% Instrumentalness • 49% Positiveness
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The Millennium
There Is Nothing More to Say
81 bpm • C min • 02:24 • -13db
23% Popularity • 32% Danceability • 35% Energy • 40% Liveness
1% Instrumentalness • 19% Positiveness
23% Popularity • 32% Danceability • 35% Energy • 40% Liveness
1% Instrumentalness • 19% Positiveness
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Chris Spedding
Video Life
68 bpm • E Maj • 03:12 • -5.91db
41% Popularity • 53% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 53% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 64% Positiveness
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Ultimate Spinach
Fragmentary March of Green
81 bpm • E min • 06:36 • -12.27db
13% Popularity • 43% Danceability • 31% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
13% Popularity • 43% Danceability • 31% Energy • 9% Liveness
60% Instrumentalness • 32% Positiveness
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Wings
Cuff Link - Remastered 1993
81 bpm • C min • 01:58 • -14.64db
45% Popularity • 58% Danceability • 43% Energy • 10% Liveness
79% Instrumentalness • 74% Positiveness
45% Popularity • 58% Danceability • 43% Energy • 10% Liveness
79% Instrumentalness • 74% Positiveness
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Drugdealer
Sea of Nothing
81 bpm • F Maj • 05:13 • -6.4db
33% Popularity • 67% Danceability • 65% Energy • 16% Liveness
2% Instrumentalness • 21% Positiveness
33% Popularity • 67% Danceability • 65% Energy • 16% Liveness
2% Instrumentalness • 21% Positiveness
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King Crimson
I Talk To The Wind
81 bpm • E Maj • 06:05 • -17.59db
55% Popularity • 32% Danceability • 31% Energy • 11% Liveness
62% Instrumentalness • 31% Positiveness
55% Popularity • 32% Danceability • 31% Energy • 11% Liveness
62% Instrumentalness • 31% Positiveness
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The Lovin' Spoonful
Younger Generation - 2003 Remaster
81 bpm • C Maj • 02:39 • -17.73db
33% Popularity • 54% Danceability • 16% Energy • 11% Liveness
78% Instrumentalness • 38% Positiveness
33% Popularity • 54% Danceability • 16% Energy • 11% Liveness
78% Instrumentalness • 38% Positiveness
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The Left Banke
There's Gonna Be A Storm
82 bpm • A Maj • 04:16 • -12.78db
13% Popularity • 18% Danceability • 51% Energy • 11% Liveness
6% Instrumentalness • 12% Positiveness
13% Popularity • 18% Danceability • 51% Energy • 11% Liveness
6% Instrumentalness • 12% Positiveness
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Guided By Voices
How Loft I Am?
82 bpm • C# Maj • 01:06 • -10.74db
32% Popularity • 44% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
32% Popularity • 44% Danceability • 38% Energy • 32% Liveness
0% Instrumentalness • 70% Positiveness
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Badfinger
Dear Angie - Remastered 2010
82 bpm • C# min • 02:40 • -9.11db
53% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
53% Popularity • 63% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Tommy James & The Shondells
Crimson and Clover (Single Version)
82 bpm • B Maj • 03:28 • -12.28db
62% Popularity • 40% Danceability • 59% Energy • 18% Liveness
3% Instrumentalness • 65% Positiveness
62% Popularity • 40% Danceability • 59% Energy • 18% Liveness
3% Instrumentalness • 65% Positiveness
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The Zombies
The Way I Feel Inside
83 bpm • B Maj • 01:51 • -16.19db
54% Popularity • 66% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
54% Popularity • 66% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 58% Positiveness
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T. Rex
Planet Queen
83 bpm • E min • 03:10 • -8.34db
39% Popularity • 62% Danceability • 79% Energy • 43% Liveness
3% Instrumentalness • 96% Positiveness
39% Popularity • 62% Danceability • 79% Energy • 43% Liveness
3% Instrumentalness • 96% Positiveness
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Ween
The Argus
83 bpm • A min • 04:53 • -10.81db
41% Popularity • 51% Danceability • 33% Energy • 15% Liveness
11% Instrumentalness • 14% Positiveness
41% Popularity • 51% Danceability • 33% Energy • 15% Liveness
11% Instrumentalness • 14% Positiveness
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Todd Rundgren
International Feel - 2015 Remaster
84 bpm • F Maj • 02:50 • -9.34db
32% Popularity • 19% Danceability • 76% Energy • 17% Liveness
2% Instrumentalness • 52% Positiveness
32% Popularity • 19% Danceability • 76% Energy • 17% Liveness
2% Instrumentalness • 52% Positiveness
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George Harrison
In the First Place
84 bpm • C min • 03:16 • -16.34db
22% Popularity • 49% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
22% Popularity • 49% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Robert Lester Folsom
Written in Your Hair
86 bpm • G Maj • 02:46 • -6.26db
25% Popularity • 56% Danceability • 82% Energy • 9% Liveness
2% Instrumentalness • 83% Positiveness
25% Popularity • 56% Danceability • 82% Energy • 9% Liveness
2% Instrumentalness • 83% Positiveness
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Wings
Arrow Through Me - Remastered 1993
86 bpm • D Maj • 03:36 • -12.33db
54% Popularity • 87% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 68% Positiveness
54% Popularity • 87% Danceability • 36% Energy • 10% Liveness
3% Instrumentalness • 68% Positiveness
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The Chris White Experience
High Windows
85 bpm • F Maj • 04:00 • -13.34db
3% Popularity • 60% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
3% Popularity • 60% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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The Millennium
Karmic Dream Sequence #1
87 bpm • G Maj • 05:57 • -14.8db
16% Popularity • 20% Danceability • 60% Energy • 33% Liveness
8% Instrumentalness • 39% Positiveness
16% Popularity • 20% Danceability • 60% Energy • 33% Liveness
8% Instrumentalness • 39% Positiveness
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Harumi
Don't Know What I'm Gonna Do
87 bpm • A# Maj • 03:09 • -15.97db
35% Popularity • 32% Danceability • 30% Energy • 10% Liveness
11% Instrumentalness • 48% Positiveness
35% Popularity • 32% Danceability • 30% Energy • 10% Liveness
11% Instrumentalness • 48% Positiveness
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The Zombies
Girl Help Me
87 bpm • G min • 02:22 • -10.36db
24% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
24% Popularity • 54% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Robert Lester Folsom
April Suzanne
64 bpm • C Maj • 04:03 • -13.75db
22% Popularity • 50% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 50% Danceability • 53% Energy • 7% Liveness
0% Instrumentalness • 49% Positiveness
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Elliott Smith
Independence Day
87 bpm • C Maj • 03:04 • -10.85db
49% Popularity • 57% Danceability • 51% Energy • 12% Liveness
7% Instrumentalness • 46% Positiveness
49% Popularity • 57% Danceability • 51% Energy • 12% Liveness
7% Instrumentalness • 46% Positiveness
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The Mamas & The Papas
Safe In My Garden
87 bpm • C Maj • 03:12 • -13db
42% Popularity • 43% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
42% Popularity • 43% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 16% Positiveness
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Alexander 'Skip' Spence
I Think You and I
87 bpm • A Maj • 01:14 • -22db
22% Popularity • 52% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 41% Positiveness
22% Popularity • 52% Danceability • 17% Energy • 11% Liveness
3% Instrumentalness • 41% Positiveness
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The Creation
If I Stay Too Long
88 bpm • A Maj • 03:27 • -6.77db
31% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 51% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Nico
The Fairest Of The Seasons
88 bpm • F# Maj • 04:06 • -13db
48% Popularity • 35% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
48% Popularity • 35% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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Parsley Sound
Ease Yourself and Glide
88 bpm • G# Maj • 03:19 • -8.57db
39% Popularity • 50% Danceability • 60% Energy • 9% Liveness
63% Instrumentalness • 69% Positiveness
39% Popularity • 50% Danceability • 60% Energy • 9% Liveness
63% Instrumentalness • 69% Positiveness
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Captain Beefheart & His Magic Band
Her Eyes Are a Blue Million Miles
89 bpm • E min • 02:57 • -15.84db
46% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 79% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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The West Coast Pop Art Experimental Band
Eighteen Is over the Hill
88 bpm • F# Maj • 02:42 • -13.25db
37% Popularity • 32% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
37% Popularity • 32% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Millennium
Prelude
89 bpm • D min • 01:18 • -11db
29% Popularity • 48% Danceability • 82% Energy • 10% Liveness
54% Instrumentalness • 69% Positiveness
29% Popularity • 48% Danceability • 82% Energy • 10% Liveness
54% Instrumentalness • 69% Positiveness
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King Crimson
I Talk To The Wind
89 bpm • A min • 03:15 • -10.25db
30% Popularity • 49% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
30% Popularity • 49% Danceability • 47% Energy • 15% Liveness
0% Instrumentalness • 44% Positiveness
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George Harrison
Ballad of Sir Frankie Crisp (Let It Roll...
90 bpm • B min • 03:48 • -9.68db
49% Popularity • 43% Danceability • 58% Energy • 13% Liveness
43% Instrumentalness • 45% Positiveness
49% Popularity • 43% Danceability • 58% Energy • 13% Liveness
43% Instrumentalness • 45% Positiveness
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Procol Harum
She Wandered Through the Garden Fence - ...
89 bpm • C Maj • 03:26 • -7.22db
32% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 56% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Paul McCartney
Junk - 2011 Remaster
91 bpm • A Maj • 01:55 • -17.7db
58% Popularity • 71% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
58% Popularity • 71% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 32% Positiveness
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Jefferson Airplane
Today
90 bpm • D min • 02:57 • -14db
54% Popularity • 51% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
54% Popularity • 51% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Cream
Dreaming
91 bpm • A min • 01:58 • -14.33db
47% Popularity • 29% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 29% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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The Mamas & The Papas
People Like Us
91 bpm • D# min • 03:26 • -13.1db
36% Popularity • 60% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 60% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Robert Lester Folsom
Situations
91 bpm • A Maj • 03:03 • -5.01db
14% Popularity • 45% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
14% Popularity • 45% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 78% Positiveness
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Harry Nilsson
Me and My Arrow
92 bpm • A# Maj • 02:05 • -14.08db
44% Popularity • 80% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
44% Popularity • 80% Danceability • 51% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Paul McCartney
Hey Diddle (Dixon Van Winkle Mix) - 2012...
91 bpm • C min • 03:48 • -18.39db
37% Popularity • 66% Danceability • 16% Energy • 9% Liveness
26% Instrumentalness • 55% Positiveness
37% Popularity • 66% Danceability • 16% Energy • 9% Liveness
26% Instrumentalness • 55% Positiveness
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Strawberry Alarm Clock
Curse Of The Witches
92 bpm • F Maj • 06:45 • -10.13db
27% Popularity • 36% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 36% Danceability • 52% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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The Red Krayola
Victory Garden (2011 Sonic Boom Remaster...
92 bpm • C Maj • 01:51 • -15.3db
19% Popularity • 57% Danceability • 31% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
19% Popularity • 57% Danceability • 31% Energy • 10% Liveness
21% Instrumentalness • 36% Positiveness
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Emitt Rhodes
Promises I've Made
92 bpm • G# Maj • 03:24 • -11.65db
40% Popularity • 60% Danceability • 55% Energy • 12% Liveness
82% Instrumentalness • 69% Positiveness
40% Popularity • 60% Danceability • 55% Energy • 12% Liveness
82% Instrumentalness • 69% Positiveness
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Robert Lester Folsom
Love Is
91 bpm • F Maj • 03:26 • -7.96db
24% Popularity • 57% Danceability • 60% Energy • 12% Liveness
43% Instrumentalness • 80% Positiveness
24% Popularity • 57% Danceability • 60% Energy • 12% Liveness
43% Instrumentalness • 80% Positiveness
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The Byrds
Draft Morning
92 bpm • D Maj • 02:42 • -13.79db
36% Popularity • 45% Danceability • 49% Energy • 55% Liveness
87% Instrumentalness • 50% Positiveness
36% Popularity • 45% Danceability • 49% Energy • 55% Liveness
87% Instrumentalness • 50% Positiveness
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Paul McCartney
Uncle Albert / Admiral Halsey - Medley /...
92 bpm • G Maj • 04:55 • -9.81db
56% Popularity • 37% Danceability • 51% Energy • 18% Liveness
2% Instrumentalness • 54% Positiveness
56% Popularity • 37% Danceability • 51% Energy • 18% Liveness
2% Instrumentalness • 54% Positiveness
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The Millennium
To Claudia on Thursday
93 bpm • A Maj • 03:25 • -13db
30% Popularity • 60% Danceability • 59% Energy • 36% Liveness
1% Instrumentalness • 68% Positiveness
30% Popularity • 60% Danceability • 59% Energy • 36% Liveness
1% Instrumentalness • 68% Positiveness
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Nico
These Days
93 bpm • F Maj • 03:30 • -17.64db
67% Popularity • 40% Danceability • 13% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
67% Popularity • 40% Danceability • 13% Energy • 10% Liveness
30% Instrumentalness • 21% Positiveness
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Wendy & Bonnie
I Realized You
93 bpm • G min • 03:42 • -14.15db
30% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 49% Danceability • 18% Energy • 8% Liveness
0% Instrumentalness • 17% Positiveness
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Kaleidoscope
Keep Your Mind Open
93 bpm • A Maj • 02:18 • -13.05db
30% Popularity • 48% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
30% Popularity • 48% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 30% Positiveness
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The Byrds
Wasn't Born to Follow
93 bpm • G Maj • 02:03 • -8.85db
49% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 48% Danceability • 44% Energy • 20% Liveness
0% Instrumentalness • 54% Positiveness
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Paul McCartney
Every Night - 2011 Remaster
94 bpm • E Maj • 02:33 • -12db
60% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
60% Popularity • 60% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 87% Positiveness
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Phil Cordell
Red Lady
94 bpm • F# Maj • 02:30 • -4.96db
35% Popularity • 49% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
35% Popularity • 49% Danceability • 85% Energy • 22% Liveness
0% Instrumentalness • 88% Positiveness
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Link Wray
Ice People
95 bpm • G# Maj • 03:03 • -12.82db
32% Popularity • 68% Danceability • 50% Energy • 31% Liveness
21% Instrumentalness • 72% Positiveness
32% Popularity • 68% Danceability • 50% Energy • 31% Liveness
21% Instrumentalness • 72% Positiveness
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The Millennium
Some Sunny Day
95 bpm • G Maj • 03:24 • -11.11db
19% Popularity • 43% Danceability • 58% Energy • 50% Liveness
2% Instrumentalness • 45% Positiveness
19% Popularity • 43% Danceability • 58% Energy • 50% Liveness
2% Instrumentalness • 45% Positiveness
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Guided By Voices
As We Go Up, We Go Down
95 bpm • G Maj • 01:37 • -6.18db
46% Popularity • 39% Danceability • 90% Energy • 7% Liveness
22% Instrumentalness • 73% Positiveness
46% Popularity • 39% Danceability • 90% Energy • 7% Liveness
22% Instrumentalness • 73% Positiveness
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The Byrds
Get to You
94 bpm • D Maj • 02:39 • -10.2db
25% Popularity • 43% Danceability • 50% Energy • 51% Liveness
0% Instrumentalness • 66% Positiveness
25% Popularity • 43% Danceability • 50% Energy • 51% Liveness
0% Instrumentalness • 66% Positiveness
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Paul McCartney
Too Many People - 2012 Remaster
95 bpm • G Maj • 04:10 • -9db
48% Popularity • 43% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
48% Popularity • 43% Danceability • 68% Energy • 35% Liveness
0% Instrumentalness • 54% Positiveness
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Jimi Hendrix
May This Be Love
95 bpm • G# Maj • 03:10 • -9.4db
47% Popularity • 54% Danceability • 61% Energy • 12% Liveness
11% Instrumentalness • 49% Positiveness
47% Popularity • 54% Danceability • 61% Energy • 12% Liveness
11% Instrumentalness • 49% Positiveness
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The Zombies
Call of the Night - Demo Version
95 bpm • A min • 01:59 • -9.13db
16% Popularity • 47% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
16% Popularity • 47% Danceability • 57% Energy • 4% Liveness
0% Instrumentalness • 58% Positiveness
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The Millennium
Blight
95 bpm • C min • 02:55 • -13.01db
15% Popularity • 54% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
15% Popularity • 54% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 61% Positiveness
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The Association
Never My Love - Remastered Version
96 bpm • F# Maj • 03:07 • -12db
55% Popularity • 44% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
55% Popularity • 44% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 61% Positiveness
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Ultimate Spinach
Gilded Lamp of the Cosmos
96 bpm • D Maj • 03:04 • -9db
29% Popularity • 62% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
29% Popularity • 62% Danceability • 33% Energy • 18% Liveness
0% Instrumentalness • 65% Positiveness
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The West Coast Pop Art Experimental Band
As the World Rises and Falls
96 bpm • A Maj • 04:52 • -16.08db
21% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
21% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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The Peanut Butter Conspiracy
Ecstasy
96 bpm • F# min • 06:17 • -17db
25% Popularity • 40% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
25% Popularity • 40% Danceability • 19% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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The Zombies
I Want You Back Again
96 bpm • A# Maj • 02:15 • -11.3db
37% Popularity • 45% Danceability • 56% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
37% Popularity • 45% Danceability • 56% Energy • 9% Liveness
2% Instrumentalness • 56% Positiveness
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George Harrison
Wah-Wah (2014 Remaster)
96 bpm • A Maj • 05:37 • -5.95db
51% Popularity • 36% Danceability • 89% Energy • 27% Liveness
15% Instrumentalness • 59% Positiveness
51% Popularity • 36% Danceability • 89% Energy • 27% Liveness
15% Instrumentalness • 59% Positiveness
