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Been Away Too Long
Songs like
Been Away Too Long
by
The Whitlams
Based on a tempo of (+/- 10%) and a similar genre
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The Whitlams
Been Away Too Long
117 bpm • G# Maj • 03:57 • -8.58db
16% Popularity • 57% Danceability • 67% Energy • 22% Liveness
0% Instrumentalness • 36% Positiveness
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Augie March
Bottle Baby
117 bpm • C Maj • 04:28 • -9.5db
12% Popularity • 46% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Busby Marou
This Moment
117 bpm • D Maj • 03:12 • -6.85db
19% Popularity • 72% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 46% Positiveness
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Lior
This Old Love
117 bpm • C# Maj • 03:03 • -15db
43% Popularity • 49% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Machine Gun Fellatio
My Ex Girlfriend's Boyfriend
117 bpm • C Maj • 03:02 • -10.14db
22% Popularity • 50% Danceability • 28% Energy • 51% Liveness
0% Instrumentalness • 43% Positiveness
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Greg Johnson
You Stay Out Of Your Life (And I'll Stay...
118 bpm • G Maj • 04:05 • -11.44db
6% Popularity • 61% Danceability • 62% Energy • 22% Liveness
0% Instrumentalness • 55% Positiveness
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Boom Crash Opera
Dancing In The Storm
116 bpm • G Maj • 04:12 • -5db
53% Popularity • 49% Danceability • 86% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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Birds Of Tokyo
Heard It Through The Grapevine - Acousti...
116 bpm • C Maj • 04:27 • -14.03db
21% Popularity • 50% Danceability • 50% Energy • 40% Liveness
0% Instrumentalness • 47% Positiveness
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Deborah Conway
Under My Skin
116 bpm • D min • 03:34 • -10db
20% Popularity • 67% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Eskimo Joe
Childhood Behaviour
118 bpm • C Maj • 03:35 • -9.93db
18% Popularity • 69% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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Bob Evans
Someone So Much
118 bpm • D Maj • 03:34 • -7.05db
7% Popularity • 56% Danceability • 56% Energy • 21% Liveness
0% Instrumentalness • 35% Positiveness
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Machine Gun Fellatio
What the Fuck
116 bpm • E Maj • 04:11 • -7.64db
21% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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George
Breaking It Slowly
118 bpm • C Maj • 04:02 • -8.32db
22% Popularity • 54% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Ben Lee
Catch My Disease
116 bpm • B Maj • 04:14 • -6.27db
47% Popularity • 77% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Custard
Girls Like That (Don't Go for Guys Like ...
118 bpm • F# Maj • 03:10 • -7db
36% Popularity • 67% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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The Black Sorrows
Mystified
116 bpm • C Maj • 04:34 • -14db
20% Popularity • 72% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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The Panics
Creaks
116 bpm • C# Maj • 04:02 • -6.31db
14% Popularity • 56% Danceability • 59% Energy • 32% Liveness
2% Instrumentalness • 37% Positiveness
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The Cruel Sea
Black Stick
116 bpm • F min • 04:58 • -10db
38% Popularity • 74% Danceability • 56% Energy • 54% Liveness
52% Instrumentalness • 82% Positiveness
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Greg Johnson
Don't Be The One
119 bpm • D Maj • 04:47 • -9.38db
8% Popularity • 50% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Bob Evans
Rocks In My Head
119 bpm • G Maj • 04:14 • -6.08db
8% Popularity • 55% Danceability • 75% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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Tex Perkins
Redheads, Gold Cards and Long Black Limo...
119 bpm • G Maj • 03:38 • -13.18db
18% Popularity • 44% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Lior
Autumn Flow
119 bpm • A# Maj • 04:12 • -8.82db
31% Popularity • 58% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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The Panics
Get Us Home
119 bpm • D min • 04:16 • -5.77db
23% Popularity • 52% Danceability • 80% Energy • 14% Liveness
4% Instrumentalness • 40% Positiveness
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Ben Lee
Cigarettes Will Kill You
115 bpm • G# Maj • 03:50 • -7.65db
44% Popularity • 71% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Regurgitator
! (The Song Formerly Known As)
115 bpm • B Maj • 03:26 • -4db
42% Popularity • 64% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Goanna
On the Platform - Remastered Version
120 bpm • C Maj • 05:16 • -8.04db
19% Popularity • 30% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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The Whitlams
God Drinks At The Sando
115 bpm • C Maj • 02:53 • -13.8db
14% Popularity • 45% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Ratcat
Don't Go Now
114 bpm • C# Maj • 03:11 • -7db
39% Popularity • 50% Danceability • 91% Energy • 38% Liveness
0% Instrumentalness • 48% Positiveness
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The Black Sorrows
Chained To The Wheel
120 bpm • D Maj • 03:57 • -12db
51% Popularity • 58% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
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The Badloves
Barefoot Bride
120 bpm • A min • 04:13 • -9.36db
23% Popularity • 65% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 84% Positiveness
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Ben Lee
Nothing Much Happens
120 bpm • C# Maj • 03:38 • -5.99db
24% Popularity • 77% Danceability • 66% Energy • 4% Liveness
0% Instrumentalness • 86% Positiveness
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Deborah Conway
Today I Am a Daisy
120 bpm • C Maj • 03:34 • -10db
18% Popularity • 66% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 90% Positiveness
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Holly Throsby
Not The Girl You Think You Are
120 bpm • E Maj • 03:36 • -10.78db
21% Popularity • 66% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Nick Barker & The Reptiles
Miles to Go
120 bpm • E Maj • 04:04 • -15.12db
12% Popularity • 60% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Bob Evans
Friend
120 bpm • E Maj • 03:29 • -6.56db
13% Popularity • 53% Danceability • 77% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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George
Still Real
120 bpm • D Maj • 04:25 • -10db
15% Popularity • 58% Danceability • 52% Energy • 17% Liveness
6% Instrumentalness • 36% Positiveness
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Ben Lee
Ten Feet Tall
120 bpm • D Maj • 02:20 • -8.86db
11% Popularity • 69% Danceability • 38% Energy • 28% Liveness
0% Instrumentalness • 57% Positiveness
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Taxiride
Can You Feel
114 bpm • G# Maj • 03:17 • -7db
24% Popularity • 61% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 39% Positiveness
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Weddings Parties Anything
Knockbacks in Halifax
120 bpm • D Maj • 03:27 • -11.73db
15% Popularity • 52% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 64% Positiveness
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The Panics
Feeling Is Gone
114 bpm • E Maj • 03:23 • -6.61db
22% Popularity • 52% Danceability • 68% Energy • 38% Liveness
10% Instrumentalness • 39% Positiveness
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Bob Evans
Sadness & Whiskey
120 bpm • C Maj • 03:12 • -7.44db
15% Popularity • 59% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Lior
The Art of Cruelty
120 bpm • A# Maj • 03:34 • -10.13db
13% Popularity • 70% Danceability • 32% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Ben Lee
Ache For You
114 bpm • G Maj • 04:05 • -14.32db
12% Popularity • 77% Danceability • 33% Energy • 37% Liveness
0% Instrumentalness • 76% Positiveness
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Custard
Alone
114 bpm • G Maj • 02:42 • -9.16db
17% Popularity • 60% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Cold Chisel
Flame Trees - 2011 Remastered
120 bpm • E Maj • 04:24 • -4.27db
52% Popularity • 67% Danceability • 67% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Hunters & Collectors
Where Do You Go?
121 bpm • G Maj • 03:58 • -3.52db
39% Popularity • 66% Danceability • 88% Energy • 9% Liveness
4% Instrumentalness • 68% Positiveness
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Augie March
One Crowded Hour
113 bpm • A Maj • 04:50 • -8.45db
49% Popularity • 41% Danceability • 43% Energy • 13% Liveness
0% Instrumentalness • 36% Positiveness
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The Whitlams
I Was Alive
113 bpm • F Maj • 03:06 • -6.72db
19% Popularity • 55% Danceability • 77% Energy • 8% Liveness
0% Instrumentalness • 92% Positiveness
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Jebediah
Please Leave
121 bpm • G# min • 03:36 • -6.25db
26% Popularity • 70% Danceability • 94% Energy • 11% Liveness
7% Instrumentalness • 82% Positiveness
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Tim Rogers & The Twin Set
Twenty Eight
113 bpm • D Maj • 03:28 • -8.52db
8% Popularity • 54% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Tim Finn
Not Even Close
121 bpm • C Maj • 04:19 • -13.2db
15% Popularity • 59% Danceability • 50% Energy • 5% Liveness
0% Instrumentalness • 53% Positiveness
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You Am I
Heavy Heart
113 bpm • C Maj • 03:11 • -11db
41% Popularity • 70% Danceability • 35% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Bob Evans
Hand Me Downs
121 bpm • G Maj • 03:32 • -6db
4% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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The Whitlams
Up Against The Wall
113 bpm • B min • 05:28 • -5.92db
17% Popularity • 55% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 54% Positiveness
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Hunters & Collectors
We The People
121 bpm • A Maj • 03:42 • -3.55db
24% Popularity • 63% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Eskimo Joe
Your Eyes
113 bpm • C# Maj • 03:15 • -9.25db
9% Popularity • 68% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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The Badloves
Memphis
113 bpm • A Maj • 05:09 • -18db
27% Popularity • 35% Danceability • 33% Energy • 28% Liveness
0% Instrumentalness • 31% Positiveness
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Jebediah
Leaving Home
122 bpm • F# Maj • 03:01 • -6.61db
47% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Paul Dempsey
Safety In Numbness
113 bpm • A# Maj • 05:01 • -4.25db
14% Popularity • 50% Danceability • 58% Energy • 31% Liveness
0% Instrumentalness • 35% Positiveness
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The Whitlams
Keep the Light On
113 bpm • D Maj • 03:40 • -8.33db
19% Popularity • 44% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Deadstar
Run Baby Run
122 bpm • C Maj • 03:30 • -5db
29% Popularity • 54% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Boom Crash Opera
Mountain Of Strength
122 bpm • A min • 04:10 • -6.16db
9% Popularity • 43% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 37% Positiveness
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The Badloves
Lost
112 bpm • G Maj • 03:32 • -12db
34% Popularity • 50% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Sarah Blasko
Always On This Line
122 bpm • F min • 04:11 • -8.49db
26% Popularity • 60% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Icecream Hands
Dodgy
122 bpm • F Maj • 02:40 • -3.7db
15% Popularity • 48% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Hoodoo Gurus
Bittersweet - 2005 Remaster
122 bpm • G Maj • 03:50 • -4.59db
50% Popularity • 49% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 61% Positiveness
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The Panics
Something In The Garden
112 bpm • D Maj • 04:57 • -7.8db
8% Popularity • 48% Danceability • 68% Energy • 15% Liveness
1% Instrumentalness • 19% Positiveness
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The Audreys
Where Are You Now?
123 bpm • D Maj • 04:38 • -11.41db
20% Popularity • 51% Danceability • 29% Energy • 13% Liveness
1% Instrumentalness • 19% Positiveness
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The Badloves
Sugar Daddy
112 bpm • B min • 06:15 • -13.09db
14% Popularity • 51% Danceability • 38% Energy • 8% Liveness
15% Instrumentalness • 69% Positiveness
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Motor Ace
Ride The Wave
123 bpm • C# Maj • 04:03 • -3.95db
10% Popularity • 47% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Paul Dempsey
Blindspot
123 bpm • D min • 03:52 • -6.09db
17% Popularity • 57% Danceability • 83% Energy • 43% Liveness
0% Instrumentalness • 86% Positiveness
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Even
Black Umbrella
111 bpm • D Maj • 03:22 • -7db
23% Popularity • 50% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Bob Evans
Nowhere Without You
123 bpm • A min • 04:19 • -7db
26% Popularity • 82% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Tim Finn
Salt to the Sea
123 bpm • E min • 03:45 • -11.11db
18% Popularity • 60% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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The Badloves
Green Limousine
112 bpm • G Maj • 03:45 • -13db
41% Popularity • 77% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Hoodoo Gurus
My Girl - Remaster 2005
111 bpm • E Maj • 02:39 • -3.9db
45% Popularity • 57% Danceability • 86% Energy • 21% Liveness
0% Instrumentalness • 78% Positiveness
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The Panics
Live Without
123 bpm • G Maj • 04:15 • -6.33db
13% Popularity • 54% Danceability • 89% Energy • 22% Liveness
0% Instrumentalness • 51% Positiveness
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Custard
The New Matthew
111 bpm • F Maj • 04:17 • -6.45db
19% Popularity • 42% Danceability • 85% Energy • 46% Liveness
0% Instrumentalness • 58% Positiveness
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Richard Clapton
Girls on the Avenue
123 bpm • C min • 04:02 • -13.94db
49% Popularity • 64% Danceability • 53% Energy • 11% Liveness
8% Instrumentalness • 84% Positiveness
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The Whitlams
Keep The Light On (Live)
111 bpm • D Maj • 03:54 • -7db
28% Popularity • 30% Danceability • 43% Energy • 69% Liveness
0% Instrumentalness • 24% Positiveness
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Lior
Stuck in a War
111 bpm • C Maj • 03:17 • -8db
12% Popularity • 71% Danceability • 60% Energy • 20% Liveness
0% Instrumentalness • 75% Positiveness
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Shane Howard
Let the Franklin Flow
111 bpm • F Maj • 03:22 • -5.76db
16% Popularity • 72% Danceability • 60% Energy • 26% Liveness
0% Instrumentalness • 61% Positiveness
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Goanna
Razor's Edge - Remastered Version
123 bpm • D Maj • 05:11 • -8db
45% Popularity • 69% Danceability • 64% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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The Panics
Confess
123 bpm • A# min • 03:59 • -5.83db
9% Popularity • 55% Danceability • 86% Energy • 26% Liveness
1% Instrumentalness • 42% Positiveness
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The Go-Betweens
Finding You
124 bpm • C Maj • 04:02 • -4.05db
25% Popularity • 53% Danceability • 79% Energy • 8% Liveness
7% Instrumentalness • 50% Positiveness
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Even
Shining Star
124 bpm • D Maj • 03:15 • -7db
11% Popularity • 50% Danceability • 68% Energy • 33% Liveness
15% Instrumentalness • 26% Positiveness
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George
Bastard Son
124 bpm • C Maj • 04:08 • -8.98db
20% Popularity • 53% Danceability • 79% Energy • 7% Liveness
1% Instrumentalness • 50% Positiveness
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Lior
Gypsy Girl
124 bpm • C Maj • 03:09 • -8.06db
27% Popularity • 70% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Tim Rogers & The Twin Set
Happy Anniversary
110 bpm • F min • 03:50 • -7.75db
10% Popularity • 61% Danceability • 50% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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The Panics
Ruins
111 bpm • C Maj • 03:41 • -8db
13% Popularity • 58% Danceability • 58% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Custard
Hit Song
124 bpm • G Maj • 02:22 • -5.12db
20% Popularity • 56% Danceability • 96% Energy • 50% Liveness
0% Instrumentalness • 82% Positiveness
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Richard Clapton
Capricorn Dancer
124 bpm • E Maj • 03:51 • -14.62db
40% Popularity • 62% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Deborah Conway
King of Jordan
110 bpm • A Maj • 04:06 • -9.69db
10% Popularity • 57% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Lior
Grey Ocean
124 bpm • G min • 03:35 • -14.24db
30% Popularity • 62% Danceability • 32% Energy • 9% Liveness
2% Instrumentalness • 35% Positiveness
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Jenny Morris
Street of Love
110 bpm • D Maj • 03:12 • -9db
29% Popularity • 72% Danceability • 54% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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The Panics
Majesty
125 bpm • C# Maj • 04:03 • -8db
21% Popularity • 69% Danceability • 57% Energy • 10% Liveness
50% Instrumentalness • 15% Positiveness
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The Saints
Just Like Fire Would
125 bpm • G Maj • 03:24 • -10db
39% Popularity • 55% Danceability • 75% Energy • 13% Liveness
1% Instrumentalness • 95% Positiveness
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Tex Perkins
You're 39
125 bpm • C Maj • 03:20 • -7.25db
23% Popularity • 56% Danceability • 46% Energy • 12% Liveness
8% Instrumentalness • 15% Positiveness
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Eskimo Joe
Don't Let It Fly
126 bpm • F# Maj • 02:46 • -4.72db
18% Popularity • 49% Danceability • 92% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Lior
Burst Your Bubble
125 bpm • A# Maj • 03:22 • -7.67db
23% Popularity • 70% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 70% Positiveness
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Been Away Too Long