Songs like Before the Breakdown (Reprise) by Zoe Jensen
Based on a tempo of (+/- 10%) and a similar genre
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Hailey Kilgore
Discovering Daniel / Pray
97 bpm • E min • 06:52 • -11.76db
26% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
26% Popularity • 55% Danceability • 25% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Andrew Kober
Brillig Braelig
97 bpm • G# Maj • 02:32 • -8db
33% Popularity • 71% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
33% Popularity • 71% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 38% Positiveness
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Carrie Compere
Strong
97 bpm • D Maj • 03:26 • -7.69db
39% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
39% Popularity • 44% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Alice Ripley
Wish I Were Here
97 bpm • B min • 03:06 • -8.31db
31% Popularity • 47% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
31% Popularity • 47% Danceability • 58% Energy • 20% Liveness
0% Instrumentalness • 60% Positiveness
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Hunter Foster
Hundred Story City
97 bpm • C Maj • 03:39 • -9.86db
20% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
20% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Anna Kendrick
Goodbye Until Tomorrow / I Could Never R...
97 bpm • F Maj • 08:06 • -8.98db
36% Popularity • 33% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
36% Popularity • 33% Danceability • 39% Energy • 17% Liveness
0% Instrumentalness • 16% Positiveness
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Adam Riegler
What If
97 bpm • D Maj • 02:06 • -14db
36% Popularity • 47% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
36% Popularity • 47% Danceability • 9% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Annaleigh Ashford
Dogfight
97 bpm • D min • 03:03 • -5.05db
35% Popularity • 63% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
35% Popularity • 63% Danceability • 63% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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![After Everything I've Done For You (That You Didn't Ask For) [feat. Donna Lynne Champlin] cover art](https://i.scdn.co/image/ab67616d00001e02e2682f9803c2d2f1531ecd39)
Crazy Ex-Girlfriend Cast
After Everything I've Done For You (That...
96 bpm • C Maj • 02:43 • -6db
30% Popularity • 59% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 59% Danceability • 49% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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Neil Bartram
Me & Ricky
98 bpm • F min • 05:54 • -11.04db
22% Popularity • 55% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 55% Danceability • 25% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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The Original Broadway Cast Of School Of Rock
Give up Your Dreams
98 bpm • F Maj • 03:20 • -4db
30% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 59% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Sarah Charles Lewis
Good Girl Winnie Foster
98 bpm • F# Maj • 02:59 • -9.39db
36% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
36% Popularity • 66% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 71% Positiveness
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Lareun Zakrin
The Breakdown
98 bpm • G Maj • 02:45 • -8.71db
18% Popularity • 61% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
18% Popularity • 61% Danceability • 45% Energy • 31% Liveness
0% Instrumentalness • 33% Positiveness
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F. Michael Haynie
Dear Lucy
98 bpm • G# Maj • 03:42 • -10db
13% Popularity • 64% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
13% Popularity • 64% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 40% Positiveness
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Alice Ripley
Who's Crazy / My Psychopharmacologist an...
96 bpm • G min • 05:02 • -12db
35% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
35% Popularity • 48% Danceability • 27% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Leslie Kritzer
No Reason
98 bpm • F# Maj • 03:11 • -5.6db
50% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
50% Popularity • 69% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 66% Positiveness
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Heidi Blickenstaff
I Got This
95 bpm • C# Maj • 04:51 • -5db
31% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
31% Popularity • 66% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 82% Positiveness
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Kate Shindle
The Mad Hatter
98 bpm • E min • 03:02 • -10.23db
39% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
39% Popularity • 52% Danceability • 50% Energy • 24% Liveness
0% Instrumentalness • 39% Positiveness
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Sarah Charles Lewis
Good Girl Winnie Foster - Reprise
99 bpm • G Maj • 00:59 • -11.53db
28% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
28% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Original Cast of Amélie
Sister's Pickle
99 bpm • F# Maj • 02:07 • -7db
28% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Lauren Samuels
Someone You'd Be Proud Of
95 bpm • A Maj • 03:37 • -7.41db
20% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
20% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Amber Gray
How Long?
95 bpm • D min • 03:41 • -11.91db
47% Popularity • 39% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
47% Popularity • 39% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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Marin Mazzie
I Remember How Those Boys Could Dance
100 bpm • D# Maj • 05:17 • -6.54db
28% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 44% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Something Isn't Right Here
95 bpm • F min • 02:44 • -7.06db
34% Popularity • 60% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
34% Popularity • 60% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Finn Anderson
Same but Different
100 bpm • A# Maj • 04:54 • -14db
18% Popularity • 84% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 84% Danceability • 10% Energy • 20% Liveness
0% Instrumentalness • 52% Positiveness
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Bonnie Milligan
How Much More
100 bpm • C# min • 02:03 • -3.02db
21% Popularity • 62% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
21% Popularity • 62% Danceability • 92% Energy • 22% Liveness
0% Instrumentalness • 48% Positiveness
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SIX
The One You've Been Waiting For
100 bpm • F min • 01:06 • -10.32db
49% Popularity • 63% Danceability • 59% Energy • 74% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 63% Danceability • 59% Energy • 74% Liveness
0% Instrumentalness • 57% Positiveness
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Zoe Jensen
Before the Breakdown (Reprise)
94 bpm • D Maj • 01:17 • -14.31db
17% Popularity • 57% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 57% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Alex Brightman
Crazytown
94 bpm • F# Maj • 05:06 • -9db
32% Popularity • 67% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
32% Popularity • 67% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Killer Instinct
94 bpm • A Maj • 02:58 • -6.15db
47% Popularity • 70% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 70% Danceability • 45% Energy • 19% Liveness
0% Instrumentalness • 51% Positiveness
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Stephanie Hsu
I Love Play Rehearsal
94 bpm • C Maj • 03:26 • -8db
26% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
26% Popularity • 54% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Leslie Hiatt
Another New York Love Story
100 bpm • G Maj • 05:10 • -9.19db
18% Popularity • 45% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 45% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Victoria Platt
We're Not Children Anymore
94 bpm • C min • 04:20 • -9.48db
9% Popularity • 62% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
9% Popularity • 62% Danceability • 40% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Neil Bartram
I'm Allergic to Cats
101 bpm • F Maj • 03:31 • -12db
21% Popularity • 60% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 60% Danceability • 35% Energy • 19% Liveness
0% Instrumentalness • 44% Positiveness
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Denée Benton
The Ball
93 bpm • F Maj • 05:49 • -8.98db
34% Popularity • 39% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
34% Popularity • 39% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Jeremy Jordan
Raise a Little Hell (Reprise)
93 bpm • D Maj • 02:25 • -8.64db
32% Popularity • 47% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
32% Popularity • 47% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Jeanine Tesori
Come to the Fun Home
93 bpm • G Maj • 02:56 • -10.35db
29% Popularity • 60% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 60% Danceability • 61% Energy • 19% Liveness
0% Instrumentalness • 79% Positiveness
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Matt Dahan
Where Are We Going?
101 bpm • F# min • 02:51 • -7.74db
22% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
22% Popularity • 77% Danceability • 48% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Derek Klena
Come to a Party
101 bpm • C Maj • 04:33 • -8db
31% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 55% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Carolee Carmello
The Story of the Tucks
93 bpm • G# Maj • 02:43 • -12.96db
28% Popularity • 75% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
28% Popularity • 75% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Josh Groban
Pierre
93 bpm • E min • 04:04 • -7.1db
41% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
41% Popularity • 48% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 30% Positiveness
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Molly Gordon
I've Shrunk Enough
93 bpm • B min • 02:38 • -7db
33% Popularity • 72% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 72% Danceability • 65% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Cheech Manohar
Whose House Is This?
101 bpm • A Maj • 02:36 • -4.85db
46% Popularity • 82% Danceability • 89% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
46% Popularity • 82% Danceability • 89% Energy • 83% Liveness
0% Instrumentalness • 59% Positiveness
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Krystina Alabado
There Was A Party
102 bpm • F# min • 02:03 • -15.98db
20% Popularity • 62% Danceability • 21% Energy • 37% Liveness
1% Instrumentalness • 21% Positiveness
20% Popularity • 62% Danceability • 21% Energy • 37% Liveness
1% Instrumentalness • 21% Positiveness
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Arielle Jacobs
A Whole New Story
101 bpm • G# Maj • 03:50 • -9.68db
20% Popularity • 33% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 33% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 13% Positiveness
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Amina Faye
I Hope
93 bpm • F# Maj • 05:19 • -8.25db
9% Popularity • 42% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
9% Popularity • 42% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Barrett Doss
If I Had My Time Again
92 bpm • B min • 04:59 • -6db
23% Popularity • 35% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
23% Popularity • 35% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Amber Gray
Charming
102 bpm • D# Maj • 04:27 • -9db
37% Popularity • 80% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
37% Popularity • 80% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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George Salazar
The Tree on the Hill
102 bpm • G Maj • 02:57 • -12.41db
41% Popularity • 41% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 41% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Working: A Musical (Original London Cast)
All the Livelong Day
102 bpm • B Maj • 03:37 • -11.21db
15% Popularity • 46% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 46% Danceability • 49% Energy • 18% Liveness
0% Instrumentalness • 62% Positiveness
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Alan Zachary
Safer
102 bpm • G# Maj • 03:17 • -5.32db
33% Popularity • 44% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
33% Popularity • 44% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Alice Ripley
You Don't Know
102 bpm • C Maj • 01:30 • -6.86db
35% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 62% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 63% Positiveness
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Emma Hunton
No More Fear
92 bpm • A Maj • 03:04 • -6db
29% Popularity • 57% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
29% Popularity • 57% Danceability • 48% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Ben Fankhauser
The Proposal
102 bpm • F Maj • 02:19 • -7.77db
17% Popularity • 48% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
17% Popularity • 48% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 31% Positiveness
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Chris McCarrell
The Minotaur / The Weirdest Dream
92 bpm • F Maj • 01:40 • -8.26db
36% Popularity • 48% Danceability • 39% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
36% Popularity • 48% Danceability • 39% Energy • 48% Liveness
0% Instrumentalness • 26% Positiveness
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Erika Henningsen
Do This Thing
102 bpm • G# Maj • 03:33 • -4.52db
46% Popularity • 56% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
46% Popularity • 56% Danceability • 74% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Alan Zachary
The Awkward Pause
102 bpm • D min • 02:00 • -6.73db
18% Popularity • 48% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 48% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Jeanine Tesori
Telephone Wire
103 bpm • G Maj • 04:28 • -14.49db
30% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 51% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Sydney Farley
Revolution Song
103 bpm • C Maj • 04:17 • -6db
10% Popularity • 52% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 52% Danceability • 78% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Carrie: The Musical Ensemble
In
91 bpm • E min • 04:30 • -5.88db
38% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
38% Popularity • 40% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Erin Rose Doyle
The Factory Girls / Come Up to My Office
91 bpm • C min • 04:59 • -9db
30% Popularity • 32% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
30% Popularity • 32% Danceability • 35% Energy • 15% Liveness
0% Instrumentalness • 7% Positiveness
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Matt Dahan
Enlightenment
103 bpm • D Maj • 03:21 • -8.24db
24% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
24% Popularity • 38% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Bring It On
104 bpm • F# min • 02:38 • -5.73db
35% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
35% Popularity • 64% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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SIX
I Don't Need Your Love - Remix
104 bpm • C Maj • 02:11 • -6.33db
44% Popularity • 62% Danceability • 82% Energy • 69% Liveness
0% Instrumentalness • 55% Positiveness
44% Popularity • 62% Danceability • 82% Energy • 69% Liveness
0% Instrumentalness • 55% Positiveness
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Chris McCarrell
The Last Day of Summer
104 bpm • B Maj • 03:35 • -9.07db
44% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
44% Popularity • 50% Danceability • 38% Energy • 50% Liveness
0% Instrumentalness • 38% Positiveness
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Wayne Alan Wilcox
Open Your Heart
103 bpm • F Maj • 01:54 • -6.58db
28% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
28% Popularity • 48% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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'Twelfth Night' Company
Word On The Street
104 bpm • C Maj • 01:04 • -7.84db
19% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
19% Popularity • 63% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 83% Positiveness
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Matt Dahan
Impress Me
104 bpm • A Maj • 05:43 • -7.62db
24% Popularity • 65% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
24% Popularity • 65% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 68% Positiveness
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Jason Tam
The Pitiful Children
104 bpm • C min • 04:16 • -5db
29% Popularity • 39% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
29% Popularity • 39% Danceability • 64% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Do Your Own Thing
104 bpm • A# Maj • 04:41 • -5.59db
36% Popularity • 77% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
36% Popularity • 77% Danceability • 61% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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Robert Lenzi
Time
90 bpm • G# Maj • 03:15 • -11db
30% Popularity • 53% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
30% Popularity • 53% Danceability • 33% Energy • 32% Liveness
0% Instrumentalness • 41% Positiveness
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Carrie: The Musical Ensemble
A Night We'll Never Forget
90 bpm • F Maj • 04:49 • -7db
31% Popularity • 50% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
31% Popularity • 50% Danceability • 49% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Alex Brightman
A Little Bit
105 bpm • C Maj • 04:08 • -9.88db
27% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
27% Popularity • 62% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Matt Dahan
Wheat Fields / Finale Ultimo
104 bpm • A# Maj • 05:33 • -10.28db
20% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
20% Popularity • 34% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Be More Chill Original Broadway Ensemble
The Play
90 bpm • E Maj • 06:20 • -6.59db
21% Popularity • 45% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 45% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 49% Positiveness
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Krystina Alabado
The Girl Who Drove Away
90 bpm • F Maj • 02:41 • -9.66db
27% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
27% Popularity • 36% Danceability • 27% Energy • 16% Liveness
0% Instrumentalness • 48% Positiveness
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Alice Ripley
The Break
90 bpm • E min • 01:23 • -8.41db
29% Popularity • 54% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
29% Popularity • 54% Danceability • 61% Energy • 38% Liveness
0% Instrumentalness • 22% Positiveness
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Jonathan Raviv
Their Sign
105 bpm • E Maj • 03:00 • -9.73db
38% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
38% Popularity • 60% Danceability • 37% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Fra Fee
The Turning Of The Key
105 bpm • A Maj • 04:12 • -9.85db
17% Popularity • 40% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
17% Popularity • 40% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Matt Dahan
The Road
105 bpm • C# min • 05:18 • -9.2db
22% Popularity • 52% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
22% Popularity • 52% Danceability • 36% Energy • 7% Liveness
0% Instrumentalness • 22% Positiveness
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Darren Ritchie
I Am My Own Invention
89 bpm • A# Maj • 02:51 • -17db
20% Popularity • 23% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
20% Popularity • 23% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Sarah Charles Lewis
The Wheel
105 bpm • D# Maj • 04:18 • -12.44db
27% Popularity • 47% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
27% Popularity • 47% Danceability • 21% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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StarKid Productions
Monsters and Men (Reprise)
89 bpm • D Maj • 01:02 • -10.59db
29% Popularity • 57% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
29% Popularity • 57% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Eva Noblezada
Any Way the Wind Blows
89 bpm • F Maj • 03:45 • -9.04db
53% Popularity • 44% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
53% Popularity • 44% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Daniella Bowen
Look to the Sky
106 bpm • A min • 02:58 • -7.25db
8% Popularity • 72% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
8% Popularity • 72% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Priscilla Lopez
Enough
106 bpm • C# Maj • 02:38 • -6.68db
36% Popularity • 84% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 84% Danceability • 46% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Lisa Brescia
I'll Be Here
106 bpm • C Maj • 05:25 • -15.95db
31% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 54% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Andrew Keenan-Bolger
Top of the World
106 bpm • D Maj • 02:36 • -9.48db
33% Popularity • 64% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 64% Danceability • 48% Energy • 39% Liveness
0% Instrumentalness • 74% Positiveness
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Lauren Zakrin
Kathryn's Turn Medley
106 bpm • A min • 05:26 • -9db
20% Popularity • 53% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
20% Popularity • 53% Danceability • 45% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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André De Shields
Wait for Me ("Hey, the big artiste...") ...
89 bpm • A min • 01:31 • -12.3db
49% Popularity • 69% Danceability • 34% Energy • 49% Liveness
0% Instrumentalness • 18% Positiveness
49% Popularity • 69% Danceability • 34% Energy • 49% Liveness
0% Instrumentalness • 18% Positiveness
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Maria Thayer
Hey Boys
89 bpm • A# min • 01:07 • -5db
17% Popularity • 71% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 87% Positiveness
17% Popularity • 71% Danceability • 53% Energy • 42% Liveness
0% Instrumentalness • 87% Positiveness
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Janet Dacal
Down the Rabbit Hole
89 bpm • G Maj • 01:08 • -8.72db
23% Popularity • 42% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
23% Popularity • 42% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Laura Bell Bundy
Find My Way / Finale
89 bpm • G# Maj • 05:03 • -10db
42% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
42% Popularity • 45% Danceability • 36% Energy • 16% Liveness
0% Instrumentalness • 30% Positiveness
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Sarah Charles Lewis
Everlasting
106 bpm • A# Maj • 02:43 • -10.45db
25% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 51% Danceability • 30% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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Neil Bartram
Julie's Song
88 bpm • C Maj • 03:03 • -11db
19% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 68% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Molly Gordon
Still
88 bpm • F# Maj • 02:15 • -10db
35% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 40% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Krystina Alabado
I Didn’t Say Goodbye
88 bpm • A Maj • 02:32 • -15.56db
19% Popularity • 57% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
19% Popularity • 57% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Ariana DeBose
Alyssa Greene
107 bpm • C# Maj • 02:20 • -9db
39% Popularity • 53% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 53% Danceability • 37% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness