Songs like Before We Move On by Dan Patra
Based on a tempo of (+/- 10%) and a similar genre
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Nic D
Quarantine Summer
98 bpm • B min • 02:36 • -10.68db
27% Popularity • 92% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
27% Popularity • 92% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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Dan Patra
Before We Move On
98 bpm • E min • 03:19 • -7.49db
5% Popularity • 73% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
5% Popularity • 73% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Tim Myers
Crazy Times
98 bpm • C Maj • 04:02 • -6.46db
8% Popularity • 54% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 54% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Andy Kong
Harbor in a Hurricane
98 bpm • D# Maj • 03:54 • -8.57db
23% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
23% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Kylie Spence
Friends No Benefits
98 bpm • G min • 02:26 • -9.06db
11% Popularity • 64% Danceability • 54% Energy • 17% Liveness
11% Instrumentalness • 30% Positiveness
11% Popularity • 64% Danceability • 54% Energy • 17% Liveness
11% Instrumentalness • 30% Positiveness
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Austin Prince
Hard to Bare
97 bpm • B Maj • 03:40 • -11.81db
11% Popularity • 67% Danceability • 38% Energy • 22% Liveness
1% Instrumentalness • 13% Positiveness
11% Popularity • 67% Danceability • 38% Energy • 22% Liveness
1% Instrumentalness • 13% Positiveness
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Derik Fein
Sad Boy
99 bpm • G# Maj • 03:37 • -8.76db
15% Popularity • 63% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
15% Popularity • 63% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Lili Pistorius
Too Much
99 bpm • F Maj • 02:36 • -7.55db
9% Popularity • 73% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 73% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 27% Positiveness
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Local Nomad
Gates
97 bpm • F# Maj • 03:29 • -8.22db
13% Popularity • 61% Danceability • 65% Energy • 14% Liveness
10% Instrumentalness • 73% Positiveness
13% Popularity • 61% Danceability • 65% Energy • 14% Liveness
10% Instrumentalness • 73% Positiveness
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AFTRHOURS
House Parties
97 bpm • F Maj • 03:03 • -8.83db
10% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
10% Popularity • 78% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 66% Positiveness
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The Como Brothers
Money
97 bpm • F Maj • 02:20 • -6.15db
20% Popularity • 89% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 89% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 80% Positiveness
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Ben Walsh
She Gives Me Love
97 bpm • E Maj • 03:41 • -6.11db
13% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
13% Popularity • 63% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 84% Positiveness
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Joel Woods
Audrey
100 bpm • E Maj • 02:55 • -11.82db
9% Popularity • 74% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
9% Popularity • 74% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Danny Vee
Bringing Me Down
100 bpm • B min • 03:26 • -6db
13% Popularity • 77% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 77% Danceability • 71% Energy • 26% Liveness
0% Instrumentalness • 65% Positiveness
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Loome
Still Want You
100 bpm • E min • 03:19 • -5db
10% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 72% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Thomas Harpole
Fifteen Steps
96 bpm • A Maj • 05:57 • -7db
4% Popularity • 60% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
4% Popularity • 60% Danceability • 48% Energy • 27% Liveness
0% Instrumentalness • 53% Positiveness
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Maria Lynn
Let Go Easy (Acoustic)
100 bpm • A min • 03:09 • -7.65db
12% Popularity • 66% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 66% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Common Heights
Never On Your Own
100 bpm • F# Maj • 03:55 • -9.7db
17% Popularity • 52% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
17% Popularity • 52% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Scott Boyd
Restless Heart
100 bpm • D# Maj • 03:28 • -6.61db
15% Popularity • 69% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 69% Danceability • 86% Energy • 12% Liveness
0% Instrumentalness • 76% Positiveness
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My Sun and Stars
Hello
96 bpm • G Maj • 03:28 • -6.52db
19% Popularity • 64% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
19% Popularity • 64% Danceability • 55% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Dauzat St. Marie
Robbers
100 bpm • E Maj • 04:03 • -7.27db
7% Popularity • 68% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
7% Popularity • 68% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Cesar Santalo
Jungle
100 bpm • A min • 04:52 • -11.36db
19% Popularity • 89% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
19% Popularity • 89% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Liam Mogan
Burn at Home
100 bpm • B Maj • 02:58 • -4.59db
9% Popularity • 67% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 67% Danceability • 72% Energy • 25% Liveness
0% Instrumentalness • 57% Positiveness
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Perry Bancs
All Okay
100 bpm • F# Maj • 03:47 • -10db
35% Popularity • 80% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
35% Popularity • 80% Danceability • 39% Energy • 19% Liveness
0% Instrumentalness • 25% Positiveness
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Luna Keller
I'll Bring You Home
96 bpm • C Maj • 03:07 • -6db
12% Popularity • 60% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 60% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 24% Positiveness
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Chris Jake
Lovers
100 bpm • C# min • 02:41 • -6.6db
11% Popularity • 74% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 74% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Stefan Alexander
Thunderclap
96 bpm • C# Maj • 03:31 • -5.98db
8% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
8% Popularity • 69% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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ELLI MAR
comfort zone
96 bpm • A Maj • 03:36 • -5.34db
8% Popularity • 66% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 66% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 51% Positiveness
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Derik Fein
Sweet Memories
96 bpm • E Maj • 04:25 • -10.38db
14% Popularity • 54% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
14% Popularity • 54% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Ferris Pier
Wishing You'd Stay
100 bpm • C Maj • 03:11 • -6.35db
13% Popularity • 70% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
13% Popularity • 70% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Matt Simons
Better Tomorrow - Acoustic
100 bpm • C Maj • 03:27 • -10.39db
21% Popularity • 92% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 92% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Casey Conroy
I Want U
96 bpm • F Maj • 03:45 • -5.46db
8% Popularity • 76% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 76% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 66% Positiveness
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Tamir Yechezkel
I'm Outta Love
100 bpm • D# Maj • 02:31 • -5.93db
7% Popularity • 61% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
7% Popularity • 61% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Matthew Mead
Lady
96 bpm • C Maj • 04:10 • -7.88db
11% Popularity • 88% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
11% Popularity • 88% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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The Mistrals
7 Rings - Acoustic Version
100 bpm • G# min • 03:11 • -10db
24% Popularity • 55% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
24% Popularity • 55% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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D.B. Ricapito
So Crazy
101 bpm • C# min • 02:50 • -7db
8% Popularity • 55% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 55% Danceability • 51% Energy • 6% Liveness
0% Instrumentalness • 56% Positiveness
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Jefferson Clay
Used To
95 bpm • B Maj • 02:50 • -9.86db
16% Popularity • 77% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
16% Popularity • 77% Danceability • 39% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Barrett Crake
This Town
101 bpm • G# min • 03:38 • -12db
11% Popularity • 78% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
11% Popularity • 78% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 71% Positiveness
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Austin Prince
Jesus When It Rains - The Keymakers Remi...
101 bpm • C Maj • 03:57 • -5.27db
12% Popularity • 81% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
12% Popularity • 81% Danceability • 74% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Loome
Worst Nightmare
101 bpm • B Maj • 03:13 • -7.09db
8% Popularity • 80% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
8% Popularity • 80% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Connor Brondes
Day Dreamin'
95 bpm • C min • 02:51 • -19.42db
15% Popularity • 87% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
15% Popularity • 87% Danceability • 24% Energy • 32% Liveness
0% Instrumentalness • 68% Positiveness
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Companyon
Dragon
95 bpm • D Maj • 04:45 • -7.39db
9% Popularity • 64% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
9% Popularity • 64% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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BETSIE GØLD
Craving You
95 bpm • C Maj • 02:56 • -9.17db
18% Popularity • 80% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 80% Danceability • 62% Energy • 34% Liveness
0% Instrumentalness • 57% Positiveness
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Zander Rhodes
Daydreaming
95 bpm • A# Maj • 02:39 • -11.49db
16% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
16% Popularity • 70% Danceability • 26% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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My Sun and Stars
Married in Las Vegas
95 bpm • C# Maj • 02:50 • -5.55db
13% Popularity • 80% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 80% Danceability • 73% Energy • 27% Liveness
0% Instrumentalness • 96% Positiveness
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Kodaline
Sometimes - Radio Mix
95 bpm • C# Maj • 03:49 • -7.15db
21% Popularity • 53% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
21% Popularity • 53% Danceability • 65% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Adameant
Airplane Mode
95 bpm • F Maj • 02:30 • -9.03db
13% Popularity • 74% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
13% Popularity • 74% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Austin Carr
For Once and for Her
95 bpm • F# Maj • 03:19 • -10.65db
3% Popularity • 72% Danceability • 50% Energy • 38% Liveness
2% Instrumentalness • 40% Positiveness
3% Popularity • 72% Danceability • 50% Energy • 38% Liveness
2% Instrumentalness • 40% Positiveness
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Ross Harris
Don't Say It's Over
95 bpm • E Maj • 03:19 • -8.56db
18% Popularity • 44% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
18% Popularity • 44% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Devin Dygert
Deep Deep Down
95 bpm • C Maj • 02:56 • -4.91db
5% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
5% Popularity • 77% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Josh Tobias
Catch on Fire
95 bpm • C# min • 03:17 • -14.93db
7% Popularity • 76% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
7% Popularity • 76% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Casey Conroy
Best Shoes
95 bpm • F# Maj • 03:38 • -7.64db
10% Popularity • 74% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
10% Popularity • 74% Danceability • 30% Energy • 29% Liveness
0% Instrumentalness • 31% Positiveness
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Amit Benita
See You Later (Original)
95 bpm • E Maj • 03:21 • -5.18db
10% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
10% Popularity • 69% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Tayla Young
Crime of Comparison
101 bpm • G Maj • 02:51 • -13.37db
12% Popularity • 57% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
12% Popularity • 57% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Dave McKendry
Colourblind
94 bpm • C# min • 02:38 • -9.2db
13% Popularity • 41% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
13% Popularity • 41% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 28% Positiveness
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Kerry Hart
Great Water
95 bpm • B Maj • 02:24 • -9.22db
22% Popularity • 28% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
22% Popularity • 28% Danceability • 28% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
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Astrojaxx
Universe - Acoustic
102 bpm • C min • 03:36 • -7.98db
7% Popularity • 72% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 72% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 51% Positiveness
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David Dixon
Across the Room
94 bpm • F# Maj • 03:36 • -9.24db
14% Popularity • 65% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 65% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 65% Positiveness
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Andrew Matarazzo
Bellyache
94 bpm • G# min • 03:26 • -13.63db
15% Popularity • 75% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
15% Popularity • 75% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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Shaun Jacobs
Worry
94 bpm • A Maj • 02:33 • -7.76db
11% Popularity • 79% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 79% Danceability • 29% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Samica
Call Me
94 bpm • G Maj • 02:33 • -13.47db
18% Popularity • 61% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
18% Popularity • 61% Danceability • 12% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Kerry Hart
Aaron
94 bpm • G# min • 03:21 • -10db
19% Popularity • 57% Danceability • 51% Energy • 20% Liveness
7% Instrumentalness • 27% Positiveness
19% Popularity • 57% Danceability • 51% Energy • 20% Liveness
7% Instrumentalness • 27% Positiveness
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Fewie
94
94 bpm • C# Maj • 03:35 • -10.57db
11% Popularity • 72% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 72% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 67% Positiveness
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Greesha
Priviet
94 bpm • G# Maj • 03:52 • -3.6db
25% Popularity • 74% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 74% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Gavin Haley
Long Game - Acoustic
94 bpm • G# min • 03:03 • -18.88db
10% Popularity • 74% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
10% Popularity • 74% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 16% Positiveness
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Cara Rose
Ain't No Use
93 bpm • D Maj • 02:48 • -9.68db
21% Popularity • 62% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 62% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 52% Positiveness
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Saintway
Dark Clouds
103 bpm • E Maj • 03:37 • -10.06db
14% Popularity • 73% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
14% Popularity • 73% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Newport Blue
Drunk on Your Love
103 bpm • E min • 02:45 • -6.35db
7% Popularity • 84% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 56% Positiveness
7% Popularity • 84% Danceability • 60% Energy • 58% Liveness
0% Instrumentalness • 56% Positiveness
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Luna Keller
Let Me Go Now
103 bpm • F# min • 03:25 • -6.89db
10% Popularity • 73% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
10% Popularity • 73% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Josh Sahunta
Wait for Me
103 bpm • A# Maj • 02:33 • -11.63db
10% Popularity • 54% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 54% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Ed Prosek
Mercy
93 bpm • C Maj • 03:27 • -9.48db
8% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 57% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Flo Grell
u there
93 bpm • F# min • 02:16 • -12.86db
16% Popularity • 61% Danceability • 28% Energy • 35% Liveness
9% Instrumentalness • 45% Positiveness
16% Popularity • 61% Danceability • 28% Energy • 35% Liveness
9% Instrumentalness • 45% Positiveness
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The Soundflowers
In the Blue
93 bpm • A Maj • 03:32 • -6.29db
13% Popularity • 41% Danceability • 70% Energy • 14% Liveness
9% Instrumentalness • 60% Positiveness
13% Popularity • 41% Danceability • 70% Energy • 14% Liveness
9% Instrumentalness • 60% Positiveness
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Peter Wise
Towering Over Me
104 bpm • C# Maj • 04:05 • -7.03db
8% Popularity • 69% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
8% Popularity • 69% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Stoley
Chemicals
104 bpm • C Maj • 03:04 • -12db
7% Popularity • 84% Danceability • 34% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
7% Popularity • 84% Danceability • 34% Energy • 41% Liveness
0% Instrumentalness • 52% Positiveness
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Moira Bren
Afraid of Your Heart
92 bpm • A Maj • 02:43 • -13.1db
8% Popularity • 71% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
8% Popularity • 71% Danceability • 24% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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Charlotte DeVille
Save Me Now
92 bpm • C min • 03:39 • -8.88db
13% Popularity • 58% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
13% Popularity • 58% Danceability • 44% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Genesis Ritchot
Why Can't You Dive In
92 bpm • C# Maj • 04:05 • -9.14db
16% Popularity • 72% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
16% Popularity • 72% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Lucy Cloud
Bad Day
92 bpm • G# min • 02:23 • -6.86db
8% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
8% Popularity • 64% Danceability • 44% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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Jungle Animals
Access
92 bpm • F Maj • 02:51 • -7db
15% Popularity • 60% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
15% Popularity • 60% Danceability • 55% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Seth Power
Imagine That (In the Morning)
92 bpm • C min • 02:43 • -7db
8% Popularity • 70% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
8% Popularity • 70% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Kerry Hart
Sirens
92 bpm • A# Maj • 05:02 • -11.56db
18% Popularity • 28% Danceability • 21% Energy • 32% Liveness
9% Instrumentalness • 16% Positiveness
18% Popularity • 28% Danceability • 21% Energy • 32% Liveness
9% Instrumentalness • 16% Positiveness
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We The Lion
The Light
92 bpm • A Maj • 04:05 • -8.29db
13% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 56% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Taylor Piggott
Raincoat
105 bpm • B Maj • 03:19 • -8.78db
11% Popularity • 60% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
11% Popularity • 60% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Nick Lopez
Come Over
105 bpm • F Maj • 02:01 • -10.94db
13% Popularity • 86% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 86% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 79% Positiveness
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Barrett Crake
Found It in You
105 bpm • F# Maj • 03:33 • -8.43db
13% Popularity • 80% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
13% Popularity • 80% Danceability • 70% Energy • 20% Liveness
0% Instrumentalness • 51% Positiveness
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Lyndon Forte
In the Night
105 bpm • E min • 04:41 • -6db
8% Popularity • 73% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
8% Popularity • 73% Danceability • 78% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Roet
I Don't Wanna Die Today
105 bpm • B Maj • 02:42 • -6.39db
7% Popularity • 66% Danceability • 70% Energy • 12% Liveness
3% Instrumentalness • 41% Positiveness
7% Popularity • 66% Danceability • 70% Energy • 12% Liveness
3% Instrumentalness • 41% Positiveness
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Sean Hassard
White Knights
105 bpm • G Maj • 03:16 • -7.85db
8% Popularity • 74% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 74% Danceability • 59% Energy • 19% Liveness
0% Instrumentalness • 71% Positiveness
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Gert Taberner
Georgia
105 bpm • A Maj • 06:11 • -28.26db
8% Popularity • 31% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
8% Popularity • 31% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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AfterSound
Seasons
105 bpm • B min • 03:16 • -7.79db
18% Popularity • 72% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 72% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Flo Grell
summereyes
105 bpm • C Maj • 02:40 • -7.74db
11% Popularity • 79% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
11% Popularity • 79% Danceability • 67% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Companyon
Step Into the Light
105 bpm • C Maj • 04:11 • -9.55db
13% Popularity • 47% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
13% Popularity • 47% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Matt Hylom
Comatose
105 bpm • A# Maj • 02:55 • -10.64db
8% Popularity • 83% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 83% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 80% Positiveness
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Riley Baron
Myself
105 bpm • D# Maj • 03:25 • -8.07db
11% Popularity • 26% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 26% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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YASSiN & Sean Terrio
Perfect Life
105 bpm • D# Maj • 04:31 • -5.56db
10% Popularity • 53% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 53% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 34% Positiveness
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DRIXY
Newport
91 bpm • D# Maj • 02:51 • -9.93db
9% Popularity • 54% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
9% Popularity • 54% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Poel
Zuma
91 bpm • C# min • 02:41 • -7db
7% Popularity • 76% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
7% Popularity • 76% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
