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Begging for Rain
Songs like
Begging for Rain
by
Maggie Rogers
Based on a tempo of (+/- 10%) and a similar genre
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Madison Cunningham
Life According To Raechel
124 bpm • D# Maj • 04:33 • -12.34db
37% Popularity • 32% Danceability • 20% Energy • 18% Liveness
0% Instrumentalness • 15% Positiveness
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Maggie Rogers
Begging for Rain
124 bpm • F# Maj • 04:13 • -6.17db
46% Popularity • 48% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Searows
Haunted
124 bpm • D# Maj • 04:29 • -15.01db
42% Popularity • 50% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Shallow Alcove
Macon
124 bpm • G# Maj • 03:12 • -11.22db
8% Popularity • 61% Danceability • 34% Energy • 5% Liveness
0% Instrumentalness • 29% Positiveness
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Lizzy McAlpine
Drunk, Running
124 bpm • C Maj • 04:05 • -9.59db
69% Popularity • 31% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Tomberlin
born again runner
124 bpm • G# Maj • 05:18 • -15.33db
23% Popularity • 70% Danceability • 26% Energy • 10% Liveness
2% Instrumentalness • 21% Positiveness
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Isabel Pless
Keeping Score
125 bpm • D# Maj • 03:02 • -10.96db
20% Popularity • 70% Danceability • 33% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Maggie Rogers
Anywhere With You
123 bpm • A Maj • 04:57 • -5.33db
52% Popularity • 39% Danceability • 73% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Natalie Madigan
Remember Why You Fell in Love (Unplugged...
125 bpm • B Maj • 04:32 • -9db
26% Popularity • 63% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Suki Waterhouse
My Mind
123 bpm • B Maj • 03:10 • -11db
53% Popularity • 27% Danceability • 29% Energy • 11% Liveness
31% Instrumentalness • 17% Positiveness
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Etta Marcus
Nosebleed
125 bpm • G Maj • 03:26 • -6.69db
28% Popularity • 55% Danceability • 81% Energy • 5% Liveness
1% Instrumentalness • 29% Positiveness
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Trousdale
Wouldn't Come Back
125 bpm • B Maj • 03:39 • -9.42db
54% Popularity • 60% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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The Ballroom Thieves
Harry Styles
123 bpm • D Maj • 03:45 • -9.38db
14% Popularity • 68% Danceability • 47% Energy • 17% Liveness
4% Instrumentalness • 41% Positiveness
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quinnie
emblem
123 bpm • C Maj • 03:25 • -8.17db
30% Popularity • 44% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Ada Lea
writer in ny
123 bpm • C min • 03:19 • -11.75db
21% Popularity • 75% Danceability • 52% Energy • 35% Liveness
0% Instrumentalness • 44% Positiveness
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Izzy Heltai
Day Plan
125 bpm • D Maj • 03:46 • -8.88db
33% Popularity • 64% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Zach Bryan
Dawns
123 bpm • C Maj • 04:50 • -7.66db
82% Popularity • 45% Danceability • 44% Energy • 19% Liveness
0% Instrumentalness • 29% Positiveness
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Katy Kirby
Portals
126 bpm • C# Maj • 03:03 • -18.02db
28% Popularity • 41% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Gracie Abrams
Rockland
126 bpm • F Maj • 03:37 • -11.34db
61% Popularity • 57% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Matilda Mann
My Point of You
126 bpm • C min • 02:10 • -9db
27% Popularity • 42% Danceability • 39% Energy • 40% Liveness
0% Instrumentalness • 60% Positiveness
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Lizzy McAlpine
Come Down Soon
122 bpm • G min • 03:44 • -10.5db
66% Popularity • 60% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 32% Positiveness
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Claud
Tommy
126 bpm • C# Maj • 03:33 • -11.5db
34% Popularity • 53% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Trousdale
Happy Anymore
126 bpm • D Maj • 03:14 • -9db
41% Popularity • 60% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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NoSo
Allie
126 bpm • E Maj • 03:25 • -8.19db
34% Popularity • 81% Danceability • 56% Energy • 12% Liveness
1% Instrumentalness • 38% Positiveness
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Georgia Parker
Did You Get the Feeling?
122 bpm • F# Maj • 03:36 • -6.78db
24% Popularity • 80% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Uwade
Do You See The Light Around Me?
126 bpm • C# Maj • 03:24 • -9.77db
32% Popularity • 72% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Gracie Abrams
Best
122 bpm • A# Maj • 03:53 • -10.54db
64% Popularity • 60% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Holly Humberstone
I Would Die 4 U
126 bpm • D Maj • 02:20 • -12.61db
48% Popularity • 67% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 15% Positiveness
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Nell Mescal
Graduating
126 bpm • C Maj • 03:34 • -8.14db
20% Popularity • 52% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Searows
Roadkill
126 bpm • C Maj • 04:40 • -14db
44% Popularity • 37% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Kacey Musgraves
Jade Green
122 bpm • A Maj • 02:58 • -7.71db
65% Popularity • 65% Danceability • 59% Energy • 19% Liveness
2% Instrumentalness • 20% Positiveness
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Matilda Mann
Doomsday
122 bpm • F# Maj • 03:09 • -11db
46% Popularity • 56% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 17% Positiveness
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Gracie Abrams
Camden
126 bpm • A# Maj • 04:06 • -12.57db
59% Popularity • 65% Danceability • 26% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Maggie Rogers
Alaska - Acoustic
126 bpm • A min • 04:23 • -9.3db
40% Popularity • 50% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Florence Pugh
I Hate Myself
122 bpm • C Maj • 04:02 • -16.18db
38% Popularity • 55% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Katie Gregson-MacLeod
Second Single Bed
127 bpm • E Maj • 03:40 • -11.54db
34% Popularity • 57% Danceability • 48% Energy • 92% Liveness
0% Instrumentalness • 51% Positiveness
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Kaleah Lee
Out of Body
127 bpm • G Maj • 01:54 • -17db
30% Popularity • 34% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Laura Elliott
Middleman
127 bpm • C Maj • 05:06 • -12db
14% Popularity • 71% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Gracie Abrams
Amelie
122 bpm • D Maj • 04:19 • -12.38db
58% Popularity • 48% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Suki Waterhouse
On Your Thumb
127 bpm • A Maj • 03:10 • -11db
41% Popularity • 59% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Rachael Jenkins
Secrets
127 bpm • C# min • 04:12 • -12.94db
27% Popularity • 52% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Birdtalker
Lizards in the Afterglow
127 bpm • F Maj • 04:04 • -8.77db
20% Popularity • 47% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Taylor Swift
evermore
121 bpm • C# Maj • 05:04 • -10.67db
64% Popularity • 40% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Peach Fuzz
I Saw the Moon
127 bpm • C Maj • 03:29 • -14db
29% Popularity • 59% Danceability • 21% Energy • 38% Liveness
0% Instrumentalness • 28% Positiveness
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Trousdale
Bad Blood
127 bpm • G# Maj • 02:45 • -6.24db
36% Popularity • 48% Danceability • 85% Energy • 30% Liveness
0% Instrumentalness • 56% Positiveness
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Holly Humberstone
Deep End
128 bpm • C Maj • 02:51 • -8db
52% Popularity • 40% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Matilda Mann
Four Leaf Dream
120 bpm • C# Maj • 02:21 • -5.77db
43% Popularity • 62% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Plains
I Walked With You A Ways
128 bpm • C# Maj • 02:55 • -8.67db
32% Popularity • 59% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Shallow Alcove
Girls at Parties
128 bpm • E Maj • 03:58 • -9.19db
8% Popularity • 61% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Taylor Swift
cowboy like me
128 bpm • C Maj • 04:35 • -9.01db
68% Popularity • 60% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Trousdale
Sometimes
128 bpm • G Maj • 02:53 • -8.25db
33% Popularity • 50% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 68% Positiveness
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Lizzy McAlpine
All Falls Down
128 bpm • F Maj • 02:51 • -7.01db
67% Popularity • 69% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 65% Positiveness
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Tommy Lefroy
Slick
120 bpm • F Maj • 02:24 • -12.99db
37% Popularity • 77% Danceability • 17% Energy • 12% Liveness
1% Instrumentalness • 24% Positiveness
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Maggie Rogers
Never Going Home
128 bpm • G# Maj • 03:30 • -4.58db
63% Popularity • 64% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Ethel Cain
American Teenager
120 bpm • E Maj • 04:18 • -5.01db
69% Popularity • 42% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Del Water Gap
Quilt of Steam
120 bpm • F# Maj • 03:31 • -10.6db
42% Popularity • 57% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Claud
Spare Tire
120 bpm • D Maj • 02:10 • -13.92db
17% Popularity • 59% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Miel
Early Hours
120 bpm • D Maj • 03:17 • -10.47db
15% Popularity • 45% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 12% Positiveness
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Grace Gardner
Parcel
120 bpm • C# Maj • 05:06 • -14.91db
24% Popularity • 57% Danceability • 30% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Maggie Rogers
Little Joys
120 bpm • G min • 03:55 • -8.96db
40% Popularity • 58% Danceability • 34% Energy • 21% Liveness
0% Instrumentalness • 8% Positiveness
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The Greeting Committee
Can I Leave Me Too?
120 bpm • D# Maj • 03:43 • -4.74db
36% Popularity • 44% Danceability • 77% Energy • 62% Liveness
0% Instrumentalness • 27% Positiveness
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Sister Ray
Pressing Down
128 bpm • A# Maj • 03:59 • -7.32db
23% Popularity • 65% Danceability • 47% Energy • 16% Liveness
5% Instrumentalness • 29% Positiveness
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Kaleah Lee
All At Once
120 bpm • C# Maj • 03:47 • -13.84db
24% Popularity • 49% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Sophie May
Some Italian Mountain
120 bpm • G Maj • 02:37 • -15db
49% Popularity • 65% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 14% Positiveness
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Taylor Swift
Who’s Afraid of Little Old Me?
120 bpm • C Maj • 05:34 • -10.49db
83% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Maggie Rogers
New Song
120 bpm • E Maj • 06:22 • -7.44db
55% Popularity • 65% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Georgia Harmer
Talamanca
120 bpm • C Maj • 04:20 • -13.95db
22% Popularity • 65% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Kacey Musgraves
Sway
120 bpm • B Maj • 03:11 • -10.83db
66% Popularity • 50% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Jensen McRae
Machines
120 bpm • D Maj • 04:31 • -9.42db
37% Popularity • 42% Danceability • 28% Energy • 56% Liveness
0% Instrumentalness • 34% Positiveness
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Rachael Jenkins
untitled
119 bpm • C# Maj • 03:45 • -13db
39% Popularity • 37% Danceability • 24% Energy • 10% Liveness
42% Instrumentalness • 10% Positiveness
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Charlotte Clark
Lilypad
129 bpm • D Maj • 02:38 • -6db
28% Popularity • 77% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Haley Blais
Body
129 bpm • G Maj • 05:18 • -11.52db
29% Popularity • 66% Danceability • 44% Energy • 7% Liveness
9% Instrumentalness • 25% Positiveness
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Delaney Bailey
Praying for July - Spotify Singles
129 bpm • B Maj • 03:06 • -18.18db
35% Popularity • 50% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Kacey Musgraves
Cardinal
129 bpm • A# min • 03:11 • -8.15db
70% Popularity • 58% Danceability • 65% Energy • 65% Liveness
0% Instrumentalness • 36% Positiveness
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Lizzy McAlpine
called you again
129 bpm • G Maj • 03:12 • -10.36db
53% Popularity • 48% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Searows
Coming Clean
129 bpm • D Maj • 06:18 • -16db
44% Popularity • 51% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Madison Cunningham
Who Are You Now
119 bpm • D Maj • 03:17 • -7.18db
32% Popularity • 74% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Maggie Rogers
Resonant Body
129 bpm • D Maj • 03:21 • -7db
42% Popularity • 52% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Ethel Cain
A House In Nebraska
129 bpm • D Maj • 07:46 • -7.89db
62% Popularity • 24% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Quinn Christopherson
Loaded Gun
119 bpm • G Maj • 03:42 • -12.97db
20% Popularity • 61% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Natalie Madigan
Remember Why You Fell in Love
130 bpm • B Maj • 04:25 • -10.76db
36% Popularity • 55% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Chappell Roan
California
130 bpm • C# Maj • 03:18 • -10.07db
67% Popularity • 56% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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quinnie
shape (flounder bonus track)
130 bpm • G# Maj • 02:45 • -10.48db
29% Popularity • 56% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Gracie Abrams
Full machine
130 bpm • G Maj • 04:15 • -8db
56% Popularity • 59% Danceability • 48% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Etta Marcus
Parting Song
130 bpm • F# Maj • 05:15 • -10.39db
17% Popularity • 46% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Shallow Alcove
Wishes on Weeds
130 bpm • D# Maj • 02:30 • -12.69db
20% Popularity • 53% Danceability • 36% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Katie Gregson-MacLeod
All the Love
130 bpm • D Maj • 03:46 • -8.68db
20% Popularity • 71% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Chappell Roan
School Nights
130 bpm • F# min • 04:09 • -10db
61% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Jensen McRae
My Ego Dies At The End
130 bpm • D# Maj • 04:02 • -6.36db
51% Popularity • 70% Danceability • 45% Energy • 35% Liveness
0% Instrumentalness • 55% Positiveness
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Maggie Rogers
Symphony
130 bpm • B Maj • 05:11 • -6db
41% Popularity • 50% Danceability • 76% Energy • 11% Liveness
53% Instrumentalness • 41% Positiveness
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Maya Hawke
Bloomed Into Blue
130 bpm • F Maj • 03:25 • -10.43db
33% Popularity • 67% Danceability • 45% Energy • 11% Liveness
1% Instrumentalness • 44% Positiveness
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Victoria Canal
She Walks In
130 bpm • C# Maj • 03:15 • -9.37db
21% Popularity • 35% Danceability • 28% Energy • 26% Liveness
0% Instrumentalness • 23% Positiveness
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Etta Marcus
Mechanical Bull
118 bpm • G# Maj • 03:56 • -8.31db
33% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Noah Cyrus
I Burned LA Down
118 bpm • B Maj • 03:15 • -8.71db
57% Popularity • 67% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Chappell Roan
Bitter
118 bpm • A min • 04:02 • -9.93db
57% Popularity • 72% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Tommy Lefroy
Worst Case Kid
118 bpm • D Maj • 02:32 • -4.52db
53% Popularity • 60% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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Charles Watson
Going Places
118 bpm • B min • 03:46 • -13.22db
17% Popularity • 51% Danceability • 19% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Dora Jar
Hill
131 bpm • A Maj • 02:32 • -10.95db
26% Popularity • 64% Danceability • 18% Energy • 25% Liveness
21% Instrumentalness • 30% Positiveness
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Aly & AJ
Blue Dress
118 bpm • G Maj • 04:08 • -9.96db
32% Popularity • 53% Danceability • 44% Energy • 9% Liveness
2% Instrumentalness • 33% Positiveness
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BEL
mason jar
131 bpm • G# Maj • 03:40 • -7.61db
29% Popularity • 56% Danceability • 72% Energy • 17% Liveness
1% Instrumentalness • 60% Positiveness
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Begging for Rain