Songs like Begin Again by Adam Melchor
Based on a tempo of (+/- 10%) and a similar genre
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Zeph
Lucky
95 bpm • C Maj • 03:12 • -17db
49% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
49% Popularity • 64% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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Adam Melchor
Begin Again
95 bpm • G Maj • 03:46 • -5.37db
32% Popularity • 49% Danceability • 79% Energy • 58% Liveness
2% Instrumentalness • 58% Positiveness
32% Popularity • 49% Danceability • 79% Energy • 58% Liveness
2% Instrumentalness • 58% Positiveness
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John-Robert
Adeline
95 bpm • D Maj • 03:48 • -9.13db
46% Popularity • 61% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
46% Popularity • 61% Danceability • 40% Energy • 8% Liveness
0% Instrumentalness • 10% Positiveness
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Lizzy McAlpine
Means Something
95 bpm • G# Maj • 02:24 • -15db
59% Popularity • 43% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
59% Popularity • 43% Danceability • 20% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Timothy Edward Carpenter
undergrad
95 bpm • C# Maj • 03:12 • -12.67db
27% Popularity • 55% Danceability • 26% Energy • 12% Liveness
13% Instrumentalness • 37% Positiveness
27% Popularity • 55% Danceability • 26% Energy • 12% Liveness
13% Instrumentalness • 37% Positiveness
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Ellie Schmidly
It's You I Like
96 bpm • C Maj • 01:43 • -18.22db
41% Popularity • 50% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
41% Popularity • 50% Danceability • 7% Energy • 26% Liveness
0% Instrumentalness • 32% Positiveness
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Miki Ratsula
Somewhere Only We Know
94 bpm • F min • 03:20 • -21.04db
49% Popularity • 70% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 70% Danceability • 2% Energy • 8% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Melchor
is there still a light on?
95 bpm • F# Maj • 04:11 • -7.04db
44% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
44% Popularity • 47% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Charlie Burg
Duet
94 bpm • G# Maj • 00:59 • -14db
40% Popularity • 38% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 38% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Lizzy McAlpine
Same Boat
95 bpm • D Maj • 03:22 • -11.92db
55% Popularity • 47% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
55% Popularity • 47% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Peter McPoland
I Love You Too
94 bpm • A# Maj • 03:09 • -18.59db
45% Popularity • 54% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 54% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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COIN
Let It All Out (10:05)
94 bpm • D# Maj • 03:40 • -11db
52% Popularity • 66% Danceability • 40% Energy • 8% Liveness
9% Instrumentalness • 60% Positiveness
52% Popularity • 66% Danceability • 40% Energy • 8% Liveness
9% Instrumentalness • 60% Positiveness
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Delaney Bailey
Forgetting Delaney
94 bpm • G min • 02:32 • -12db
40% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 49% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Adam Melchor
HELP YOURSELF
95 bpm • A Maj • 02:06 • -13.08db
24% Popularity • 58% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
24% Popularity • 58% Danceability • 39% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Christian Leave
Pull
96 bpm • G Maj • 03:16 • -9.7db
39% Popularity • 36% Danceability • 31% Energy • 8% Liveness
3% Instrumentalness • 22% Positiveness
39% Popularity • 36% Danceability • 31% Energy • 8% Liveness
3% Instrumentalness • 22% Positiveness
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John Vincent III
Untitled #2
94 bpm • F# Maj • 05:14 • -12db
48% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 42% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Oshima Brothers
Cadence
94 bpm • F Maj • 03:00 • -11.31db
30% Popularity • 42% Danceability • 42% Energy • 37% Liveness
1% Instrumentalness • 19% Positiveness
30% Popularity • 42% Danceability • 42% Energy • 37% Liveness
1% Instrumentalness • 19% Positiveness
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Liang Lawrence
Santa Cruz
94 bpm • G# min • 02:56 • -15.21db
31% Popularity • 63% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 63% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Delaney Bailey
we were girls together
97 bpm • G Maj • 02:17 • -15.2db
50% Popularity • 60% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
50% Popularity • 60% Danceability • 13% Energy • 11% Liveness
5% Instrumentalness • 32% Positiveness
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Adam Melchor
Metadata
96 bpm • G Maj • 02:57 • -5.52db
30% Popularity • 47% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
30% Popularity • 47% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 37% Positiveness
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Olive Klug
Casting Spells
93 bpm • G Maj • 02:49 • -14.41db
35% Popularity • 63% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 63% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Lucy Dacus
Please Stay
93 bpm • B Maj • 04:19 • -14db
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Hudson Freeman
Warm Me, Winter
93 bpm • D Maj • 04:44 • -16.28db
33% Popularity • 40% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
33% Popularity • 40% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Tarune
Goodnight Baby
97 bpm • G# Maj • 02:31 • -19.77db
43% Popularity • 32% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 32% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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The Paper Kites
Never Heard a Sound
97 bpm • D Maj • 02:54 • -17.17db
34% Popularity • 52% Danceability • 15% Energy • 13% Liveness
32% Instrumentalness • 36% Positiveness
34% Popularity • 52% Danceability • 15% Energy • 13% Liveness
32% Instrumentalness • 36% Positiveness
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Adam Melchor
Cry
96 bpm • A# Maj • 03:49 • -5.91db
23% Popularity • 61% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
23% Popularity • 61% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Gabe Goodman
When I Say That I Love You
93 bpm • G# Maj • 02:57 • -13.55db
35% Popularity • 60% Danceability • 40% Energy • 10% Liveness
48% Instrumentalness • 47% Positiveness
35% Popularity • 60% Danceability • 40% Energy • 10% Liveness
48% Instrumentalness • 47% Positiveness
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Mipso
Caroline
97 bpm • A Maj • 03:35 • -15db
43% Popularity • 62% Danceability • 36% Energy • 11% Liveness
32% Instrumentalness • 39% Positiveness
43% Popularity • 62% Danceability • 36% Energy • 11% Liveness
32% Instrumentalness • 39% Positiveness
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Peter McPoland
Eloise
93 bpm • E Maj • 03:01 • -7.66db
40% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 57% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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stories
Savior Complex
97 bpm • D Maj • 03:18 • -13.81db
22% Popularity • 44% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 44% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Billie Marten
She Dances
98 bpm • E Maj • 04:43 • -18.53db
48% Popularity • 68% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
48% Popularity • 68% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Adam Melchor
Life On Earth?
96 bpm • A# Maj • 02:10 • -6.66db
22% Popularity • 60% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
22% Popularity • 60% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jordy Searcy
Just Like Autumn
92 bpm • D Maj • 03:35 • -15db
38% Popularity • 57% Danceability • 24% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
38% Popularity • 57% Danceability • 24% Energy • 9% Liveness
6% Instrumentalness • 14% Positiveness
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Jolé
Alpine Green
98 bpm • A Maj • 02:30 • -16db
58% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
58% Popularity • 53% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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dodie
She
92 bpm • D Maj • 03:33 • -15.05db
62% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
62% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
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Olive Klug
Raining in June
92 bpm • D Maj • 02:46 • -13.84db
51% Popularity • 37% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
51% Popularity • 37% Danceability • 20% Energy • 35% Liveness
0% Instrumentalness • 14% Positiveness
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The Greeting Committee
Wrapped Inside Of Your Arms
98 bpm • G Maj • 03:12 • -10.01db
31% Popularity • 63% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
31% Popularity • 63% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Adam Melchor
JEWEL
93 bpm • D Maj • 04:01 • -14.28db
38% Popularity • 48% Danceability • 34% Energy • 16% Liveness
30% Instrumentalness • 71% Positiveness
38% Popularity • 48% Danceability • 34% Energy • 16% Liveness
30% Instrumentalness • 71% Positiveness
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Tiny Habits
pennies (voice memo)
98 bpm • E Maj • 03:02 • -8.75db
40% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 57% Danceability • 20% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Son of Cloud
How to Love You Today
98 bpm • A Maj • 03:37 • -13.58db
22% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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wens
Internet Stalking
92 bpm • B Maj • 02:30 • -12db
29% Popularity • 41% Danceability • 33% Energy • 29% Liveness
1% Instrumentalness • 49% Positiveness
29% Popularity • 41% Danceability • 33% Energy • 29% Liveness
1% Instrumentalness • 49% Positiveness
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Lizzy McAlpine
...What Are We?
92 bpm • E Maj • 03:38 • -14.92db
51% Popularity • 46% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
51% Popularity • 46% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Matilda Mann
The Day That I Met You
92 bpm • C# Maj • 02:45 • -9.87db
51% Popularity • 31% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
51% Popularity • 31% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Melchor
I'm Ready
98 bpm • E Maj • 03:14 • -9db
34% Popularity • 42% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 20% Positiveness
34% Popularity • 42% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 20% Positiveness
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Rusty Clanton
Colder
98 bpm • D# Maj • 03:36 • -18.45db
31% Popularity • 53% Danceability • 14% Energy • 7% Liveness
3% Instrumentalness • 32% Positiveness
31% Popularity • 53% Danceability • 14% Energy • 7% Liveness
3% Instrumentalness • 32% Positiveness
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Son of Cloud
How to Love You Today
98 bpm • A Maj • 03:50 • -13.58db
33% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
33% Popularity • 52% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 14% Positiveness
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Ben Kessler
False Art
91 bpm • D Maj • 03:03 • -11.55db
51% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
51% Popularity • 59% Danceability • 40% Energy • 33% Liveness
0% Instrumentalness • 27% Positiveness
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Henry Jamison
Ether Garden
99 bpm • C# Maj • 02:47 • -15.24db
39% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
39% Popularity • 60% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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The Greeting Committee
You've Got Me
99 bpm • C# min • 03:39 • -5db
46% Popularity • 63% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
46% Popularity • 63% Danceability • 63% Energy • 33% Liveness
0% Instrumentalness • 63% Positiveness
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Adam Melchor
ADELAIDE
92 bpm • A Maj • 03:34 • -5.71db
30% Popularity • 48% Danceability • 64% Energy • 11% Liveness
6% Instrumentalness • 23% Positiveness
30% Popularity • 48% Danceability • 64% Energy • 11% Liveness
6% Instrumentalness • 23% Positiveness
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Rusty Clanton
Leap Year
99 bpm • D# Maj • 03:28 • -19.73db
17% Popularity • 60% Danceability • 15% Energy • 6% Liveness
29% Instrumentalness • 46% Positiveness
17% Popularity • 60% Danceability • 15% Energy • 6% Liveness
29% Instrumentalness • 46% Positiveness
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flipturn
Did I Love You (Like I Promised To)
99 bpm • A Maj • 03:38 • -9.56db
44% Popularity • 39% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
44% Popularity • 39% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 4% Positiveness
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Ritt Momney
Not Around
99 bpm • G min • 02:40 • -6.01db
36% Popularity • 37% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
36% Popularity • 37% Danceability • 43% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Matt Maltese
When You Wash Your Hair
91 bpm • C Maj • 03:12 • -17db
53% Popularity • 40% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
53% Popularity • 40% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 6% Positiveness
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Tommy Lefroy
Mortals
100 bpm • G# Maj • 03:08 • -11.9db
35% Popularity • 36% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
35% Popularity • 36% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Olive Klug
Fire Alarm
100 bpm • C min • 03:07 • -11.31db
29% Popularity • 68% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 68% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Philip Brooks
i don't wanna talk!
100 bpm • D# Maj • 02:44 • -14.53db
22% Popularity • 37% Danceability • 44% Energy • 15% Liveness
33% Instrumentalness • 38% Positiveness
22% Popularity • 37% Danceability • 44% Energy • 15% Liveness
33% Instrumentalness • 38% Positiveness
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Jordy Searcy
Molly
100 bpm • D# Maj • 03:02 • -12.16db
44% Popularity • 76% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
44% Popularity • 76% Danceability • 30% Energy • 11% Liveness
2% Instrumentalness • 72% Positiveness
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Sammy Copley
Little Box
100 bpm • D Maj • 03:27 • -13.24db
19% Popularity • 78% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 78% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Forrest Nolan
be your friend
100 bpm • F Maj • 03:14 • -14.24db
30% Popularity • 69% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 69% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 38% Positiveness
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Justice Smith
Bed
100 bpm • E Maj • 04:45 • -10.66db
21% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
21% Popularity • 56% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Sophia James
Clockwork
90 bpm • C# Maj • 02:42 • -11.51db
44% Popularity • 55% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
44% Popularity • 55% Danceability • 38% Energy • 12% Liveness
1% Instrumentalness • 35% Positiveness
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Matilda Mann
Stranger (for now)
90 bpm • C# min • 02:46 • -6.48db
32% Popularity • 57% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
32% Popularity • 57% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 80% Positiveness
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dodie
When
90 bpm • G# Maj • 03:43 • -15.89db
46% Popularity • 31% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 31% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Sammy Copley
Elephant
100 bpm • D Maj • 03:15 • -10.89db
23% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
23% Popularity • 68% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Annika Bennett
so much more than me
90 bpm • F# Maj • 03:06 • -10.01db
29% Popularity • 36% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 36% Danceability • 31% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Peach Pit
Look Out!
101 bpm • A# Maj • 02:56 • -8.4db
51% Popularity • 46% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 46% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 29% Positiveness
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Leith Ross
I'd Have to Think About It
101 bpm • F Maj • 02:30 • -14db
57% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
57% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Matilda Mann
You Look Like You Can't Swim
90 bpm • C# Maj • 02:48 • -9.94db
37% Popularity • 34% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 11% Positiveness
37% Popularity • 34% Danceability • 39% Energy • 11% Liveness
9% Instrumentalness • 11% Positiveness
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Philip Brooks
creek
90 bpm • G Maj • 02:33 • -15.94db
51% Popularity • 33% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
51% Popularity • 33% Danceability • 26% Energy • 12% Liveness
3% Instrumentalness • 34% Positiveness
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Ezra Glatt
Moving Light
90 bpm • B Maj • 01:32 • -14db
51% Popularity • 57% Danceability • 39% Energy • 10% Liveness
64% Instrumentalness • 67% Positiveness
51% Popularity • 57% Danceability • 39% Energy • 10% Liveness
64% Instrumentalness • 67% Positiveness
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The Paper Kites
Halcyon
101 bpm • D Maj • 03:59 • -13.64db
44% Popularity • 63% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
44% Popularity • 63% Danceability • 38% Energy • 8% Liveness
16% Instrumentalness • 20% Positiveness
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Julianna Zachariou
Subway Song
89 bpm • C Maj • 03:38 • -8.62db
40% Popularity • 68% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
40% Popularity • 68% Danceability • 24% Energy • 11% Liveness
1% Instrumentalness • 37% Positiveness
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Rusty Clanton
Married in the Morning
101 bpm • G Maj • 04:09 • -7.32db
16% Popularity • 40% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
16% Popularity • 40% Danceability • 31% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Matilda Mann
Robbed
101 bpm • C Maj • 04:03 • -16.01db
28% Popularity • 45% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
28% Popularity • 45% Danceability • 9% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Shallow Alcove
Cicero Mills
101 bpm • F Maj • 05:37 • -11db
16% Popularity • 36% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 36% Danceability • 30% Energy • 13% Liveness
0% Instrumentalness • 19% Positiveness
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Ashe
Love Is Letting Go
89 bpm • A Maj • 02:34 • -9.47db
58% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
58% Popularity • 60% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 44% Positiveness
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The Paper Kites
Woodland
89 bpm • C Maj • 03:51 • -9.5db
52% Popularity • 55% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 55% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Trousdale
What Could I Say
102 bpm • A Maj • 02:51 • -9.61db
35% Popularity • 27% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 27% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Adam Melchor
Let Me Know When
89 bpm • B Maj • 02:54 • -11.43db
31% Popularity • 52% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
31% Popularity • 52% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Peter McPoland
Let Her Remember
89 bpm • G Maj • 03:32 • -6.5db
38% Popularity • 37% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 37% Danceability • 20% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Kaleah Lee
Anchored
102 bpm • F# Maj • 03:59 • -15.41db
34% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 38% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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BAILEN
Rose Leaves
89 bpm • G# Maj • 03:58 • -9.8db
30% Popularity • 25% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
30% Popularity • 25% Danceability • 34% Energy • 24% Liveness
0% Instrumentalness • 9% Positiveness
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The Paper Kites
Tenenbaum
89 bpm • C# Maj • 03:39 • -18.46db
43% Popularity • 50% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 44% Positiveness
43% Popularity • 50% Danceability • 18% Energy • 10% Liveness
61% Instrumentalness • 44% Positiveness
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Phoebe Bridgers
Georgia
102 bpm • D Maj • 04:07 • -11.88db
61% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
61% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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Matilda Mann
In Plain Sight
102 bpm • C# Maj • 02:36 • -8.84db
38% Popularity • 51% Danceability • 60% Energy • 12% Liveness
8% Instrumentalness • 36% Positiveness
38% Popularity • 51% Danceability • 60% Energy • 12% Liveness
8% Instrumentalness • 36% Positiveness
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Olive Klug
Not Forever After
88 bpm • B Maj • 03:39 • -9.57db
28% Popularity • 53% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 53% Danceability • 27% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Adam Melchor
i'm not okay
88 bpm • C Maj • 02:54 • -7.28db
26% Popularity • 41% Danceability • 45% Energy • 10% Liveness
4% Instrumentalness • 40% Positiveness
26% Popularity • 41% Danceability • 45% Energy • 10% Liveness
4% Instrumentalness • 40% Positiveness
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Dayglow
Dear Friend,
88 bpm • C Maj • 02:22 • -10.92db
45% Popularity • 41% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
45% Popularity • 41% Danceability • 38% Energy • 11% Liveness
2% Instrumentalness • 33% Positiveness
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Bruno Major
Places We Won't Walk
88 bpm • D# Maj • 02:49 • -16db
62% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
62% Popularity • 39% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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stories
My Funny Valentine
103 bpm • D Maj • 03:03 • -13.88db
35% Popularity • 41% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 41% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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flipturn
Savannah
103 bpm • E Maj • 01:09 • -15.83db
64% Popularity • 54% Danceability • 13% Energy • 37% Liveness
5% Instrumentalness • 42% Positiveness
64% Popularity • 54% Danceability • 13% Energy • 37% Liveness
5% Instrumentalness • 42% Positiveness
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Olive Klug
Precooked Rice (blurry illusions)
103 bpm • A# Maj • 04:08 • -8db
32% Popularity • 75% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
32% Popularity • 75% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 61% Positiveness
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Adam Melchor
The Last Song On Earth
102 bpm • D Maj • 03:53 • -8db
29% Popularity • 43% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
29% Popularity • 43% Danceability • 35% Energy • 24% Liveness
0% Instrumentalness • 35% Positiveness
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The Greeting Committee
Call In The Morning
104 bpm • F# Maj • 04:08 • -13.71db
31% Popularity • 64% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 22% Positiveness
31% Popularity • 64% Danceability • 46% Energy • 11% Liveness
5% Instrumentalness • 22% Positiveness
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Bruno Major
Figment Of My Mind
87 bpm • F min • 03:35 • -15.86db
45% Popularity • 33% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
45% Popularity • 33% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 15% Positiveness
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Jensen McRae
Adam's Ribs
87 bpm • D Maj • 03:14 • -7.24db
42% Popularity • 27% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
42% Popularity • 27% Danceability • 29% Energy • 15% Liveness
0% Instrumentalness • 15% Positiveness
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Sammy Copley
Moon Man
104 bpm • D Maj • 03:58 • -22.05db
26% Popularity • 40% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
26% Popularity • 40% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
