Songs like Beginning Middle End - From The Netflix Film "To All The Boys: Always and Forever" by The Greeting Committee
Based on a tempo of (+/- 10%) and a similar genre
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Alexander 23
IDK You Yet
77 bpm • C# Maj • 03:04 • -11.73db
75% Popularity • 65% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
75% Popularity • 65% Danceability • 31% Energy • 12% Liveness
8% Instrumentalness • 20% Positiveness
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The Greeting Committee
Beginning Middle End
77 bpm • D Maj • 03:15 • -7.53db
41% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
41% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Rai
See the Sun
77 bpm • G# Maj • 03:33 • -10.04db
17% Popularity • 54% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
17% Popularity • 54% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Kate York
Still On Top
77 bpm • D Maj • 02:52 • -16.26db
0% Popularity • 62% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
0% Popularity • 62% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
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Faith Ling
I Don't Know How to Tell You This
77 bpm • C Maj • 04:24 • -17.67db
30% Popularity • 71% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
30% Popularity • 71% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Simone
Boy of My Dreams
78 bpm • B Maj • 03:22 • -9db
25% Popularity • 58% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 58% Danceability • 42% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Noah Cyrus
All Three
77 bpm • B Maj • 03:02 • -12.98db
39% Popularity • 35% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
39% Popularity • 35% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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The Greeting Committee
I Don’t Mind
77 bpm • C Maj • 05:16 • -7db
23% Popularity • 35% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 35% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Ingrid Michaelson
To Begin Again
76 bpm • C Maj • 03:30 • -9.73db
52% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
52% Popularity • 44% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Olivia O'Brien
Better Than Feeling Lonely - Stripped
76 bpm • F Maj • 03:18 • -7.52db
21% Popularity • 42% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 42% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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The Districts
Through the Smoke
78 bpm • E Maj • 04:18 • -11.92db
16% Popularity • 49% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 49% Danceability • 53% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Adam Melchor
I Don't Wanna See You Cryin' Anymore
78 bpm • C Maj • 03:43 • -11.93db
43% Popularity • 66% Danceability • 41% Energy • 13% Liveness
3% Instrumentalness • 70% Positiveness
43% Popularity • 66% Danceability • 41% Energy • 13% Liveness
3% Instrumentalness • 70% Positiveness
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Shawn Mendes
Intro
76 bpm • G Maj • 01:02 • -11.01db
49% Popularity • 50% Danceability • 20% Energy • 49% Liveness
0% Instrumentalness • 47% Positiveness
49% Popularity • 50% Danceability • 20% Energy • 49% Liveness
0% Instrumentalness • 47% Positiveness
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Ruth B.
Share
76 bpm • C Maj • 02:50 • -13.76db
25% Popularity • 28% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
25% Popularity • 28% Danceability • 17% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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The Greeting Committee
More
78 bpm • F Maj • 03:40 • -5db
49% Popularity • 54% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
49% Popularity • 54% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Leah Nobel
Over the Moon
76 bpm • D Maj • 03:28 • -9.87db
0% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
0% Popularity • 64% Danceability • 44% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Babygirl
Easy
76 bpm • F# Maj • 03:23 • -13db
28% Popularity • 52% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 52% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Lindsey Ray
Keep You Safe
75 bpm • C Maj • 03:24 • -10.02db
41% Popularity • 42% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
41% Popularity • 42% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Lennon Stella
Bad - Acoustic
76 bpm • D Maj • 02:51 • -10.83db
29% Popularity • 69% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 69% Danceability • 6% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Winnetka Bowling League
barcelona - acoustic
79 bpm • A# Maj • 03:30 • -7.61db
20% Popularity • 66% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
20% Popularity • 66% Danceability • 35% Energy • 14% Liveness
0% Instrumentalness • 69% Positiveness
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Claire Rosinkranz
Pretty Little Things
79 bpm • C Maj • 02:44 • -9.65db
36% Popularity • 50% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
36% Popularity • 50% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Leah Nobel
Beginning Middle End
79 bpm • D Maj • 03:14 • -6.88db
56% Popularity • 67% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
56% Popularity • 67% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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Olivia O'Brien
Complicated
75 bpm • G Maj • 03:09 • -12.05db
70% Popularity • 66% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
70% Popularity • 66% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 8% Positiveness
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Sugar & The Hi Lows
Show & Tell
75 bpm • B Maj • 04:31 • -7.65db
28% Popularity • 51% Danceability • 66% Energy • 14% Liveness
51% Instrumentalness • 61% Positiveness
28% Popularity • 51% Danceability • 66% Energy • 14% Liveness
51% Instrumentalness • 61% Positiveness
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Caity Krone
Work of Art
75 bpm • A min • 02:52 • -9db
8% Popularity • 55% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
8% Popularity • 55% Danceability • 45% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Echosmith
Tell Her You Love Her
75 bpm • D Maj • 04:23 • -11.3db
43% Popularity • 29% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
43% Popularity • 29% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Taylor Swift
But Daddy I Love Him
79 bpm • E Maj • 05:40 • -7.64db
84% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
84% Popularity • 41% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Lia Pappas-Kemps
Sad In Toronto
79 bpm • C Maj • 03:35 • -11.38db
18% Popularity • 46% Danceability • 29% Energy • 39% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 46% Danceability • 29% Energy • 39% Liveness
0% Instrumentalness • 8% Positiveness
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Jon Bryant
Superstition
80 bpm • C Maj • 04:00 • -11db
26% Popularity • 42% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
26% Popularity • 42% Danceability • 30% Energy • 6% Liveness
0% Instrumentalness • 28% Positiveness
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Fin Argus
My Little Dancer
80 bpm • E min • 03:08 • -12.82db
32% Popularity • 56% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 56% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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Alice Kristiansen
A Million Times
74 bpm • F min • 03:29 • -7.71db
17% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
17% Popularity • 52% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Moira & Claire
Mind Over Matter
80 bpm • C Maj • 03:16 • -10.2db
19% Popularity • 60% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 60% Danceability • 22% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Ber
Bad For Me
80 bpm • D# Maj • 02:38 • -11.45db
24% Popularity • 59% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 59% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 63% Positiveness
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Adam Melchor
Real Estate
80 bpm • D Maj • 03:36 • -12.82db
53% Popularity • 49% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
53% Popularity • 49% Danceability • 28% Energy • 15% Liveness
1% Instrumentalness • 20% Positiveness
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Dafna
Light Of My Life
80 bpm • F Maj • 03:28 • -7.52db
28% Popularity • 66% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
28% Popularity • 66% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 26% Positiveness
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Swansi
Now and Forever
80 bpm • C min • 03:04 • -13.32db
22% Popularity • 52% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
22% Popularity • 52% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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The Ophelias
Moon Like Sour Candy
74 bpm • B Maj • 03:12 • -6.89db
31% Popularity • 62% Danceability • 60% Energy • 7% Liveness
3% Instrumentalness • 33% Positiveness
31% Popularity • 62% Danceability • 60% Energy • 7% Liveness
3% Instrumentalness • 33% Positiveness
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Aron Wright
You Were Supposed to Be Different
74 bpm • G Maj • 03:12 • -13db
41% Popularity • 44% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
41% Popularity • 44% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Luz
the author
81 bpm • C Maj • 03:37 • -12.57db
50% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
50% Popularity • 35% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Sasha Alex Sloan
Santa's Real
81 bpm • A Maj • 03:24 • -10.15db
37% Popularity • 36% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
37% Popularity • 36% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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PT Walkley
How's It Going To Be
81 bpm • F Maj • 03:55 • -6db
24% Popularity • 61% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
24% Popularity • 61% Danceability • 57% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Andrew Shubin
Dance the Night Away
81 bpm • G Maj • 03:23 • -11.02db
15% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
15% Popularity • 28% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Air Review
People Say Things Change
81 bpm • C Maj • 04:19 • -12db
19% Popularity • 56% Danceability • 42% Energy • 11% Liveness
5% Instrumentalness • 25% Positiveness
19% Popularity • 56% Danceability • 42% Energy • 11% Liveness
5% Instrumentalness • 25% Positiveness
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Billie Eilish
Happier Than Ever
81 bpm • C Maj • 04:58 • -8.7db
84% Popularity • 33% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
84% Popularity • 33% Danceability • 22% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Ruth B.
Spaceship
81 bpm • F Maj • 03:31 • -10.64db
41% Popularity • 58% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
41% Popularity • 58% Danceability • 34% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Luca Fogale
Unfolding
81 bpm • D# Maj • 03:43 • -11.54db
40% Popularity • 45% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
40% Popularity • 45% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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ROYAL
Rebel
73 bpm • A# min • 04:22 • -8.77db
24% Popularity • 22% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
24% Popularity • 22% Danceability • 24% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Rhys Sund
Don't Lay It on Me
72 bpm • C Maj • 03:43 • -7.22db
16% Popularity • 42% Danceability • 45% Energy • 13% Liveness
2% Instrumentalness • 17% Positiveness
16% Popularity • 42% Danceability • 45% Energy • 13% Liveness
2% Instrumentalness • 17% Positiveness
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Claud
Soft Spot
82 bpm • A# Maj • 03:08 • -8db
52% Popularity • 56% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 56% Danceability • 54% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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Hotel Fiction
Astronaut Kids
82 bpm • A Maj • 04:40 • -8db
29% Popularity • 29% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
29% Popularity • 29% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Maisie Peters
Maybe Don't - Acoustic
83 bpm • G Maj • 02:47 • -11.38db
30% Popularity • 79% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 79% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 56% Positiveness
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Tate McRae
One Day
72 bpm • C Maj • 03:22 • -9.52db
71% Popularity • 44% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
71% Popularity • 44% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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penelope Q
One Degree
83 bpm • D Maj • 03:24 • -9.06db
13% Popularity • 47% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
13% Popularity • 47% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Cyn
I’ll Still Have Me
83 bpm • D Maj • 03:39 • -8.25db
41% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
41% Popularity • 60% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Samia
Show Up
83 bpm • C Maj • 03:21 • -8.73db
36% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
36% Popularity • 54% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Lennon Stella
Older Than I Am - Acoustic
71 bpm • A Maj • 02:45 • -14.54db
28% Popularity • 49% Danceability • 12% Energy • 53% Liveness
0% Instrumentalness • 39% Positiveness
28% Popularity • 49% Danceability • 12% Energy • 53% Liveness
0% Instrumentalness • 39% Positiveness
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Cooper & Gatlin
Fragile
83 bpm • E min • 03:23 • -9.98db
33% Popularity • 74% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
33% Popularity • 74% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Taylor Swift
invisible string
83 bpm • E min • 04:12 • -11.14db
76% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
76% Popularity • 65% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Lauv
For Now
84 bpm • G Maj • 03:09 • -12db
47% Popularity • 53% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
47% Popularity • 53% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Luca Fogale
Surviving
84 bpm • A# Maj • 03:16 • -9db
39% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
39% Popularity • 50% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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MARKS
What Did I Ask For
70 bpm • G Maj • 03:07 • -12.17db
26% Popularity • 38% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 38% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Ages and Ages
Unsung Songs
84 bpm • C Maj • 03:58 • -9.73db
28% Popularity • 52% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
28% Popularity • 52% Danceability • 41% Energy • 9% Liveness
1% Instrumentalness • 28% Positiveness
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Claud
Wish You Were Gay
70 bpm • D Maj • 03:11 • -9db
47% Popularity • 63% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 63% Danceability • 33% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Shawn Mendes
24 Hours
84 bpm • F Maj • 02:30 • -8db
46% Popularity • 35% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
46% Popularity • 35% Danceability • 37% Energy • 12% Liveness
1% Instrumentalness • 36% Positiveness
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Carissa Alvarado
if time stood still
84 bpm • C Maj • 03:34 • -11db
21% Popularity • 49% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
21% Popularity • 49% Danceability • 19% Energy • 7% Liveness
0% Instrumentalness • 12% Positiveness
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Ruth B.
Dirty Nikes
70 bpm • A Maj • 03:18 • -9.74db
37% Popularity • 78% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
37% Popularity • 78% Danceability • 28% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Cyn
I'll Still Have Me - even moodier
85 bpm • B min • 03:25 • -12.52db
10% Popularity • 36% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
10% Popularity • 36% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 28% Positiveness
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Amy Allen
One
85 bpm • F Maj • 04:11 • -6.73db
16% Popularity • 25% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 25% Danceability • 46% Energy • 21% Liveness
0% Instrumentalness • 12% Positiveness
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Jake Etheridge
Wherever I May Go
85 bpm • G Maj • 03:01 • -13.86db
40% Popularity • 38% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
40% Popularity • 38% Danceability • 23% Energy • 11% Liveness
4% Instrumentalness • 4% Positiveness
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Chioma
Love Me Low
69 bpm • C Maj • 02:29 • -14.26db
41% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
41% Popularity • 42% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Josie Dunne
Same (Alternate Version)
86 bpm • D# Maj • 02:46 • -9db
26% Popularity • 55% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 55% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Georgia Vannewkirk
Malibu Honey
86 bpm • A Maj • 03:04 • -8.31db
8% Popularity • 64% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 64% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Taylor Swift
Lover
69 bpm • G Maj • 03:41 • -7.58db
89% Popularity • 36% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
89% Popularity • 36% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Chloe George
ghost town (voice memo)
68 bpm • G# Maj • 02:17 • -6.5db
56% Popularity • 47% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
56% Popularity • 47% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Ella Hunt
Moral High Ground
88 bpm • G Maj • 03:36 • -18.25db
19% Popularity • 28% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
19% Popularity • 28% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
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BC Fog
Gone
67 bpm • F Maj • 02:13 • -17.46db
26% Popularity • 16% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
26% Popularity • 16% Danceability • 12% Energy • 10% Liveness
8% Instrumentalness • 7% Positiveness
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Jordan Suaste
If The World Ended Tonight
67 bpm • F Maj • 03:56 • -15.35db
32% Popularity • 35% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
32% Popularity • 35% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Kazmyn
please slow down
90 bpm • A# Maj • 02:58 • -12db
25% Popularity • 69% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 69% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Taylor Swift
Lover - First Dance Remix
68 bpm • G Maj • 03:53 • -8db
56% Popularity • 51% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
56% Popularity • 51% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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76th Street
In My Bones
90 bpm • D Maj • 03:18 • -8.86db
19% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
19% Popularity • 67% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Keegan Allen
Time and Lemonade
90 bpm • D Maj • 03:54 • -15.5db
7% Popularity • 50% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
7% Popularity • 50% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Orla Gartland
Why Am I Like This?
90 bpm • D Maj • 03:32 • -7.71db
58% Popularity • 63% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
58% Popularity • 63% Danceability • 42% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Cut One
Take My Hand
90 bpm • A Maj • 03:14 • -12.09db
18% Popularity • 50% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
18% Popularity • 50% Danceability • 36% Energy • 11% Liveness
3% Instrumentalness • 30% Positiveness
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Winona Oak
Lonely Hearts Club - Stripped
66 bpm • B Maj • 02:49 • -8.33db
24% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 50% Danceability • 28% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Taylor Swift
ivy
89 bpm • D Maj • 04:20 • -9.28db
70% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
70% Popularity • 52% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Maude Latour
Walk Backwards
90 bpm • G Maj • 02:33 • -10db
37% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
37% Popularity • 62% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Gatlin
What If I Love You (Stripped)
90 bpm • B Maj • 02:52 • -9.74db
30% Popularity • 42% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
30% Popularity • 42% Danceability • 32% Energy • 17% Liveness
0% Instrumentalness • 21% Positiveness
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Kaatii
Swept Up
91 bpm • G Maj • 03:26 • -8.01db
16% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 62% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Joy Oladokun
mercy
90 bpm • C Maj • 03:36 • -10.23db
23% Popularity • 62% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 62% Danceability • 53% Energy • 17% Liveness
0% Instrumentalness • 19% Positiveness
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Madison Malone
Quiet Down 2
91 bpm • B Maj • 03:12 • -7.62db
20% Popularity • 56% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
20% Popularity • 56% Danceability • 61% Energy • 20% Liveness
0% Instrumentalness • 80% Positiveness
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Taylor Swift
the lakes - original version
90 bpm • D Maj • 03:47 • -11db
63% Popularity • 20% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
63% Popularity • 20% Danceability • 41% Energy • 29% Liveness
0% Instrumentalness • 25% Positiveness
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Ritt Momney
Put Your Records On
91 bpm • F# min • 03:30 • -10.78db
72% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
72% Popularity • 40% Danceability • 49% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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JP Saxe
Hey Stupid, I Love You
92 bpm • F min • 03:01 • -9.63db
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
57% Popularity • 76% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 87% Positiveness
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Kris Angelis
That Siren, Hope
92 bpm • C Maj • 03:59 • -12db
22% Popularity • 61% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 61% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 17% Positiveness
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Rhys Lewis
Lonely Place
92 bpm • D Maj • 03:24 • -8.38db
14% Popularity • 41% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
14% Popularity • 41% Danceability • 36% Energy • 30% Liveness
0% Instrumentalness • 15% Positiveness
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The Well Pennies
Ooh La La
93 bpm • G# Maj • 03:08 • -7.59db
27% Popularity • 59% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
27% Popularity • 59% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Ruth B.
Favourite
92 bpm • G Maj • 03:44 • -9.38db
27% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 54% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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The Regrettes
I Love Us
93 bpm • C# Maj • 03:10 • -7db
31% Popularity • 65% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
31% Popularity • 65% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 25% Positiveness
