Songs like Behind Closed Doors - Radio Edit by Peter Andre
Based on a tempo of (+/- 10%) and a similar genre
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Peter Andre
Behind Closed Doors - Radio Edit
115 bpm • C min • 03:23 • -5db
6% Popularity • 62% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
6% Popularity • 62% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Jamelia
Thank You - Single Edit
115 bpm • D Maj • 03:14 • -6.47db
42% Popularity • 51% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 51% Danceability • 73% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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Blue Lagoon
Now That We Found Love
115 bpm • A# min • 03:34 • -6.97db
19% Popularity • 70% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 70% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Candi Staton
Young Hearts Run Free
115 bpm • G min • 04:08 • -9.3db
71% Popularity • 65% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
71% Popularity • 65% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 85% Positiveness
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Michael Jackson
The Way You Make Me Feel - 2012 Remaster
114 bpm • C# Maj • 04:58 • -4.52db
68% Popularity • 88% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
68% Popularity • 88% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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The Temptations
Lady Soul
114 bpm • C# Maj • 04:37 • -6.54db
46% Popularity • 82% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 82% Danceability • 60% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Peter Andre
Turn It Up
115 bpm • C# Maj • 03:23 • -9.21db
2% Popularity • 74% Danceability • 80% Energy • 58% Liveness
0% Instrumentalness • 71% Positiveness
2% Popularity • 74% Danceability • 80% Energy • 58% Liveness
0% Instrumentalness • 71% Positiveness
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B*Witched
Jesse Hold On - Radio Edit
114 bpm • D Maj • 03:20 • -4.83db
34% Popularity • 69% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
34% Popularity • 69% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Dawnay
You Touch Me
113 bpm • G Maj • 04:47 • -5.76db
22% Popularity • 70% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
22% Popularity • 70% Danceability • 92% Energy • 6% Liveness
0% Instrumentalness • 88% Positiveness
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Sugababes
Ugly
117 bpm • C Maj • 03:51 • -7.74db
43% Popularity • 72% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
43% Popularity • 72% Danceability • 80% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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C.J. Lewis
Sweets For My Sweet
117 bpm • A# min • 03:19 • -5.01db
35% Popularity • 73% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
35% Popularity • 73% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Mr Cowboy
OB-LA-DI, OB-LA-DA
117 bpm • E Maj • 03:33 • -6.98db
40% Popularity • 90% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 99% Positiveness
40% Popularity • 90% Danceability • 61% Energy • 8% Liveness
0% Instrumentalness • 99% Positiveness
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Peter Andre
All Night All Right
114 bpm • C# min • 03:28 • -4.82db
31% Popularity • 79% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 79% Danceability • 77% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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FYA
Must Be Love
113 bpm • B min • 04:09 • -4.15db
20% Popularity • 75% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
20% Popularity • 75% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 61% Positiveness
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Cher
The Shoop Shoop Song (It's In His Kiss)
117 bpm • C Maj • 02:50 • -10.51db
69% Popularity • 68% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
69% Popularity • 68% Danceability • 61% Energy • 40% Liveness
0% Instrumentalness • 92% Positiveness
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Wet Wet Wet
Sweet Little Mystery
117 bpm • C Maj • 03:44 • -14.11db
53% Popularity • 71% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
53% Popularity • 71% Danceability • 58% Energy • 7% Liveness
0% Instrumentalness • 95% Positiveness
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Robert Palmer
I'll Be Your Baby Tonight
113 bpm • G# Maj • 03:25 • -10.35db
49% Popularity • 53% Danceability • 77% Energy • 5% Liveness
22% Instrumentalness • 97% Positiveness
49% Popularity • 53% Danceability • 77% Energy • 5% Liveness
22% Instrumentalness • 97% Positiveness
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Wham!
Club Tropicana
117 bpm • B Maj • 04:25 • -9.25db
64% Popularity • 66% Danceability • 71% Energy • 65% Liveness
0% Instrumentalness • 81% Positiveness
64% Popularity • 66% Danceability • 71% Energy • 65% Liveness
0% Instrumentalness • 81% Positiveness
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Billy Ocean
Get Outta My Dreams, Get Into My Car
117 bpm • E Maj • 04:44 • -6.46db
59% Popularity • 67% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
59% Popularity • 67% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Westlife
Bop Bop Baby
118 bpm • D Maj • 04:21 • -4db
52% Popularity • 68% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
52% Popularity • 68% Danceability • 89% Energy • 14% Liveness
0% Instrumentalness • 66% Positiveness
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Peter Andre
Get Down on It
118 bpm • E min • 04:46 • -6.54db
21% Popularity • 71% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
21% Popularity • 71% Danceability • 95% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Justin Wellington
Island Girl
112 bpm • B min • 03:59 • -4.31db
26% Popularity • 66% Danceability • 72% Energy • 15% Liveness
2% Instrumentalness • 59% Positiveness
26% Popularity • 66% Danceability • 72% Energy • 15% Liveness
2% Instrumentalness • 59% Positiveness
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J Boog
Sunshine Girl
118 bpm • G# Maj • 03:37 • -6.68db
59% Popularity • 77% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
59% Popularity • 77% Danceability • 54% Energy • 4% Liveness
0% Instrumentalness • 92% Positiveness
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Whitney Houston
I Wanna Dance with Somebody (Who Loves M...
119 bpm • C# Maj • 04:51 • -8.82db
84% Popularity • 71% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
84% Popularity • 71% Danceability • 82% Energy • 9% Liveness
0% Instrumentalness • 87% Positiveness
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Jimmy Cliff
Sunshine in the Music
111 bpm • A min • 04:50 • -13db
36% Popularity • 87% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
36% Popularity • 87% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 93% Positiveness
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Christina Aguilera
Come on over Baby (All I Want Is You) - ...
119 bpm • G# Maj • 03:23 • -3db
65% Popularity • 83% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
65% Popularity • 83% Danceability • 92% Energy • 25% Liveness
0% Instrumentalness • 78% Positiveness
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Ronan Keating
Life Is A Rollercoaster
119 bpm • C Maj • 03:54 • -8.92db
59% Popularity • 66% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
59% Popularity • 66% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 86% Positiveness
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Lloyd
Dedication To My Ex (Miss That)
119 bpm • C Maj • 03:56 • -4.62db
46% Popularity • 84% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 84% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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No Mercy
Kiss You All Over
111 bpm • D Maj • 04:34 • -10.03db
34% Popularity • 66% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
34% Popularity • 66% Danceability • 82% Energy • 6% Liveness
0% Instrumentalness • 77% Positiveness
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Five
If Ya Gettin' Down
111 bpm • B Maj • 03:00 • -5.35db
50% Popularity • 82% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
50% Popularity • 82% Danceability • 88% Energy • 30% Liveness
0% Instrumentalness • 91% Positiveness
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Toploader
Dancing in the Moonlight
119 bpm • A# Maj • 03:52 • -3.46db
80% Popularity • 63% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
80% Popularity • 63% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 87% Positiveness
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Deep Blue Something
Breakfast At Tiffany's
110 bpm • D Maj • 04:17 • -5.55db
72% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
72% Popularity • 62% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Whitney Houston
How Will I Know
119 bpm • F# Maj • 04:35 • -12.7db
72% Popularity • 83% Danceability • 54% Energy • 63% Liveness
0% Instrumentalness • 93% Positiveness
72% Popularity • 83% Danceability • 54% Energy • 63% Liveness
0% Instrumentalness • 93% Positiveness
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Chesney Hawkes
The One and Only
120 bpm • E Maj • 03:43 • -11db
62% Popularity • 68% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
62% Popularity • 68% Danceability • 70% Energy • 39% Liveness
0% Instrumentalness • 78% Positiveness
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CAFFINE
Mysterious Girledm - Remix
120 bpm • G# Maj • 03:00 • -15.81db
2% Popularity • 71% Danceability • 39% Energy • 37% Liveness
72% Instrumentalness • 66% Positiveness
2% Popularity • 71% Danceability • 39% Energy • 37% Liveness
72% Instrumentalness • 66% Positiveness
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Maoli
If I Said You Had a Beautiful Body
120 bpm • A Maj • 03:15 • -5.77db
55% Popularity • 89% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
55% Popularity • 89% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 96% Positiveness
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Cut 'N' Move
Give It Up
120 bpm • F min • 04:25 • -8.51db
36% Popularity • 70% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
36% Popularity • 70% Danceability • 92% Energy • 7% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Brown
Forever
120 bpm • B Maj • 04:38 • -4.46db
78% Popularity • 67% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
78% Popularity • 67% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 44% Positiveness
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3T
Stuck on You
120 bpm • F Maj • 03:33 • -8.7db
47% Popularity • 89% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
47% Popularity • 89% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 69% Positiveness
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Lomez Brown
Sweet Lover
110 bpm • F# Maj • 03:42 • -6.26db
57% Popularity • 97% Danceability • 50% Energy • 2% Liveness
0% Instrumentalness • 90% Positiveness
57% Popularity • 97% Danceability • 50% Energy • 2% Liveness
0% Instrumentalness • 90% Positiveness
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Matthew Wilder
Break My Stride
110 bpm • A# Maj • 03:04 • -11.05db
73% Popularity • 92% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
73% Popularity • 92% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 83% Positiveness
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Jamelia
Superstar
110 bpm • C# Maj • 03:35 • -6.93db
71% Popularity • 80% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
71% Popularity • 80% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 82% Positiveness
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Spice Girls
Wannabe
110 bpm • B Maj • 02:53 • -6.15db
82% Popularity • 77% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
82% Popularity • 77% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 89% Positiveness
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Blue Lagoon
Beautiful Day
110 bpm • F# min • 03:43 • -6.49db
13% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
13% Popularity • 79% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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Samantha Mumba
Gotta Tell You
110 bpm • C min • 03:20 • -4.51db
57% Popularity • 74% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
57% Popularity • 74% Danceability • 75% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Justin Wellington
Fire
110 bpm • A min • 03:43 • -7.71db
19% Popularity • 78% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
19% Popularity • 78% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 91% Positiveness
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Diddy
I'll Be Missing You
110 bpm • G Maj • 05:06 • -5.6db
64% Popularity • 83% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
64% Popularity • 83% Danceability • 62% Energy • 16% Liveness
0% Instrumentalness • 90% Positiveness
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Katrina & The Waves
Walking On Sunshine
110 bpm • A# Maj • 03:58 • -11.97db
80% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
80% Popularity • 60% Danceability • 87% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
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Dr. Hook
When You're In Love With A Beautiful Wom...
110 bpm • G# Maj • 02:58 • -9.54db
67% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
67% Popularity • 68% Danceability • 73% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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PAUA
Coming Home
121 bpm • G Maj • 05:31 • -7.93db
46% Popularity • 89% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
46% Popularity • 89% Danceability • 41% Energy • 26% Liveness
0% Instrumentalness • 71% Positiveness
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Jimmy Cliff
Reggae Night
109 bpm • C Maj • 05:20 • -13db
53% Popularity • 85% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 85% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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B*Witched
C'est La Vie
109 bpm • G Maj • 02:53 • -5.11db
63% Popularity • 70% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
63% Popularity • 70% Danceability • 94% Energy • 5% Liveness
0% Instrumentalness • 94% Positiveness
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Ardijah
Watchin' U (Poly Fonk Stylz)
109 bpm • G Maj • 05:03 • -6.34db
31% Popularity • 83% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
31% Popularity • 83% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 64% Positiveness
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Peter Andre
Never Gonna Give You Up
109 bpm • G# min • 03:33 • -4.83db
9% Popularity • 73% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
9% Popularity • 73% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Bobby Brown
Two Can Play That Game - Radio Edit
121 bpm • C min • 03:31 • -7db
57% Popularity • 61% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 88% Positiveness
57% Popularity • 61% Danceability • 90% Energy • 41% Liveness
0% Instrumentalness • 88% Positiveness
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Wes
Alane - Radio Version
122 bpm • G# Maj • 03:40 • -7.19db
55% Popularity • 84% Danceability • 77% Energy • 11% Liveness
17% Instrumentalness • 96% Positiveness
55% Popularity • 84% Danceability • 77% Energy • 11% Liveness
17% Instrumentalness • 96% Positiveness
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Billy Ocean
When the Going Gets Tough, The Tough Get...
122 bpm • E Maj • 04:08 • -6.32db
61% Popularity • 76% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
61% Popularity • 76% Danceability • 76% Energy • 32% Liveness
0% Instrumentalness • 93% Positiveness
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Darius
Colourblind
108 bpm • D Maj • 03:35 • -4.39db
49% Popularity • 74% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
49% Popularity • 74% Danceability • 65% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Ardijah
Watchin' U
109 bpm • C Maj • 03:53 • -4.34db
49% Popularity • 89% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
49% Popularity • 89% Danceability • 69% Energy • 5% Liveness
0% Instrumentalness • 98% Positiveness
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Peter Andre
Gimme Little Sign
109 bpm • A# min • 03:26 • -7.72db
27% Popularity • 71% Danceability • 81% Energy • 20% Liveness
2% Instrumentalness • 77% Positiveness
27% Popularity • 71% Danceability • 81% Energy • 20% Liveness
2% Instrumentalness • 77% Positiveness
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Will Smith
Miami
108 bpm • C# Maj • 03:17 • -6.18db
73% Popularity • 88% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
73% Popularity • 88% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 89% Positiveness
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Carlos Santos
Hot-Hot-Hot
122 bpm • C# Maj • 04:17 • -4.85db
30% Popularity • 71% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
30% Popularity • 71% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 92% Positiveness
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Backstreet Boys
Everybody (Backstreet's Back) - Radio Ed...
108 bpm • A# min • 03:45 • -4.22db
77% Popularity • 73% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
77% Popularity • 73% Danceability • 85% Energy • 27% Liveness
0% Instrumentalness • 60% Positiveness
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Blue Lagoon
Heartbreaker - Radio Edit
108 bpm • C# Maj • 03:25 • -6.18db
38% Popularity • 78% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 78% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 55% Positiveness
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Take That
Relight My Fire
123 bpm • A Maj • 04:11 • -7.32db
57% Popularity • 65% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
57% Popularity • 65% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 92% Positiveness
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Ché-Fu
Fade Away
108 bpm • F# min • 04:06 • -7.61db
47% Popularity • 82% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
47% Popularity • 82% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Will Smith
Gettin' Jiggy Wit It
108 bpm • F# Maj • 03:47 • -4.51db
73% Popularity • 88% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
73% Popularity • 88% Danceability • 87% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Cheryl
Fight For This Love
123 bpm • G Maj • 03:43 • -5.87db
65% Popularity • 74% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
65% Popularity • 74% Danceability • 74% Energy • 7% Liveness
0% Instrumentalness • 73% Positiveness
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Jermaine Stewart
We Don't Have To Take Our Clothes Off
123 bpm • F# min • 04:53 • -8.6db
60% Popularity • 82% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
60% Popularity • 82% Danceability • 71% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Kevin Lyttle
Last Drop
107 bpm • G# Maj • 03:21 • -3.88db
31% Popularity • 75% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
31% Popularity • 75% Danceability • 86% Energy • 13% Liveness
0% Instrumentalness • 90% Positiveness
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Four Tops
Loco in Acapulco
123 bpm • E Maj • 04:34 • -9.61db
58% Popularity • 82% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
58% Popularity • 82% Danceability • 70% Energy • 3% Liveness
0% Instrumentalness • 96% Positiveness
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Spice Girls
Say You'll Be There
107 bpm • C# Maj • 03:55 • -6.22db
66% Popularity • 73% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
66% Popularity • 73% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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Salt-N-Pepa
Let's Talk About Sex
107 bpm • F# Maj • 03:33 • -13.5db
62% Popularity • 86% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
62% Popularity • 86% Danceability • 54% Energy • 24% Liveness
0% Instrumentalness • 80% Positiveness
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Busted
Year 3000
107 bpm • B Maj • 03:16 • -6.68db
60% Popularity • 59% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
60% Popularity • 59% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 90% Positiveness
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Pieter T
My Baby
124 bpm • F# Maj • 03:45 • -5.84db
48% Popularity • 79% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
48% Popularity • 79% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Ronan Keating
Lovin' Each Day
107 bpm • C# Maj • 03:32 • -6.26db
55% Popularity • 54% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
55% Popularity • 54% Danceability • 90% Energy • 29% Liveness
0% Instrumentalness • 83% Positiveness
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Ardijah
Desire
124 bpm • G Maj • 04:24 • -5.94db
27% Popularity • 80% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 70% Positiveness
27% Popularity • 80% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 70% Positiveness
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Peter Andre
Rest of My Life
124 bpm • D# min • 04:20 • -9.61db
12% Popularity • 74% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
12% Popularity • 74% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Nolans
Don't Make Waves
107 bpm • F Maj • 03:41 • -5.59db
36% Popularity • 68% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
36% Popularity • 68% Danceability • 76% Energy • 3% Liveness
0% Instrumentalness • 90% Positiveness
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Lene Marlin
Sitting Down Here
124 bpm • D Maj • 03:54 • -6.77db
62% Popularity • 76% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
62% Popularity • 76% Danceability • 71% Energy • 33% Liveness
0% Instrumentalness • 79% Positiveness
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Bob Marley & The Wailers
Buffalo Soldier
124 bpm • A Maj • 04:15 • -8.65db
75% Popularity • 93% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
75% Popularity • 93% Danceability • 46% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Color Me Badd
All 4 Love
106 bpm • D Maj • 03:31 • -8db
53% Popularity • 81% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
53% Popularity • 81% Danceability • 75% Energy • 15% Liveness
0% Instrumentalness • 80% Positiveness
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Kevin Lyttle
Turn Me On
106 bpm • A Maj • 03:12 • -6.88db
69% Popularity • 68% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
69% Popularity • 68% Danceability • 68% Energy • 4% Liveness
0% Instrumentalness • 88% Positiveness
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Shaggy
Oh Carolina
125 bpm • C Maj • 03:10 • -7.83db
50% Popularity • 85% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
50% Popularity • 85% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Peter Andre
Funky Junky - Rap
106 bpm • F# min • 03:51 • -9.43db
7% Popularity • 76% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 76% Danceability • 78% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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KC & The Sunshine Band
Give It Up
125 bpm • D# Maj • 04:14 • -11.63db
71% Popularity • 86% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
71% Popularity • 86% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 88% Positiveness
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Mark Ronson
Valerie - Version Revisited
106 bpm • C# Maj • 03:39 • -4.9db
81% Popularity • 70% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
81% Popularity • 70% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 89% Positiveness
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Shania Twain
That Don't Impress Me Much - Internation...
125 bpm • A# min • 03:59 • -6.07db
68% Popularity • 75% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
68% Popularity • 75% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Ardijah
Moonlighting
125 bpm • G Maj • 04:25 • -7.22db
48% Popularity • 88% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 88% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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D:Ream
Things Can Only Get Better
125 bpm • A# min • 04:18 • -12.43db
55% Popularity • 67% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
55% Popularity • 67% Danceability • 74% Energy • 20% Liveness
0% Instrumentalness • 10% Positiveness
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Jennifer Lopez
Waiting for Tonight
125 bpm • A# min • 04:05 • -6.17db
58% Popularity • 70% Danceability • 94% Energy • 9% Liveness
5% Instrumentalness • 86% Positiveness
58% Popularity • 70% Danceability • 94% Energy • 9% Liveness
5% Instrumentalness • 86% Positiveness
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Steps
Tragedy
125 bpm • D Maj • 04:30 • -6.21db
52% Popularity • 67% Danceability • 90% Energy • 24% Liveness
1% Instrumentalness • 85% Positiveness
52% Popularity • 67% Danceability • 90% Energy • 24% Liveness
1% Instrumentalness • 85% Positiveness
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Sugababes
Hole In The Head
125 bpm • F# min • 03:38 • -4.63db
53% Popularity • 78% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
53% Popularity • 78% Danceability • 93% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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M People
Moving on Up
125 bpm • C min • 03:35 • -6.13db
61% Popularity • 90% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 96% Positiveness
61% Popularity • 90% Danceability • 86% Energy • 11% Liveness
3% Instrumentalness • 96% Positiveness
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Robbie Williams
Let Me Entertain You
125 bpm • A# Maj • 04:22 • -5.02db
66% Popularity • 48% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
66% Popularity • 48% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Boney M.
Brown Girl in the Ring
106 bpm • G# Maj • 04:02 • -7db
52% Popularity • 73% Danceability • 74% Energy • 2% Liveness
0% Instrumentalness • 89% Positiveness
52% Popularity • 73% Danceability • 74% Energy • 2% Liveness
0% Instrumentalness • 89% Positiveness
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Bryan Adams
When You're Gone
125 bpm • C Maj • 03:24 • -6.34db
70% Popularity • 55% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
70% Popularity • 55% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Samantha Mumba
Always Come Back To Your Love
105 bpm • G# Maj • 03:33 • -5.33db
49% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
49% Popularity • 74% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
