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Behold the Star
Songs like
Behold the Star
by
William L. Dawson
Based on a tempo of (+/- 10%) and a similar genre
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John Bell
Love One Another
83 bpm • D Maj • 02:18 • -18.52db
13% Popularity • 29% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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William L. Dawson
Behold the Star
83 bpm • A# Maj • 04:18 • -23.36db
2% Popularity • 21% Danceability • 12% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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Laestadian Lutheran Church
Oh, Day of Joy and Gladness SHZ 545
83 bpm • G Maj • 05:02 • -16.92db
15% Popularity • 13% Danceability • 19% Energy • 10% Liveness
94% Instrumentalness • 8% Positiveness
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The Choir of Trinity College, Melbourne
The Day You Gave Us, Lord, Is Ended (Arr...
83 bpm • G Maj • 03:00 • -15db
13% Popularity • 18% Danceability • 19% Energy • 9% Liveness
40% Instrumentalness • 14% Positiveness
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St Edmundsbury Cathedral Choir
The race that long in darkness pined
83 bpm • D# Maj • 02:10 • -30db
9% Popularity • 18% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 10% Positiveness
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Salt Lake Vocal Artists
Spaseniye Sodelal
83 bpm • D Maj • 03:22 • -19.2db
9% Popularity • 20% Danceability • 19% Energy • 9% Liveness
71% Instrumentalness • 4% Positiveness
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Phi Mu Alpha Sinfonia Fraternity
Fraternal Hymn
83 bpm • C Maj • 01:07 • -21.05db
9% Popularity • 17% Danceability • 9% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Arthur Sullivan
The Long Day Closes
84 bpm • G# Maj • 03:58 • -28db
11% Popularity • 10% Danceability • 2% Energy • 7% Liveness
1% Instrumentalness • 4% Positiveness
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Amanda Roswick
Stille Nacht
82 bpm • F# min • 01:15 • -21.99db
10% Popularity • 27% Danceability • 10% Energy • 18% Liveness
75% Instrumentalness • 4% Positiveness
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St. Patrick Orthodox Church Choir
Angelus Domini
84 bpm • A Maj • 02:50 • -29.05db
8% Popularity • 11% Danceability • 2% Energy • 8% Liveness
94% Instrumentalness • 3% Positiveness
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Robert Schumann
Romanzen und Balladen, Book 2, Op. 75: N...
82 bpm • G min • 03:22 • -35.35db
13% Popularity • 19% Danceability • 2% Energy • 7% Liveness
88% Instrumentalness • 3% Positiveness
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Crown & Covenant
How Blessed Are All Who Fear the Lord (P...
84 bpm • A# Maj • 01:42 • -21.66db
15% Popularity • 17% Danceability • 19% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Dumitru Georgescu Kiriac
Am umblat padurile
84 bpm • G Maj • 01:20 • -14.01db
15% Popularity • 46% Danceability • 15% Energy • 19% Liveness
0% Instrumentalness • 53% Positiveness
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Henry John Gauntlett
Jesus Lives, No Longer Now Can Thy Terro...
84 bpm • B Maj • 03:14 • -17.92db
12% Popularity • 12% Danceability • 18% Energy • 10% Liveness
42% Instrumentalness • 8% Positiveness
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Dominican Liturgical Center
Missa Orientalis - Lord Have Mercy
84 bpm • E Maj • 01:03 • -19.36db
15% Popularity • 21% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
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James Chepponis
Eastertimei Psalm
84 bpm • D Maj • 02:45 • -12.57db
10% Popularity • 30% Danceability • 29% Energy • 27% Liveness
15% Instrumentalness • 25% Positiveness
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John Stainer
The Crucifixion: Hymn: The Mystery of th...
84 bpm • G# Maj • 03:03 • -28.62db
13% Popularity • 26% Danceability • 8% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Gittan Glans
When Breathing like a Bird
84 bpm • D Maj • 01:55 • -18.7db
8% Popularity • 19% Danceability • 20% Energy • 12% Liveness
63% Instrumentalness • 22% Positiveness
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Laestadian Lutheran Church
He Cometh Soon, My Jesus SHZ 144
82 bpm • F Maj • 05:22 • -18.78db
14% Popularity • 8% Danceability • 20% Energy • 10% Liveness
74% Instrumentalness • 8% Positiveness
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St. Michael's Singers
Guide Me, O Thou Great Redeemer
82 bpm • G# Maj • 03:03 • -10.45db
15% Popularity • 26% Danceability • 28% Energy • 16% Liveness
5% Instrumentalness • 23% Positiveness
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Brian Field
A Christmas Carol
84 bpm • C Maj • 05:51 • -14.29db
39% Popularity • 11% Danceability • 26% Energy • 12% Liveness
60% Instrumentalness • 5% Positiveness
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Nicolas Fayolle
Best Room
85 bpm • A# Maj • 02:48 • -22.92db
25% Popularity • 18% Danceability • 6% Energy • 9% Liveness
23% Instrumentalness • 5% Positiveness
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Charles Wesley
Oh, How Happy Are They
85 bpm • E Maj • 01:36 • -20.99db
8% Popularity • 39% Danceability • 9% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Church of the Assumption Choir
Life-Giving Bread, Saving Cup
85 bpm • D# Maj • 05:36 • -15.19db
13% Popularity • 16% Danceability • 24% Energy • 16% Liveness
42% Instrumentalness • 8% Positiveness
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Laestadian Lutheran Church
Our Jesus Has Called Us SHZ 403
82 bpm • A min • 04:52 • -16.66db
8% Popularity • 15% Danceability • 26% Energy • 10% Liveness
72% Instrumentalness • 11% Positiveness
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Nazo Zakkak
It Is Truly Meet
81 bpm • F# Maj • 01:26 • -15.52db
19% Popularity • 26% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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William Sterndale Bennett
When I Was in Trouble, I Called upon the...
81 bpm • G# min • 02:02 • -27.18db
10% Popularity • 28% Danceability • 13% Energy • 13% Liveness
5% Instrumentalness • 19% Positiveness
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John Stainer
The Crucifixion: Hymn. The Adoration of ...
85 bpm • D# Maj • 01:44 • -20.84db
8% Popularity • 21% Danceability • 16% Energy • 22% Liveness
81% Instrumentalness • 36% Positiveness
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Knut Nystedt
Cry Out and Shout
85 bpm • D min • 01:30 • -16db
21% Popularity • 28% Danceability • 28% Energy • 29% Liveness
0% Instrumentalness • 5% Positiveness
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Shofar
Mwokozi Kama Mchunga (Arr. Paul Mogesi f...
81 bpm • F Maj • 01:41 • -14.95db
15% Popularity • 16% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Hugo Alfvén
Uti vår hage
85 bpm • F min • 02:34 • -31.99db
9% Popularity • 20% Danceability • 4% Energy • 9% Liveness
24% Instrumentalness • 9% Positiveness
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Reena Esmail
Tuttarana (Version for SATB Choir)
85 bpm • D Maj • 03:01 • -24.28db
10% Popularity • 25% Danceability • 12% Energy • 6% Liveness
3% Instrumentalness • 21% Positiveness
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St Luke Chancel Choir
Here I Am, Lord
81 bpm • C Maj • 05:04 • -15.48db
9% Popularity • 19% Danceability • 20% Energy • 19% Liveness
35% Instrumentalness • 13% Positiveness
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Sofia Kammarkör
The Huron Carol
81 bpm • G min • 02:17 • -25.28db
21% Popularity • 16% Danceability • 10% Energy • 12% Liveness
1% Instrumentalness • 11% Positiveness
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McFarland High School A Cappella Choir
The Blessing of Aaron
85 bpm • C# Maj • 01:33 • -25.35db
27% Popularity • 22% Danceability • 8% Energy • 9% Liveness
54% Instrumentalness • 11% Positiveness
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Montgomery Highschool Choir
Flight
85 bpm • D min • 05:15 • -25.53db
9% Popularity • 14% Danceability • 19% Energy • 92% Liveness
4% Instrumentalness • 7% Positiveness
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Amy Beach
With Prayer and Supplicaton
81 bpm • C min • 01:20 • -32db
21% Popularity • 21% Danceability • 5% Energy • 12% Liveness
39% Instrumentalness • 4% Positiveness
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Kevin Siegfried
Shaker Songs: I. Peace
81 bpm • G Maj • 03:19 • -31.47db
17% Popularity • 15% Danceability • 1% Energy • 8% Liveness
0% Instrumentalness • 6% Positiveness
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Théodore Dubois
Messe à 4 voix: O sallutaris
85 bpm • F Maj • 01:29 • -34.04db
13% Popularity • 9% Danceability • 3% Energy • 9% Liveness
95% Instrumentalness • 9% Positiveness
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Choral Arts Initiative
The House of Belonging
85 bpm • A# min • 02:43 • -14.64db
8% Popularity • 23% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Andreas Peter Berggreen
Kraften fra det høje (Pinse)
81 bpm • A Maj • 02:14 • -16.82db
7% Popularity • 13% Danceability • 16% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Laestadian Lutheran Church
How Beautiful and Glorious SHZ 292
85 bpm • F Maj • 02:23 • -19.19db
15% Popularity • 15% Danceability • 18% Energy • 8% Liveness
96% Instrumentalness • 10% Positiveness
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Herb Frombach
Be Still
81 bpm • B Maj • 03:02 • -21.66db
10% Popularity • 22% Danceability • 8% Energy • 13% Liveness
1% Instrumentalness • 6% Positiveness
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Kenneth Tay
Ave Regina caelorum
80 bpm • A Maj • 03:19 • -23.95db
17% Popularity • 13% Danceability • 8% Energy • 9% Liveness
8% Instrumentalness • 4% Positiveness
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St. Tikhon's Seminary & Monastery Choirs
Small Litany - Common Chant
86 bpm • F Maj • 01:02 • -26.44db
18% Popularity • 29% Danceability • 4% Energy • 14% Liveness
0% Instrumentalness • 8% Positiveness
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Chorus Angelicus
Drop, Drop Slow Tears
80 bpm • G Maj • 01:28 • -30db
21% Popularity • 20% Danceability • 1% Energy • 15% Liveness
88% Instrumentalness • 7% Positiveness
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Millikin University Choir
See Dat Babe
80 bpm • C Maj • 02:24 • -19db
15% Popularity • 30% Danceability • 15% Energy • 13% Liveness
0% Instrumentalness • 13% Positiveness
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Maurice Duruflé
Requiem, Op. 9: II. Kyrie eléison
86 bpm • F Maj • 03:32 • -16.44db
11% Popularity • 9% Danceability • 20% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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J.V Ugland
Velsignet Vær, O Jesus Krist
80 bpm • B Maj • 03:00 • -17.72db
10% Popularity • 13% Danceability • 14% Energy • 13% Liveness
18% Instrumentalness • 13% Positiveness
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The Choir of Trinity College, Melbourne
Christ Be My Leader by Night and by Day
86 bpm • D min • 02:27 • -16db
9% Popularity • 21% Danceability • 20% Energy • 11% Liveness
34% Instrumentalness • 13% Positiveness
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LeoRoads
Seraphic Whispers
80 bpm • F# min • 02:11 • -17.28db
12% Popularity • 30% Danceability • 12% Energy • 13% Liveness
53% Instrumentalness • 9% Positiveness
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Music For child Relax
Dormir Profundamente
80 bpm • G# Maj • 02:23 • -20.19db
10% Popularity • 17% Danceability • 9% Energy • 13% Liveness
97% Instrumentalness • 13% Positiveness
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Georg Friedrich Daumer
Nien, Geliebter, Setze Dich
86 bpm • E Maj • 01:37 • -26db
10% Popularity • 26% Danceability • 4% Energy • 14% Liveness
94% Instrumentalness • 15% Positiveness
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Craig Hella Johnson
Considering Matthew Shepard, Passion: No...
86 bpm • B Maj • 04:22 • -32.08db
9% Popularity • 15% Danceability • 2% Energy • 10% Liveness
5% Instrumentalness • 4% Positiveness
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Crucero Vibes
Crucero Day's
80 bpm • A Maj • 02:18 • -20.94db
7% Popularity • 28% Danceability • 6% Energy • 11% Liveness
75% Instrumentalness • 5% Positiveness
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Concordia Sacrae
Emerald Stream
80 bpm • A# min • 02:13 • -17.46db
12% Popularity • 46% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Aaron Copland
Zion's Walls
86 bpm • F Maj • 01:54 • -14.92db
9% Popularity • 32% Danceability • 20% Energy • 8% Liveness
14% Instrumentalness • 42% Positiveness
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Harmonious Chorale Ghana
Angels Voices, Ever Singing
86 bpm • D Maj • 03:31 • -12.17db
14% Popularity • 14% Danceability • 32% Energy • 35% Liveness
0% Instrumentalness • 21% Positiveness
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The Choir of Trinity College, Melbourne
Of the Father's Heart Begotten
80 bpm • E Maj • 03:35 • -14.89db
10% Popularity • 21% Danceability • 25% Energy • 7% Liveness
18% Instrumentalness • 5% Positiveness
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Nathan J. Arnold
Psalm 25: Make Me To Know Your Ways (Voc...
80 bpm • D Maj • 05:02 • -13.98db
7% Popularity • 20% Danceability • 17% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Elaine Hagenberg
Still With Thee
80 bpm • C# Maj • 03:43 • -21.57db
9% Popularity • 12% Danceability • 13% Energy • 14% Liveness
53% Instrumentalness • 4% Positiveness
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Stellan Sagvik
Missa Maria Magdalena: Agnus Dei
86 bpm • D Maj • 04:21 • -22.89db
7% Popularity • 10% Danceability • 7% Energy • 13% Liveness
10% Instrumentalness • 3% Positiveness
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LeoRoads
Choirs of Eternity
80 bpm • B min • 02:23 • -18.48db
8% Popularity • 55% Danceability • 16% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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St. Tikhon's Seminary & Monastery Choirs
Second Antiphon - Arch. Matthew
80 bpm • B Maj • 01:42 • -28.08db
14% Popularity • 25% Danceability • 6% Energy • 24% Liveness
0% Instrumentalness • 11% Positiveness
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James MacMillan
The Lord’s Prayer
80 bpm • D min • 01:58 • -25.75db
15% Popularity • 9% Danceability • 8% Energy • 13% Liveness
7% Instrumentalness • 4% Positiveness
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Percy Whitlock
The Lord is King (Psalm 99)
80 bpm • G# Maj • 02:48 • -23.56db
1% Popularity • 14% Danceability • 18% Energy • 11% Liveness
68% Instrumentalness • 6% Positiveness
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Trond Kverno
Det Hellige Kors Vår Herre Han Bar
80 bpm • C# min • 02:40 • -22.01db
7% Popularity • 24% Danceability • 21% Energy • 10% Liveness
3% Instrumentalness • 5% Positiveness
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Stanley Alcock
Be Merciful unto Me, O God (Psalm 56)
80 bpm • A# min • 03:04 • -30.07db
9% Popularity • 27% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 4% Positiveness
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Harmonious Chorale Ghana
When All Thy Mercies, O My God
80 bpm • D# Maj • 04:37 • -14.96db
16% Popularity • 12% Danceability • 18% Energy • 14% Liveness
0% Instrumentalness • 9% Positiveness
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John Stainer
The Crucifixion: Chorus: The Appeal of t...
80 bpm • G Maj • 06:11 • -24.69db
10% Popularity • 19% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Emil Adler
Turn: From The Book of Rounds
86 bpm • G Maj • 03:42 • -17.36db
9% Popularity • 19% Danceability • 17% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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William Ferris Chorale
Cum Angelis Et Pueris
86 bpm • G Maj • 01:21 • -16.01db
10% Popularity • 26% Danceability • 18% Energy • 10% Liveness
2% Instrumentalness • 8% Positiveness
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Lorenzo Perosi
Missa Pontificalis: Gloria
86 bpm • D Maj • 06:10 • -24.49db
11% Popularity • 11% Danceability • 3% Energy • 9% Liveness
20% Instrumentalness • 4% Positiveness
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Obioha Ogbonna
Eyen Erong Abasi - Human + Synthetic Cho...
87 bpm • F Maj • 02:46 • -17.26db
13% Popularity • 14% Danceability • 12% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Jakarta Oratorio Society
God will Take Care of You
80 bpm • A# Maj • 02:43 • -25.84db
10% Popularity • 30% Danceability • 5% Energy • 11% Liveness
71% Instrumentalness • 31% Positiveness
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John Stainer
The Crucifixion: Hymn: The Adoration of ...
80 bpm • D# Maj • 01:46 • -27db
15% Popularity • 20% Danceability • 12% Energy • 37% Liveness
0% Instrumentalness • 11% Positiveness
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Phoenix Chamber Choir
Hark I Hear the Harps Eternal
87 bpm • C Maj • 02:10 • -21db
16% Popularity • 31% Danceability • 16% Energy • 15% Liveness
5% Instrumentalness • 19% Positiveness
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Antonín Dvořák
Mass in D Major, Op. 86, B. 153: III. Cr...
79 bpm • A# Maj • 10:07 • -22.46db
12% Popularity • 10% Danceability • 7% Energy • 15% Liveness
65% Instrumentalness • 4% Positiveness
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Þorvaldur Blöndal
Nú sefur jörðin sumargræn
87 bpm • F Maj • 02:42 • -33.06db
9% Popularity • 17% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 14% Positiveness
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John Ireland
Evening Service in F Major: Nunc dimitti...
87 bpm • F Maj • 02:31 • -20.1db
12% Popularity • 18% Danceability • 12% Energy • 9% Liveness
9% Instrumentalness • 4% Positiveness
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Herbert Howells
Requiem: II. Psalm 23
79 bpm • D min • 02:51 • -20.14db
9% Popularity • 20% Danceability • 12% Energy • 10% Liveness
2% Instrumentalness • 5% Positiveness
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James Whitbourn
A Prayer from South Africa
87 bpm • D Maj • 01:56 • -24db
15% Popularity • 22% Danceability • 23% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Poznan boys choir
Pastoralka I
87 bpm • B min • 02:01 • -16.45db
15% Popularity • 20% Danceability • 20% Energy • 9% Liveness
72% Instrumentalness • 15% Positiveness
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Laestadian Lutheran Church
O Jesus, Thou My Comfort Sweet SHZ 496
79 bpm • B min • 03:14 • -18.89db
16% Popularity • 9% Danceability • 16% Energy • 9% Liveness
91% Instrumentalness • 5% Positiveness
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Mårten Jansson
Requiem Novum: III. Dies irae
79 bpm • F min • 08:43 • -18.57db
7% Popularity • 12% Danceability • 16% Energy • 13% Liveness
29% Instrumentalness • 4% Positiveness
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Paros Chamber Choir
Khorhoot Khorin: O, Mystery Deep (Choir)
87 bpm • C min • 02:02 • -24.09db
10% Popularity • 26% Danceability • 9% Energy • 13% Liveness
77% Instrumentalness • 3% Positiveness
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Roland Ford Palmer
Sing of Mary, Pure and Lowly (Arr. R. Pr...
87 bpm • D# Maj • 02:59 • -18.64db
9% Popularity • 21% Danceability • 13% Energy • 12% Liveness
94% Instrumentalness • 23% Positiveness
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London Philharmonic Choir
All The People That On Earth Do Dwell
79 bpm • G Maj • 02:50 • -16.53db
13% Popularity • 20% Danceability • 21% Energy • 16% Liveness
8% Instrumentalness • 31% Positiveness
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Paul Hellmuth
Dypt heller året
87 bpm • G# Maj • 03:08 • -28.56db
7% Popularity • 24% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 8% Positiveness
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Laestadian Lutheran Church
He Shall Feed His Flock
79 bpm • G Maj • 04:49 • -22db
9% Popularity • 8% Danceability • 13% Energy • 14% Liveness
96% Instrumentalness • 6% Positiveness
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Knut Nystedt
I Will Praise Thee, Oh Lord
79 bpm • E min • 01:39 • -17db
10% Popularity • 21% Danceability • 28% Energy • 34% Liveness
2% Instrumentalness • 12% Positiveness
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Geirr Tveitt
Geirr Tveitt / Håkon Berge: Vé no velk...
79 bpm • C# min • 02:40 • -19.79db
9% Popularity • 19% Danceability • 12% Energy • 15% Liveness
1% Instrumentalness • 4% Positiveness
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Ralph Vaughan Williams
Nothing Is Here for Tears
79 bpm • C Maj • 02:25 • -16.57db
7% Popularity • 11% Danceability • 20% Energy • 10% Liveness
20% Instrumentalness • 12% Positiveness
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Jacob Narverud
Dominus Vobiscum
88 bpm • D# min • 04:09 • -31.43db
13% Popularity • 10% Danceability • 1% Energy • 7% Liveness
14% Instrumentalness • 3% Positiveness
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Margaret Rizza
Thou Art All Things
79 bpm • G min • 04:27 • -26.27db
13% Popularity • 20% Danceability • 4% Energy • 8% Liveness
64% Instrumentalness • 4% Positiveness
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Harvard University Choir
Lord of All Hopefulness, Lord of All Joy
88 bpm • D# Maj • 01:51 • -26.21db
14% Popularity • 16% Danceability • 10% Energy • 11% Liveness
36% Instrumentalness • 8% Positiveness
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Emma Lou Diemer
Three Madrigals: I. O Mistress mine, whe...
88 bpm • D# Maj • 01:04 • -25.4db
13% Popularity • 40% Danceability • 7% Energy • 7% Liveness
1% Instrumentalness • 10% Positiveness
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Cecilia McDowall
The Girl from Aleppo: No. 1, Orphans of ...
78 bpm • B min • 08:05 • -17.37db
8% Popularity • 17% Danceability • 22% Energy • 6% Liveness
3% Instrumentalness • 11% Positiveness
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Ralph Vaughan Williams
Hail Thee, Festival Day!
88 bpm • F Maj • 06:24 • -20.32db
8% Popularity • 18% Danceability • 15% Energy • 12% Liveness
41% Instrumentalness • 18% Positiveness
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Leoš Janáček
Láska opravdivá, JW IV/8
78 bpm • G Maj • 01:54 • -37db
11% Popularity • 15% Danceability • 1% Energy • 8% Liveness
2% Instrumentalness • 7% Positiveness
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Behold the Star