Songs like Beliefs by We Came As Romans
Based on a tempo of (+/- 10%) and a similar genre
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We Came As Romans
Stay Inspired
144 bpm • A# Maj • 03:33 • -2.27db
17% Popularity • 43% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 43% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Veil Of Maya
Doublespeak
144 bpm • G Maj • 04:12 • -4db
38% Popularity • 41% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
38% Popularity • 41% Danceability • 98% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Scarlett O'Hara
I Make My Own Karma
144 bpm • C# min • 02:19 • -4.93db
16% Popularity • 30% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
16% Popularity • 30% Danceability • 94% Energy • 30% Liveness
0% Instrumentalness • 42% Positiveness
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Outline In Color
Another Nightmare
144 bpm • C# min • 03:54 • -2.52db
22% Popularity • 40% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
22% Popularity • 40% Danceability • 97% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
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![Our Number[s] (feat. Jonny Craig of Emarosa) cover art](https://i.scdn.co/image/ab67616d00001e023e467b47f19016bdfe267b5b)
Woe, Is Me
Our Number[s]
145 bpm • G# Maj • 02:55 • -4.5db
29% Popularity • 44% Danceability • 96% Energy • 51% Liveness
0% Instrumentalness • 26% Positiveness
29% Popularity • 44% Danceability • 96% Energy • 51% Liveness
0% Instrumentalness • 26% Positiveness
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Chiodos
His Story Repeats Itself
143 bpm • G min • 03:52 • -1.47db
24% Popularity • 26% Danceability • 95% Energy • 44% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 26% Danceability • 95% Energy • 44% Liveness
0% Instrumentalness • 26% Positiveness
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We Came As Romans
Beliefs
144 bpm • A min • 04:06 • -3.81db
23% Popularity • 23% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
23% Popularity • 23% Danceability • 96% Energy • 36% Liveness
0% Instrumentalness • 23% Positiveness
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Oh, Sleeper
Chewing The Stitch
145 bpm • F# Maj • 03:07 • -4.46db
23% Popularity • 40% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 40% Danceability • 95% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Scarlett O'Hara
Empires
144 bpm • F# Maj • 03:17 • -4.91db
15% Popularity • 52% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
15% Popularity • 52% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 20% Positiveness
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Everyone Dies In Utah
Adrian Makes It Rain
145 bpm • F# Maj • 03:59 • -4.11db
12% Popularity • 42% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
12% Popularity • 42% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 18% Positiveness
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Woe, Is Me
Desolate [The Conductor]
145 bpm • B min • 01:54 • -6.39db
32% Popularity • 33% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
32% Popularity • 33% Danceability • 83% Energy • 19% Liveness
0% Instrumentalness • 37% Positiveness
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Oceans Ate Alaska
Blood Brothers
145 bpm • F# min • 03:34 • -3db
36% Popularity • 23% Danceability • 100% Energy • 24% Liveness
38% Instrumentalness • 15% Positiveness
36% Popularity • 23% Danceability • 100% Energy • 24% Liveness
38% Instrumentalness • 15% Positiveness
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We Came As Romans
Through the Darkest Dark and Brightest B...
143 bpm • C# Maj • 03:44 • -4.57db
23% Popularity • 27% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 27% Danceability • 99% Energy • 35% Liveness
0% Instrumentalness • 22% Positiveness
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Oh, Sleeper
Hush Yael
145 bpm • D min • 04:28 • -4.68db
35% Popularity • 28% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 28% Danceability • 95% Energy • 5% Liveness
0% Instrumentalness • 16% Positiveness
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I Am Abomination
Rock N' No Soul
145 bpm • C# Maj • 03:59 • -2.81db
14% Popularity • 41% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
14% Popularity • 41% Danceability • 95% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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Scarlett O'Hara
Dude, You're Being That Guy
145 bpm • C# min • 03:28 • -4.77db
21% Popularity • 29% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 29% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 32% Positiveness
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Everyone Dies In Utah
So Long, And Thanks For All The Fish
145 bpm • G# Maj • 04:00 • -3db
16% Popularity • 47% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 47% Danceability • 92% Energy • 35% Liveness
0% Instrumentalness • 43% Positiveness
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Woe, Is Me
Mannequin Religion
145 bpm • G# Maj • 02:54 • -5.05db
35% Popularity • 44% Danceability • 91% Energy • 56% Liveness
0% Instrumentalness • 28% Positiveness
35% Popularity • 44% Danceability • 91% Energy • 56% Liveness
0% Instrumentalness • 28% Positiveness
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Outline In Color
No Bleeding On the Carpet
145 bpm • A Maj • 03:43 • -2.13db
19% Popularity • 42% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 42% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 36% Positiveness
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We Came As Romans
Just Keep Breathing
145 bpm • C# min • 03:59 • -2db
22% Popularity • 22% Danceability • 98% Energy • 32% Liveness
1% Instrumentalness • 23% Positiveness
22% Popularity • 22% Danceability • 98% Energy • 32% Liveness
1% Instrumentalness • 23% Positiveness
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The Word Alive
Play The Victim
145 bpm • C# min • 04:19 • -4.79db
28% Popularity • 41% Danceability • 93% Energy • 10% Liveness
61% Instrumentalness • 15% Positiveness
28% Popularity • 41% Danceability • 93% Energy • 10% Liveness
61% Instrumentalness • 15% Positiveness
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Ten After Two
Truth Is…
145 bpm • F min • 03:53 • -3.91db
13% Popularity • 41% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
13% Popularity • 41% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 44% Positiveness
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Everyone Dies In Utah
Bar Fightz & Disco Lightz
145 bpm • B Maj • 03:17 • -2.81db
14% Popularity • 39% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 39% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Woe, Is Me
[&] Delinquents
145 bpm • G# Maj • 02:55 • -4.04db
43% Popularity • 48% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
43% Popularity • 48% Danceability • 96% Energy • 39% Liveness
0% Instrumentalness • 36% Positiveness
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LANDMVRKS
Winter
145 bpm • C# min • 03:49 • -3db
42% Popularity • 28% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
42% Popularity • 28% Danceability • 96% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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We Came As Romans
Understanding What We've Grown to Be
145 bpm • B Maj • 04:15 • -3db
23% Popularity • 18% Danceability • 98% Energy • 34% Liveness
2% Instrumentalness • 36% Positiveness
23% Popularity • 18% Danceability • 98% Energy • 34% Liveness
2% Instrumentalness • 36% Positiveness
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Capture
You Call That A Knife? This Is A Knife!
145 bpm • A# Maj • 04:07 • -5db
39% Popularity • 38% Danceability • 98% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
39% Popularity • 38% Danceability • 98% Energy • 10% Liveness
3% Instrumentalness • 10% Positiveness
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Kingdom Of Giants
A Test Of My Survival
143 bpm • C Maj • 03:35 • -4.25db
31% Popularity • 28% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 28% Danceability • 98% Energy • 37% Liveness
0% Instrumentalness • 22% Positiveness
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Everyone Dies In Utah
Bark Twice If You're In Milwaukee
145 bpm • F# Maj • 02:53 • -3.53db
17% Popularity • 42% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
17% Popularity • 42% Danceability • 93% Energy • 22% Liveness
0% Instrumentalness • 47% Positiveness
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I Am Abomination
Thoughtcrime Is Death
145 bpm • D min • 04:01 • -4.08db
11% Popularity • 25% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
11% Popularity • 25% Danceability • 93% Energy • 35% Liveness
0% Instrumentalness • 15% Positiveness
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Casino Madrid
The Rocky Mountains Aren't As Rocky As U...
145 bpm • F min • 02:30 • -4db
14% Popularity • 16% Danceability • 82% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
14% Popularity • 16% Danceability • 82% Energy • 58% Liveness
0% Instrumentalness • 32% Positiveness
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We Came As Romans
Vultures with Clipped Wings
145 bpm • F# Maj • 04:04 • -5.19db
45% Popularity • 40% Danceability • 94% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
45% Popularity • 40% Danceability • 94% Energy • 12% Liveness
1% Instrumentalness • 5% Positiveness
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Paddock Park
I'll Swing My Fists
142 bpm • G# Maj • 02:18 • -6.05db
13% Popularity • 54% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 54% Danceability • 68% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Shoot the Girl First
Jagerbomb
142 bpm • C# Maj • 04:09 • -2.17db
16% Popularity • 47% Danceability • 97% Energy • 31% Liveness
9% Instrumentalness • 29% Positiveness
16% Popularity • 47% Danceability • 97% Energy • 31% Liveness
9% Instrumentalness • 29% Positiveness
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Everyone Dies In Utah
Do What Diddy Did
145 bpm • F# Maj • 03:12 • -3.09db
14% Popularity • 45% Danceability • 94% Energy • 39% Liveness
2% Instrumentalness • 40% Positiveness
14% Popularity • 45% Danceability • 94% Energy • 39% Liveness
2% Instrumentalness • 40% Positiveness
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Ten After Two
The Awe Song
142 bpm • G# Maj • 03:31 • -4.11db
7% Popularity • 47% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
7% Popularity • 47% Danceability • 96% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Casino Madrid
Life Sentencer
146 bpm • F# Maj • 03:23 • -1.6db
19% Popularity • 29% Danceability • 100% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
19% Popularity • 29% Danceability • 100% Energy • 38% Liveness
0% Instrumentalness • 14% Positiveness
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We Came As Romans
Broken Statues
142 bpm • D Maj • 03:41 • -3.75db
28% Popularity • 23% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
28% Popularity • 23% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Oh, Sleeper
Reveries Of Flight
142 bpm • A min • 02:37 • -2db
27% Popularity • 32% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 14% Positiveness
27% Popularity • 32% Danceability • 95% Energy • 4% Liveness
0% Instrumentalness • 14% Positiveness
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Jamie's Elsewhere
Empty Eyes
146 bpm • A# min • 04:05 • -3db
26% Popularity • 22% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
26% Popularity • 22% Danceability • 99% Energy • 32% Liveness
0% Instrumentalness • 34% Positiveness
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Attila
Rage
141 bpm • F# min • 03:34 • -4db
40% Popularity • 43% Danceability • 93% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
40% Popularity • 43% Danceability • 93% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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The Word Alive
Quit While You're Ahead
147 bpm • G min • 03:44 • -2.8db
16% Popularity • 40% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
16% Popularity • 40% Danceability • 96% Energy • 35% Liveness
0% Instrumentalness • 20% Positiveness
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Casino Madrid
Pyramids
146 bpm • G# Maj • 06:07 • -6.4db
11% Popularity • 30% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
11% Popularity • 30% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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We Came As Romans
Let These Words Last Forever
146 bpm • A# min • 03:44 • -10db
27% Popularity • 21% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
27% Popularity • 21% Danceability • 89% Energy • 39% Liveness
0% Instrumentalness • 41% Positiveness
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In Hearts Wake
Skydancer
140 bpm • A Maj • 03:28 • -1.37db
29% Popularity • 36% Danceability • 98% Energy • 70% Liveness
3% Instrumentalness • 24% Positiveness
29% Popularity • 36% Danceability • 98% Energy • 70% Liveness
3% Instrumentalness • 24% Positiveness
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Oceans Ate Alaska
Taming Lions
147 bpm • F# min • 03:40 • -4.61db
24% Popularity • 29% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 29% Danceability • 98% Energy • 34% Liveness
0% Instrumentalness • 21% Positiveness
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This Romantic Tragedy
Reborn
140 bpm • C# Maj • 05:27 • -5.61db
11% Popularity • 23% Danceability • 85% Energy • 81% Liveness
0% Instrumentalness • 17% Positiveness
11% Popularity • 23% Danceability • 85% Energy • 81% Liveness
0% Instrumentalness • 17% Positiveness
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Chiodos
Ole Fishlips Is Dead Now
148 bpm • G min • 04:13 • -4.77db
30% Popularity • 33% Danceability • 83% Energy • 23% Liveness
1% Instrumentalness • 18% Positiveness
30% Popularity • 33% Danceability • 83% Energy • 23% Liveness
1% Instrumentalness • 18% Positiveness
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Casino Madrid
For Kings And Queens
141 bpm • G# Maj • 01:01 • -7.28db
23% Popularity • 40% Danceability • 96% Energy • 56% Liveness
66% Instrumentalness • 16% Positiveness
23% Popularity • 40% Danceability • 96% Energy • 56% Liveness
66% Instrumentalness • 16% Positiveness
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We Came As Romans
What I Wished I Never Had
140 bpm • F min • 04:00 • -2.52db
22% Popularity • 24% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
22% Popularity • 24% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 28% Positiveness
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Everyone Dies In Utah
Factor X
140 bpm • A# min • 04:42 • -3.76db
10% Popularity • 45% Danceability • 94% Energy • 55% Liveness
3% Instrumentalness • 8% Positiveness
10% Popularity • 45% Danceability • 94% Energy • 55% Liveness
3% Instrumentalness • 8% Positiveness
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Us, From Outside
Putting A Face To Fear
140 bpm • E min • 03:07 • -5.17db
17% Popularity • 52% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
17% Popularity • 52% Danceability • 97% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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Savage Hands
Useless
148 bpm • G# Maj • 03:55 • -3.96db
35% Popularity • 39% Danceability • 98% Energy • 16% Liveness
29% Instrumentalness • 21% Positiveness
35% Popularity • 39% Danceability • 98% Energy • 16% Liveness
29% Instrumentalness • 21% Positiveness
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Woe, Is Me
Call It Like You See It
140 bpm • A# Maj • 02:01 • -2.01db
24% Popularity • 44% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 44% Danceability • 98% Energy • 36% Liveness
0% Instrumentalness • 42% Positiveness
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Scarlett O'Hara
Not All Texans Wear Cowboy Hats
140 bpm • D Maj • 02:57 • -4.64db
15% Popularity • 34% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 34% Danceability • 96% Energy • 29% Liveness
0% Instrumentalness • 37% Positiveness
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We Came As Romans
Conditions
145 bpm • A# Maj • 04:01 • -2.55db
27% Popularity • 27% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 27% Danceability • 97% Energy • 33% Liveness
0% Instrumentalness • 26% Positiveness
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Everyone Dies In Utah
Welcome To The Ward
140 bpm • E min • 03:00 • -3.06db
22% Popularity • 50% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
22% Popularity • 50% Danceability • 98% Energy • 32% Liveness
0% Instrumentalness • 19% Positiveness
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Emmure
We Were Just Kids
140 bpm • G min • 03:38 • -5db
41% Popularity • 46% Danceability • 92% Energy • 11% Liveness
64% Instrumentalness • 7% Positiveness
41% Popularity • 46% Danceability • 92% Energy • 11% Liveness
64% Instrumentalness • 7% Positiveness
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Ten After Two
Anxious
140 bpm • G# Maj • 03:05 • -3.8db
9% Popularity • 44% Danceability • 91% Energy • 73% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 44% Danceability • 91% Energy • 73% Liveness
0% Instrumentalness • 27% Positiveness
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Woe, Is Me
fame>demise
140 bpm • D Maj • 03:31 • -4.17db
27% Popularity • 44% Danceability • 98% Energy • 45% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 44% Danceability • 98% Energy • 45% Liveness
0% Instrumentalness • 19% Positiveness
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A Day To Remember
2nd Sucks
140 bpm • G Maj • 02:27 • -4db
57% Popularity • 49% Danceability • 99% Energy • 57% Liveness
0% Instrumentalness • 16% Positiveness
57% Popularity • 49% Danceability • 99% Energy • 57% Liveness
0% Instrumentalness • 16% Positiveness
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We Came As Romans
I Will Not Reap Destruction
142 bpm • G min • 03:58 • -3.29db
22% Popularity • 24% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
22% Popularity • 24% Danceability • 99% Energy • 10% Liveness
0% Instrumentalness • 10% Positiveness
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Call US Forgotten
Under An Ashen Sky
140 bpm • D min • 04:11 • -3.79db
11% Popularity • 29% Danceability • 97% Energy • 46% Liveness
0% Instrumentalness • 21% Positiveness
11% Popularity • 29% Danceability • 97% Energy • 46% Liveness
0% Instrumentalness • 21% Positiveness
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Myka, Relocate
Playing It Safe
140 bpm • F# min • 03:44 • -2.59db
33% Popularity • 47% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
33% Popularity • 47% Danceability • 94% Energy • 42% Liveness
0% Instrumentalness • 56% Positiveness
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The Word Alive
Inviting Eyes
140 bpm • D Maj • 03:21 • -3.59db
15% Popularity • 54% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 54% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 35% Positiveness
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Ten After Two
Satans Slumber Party
140 bpm • G Maj • 02:28 • -4.04db
10% Popularity • 45% Danceability • 95% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
10% Popularity • 45% Danceability • 95% Energy • 25% Liveness
0% Instrumentalness • 22% Positiveness
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From Atlantis
Growing, Caving, Searching, Sinking
140 bpm • F# min • 02:58 • -3.09db
7% Popularity • 56% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
7% Popularity • 56% Danceability • 99% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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We Came As Romans
An Ever-Growing Wonder
146 bpm • F# min • 03:57 • -3db
26% Popularity • 20% Danceability • 98% Energy • 40% Liveness
0% Instrumentalness • 27% Positiveness
26% Popularity • 20% Danceability • 98% Energy • 40% Liveness
0% Instrumentalness • 27% Positiveness
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Skip The Foreplay
This City (We're Taking Over)
140 bpm • A# min • 03:01 • -3.66db
18% Popularity • 56% Danceability • 99% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
18% Popularity • 56% Danceability • 99% Energy • 5% Liveness
0% Instrumentalness • 46% Positiveness
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Call US Forgotten
Bring On The Empty Horses
140 bpm • C# Maj • 04:47 • -4db
10% Popularity • 27% Danceability • 95% Energy • 69% Liveness
0% Instrumentalness • 23% Positiveness
10% Popularity • 27% Danceability • 95% Energy • 69% Liveness
0% Instrumentalness • 23% Positiveness
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Woe, Is Me
Fame > Demise
140 bpm • D Maj • 03:28 • -5.2db
28% Popularity • 43% Danceability • 95% Energy • 67% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 43% Danceability • 95% Energy • 67% Liveness
0% Instrumentalness • 20% Positiveness
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The Plot In You
Crows
140 bpm • G Maj • 03:18 • -1.74db
48% Popularity • 57% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
48% Popularity • 57% Danceability • 99% Energy • 34% Liveness
0% Instrumentalness • 33% Positiveness
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Life On Repeat
The Need, Not the Cause
140 bpm • F min • 03:32 • -4.44db
15% Popularity • 52% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 52% Danceability • 96% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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We Came As Romans
Shapes
147 bpm • D min • 03:52 • -3.5db
24% Popularity • 28% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
24% Popularity • 28% Danceability • 98% Energy • 15% Liveness
0% Instrumentalness • 17% Positiveness
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Bury Tomorrow
An Honourable Reign
140 bpm • F# min • 03:59 • -4.63db
46% Popularity • 27% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 53% Positiveness
46% Popularity • 27% Danceability • 84% Energy • 60% Liveness
0% Instrumentalness • 53% Positiveness
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Famous Last Words
Labyrinth
140 bpm • E min • 03:32 • -4.26db
23% Popularity • 27% Danceability • 96% Energy • 52% Liveness
0% Instrumentalness • 19% Positiveness
23% Popularity • 27% Danceability • 96% Energy • 52% Liveness
0% Instrumentalness • 19% Positiveness
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Greeley Estates
Straitjacket
140 bpm • E min • 03:34 • -6.12db
15% Popularity • 48% Danceability • 98% Energy • 70% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 48% Danceability • 98% Energy • 70% Liveness
0% Instrumentalness • 4% Positiveness
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Outline In Color
One of Two Ways
140 bpm • B min • 03:25 • -2.58db
11% Popularity • 31% Danceability • 97% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
11% Popularity • 31% Danceability • 97% Energy • 12% Liveness
1% Instrumentalness • 25% Positiveness
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Currents
Apnea
140 bpm • C Maj • 03:25 • -4.51db
52% Popularity • 50% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 50% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 34% Positiveness
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We Came As Romans
What My Heart Held
140 bpm • D Maj • 04:05 • -2.23db
17% Popularity • 40% Danceability • 99% Energy • 32% Liveness
52% Instrumentalness • 14% Positiveness
17% Popularity • 40% Danceability • 99% Energy • 32% Liveness
52% Instrumentalness • 14% Positiveness
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The Plot In You
Digging Your Grave
140 bpm • G# Maj • 03:18 • -3.28db
29% Popularity • 43% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
29% Popularity • 43% Danceability • 96% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Phinehas
Crowns
140 bpm • G# Maj • 04:02 • -5.23db
29% Popularity • 26% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 15% Positiveness
29% Popularity • 26% Danceability • 96% Energy • 37% Liveness
0% Instrumentalness • 15% Positiveness
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Us, From Outside
This Love I've Found
140 bpm • G Maj • 05:06 • -6.58db
15% Popularity • 34% Danceability • 98% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
15% Popularity • 34% Danceability • 98% Energy • 24% Liveness
0% Instrumentalness • 4% Positiveness
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Here I Come Falling
Put The City To The Sword
139 bpm • G Maj • 03:58 • -3.76db
13% Popularity • 20% Danceability • 89% Energy • 8% Liveness
2% Instrumentalness • 22% Positiveness
13% Popularity • 20% Danceability • 89% Energy • 8% Liveness
2% Instrumentalness • 22% Positiveness
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I Am Abomination
Creatures Of The Night
150 bpm • G# Maj • 04:10 • -4db
13% Popularity • 24% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 24% Danceability • 93% Energy • 27% Liveness
0% Instrumentalness • 41% Positiveness
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We Came As Romans
To Plant a Seed
140 bpm • F Maj • 03:50 • -3db
42% Popularity • 26% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
42% Popularity • 26% Danceability • 97% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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The Plot In You
Premeditated
140 bpm • G# Maj • 04:05 • -3.26db
33% Popularity • 27% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 27% Danceability • 97% Energy • 35% Liveness
0% Instrumentalness • 8% Positiveness
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Everyone Dies In Utah
Dude...I Know...It's Everywhere
150 bpm • G# min • 03:29 • -3db
19% Popularity • 47% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
19% Popularity • 47% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Outline In Color
A Jury of Wolves
150 bpm • C# min • 03:27 • -1db
23% Popularity • 28% Danceability • 95% Energy • 44% Liveness
0% Instrumentalness • 22% Positiveness
23% Popularity • 28% Danceability • 95% Energy • 44% Liveness
0% Instrumentalness • 22% Positiveness
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The Word Alive
Hidden Lakes
150 bpm • G# Maj • 03:30 • -4.55db
19% Popularity • 44% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
19% Popularity • 44% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 52% Positiveness
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Ice Nine Kills
Proximity Mines In The Complex
150 bpm • E Maj • 03:26 • -4.34db
31% Popularity • 42% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
31% Popularity • 42% Danceability • 98% Energy • 35% Liveness
0% Instrumentalness • 29% Positiveness
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We Came As Romans
Present, Future, And Past
140 bpm • D# min • 03:27 • -3.76db
25% Popularity • 48% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 6% Positiveness
25% Popularity • 48% Danceability • 100% Energy • 34% Liveness
0% Instrumentalness • 6% Positiveness
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The Plot In You
Fiction Religion
150 bpm • C# Maj • 03:36 • -2.69db
29% Popularity • 29% Danceability • 95% Energy • 50% Liveness
0% Instrumentalness • 10% Positiveness
29% Popularity • 29% Danceability • 95% Energy • 50% Liveness
0% Instrumentalness • 10% Positiveness
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Shoot the Girl First
Legend
150 bpm • C min • 04:08 • -5db
14% Popularity • 46% Danceability • 96% Energy • 14% Liveness
5% Instrumentalness • 5% Positiveness
14% Popularity • 46% Danceability • 96% Energy • 14% Liveness
5% Instrumentalness • 5% Positiveness
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Woe, Is Me
Keep Your Enemies Close
150 bpm • G# Maj • 02:28 • -4.56db
33% Popularity • 43% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 18% Positiveness
33% Popularity • 43% Danceability • 95% Energy • 39% Liveness
0% Instrumentalness • 18% Positiveness
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Everyone Dies In Utah
Dance War
150 bpm • F# Maj • 03:22 • -4db
13% Popularity • 54% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
13% Popularity • 54% Danceability • 89% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Kingdom Of Giants
Who I Once Was
150 bpm • G# Maj • 03:40 • -6db
26% Popularity • 46% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
26% Popularity • 46% Danceability • 98% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
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We Came As Romans
If There's Nothing to See
140 bpm • C min • 04:35 • -4.63db
34% Popularity • 46% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 46% Danceability • 98% Energy • 41% Liveness
0% Instrumentalness • 16% Positiveness
