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Belongs to You
Songs like
Belongs to You
by
Emerson Drive
Based on a tempo of (+/- 10%) and a similar genre
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Granger Smith
Bury Me in Blue Jeans
130 bpm • A# Maj • 03:41 • -6.46db
33% Popularity • 69% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Jeff Bates
The Love Song
130 bpm • G# Maj • 04:05 • -6db
27% Popularity • 52% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Phil Vassar
Bye Bye
130 bpm • G Maj • 03:17 • -5db
31% Popularity • 61% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Thompson Square
Let's Fight
130 bpm • G Maj • 03:01 • -3.64db
18% Popularity • 60% Danceability • 93% Energy • 26% Liveness
0% Instrumentalness • 68% Positiveness
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Bucky Covington
I Want My Life Back
130 bpm • C Maj • 03:58 • -4db
20% Popularity • 57% Danceability • 72% Energy • 31% Liveness
0% Instrumentalness • 27% Positiveness
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Chris Janson
Bein' a Dad
130 bpm • A# Maj • 03:45 • -9db
25% Popularity • 68% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Billy Currington
Tangled Up
130 bpm • A Maj • 04:06 • -4.43db
28% Popularity • 55% Danceability • 92% Energy • 17% Liveness
0% Instrumentalness • 45% Positiveness
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Emerson Drive
Belongs to You (Acoustic)
129 bpm • F Maj • 03:50 • -5.51db
3% Popularity • 50% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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Phil Vassar
Carlene
130 bpm • E Maj • 04:25 • -5.19db
27% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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David Lee Murphy
Every Time I Get Around You
131 bpm • D Maj • 03:26 • -11db
37% Popularity • 75% Danceability • 59% Energy • 3% Liveness
0% Instrumentalness • 84% Positiveness
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Brett Eldredge
Raymond
131 bpm • B Maj • 03:39 • -3.94db
36% Popularity • 51% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 31% Positiveness
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Little Texas
Life Goes On
129 bpm • G Maj • 02:38 • -5.67db
25% Popularity • 71% Danceability • 78% Energy • 23% Liveness
0% Instrumentalness • 96% Positiveness
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Billy Currington
Walk A Little Straighter
132 bpm • G# Maj • 03:43 • -8.45db
39% Popularity • 56% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Steve Azar
Waitin' On Joe
132 bpm • B Maj • 04:18 • -6db
22% Popularity • 61% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Phil Vassar
Carlene
129 bpm • E Maj • 04:06 • -6db
41% Popularity • 59% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Ty Herndon
A Man Holdin' On (To a Woman Lettin' Go)
128 bpm • A Maj • 03:37 • -8db
31% Popularity • 61% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Doc Walker
The Show Is Free
132 bpm • E Maj • 03:35 • -8.77db
17% Popularity • 62% Danceability • 72% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Thompson Square
Here's to Being Here
132 bpm • D Maj • 03:55 • -3.89db
9% Popularity • 62% Danceability • 94% Energy • 33% Liveness
0% Instrumentalness • 62% Positiveness
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Dallas Smith
If It Gets You Where You Wanna Go
128 bpm • F# Maj • 03:36 • -2.41db
29% Popularity • 50% Danceability • 90% Energy • 12% Liveness
2% Instrumentalness • 65% Positiveness
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Steve Holy
Come On Rain
132 bpm • B Maj • 03:27 • -3.11db
13% Popularity • 46% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Emerson Drive
We Are This Town
132 bpm • C Maj • 03:42 • -4.91db
10% Popularity • 60% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
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Luke Bryan
Apologize
128 bpm • D# Maj • 02:52 • -5.07db
35% Popularity • 59% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Jason Blaine
On a Night Like This
128 bpm • G# Maj • 03:31 • -3.63db
15% Popularity • 63% Danceability • 88% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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George Strait
The Breath You Take
132 bpm • B min • 03:35 • -8db
34% Popularity • 49% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Aaron Pritchett
You Can't Say That I Didn't Love You
128 bpm • A Maj • 04:12 • -4.99db
6% Popularity • 56% Danceability • 91% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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BlackHawk
I Need You All The Time
127 bpm • C# Maj • 02:46 • -4db
29% Popularity • 66% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 62% Positiveness
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Terri Clark
I Wanna Do It All
133 bpm • E Maj • 02:53 • -5db
40% Popularity • 63% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Thompson Square
I Got You
127 bpm • D Maj • 03:03 • -2.59db
28% Popularity • 53% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Billy Currington
Love Done Gone
127 bpm • G# Maj • 03:30 • -3.07db
47% Popularity • 67% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Deric Ruttan
Up All Night
127 bpm • E Maj • 03:39 • -4db
23% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Phil Vassar
Little Red Rodeo
127 bpm • C Maj • 03:23 • -5.19db
45% Popularity • 63% Danceability • 73% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Chad Brock
Yes!
127 bpm • D Maj • 03:26 • -6db
43% Popularity • 67% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 45% Positiveness
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Terri Clark
You're Easy On The Eyes
126 bpm • C Maj • 03:33 • -5.84db
40% Popularity • 72% Danceability • 79% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Doc Walker
She Hasn't Always Been This Way
126 bpm • G Maj • 03:27 • -5db
21% Popularity • 61% Danceability • 81% Energy • 35% Liveness
0% Instrumentalness • 79% Positiveness
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Steve Holy
Brand New Girlfriend
134 bpm • D Maj • 03:40 • -3.55db
53% Popularity • 67% Danceability • 86% Energy • 6% Liveness
0% Instrumentalness • 72% Positiveness
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Jake Owen
Apple Pie Moonshine
134 bpm • G Maj • 03:17 • -2.92db
34% Popularity • 57% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Aaron Pritchett
Wake You With a Kiss
134 bpm • D# Maj • 03:37 • -5.93db
19% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Easton Corbin
I Can't Love You Back
134 bpm • B Maj • 04:05 • -10.96db
44% Popularity • 56% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Thompson Square
A Love Like This
126 bpm • C# Maj • 03:20 • -4db
32% Popularity • 65% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Jason Blaine
Friends of Mine
126 bpm • E Maj • 03:32 • -4.26db
12% Popularity • 65% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 81% Positiveness
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Brooks & Dunn
My Heart Is Lost to You
126 bpm • D Maj • 02:59 • -7.37db
27% Popularity • 55% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 45% Positiveness
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Jake Owen
Hard Not To Love You
125 bpm • F Maj • 03:19 • -4.48db
20% Popularity • 57% Danceability • 67% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Aaron Pritchett
Hold My Beer
134 bpm • E Maj • 04:10 • -4.98db
30% Popularity • 62% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 68% Positiveness
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Bucky Covington
It's Good To Be Us
135 bpm • E Maj • 03:04 • -3.2db
27% Popularity • 50% Danceability • 89% Energy • 18% Liveness
0% Instrumentalness • 60% Positiveness
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Aaron Lines
Love Changes Everything
125 bpm • G Maj • 03:13 • -6.39db
13% Popularity • 57% Danceability • 68% Energy • 17% Liveness
0% Instrumentalness • 67% Positiveness
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Darius Rucker
I Hope They Get To Me In Time
136 bpm • C# min • 03:26 • -5.36db
21% Popularity • 56% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Trent Tomlinson
Drunker Than Me
124 bpm • G Maj • 03:11 • -3db
36% Popularity • 66% Danceability • 92% Energy • 37% Liveness
0% Instrumentalness • 83% Positiveness
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Jake Owen
Ghosts
135 bpm • E Maj • 03:51 • -6.9db
22% Popularity • 52% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Aaron Pritchett
Lucky for Me
125 bpm • B min • 03:09 • -6.99db
11% Popularity • 59% Danceability • 83% Energy • 8% Liveness
0% Instrumentalness • 73% Positiveness
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Emerson Drive
She's My Kind of Crazy
137 bpm • F Maj • 03:23 • -4.96db
37% Popularity • 56% Danceability • 84% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Doc Walker
Put It into Drive
137 bpm • C# Maj • 03:49 • -7.46db
11% Popularity • 55% Danceability • 77% Energy • 26% Liveness
0% Instrumentalness • 60% Positiveness
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Josh Turner
Another Try
123 bpm • A# Maj • 03:45 • -8db
43% Popularity • 51% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 26% Positiveness
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David Lee Murphy
The Road You Leave Behind
123 bpm • E Maj • 03:53 • -12db
30% Popularity • 78% Danceability • 43% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Collin Raye
That's My Story
138 bpm • F min • 03:02 • -4.4db
51% Popularity • 64% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Bucky Covington
American Friday Night
138 bpm • D Maj • 03:21 • -3.74db
15% Popularity • 51% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Emerson Drive
If You Were My Girl
123 bpm • D Maj • 03:23 • -5.58db
16% Popularity • 62% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Luke Bryan
Too Damn Young
138 bpm • C Maj • 03:36 • -4.92db
41% Popularity • 63% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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LOCASH
Best Seat in the House
138 bpm • D Maj • 03:24 • -3.68db
23% Popularity • 52% Danceability • 66% Energy • 25% Liveness
0% Instrumentalness • 34% Positiveness
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Craig Campbell
When She Grows Up
138 bpm • A Maj • 03:50 • -7.26db
37% Popularity • 59% Danceability • 44% Energy • 15% Liveness
0% Instrumentalness • 26% Positiveness
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The Road Hammers
I've Got the Scars to Prove It
138 bpm • B Maj • 03:33 • -5.19db
20% Popularity • 57% Danceability • 63% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Andy Griggs
She Thinks She Needs Me
138 bpm • C Maj • 03:59 • -8db
40% Popularity • 50% Danceability • 57% Energy • 22% Liveness
0% Instrumentalness • 39% Positiveness
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Emerson Drive
Waitin' On Me
123 bpm • G Maj • 02:54 • -4.69db
10% Popularity • 67% Danceability • 83% Energy • 33% Liveness
0% Instrumentalness • 58% Positiveness
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Trent Tomlinson
Angels Like Her
122 bpm • G Maj • 04:06 • -4.32db
21% Popularity • 32% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 38% Positiveness
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Brooks Jefferson
More Than a Memory
138 bpm • C# Maj • 03:22 • -4.25db
36% Popularity • 49% Danceability • 55% Energy • 16% Liveness
0% Instrumentalness • 18% Positiveness
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Trick Pony
Just What I Do
122 bpm • F Maj • 03:22 • -5.65db
29% Popularity • 67% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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Lady A
Lookin' For A Good Time
122 bpm • G Maj • 03:07 • -3db
41% Popularity • 66% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Aaron Pritchett
Big Wheel
122 bpm • G# Maj • 04:40 • -4.69db
13% Popularity • 62% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 74% Positiveness
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Emerson Drive
Testify
138 bpm • D Maj • 03:32 • -6.21db
12% Popularity • 56% Danceability • 88% Energy • 34% Liveness
0% Instrumentalness • 89% Positiveness
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Chase Bryant
Little Bit of You
122 bpm • C# Maj • 03:06 • -4.28db
52% Popularity • 61% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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James Wesley
Didn't I
122 bpm • B Maj • 03:26 • -3.96db
20% Popularity • 59% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 39% Positiveness
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Terri Clark
Girls Lie Too - Greatest Hits Version
139 bpm • A Maj • 03:34 • -4.33db
27% Popularity • 49% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 57% Positiveness
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James Otto
Soldiers & Jesus
121 bpm • D Maj • 04:45 • -5.69db
29% Popularity • 53% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Jason Blaine
Cool
122 bpm • A Maj • 03:08 • -3.89db
22% Popularity • 62% Danceability • 84% Energy • 16% Liveness
0% Instrumentalness • 81% Positiveness
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Andy Griggs
Tonight I Wanna Be Your Man
139 bpm • D# Maj • 02:58 • -11.25db
25% Popularity • 40% Danceability • 36% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
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Easton Corbin
A Lot To Learn About Livin'
121 bpm • G# Maj • 03:46 • -9db
40% Popularity • 82% Danceability • 64% Energy • 17% Liveness
0% Instrumentalness • 95% Positiveness
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Big & Rich
Big Time
121 bpm • D Maj • 03:56 • -1.39db
35% Popularity • 66% Danceability • 93% Energy • 51% Liveness
0% Instrumentalness • 72% Positiveness
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Sara Evans
A Real Fine Place to Start
121 bpm • G# Maj • 03:58 • -3db
40% Popularity • 58% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Phil Vassar
Last Day Of My Life
140 bpm • C Maj • 04:09 • -5.57db
28% Popularity • 55% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Darryl Worley
I Miss My Friend
140 bpm • E Maj • 04:02 • -7.84db
44% Popularity • 55% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Lady A
Love Don't Live Here
140 bpm • C# Maj • 03:50 • -3.83db
51% Popularity • 65% Danceability • 87% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Collin Raye
I Think About You
121 bpm • C Maj • 03:26 • -7db
48% Popularity • 70% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Big & Rich
Don't Wake Me Up
140 bpm • B Maj • 03:22 • -3.85db
22% Popularity • 54% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Dustin Lynch
Your Daddy's Boots
140 bpm • A Maj • 03:50 • -8.78db
28% Popularity • 64% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Love and Theft
Runaway
140 bpm • C# min • 03:49 • -4.39db
38% Popularity • 61% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Andy Griggs
You Made Me That Way
140 bpm • D Maj • 03:14 • -7.34db
21% Popularity • 62% Danceability • 83% Energy • 15% Liveness
0% Instrumentalness • 72% Positiveness
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Brad Paisley
It Did
141 bpm • D Maj • 03:55 • -6.58db
25% Popularity • 53% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Jerrod Niemann
Donkey
120 bpm • F min • 03:17 • -6db
36% Popularity • 70% Danceability • 86% Energy • 36% Liveness
1% Instrumentalness • 79% Positiveness
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Darryl Worley
Family Tree
120 bpm • A Maj • 03:22 • -6.79db
14% Popularity • 77% Danceability • 68% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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Craig Campbell
Keep Them Kisses Comin'
120 bpm • F# Maj • 02:39 • -5.71db
46% Popularity • 70% Danceability • 77% Energy • 36% Liveness
0% Instrumentalness • 89% Positiveness
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Emerson Drive
That Kind of Beautiful
120 bpm • C Maj • 03:08 • -4db
29% Popularity • 73% Danceability • 80% Energy • 27% Liveness
0% Instrumentalness • 81% Positiveness
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Aaron Pritchett
Done You Wrong
120 bpm • D Maj • 04:13 • -5.76db
9% Popularity • 61% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Tebey
Wake Me up
120 bpm • D Maj • 04:35 • -4db
38% Popularity • 57% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Aaron Lines
The Lights Of My Hometown
120 bpm • C# Maj • 03:31 • -5.48db
13% Popularity • 66% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Luke Bryan
Out Like That
120 bpm • B Maj • 03:17 • -3.51db
40% Popularity • 59% Danceability • 93% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Brooks & Dunn
Proud of the House We Built
120 bpm • F# Maj • 03:46 • -4.97db
39% Popularity • 62% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Emerson Drive
I'll Die Trying
120 bpm • C Maj • 04:22 • -7.27db
8% Popularity • 54% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Bucky Covington
Ain't No Thing
120 bpm • G Maj • 04:19 • -3.73db
11% Popularity • 59% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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David Nail
The Sound Of A Million Dreams
120 bpm • E Maj • 03:55 • -7.33db
31% Popularity • 56% Danceability • 40% Energy • 35% Liveness
0% Instrumentalness • 25% Positiveness
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The Lost Trailers
How 'Bout You Don't
142 bpm • D Maj • 02:41 • -3.49db
20% Popularity • 53% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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John Michael Montgomery
Forever
142 bpm • E Maj • 04:42 • -3db
29% Popularity • 52% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Belongs to You