Songs like Beloved by Michael Hoppé
Based on a tempo of (+/- 10%) and a similar genre
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Michael Hoppé
Serenity VIII
79 bpm • G Maj • 01:34 • -17.54db
30% Popularity • 16% Danceability • 19% Energy • 14% Liveness
88% Instrumentalness • 7% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 14% Liveness
88% Instrumentalness • 7% Positiveness
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John Boswell
Skye Boat Song
79 bpm • A Maj • 05:38 • -18.75db
20% Popularity • 30% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
20% Popularity • 30% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 10% Positiveness
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Back to Earth
Children of Hope
79 bpm • A# Maj • 02:21 • -17db
47% Popularity • 47% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
47% Popularity • 47% Danceability • 17% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Deuter
Escape from Gravity
79 bpm • E min • 08:20 • -21.37db
48% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
48% Popularity • 19% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 5% Positiveness
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Tron Syversen
You and Me Forever
79 bpm • D min • 05:50 • -15.8db
33% Popularity • 23% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
33% Popularity • 23% Danceability • 16% Energy • 11% Liveness
97% Instrumentalness • 24% Positiveness
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Daniel Kobialka
Celtic Medley (Amazing Grace, Auld Lang ...
79 bpm • D Maj • 07:51 • -16.92db
11% Popularity • 10% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
11% Popularity • 10% Danceability • 17% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Michael Hoppé
Beloved
79 bpm • F Maj • 03:06 • -21.31db
24% Popularity • 36% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
24% Popularity • 36% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Eric Tingstad
In Moonlight Blue
79 bpm • A# Maj • 04:20 • -18.64db
9% Popularity • 57% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
9% Popularity • 57% Danceability • 28% Energy • 10% Liveness
90% Instrumentalness • 20% Positiveness
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Gandalf
In the Presence of Angels (Reprise)
78 bpm • A min • 01:38 • -15.21db
48% Popularity • 18% Danceability • 33% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
48% Popularity • 18% Danceability • 33% Energy • 9% Liveness
98% Instrumentalness • 4% Positiveness
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Mars Lasar
Royal Lake
80 bpm • C Maj • 04:02 • -20.64db
29% Popularity • 20% Danceability • 9% Energy • 6% Liveness
89% Instrumentalness • 8% Positiveness
29% Popularity • 20% Danceability • 9% Energy • 6% Liveness
89% Instrumentalness • 8% Positiveness
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Tron Syversen
Worlds Beyond
78 bpm • B min • 06:43 • -17.12db
29% Popularity • 20% Danceability • 14% Energy • 14% Liveness
99% Instrumentalness • 21% Positiveness
29% Popularity • 20% Danceability • 14% Energy • 14% Liveness
99% Instrumentalness • 21% Positiveness
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Kenio Fuke
Summer's Love
78 bpm • A# Maj • 04:57 • -15.86db
18% Popularity • 21% Danceability • 11% Energy • 20% Liveness
81% Instrumentalness • 6% Positiveness
18% Popularity • 21% Danceability • 11% Energy • 20% Liveness
81% Instrumentalness • 6% Positiveness
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Back to Earth
Earth Wisdom - Back to Earth '95
80 bpm • C Maj • 04:27 • -14.11db
36% Popularity • 58% Danceability • 35% Energy • 5% Liveness
81% Instrumentalness • 58% Positiveness
36% Popularity • 58% Danceability • 35% Energy • 5% Liveness
81% Instrumentalness • 58% Positiveness
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Carl Doy
Windmills of Your Mind
78 bpm • E min • 03:29 • -22.45db
24% Popularity • 17% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
24% Popularity • 17% Danceability • 11% Energy • 9% Liveness
94% Instrumentalness • 11% Positiveness
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Vangelis
Main Theme
78 bpm • C# Maj • 05:31 • -18.78db
34% Popularity • 19% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
34% Popularity • 19% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 5% Positiveness
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Marc Enfroy
A Good Heart
80 bpm • D# Maj • 05:29 • -12.97db
21% Popularity • 42% Danceability • 28% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
21% Popularity • 42% Danceability • 28% Energy • 9% Liveness
89% Instrumentalness • 6% Positiveness
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Tron Syversen
Blue Dawn
78 bpm • B min • 11:26 • -18.63db
22% Popularity • 19% Danceability • 12% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
22% Popularity • 19% Danceability • 12% Energy • 7% Liveness
95% Instrumentalness • 5% Positiveness
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Kenio Fuke
Infinito Amor
80 bpm • C Maj • 04:44 • -19.36db
20% Popularity • 56% Danceability • 16% Energy • 81% Liveness
95% Instrumentalness • 15% Positiveness
20% Popularity • 56% Danceability • 16% Energy • 81% Liveness
95% Instrumentalness • 15% Positiveness
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Back to Earth
Back to Earth
80 bpm • C# Maj • 04:24 • -11.2db
38% Popularity • 63% Danceability • 32% Energy • 5% Liveness
85% Instrumentalness • 66% Positiveness
38% Popularity • 63% Danceability • 32% Energy • 5% Liveness
85% Instrumentalness • 66% Positiveness
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Eric Tingstad
Torna a Surriento
80 bpm • C min • 04:01 • -16.47db
24% Popularity • 40% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
24% Popularity • 40% Danceability • 12% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Sacha Puttnam
Sailing Homeward
78 bpm • A Maj • 03:39 • -20.21db
16% Popularity • 14% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
16% Popularity • 14% Danceability • 11% Energy • 9% Liveness
92% Instrumentalness • 11% Positiveness
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Gandalf
Sacred River
78 bpm • C# min • 06:15 • -18.2db
36% Popularity • 15% Danceability • 21% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
36% Popularity • 15% Danceability • 21% Energy • 18% Liveness
93% Instrumentalness • 5% Positiveness
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Tron Syversen
Flow of Life
80 bpm • C min • 09:08 • -16.53db
23% Popularity • 12% Danceability • 18% Energy • 13% Liveness
99% Instrumentalness • 12% Positiveness
23% Popularity • 12% Danceability • 18% Energy • 13% Liveness
99% Instrumentalness • 12% Positiveness
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Michael Hoppé
So You
80 bpm • B min • 03:54 • -15.78db
10% Popularity • 14% Danceability • 22% Energy • 9% Liveness
82% Instrumentalness • 7% Positiveness
10% Popularity • 14% Danceability • 22% Energy • 9% Liveness
82% Instrumentalness • 7% Positiveness
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Back to Earth
From Inside Yourself
80 bpm • D# Maj • 02:36 • -19.85db
48% Popularity • 24% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 15% Positiveness
48% Popularity • 24% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 15% Positiveness
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Craig Urquhart
Streamwalker
80 bpm • A Maj • 04:59 • -23.42db
20% Popularity • 42% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
20% Popularity • 42% Danceability • 8% Energy • 8% Liveness
92% Instrumentalness • 25% Positiveness
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David Lanz
First Light
78 bpm • C min • 03:55 • -22.59db
28% Popularity • 41% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
28% Popularity • 41% Danceability • 6% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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Lisa Lynne
The Light & The Longing
78 bpm • G min • 05:21 • -17.05db
18% Popularity • 36% Danceability • 9% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
18% Popularity • 36% Danceability • 9% Energy • 7% Liveness
88% Instrumentalness • 7% Positiveness
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Mike Rowland
Come Into The Fairy Ring
78 bpm • F Maj • 10:17 • -16.57db
22% Popularity • 21% Danceability • 20% Energy • 53% Liveness
86% Instrumentalness • 24% Positiveness
22% Popularity • 21% Danceability • 20% Energy • 53% Liveness
86% Instrumentalness • 24% Positiveness
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Thad Fiscella
The Rose
80 bpm • C# Maj • 03:26 • -21.17db
32% Popularity • 46% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 30% Positiveness
32% Popularity • 46% Danceability • 9% Energy • 9% Liveness
95% Instrumentalness • 30% Positiveness
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Michael Hoppé
Far Away
80 bpm • D# Maj • 05:15 • -21db
29% Popularity • 22% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
29% Popularity • 22% Danceability • 7% Energy • 11% Liveness
81% Instrumentalness • 4% Positiveness
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Karen Marie Garrett
The Green Hills
81 bpm • C# Maj • 03:55 • -21.04db
22% Popularity • 37% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
22% Popularity • 37% Danceability • 4% Energy • 12% Liveness
92% Instrumentalness • 16% Positiveness
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Daniel Kobialka
Wild Mountain Thyme
77 bpm • D Maj • 05:41 • -17.7db
24% Popularity • 13% Danceability • 17% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
24% Popularity • 13% Danceability • 17% Energy • 9% Liveness
87% Instrumentalness • 10% Positiveness
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Frederic Delarue
Prelude to a New Life
81 bpm • A min • 02:42 • -22.03db
33% Popularity • 24% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
33% Popularity • 24% Danceability • 4% Energy • 10% Liveness
98% Instrumentalness • 5% Positiveness
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Mike Rowland
Angel Delight
77 bpm • G Maj • 07:24 • -14.65db
25% Popularity • 18% Danceability • 20% Energy • 14% Liveness
83% Instrumentalness • 8% Positiveness
25% Popularity • 18% Danceability • 20% Energy • 14% Liveness
83% Instrumentalness • 8% Positiveness
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Ernesto Cortazar
My Fair Lady Medley (The Street Where Yo...
81 bpm • A# Maj • 03:51 • -15db
39% Popularity • 12% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
39% Popularity • 12% Danceability • 25% Energy • 34% Liveness
0% Instrumentalness • 8% Positiveness
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Marc Enfroy
A Beautiful Soul
81 bpm • A# Maj • 05:18 • -12.39db
10% Popularity • 22% Danceability • 23% Energy • 26% Liveness
92% Instrumentalness • 4% Positiveness
10% Popularity • 22% Danceability • 23% Energy • 26% Liveness
92% Instrumentalness • 4% Positiveness
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Denean
My Heart
77 bpm • F Maj • 04:39 • -26.32db
20% Popularity • 27% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
20% Popularity • 27% Danceability • 1% Energy • 8% Liveness
96% Instrumentalness • 6% Positiveness
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Fiona Joy Hawkins
Calling County Clare
81 bpm • D Maj • 05:06 • -15db
37% Popularity • 51% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
37% Popularity • 51% Danceability • 22% Energy • 10% Liveness
91% Instrumentalness • 19% Positiveness
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Tron Syversen
Stars at Night
81 bpm • D Maj • 03:36 • -15.34db
48% Popularity • 20% Danceability • 20% Energy • 10% Liveness
99% Instrumentalness • 8% Positiveness
48% Popularity • 20% Danceability • 20% Energy • 10% Liveness
99% Instrumentalness • 8% Positiveness
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Kenio Fuke
Atmosfera
81 bpm • D Maj • 06:13 • -18.44db
21% Popularity • 25% Danceability • 13% Energy • 5% Liveness
26% Instrumentalness • 14% Positiveness
21% Popularity • 25% Danceability • 13% Energy • 5% Liveness
26% Instrumentalness • 14% Positiveness
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Kathryn Kaye
Midwinter Lullaby
76 bpm • D Maj • 03:23 • -22db
21% Popularity • 39% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
21% Popularity • 39% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 16% Positiveness
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Marc Enfroy
Reflections in Deep Blue
82 bpm • F Maj • 03:39 • -10.65db
12% Popularity • 19% Danceability • 21% Energy • 16% Liveness
17% Instrumentalness • 10% Positiveness
12% Popularity • 19% Danceability • 21% Energy • 16% Liveness
17% Instrumentalness • 10% Positiveness
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Chemayne
The Homecoming
82 bpm • C Maj • 03:17 • -21.85db
27% Popularity • 50% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 15% Positiveness
27% Popularity • 50% Danceability • 12% Energy • 7% Liveness
91% Instrumentalness • 15% Positiveness
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Phil Coulter
Annie Laurie
82 bpm • G Maj • 03:26 • -22db
29% Popularity • 42% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
29% Popularity • 42% Danceability • 6% Energy • 8% Liveness
89% Instrumentalness • 30% Positiveness
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Herb Ernst
Romantique Fantastique
76 bpm • C min • 05:01 • -12.36db
27% Popularity • 10% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
27% Popularity • 10% Danceability • 24% Energy • 11% Liveness
95% Instrumentalness • 4% Positiveness
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Aman, Hanayo & Susan Osborn
Ho'oponopono Song (Instrumental)
82 bpm • D Maj • 07:47 • -15.82db
28% Popularity • 40% Danceability • 26% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
28% Popularity • 40% Danceability • 26% Energy • 8% Liveness
91% Instrumentalness • 12% Positiveness
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Tony O'Connor
Cool Waters
82 bpm • G Maj • 04:38 • -26.4db
43% Popularity • 24% Danceability • 5% Energy • 18% Liveness
65% Instrumentalness • 10% Positiveness
43% Popularity • 24% Danceability • 5% Energy • 18% Liveness
65% Instrumentalness • 10% Positiveness
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David Lanz
A Path With Heart
82 bpm • D Maj • 03:14 • -17.89db
21% Popularity • 47% Danceability • 17% Energy • 9% Liveness
95% Instrumentalness • 18% Positiveness
21% Popularity • 47% Danceability • 17% Energy • 9% Liveness
95% Instrumentalness • 18% Positiveness
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Daniel Kobialka
The Future Is Beautiful
76 bpm • G Maj • 04:39 • -27db
27% Popularity • 30% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
27% Popularity • 30% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Michael Hoppé
Farewell
82 bpm • B min • 03:12 • -21.64db
14% Popularity • 19% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
14% Popularity • 19% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Peter Sterling
Moon over Xanadu
82 bpm • G min • 05:38 • -8.97db
20% Popularity • 55% Danceability • 50% Energy • 7% Liveness
23% Instrumentalness • 24% Positiveness
20% Popularity • 55% Danceability • 50% Energy • 7% Liveness
23% Instrumentalness • 24% Positiveness
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Kathryn Toyama
True Friends
82 bpm • G min • 01:32 • -16.26db
49% Popularity • 30% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 6% Positiveness
49% Popularity • 30% Danceability • 22% Energy • 16% Liveness
96% Instrumentalness • 6% Positiveness
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Al Conti
Poeta
82 bpm • C Maj • 03:44 • -12.32db
23% Popularity • 14% Danceability • 27% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
23% Popularity • 14% Danceability • 27% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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Steve Barakatt
Hoping She Would Be There
82 bpm • A Maj • 04:26 • -10.79db
29% Popularity • 33% Danceability • 26% Energy • 13% Liveness
71% Instrumentalness • 25% Positiveness
29% Popularity • 33% Danceability • 26% Energy • 13% Liveness
71% Instrumentalness • 25% Positiveness
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Mike Howe
I Will Follow
82 bpm • A# Maj • 03:31 • -17.03db
17% Popularity • 51% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
17% Popularity • 51% Danceability • 19% Energy • 11% Liveness
90% Instrumentalness • 23% Positiveness
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Thomas Otten
Greensleeves
82 bpm • D min • 02:33 • -18.86db
19% Popularity • 14% Danceability • 4% Energy • 15% Liveness
18% Instrumentalness • 14% Positiveness
19% Popularity • 14% Danceability • 4% Energy • 15% Liveness
18% Instrumentalness • 14% Positiveness
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Yanni
Whispers In The Dark
82 bpm • B min • 05:28 • -22.86db
42% Popularity • 31% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
42% Popularity • 31% Danceability • 8% Energy • 9% Liveness
95% Instrumentalness • 6% Positiveness
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Denise Young
Green Mountain Meadows
82 bpm • C Maj • 05:29 • -17.93db
35% Popularity • 34% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
35% Popularity • 34% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Michel Pépé
Pur amour
83 bpm • B Maj • 04:55 • -19.69db
34% Popularity • 22% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
34% Popularity • 22% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 9% Positiveness
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Steve Barakatt
Valentine's Secret
83 bpm • C Maj • 03:43 • -10db
40% Popularity • 27% Danceability • 30% Energy • 20% Liveness
86% Instrumentalness • 15% Positiveness
40% Popularity • 27% Danceability • 30% Energy • 20% Liveness
86% Instrumentalness • 15% Positiveness
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Gary Girouard
Forbidden Love
75 bpm • C min • 03:30 • -16db
28% Popularity • 31% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
28% Popularity • 31% Danceability • 21% Energy • 12% Liveness
88% Instrumentalness • 11% Positiveness
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Tron Syversen
Safe Journey
83 bpm • D min • 04:32 • -15.98db
43% Popularity • 20% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
43% Popularity • 20% Danceability • 18% Energy • 11% Liveness
95% Instrumentalness • 22% Positiveness
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Marshall Styler
The House On Shubert Street
83 bpm • G# Maj • 04:44 • -15.11db
14% Popularity • 17% Danceability • 16% Energy • 15% Liveness
95% Instrumentalness • 7% Positiveness
14% Popularity • 17% Danceability • 16% Energy • 15% Liveness
95% Instrumentalness • 7% Positiveness
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Kathryn Toyama
The Light
75 bpm • C# min • 01:49 • -16db
47% Popularity • 41% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
47% Popularity • 41% Danceability • 19% Energy • 13% Liveness
90% Instrumentalness • 9% Positiveness
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Frank Steiner Jr.
Ajala
83 bpm • F Maj • 05:48 • -16.87db
32% Popularity • 39% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
32% Popularity • 39% Danceability • 24% Energy • 9% Liveness
94% Instrumentalness • 15% Positiveness
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Francis Goya
Cavatina
83 bpm • E Maj • 04:14 • -10.16db
36% Popularity • 40% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
36% Popularity • 40% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Mehdi
The First Day of Spring
75 bpm • A min • 05:34 • -11db
34% Popularity • 56% Danceability • 35% Energy • 10% Liveness
95% Instrumentalness • 45% Positiveness
34% Popularity • 56% Danceability • 35% Energy • 10% Liveness
95% Instrumentalness • 45% Positiveness
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Tron Syversen
Silent Dream
75 bpm • F min • 05:32 • -15db
35% Popularity • 24% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
35% Popularity • 24% Danceability • 19% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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William Joseph
Cinema Paradiso
84 bpm • C min • 04:57 • -16.64db
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
37% Popularity • 19% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 7% Positiveness
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Enya
No Holly for Miss Quinn - 2009 Remaster
83 bpm • C Maj • 02:43 • -20.89db
45% Popularity • 33% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 25% Positiveness
45% Popularity • 33% Danceability • 14% Energy • 11% Liveness
82% Instrumentalness • 25% Positiveness
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Stan Whitmire
Think Of Me
84 bpm • D# Maj • 04:03 • -17.86db
34% Popularity • 36% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
34% Popularity • 36% Danceability • 16% Energy • 12% Liveness
90% Instrumentalness • 14% Positiveness
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Jane Leslie
Traveler's Serenade
74 bpm • E Maj • 03:00 • -25db
43% Popularity • 29% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
43% Popularity • 29% Danceability • 3% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Karen Marie Garrett
Lake EWOK Muse (Piano & Cello)
74 bpm • D Maj • 04:36 • -20.11db
26% Popularity • 21% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
26% Popularity • 21% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 6% Positiveness
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Phil Coulter
The Year Of The French
74 bpm • E Maj • 03:28 • -20.89db
28% Popularity • 31% Danceability • 6% Energy • 9% Liveness
75% Instrumentalness • 16% Positiveness
28% Popularity • 31% Danceability • 6% Energy • 9% Liveness
75% Instrumentalness • 16% Positiveness
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Marc Enfroy
The Magic Garden
74 bpm • G# Maj • 03:35 • -9.5db
8% Popularity • 14% Danceability • 28% Energy • 20% Liveness
28% Instrumentalness • 13% Positiveness
8% Popularity • 14% Danceability • 28% Energy • 20% Liveness
28% Instrumentalness • 13% Positiveness
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Mars Lasar
The Blessing
84 bpm • C Maj • 04:41 • -19.8db
34% Popularity • 29% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
34% Popularity • 29% Danceability • 11% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Gandalf
Love Opens the Gates
74 bpm • G Maj • 07:05 • -17.04db
12% Popularity • 52% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
12% Popularity • 52% Danceability • 7% Energy • 12% Liveness
81% Instrumentalness • 8% Positiveness
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Enya
From Where I Am - Instumental; 2009 Rema...
84 bpm • C# Maj • 02:22 • -25.24db
40% Popularity • 34% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
40% Popularity • 34% Danceability • 5% Energy • 11% Liveness
88% Instrumentalness • 10% Positiveness
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Mike Rowland
From The Light
84 bpm • C# Maj • 02:39 • -25.58db
33% Popularity • 9% Danceability • 3% Energy • 32% Liveness
90% Instrumentalness • 4% Positiveness
33% Popularity • 9% Danceability • 3% Energy • 32% Liveness
90% Instrumentalness • 4% Positiveness
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Philip Aaberg
O, Shenandoah
74 bpm • A Maj • 03:58 • -19.67db
24% Popularity • 22% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
24% Popularity • 22% Danceability • 7% Energy • 9% Liveness
86% Instrumentalness • 8% Positiveness
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Marc Enfroy
The Heart of Aurora
74 bpm • D Maj • 03:47 • -8.16db
8% Popularity • 34% Danceability • 30% Energy • 14% Liveness
69% Instrumentalness • 12% Positiveness
8% Popularity • 34% Danceability • 30% Energy • 14% Liveness
69% Instrumentalness • 12% Positiveness
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David Tolk
For Lisa
74 bpm • G Maj • 04:36 • -14.78db
31% Popularity • 29% Danceability • 16% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
31% Popularity • 29% Danceability • 16% Energy • 11% Liveness
77% Instrumentalness • 13% Positiveness
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Deuter
Koyasan
85 bpm • G# min • 08:34 • -22.25db
42% Popularity • 11% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
42% Popularity • 11% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 3% Positiveness
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Tim Wheater
Dark Falls the Night
85 bpm • D# Maj • 03:48 • -19.38db
31% Popularity • 28% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 10% Positiveness
31% Popularity • 28% Danceability • 13% Energy • 11% Liveness
68% Instrumentalness • 10% Positiveness
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Tony O'Connor
Whispering Sea
85 bpm • D Maj • 08:29 • -21.47db
37% Popularity • 20% Danceability • 12% Energy • 68% Liveness
93% Instrumentalness • 14% Positiveness
37% Popularity • 20% Danceability • 12% Energy • 68% Liveness
93% Instrumentalness • 14% Positiveness
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Denise Young
Time Alone
74 bpm • C# Maj • 03:59 • -16.59db
33% Popularity • 36% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 7% Positiveness
33% Popularity • 36% Danceability • 9% Energy • 17% Liveness
92% Instrumentalness • 7% Positiveness
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Karen Marie Garrett
Tally's Lullaby
74 bpm • C Maj • 06:38 • -23db
26% Popularity • 21% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
26% Popularity • 21% Danceability • 1% Energy • 11% Liveness
92% Instrumentalness • 8% Positiveness
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Anne Trenning
When You Say Nothing At All
85 bpm • D# Maj • 03:29 • -19.08db
22% Popularity • 40% Danceability • 14% Energy • 15% Liveness
95% Instrumentalness • 16% Positiveness
22% Popularity • 40% Danceability • 14% Energy • 15% Liveness
95% Instrumentalness • 16% Positiveness
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Gandalf
Morning at the River Bench
85 bpm • D Maj • 03:43 • -14.77db
35% Popularity • 37% Danceability • 22% Energy • 39% Liveness
45% Instrumentalness • 12% Positiveness
35% Popularity • 37% Danceability • 22% Energy • 39% Liveness
45% Instrumentalness • 12% Positiveness
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Michael Hoppé
Hidden in the Heat for Sara Teasdale
85 bpm • F Maj • 02:59 • -14.79db
16% Popularity • 20% Danceability • 23% Energy • 14% Liveness
85% Instrumentalness • 17% Positiveness
16% Popularity • 20% Danceability • 23% Energy • 14% Liveness
85% Instrumentalness • 17% Positiveness
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Tron Syversen
Far Away Here
86 bpm • G min • 04:23 • -15.07db
39% Popularity • 25% Danceability • 17% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
39% Popularity • 25% Danceability • 17% Energy • 9% Liveness
95% Instrumentalness • 23% Positiveness
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Joseph Akins
An Inspiration
72 bpm • C# Maj • 05:38 • -21db
34% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
34% Popularity • 32% Danceability • 10% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Karen Marie Garrett
Daydreams
73 bpm • D# Maj • 03:58 • -23db
30% Popularity • 36% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
30% Popularity • 36% Danceability • 2% Energy • 12% Liveness
92% Instrumentalness • 17% Positiveness
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Robin Miller
An Irish Love Song
86 bpm • E min • 03:33 • -21.37db
19% Popularity • 14% Danceability • 8% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 14% Danceability • 8% Energy • 17% Liveness
92% Instrumentalness • 4% Positiveness
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Anne Trenning
A Prayer For The World
73 bpm • C min • 03:37 • -20.16db
27% Popularity • 31% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 17% Positiveness
27% Popularity • 31% Danceability • 9% Energy • 8% Liveness
84% Instrumentalness • 17% Positiveness
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Michael Hoppé
Land of Serenity
85 bpm • B min • 04:23 • -20.8db
31% Popularity • 16% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
31% Popularity • 16% Danceability • 12% Energy • 11% Liveness
95% Instrumentalness • 3% Positiveness
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Muriel Anderson
Vincent - Harp Guitar Duet
86 bpm • A# Maj • 05:03 • -16.58db
19% Popularity • 48% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 14% Positiveness
19% Popularity • 48% Danceability • 15% Energy • 14% Liveness
93% Instrumentalness • 14% Positiveness
