Songs like Belter by Gerry Cinnamon
Based on a tempo of (+/- 10%) and a similar genre
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Shambolics
Losing Your Mind
127 bpm • F min • 03:23 • -7.69db
28% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
28% Popularity • 56% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Dylan John Thomas
If I Didn't Laugh
127 bpm • D# Maj • 02:46 • -12.61db
30% Popularity • 76% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
30% Popularity • 76% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 66% Positiveness
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Gerry Cinnamon
Belter
127 bpm • A min • 03:14 • -9.68db
64% Popularity • 71% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
64% Popularity • 71% Danceability • 66% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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Blossoms
At Most A Kiss
127 bpm • A min • 02:58 • -5.49db
47% Popularity • 54% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
47% Popularity • 54% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The Stone Roses
This Is the One - Remastered
127 bpm • A Maj • 04:59 • -7db
56% Popularity • 25% Danceability • 78% Energy • 56% Liveness
4% Instrumentalness • 34% Positiveness
56% Popularity • 25% Danceability • 78% Energy • 56% Liveness
4% Instrumentalness • 34% Positiveness
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Cast
Guiding Star
126 bpm • A# Maj • 03:58 • -8.8db
37% Popularity • 56% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
37% Popularity • 56% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 95% Positiveness
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M60
I Don't Mind
127 bpm • G Maj • 03:39 • -9.23db
40% Popularity • 37% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
40% Popularity • 37% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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The Coral
In the Morning
126 bpm • F# min • 02:32 • -6.17db
57% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
57% Popularity • 64% Danceability • 78% Energy • 6% Liveness
0% Instrumentalness • 97% Positiveness
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James
Sit Down
126 bpm • A Maj • 04:04 • -9.45db
61% Popularity • 56% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 56% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Michael Maloney
What Do You Want To Know
128 bpm • C# Maj • 03:57 • -5.81db
43% Popularity • 73% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
43% Popularity • 73% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Gerry Cinnamon
Outsiders
128 bpm • G Maj • 03:04 • -5.84db
36% Popularity • 71% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
36% Popularity • 71% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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DMA'S
Tape Deck Sick
128 bpm • B Maj • 04:12 • -7.89db
50% Popularity • 64% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 64% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 54% Positiveness
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The Lathums
Say My Name
128 bpm • A min • 03:51 • -3db
45% Popularity • 41% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
45% Popularity • 41% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Stereophonics
I Wouldn't Believe Your Radio
126 bpm • D Maj • 03:50 • -5.62db
47% Popularity • 62% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
47% Popularity • 62% Danceability • 60% Energy • 6% Liveness
0% Instrumentalness • 30% Positiveness
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The Snuts
Glasgow - Demo
128 bpm • B Maj • 05:01 • -6.82db
31% Popularity • 30% Danceability • 62% Energy • 24% Liveness
3% Instrumentalness • 18% Positiveness
31% Popularity • 30% Danceability • 62% Energy • 24% Liveness
3% Instrumentalness • 18% Positiveness
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Rory & The Island
Wired to the Moon
126 bpm • D# Maj • 03:14 • -8.7db
24% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 63% Danceability • 44% Energy • 6% Liveness
0% Instrumentalness • 42% Positiveness
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Gerry Cinnamon
Sun Queen
128 bpm • C Maj • 04:07 • -9db
54% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
54% Popularity • 65% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 78% Positiveness
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The Clause
Where Are You Now?
126 bpm • C Maj • 03:54 • -9db
34% Popularity • 34% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 34% Danceability • 37% Energy • 26% Liveness
0% Instrumentalness • 19% Positiveness
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The Lathums
All My Life
126 bpm • C Maj • 03:47 • -4.73db
40% Popularity • 50% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
40% Popularity • 50% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Tom Rogan
Here We Are
125 bpm • F min • 03:37 • -16.06db
18% Popularity • 42% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
18% Popularity • 42% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 19% Positiveness
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Little Man Tate
This Must Be Love
125 bpm • G Maj • 03:20 • -6.64db
32% Popularity • 42% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
32% Popularity • 42% Danceability • 75% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Catfish and the Bottlemen
Oxygen
125 bpm • C# min • 02:49 • -4.65db
55% Popularity • 47% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
55% Popularity • 47% Danceability • 84% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Gerry Cinnamon
Sun Queen - Live at Hampden Park
128 bpm • C Maj • 04:23 • -4.48db
39% Popularity • 55% Danceability • 95% Energy • 96% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 55% Danceability • 95% Energy • 96% Liveness
0% Instrumentalness • 45% Positiveness
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The Stone Roses
All Across The Sands
129 bpm • D# Maj • 02:45 • -11.25db
47% Popularity • 46% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
47% Popularity • 46% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Viola Beach
Go Outside
129 bpm • B min • 03:48 • -7.6db
42% Popularity • 68% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 68% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Shambolics
When She Goes Home (Demo)
129 bpm • B Maj • 05:15 • -3db
31% Popularity • 31% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 31% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 37% Positiveness
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Hard-FI
Hard to Beat
125 bpm • A# Maj • 04:13 • -5db
53% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 56% Danceability • 83% Energy • 16% Liveness
0% Instrumentalness • 82% Positiveness
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Paolo Nutini
Candy
125 bpm • G Maj • 04:58 • -7.81db
70% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
70% Popularity • 61% Danceability • 60% Energy • 16% Liveness
0% Instrumentalness • 37% Positiveness
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Gerry Cinnamon
Roll the Credits
129 bpm • A Maj • 03:22 • -8.63db
36% Popularity • 56% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
36% Popularity • 56% Danceability • 39% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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David Brent
Ooh La La
129 bpm • G Maj • 03:01 • -8.17db
26% Popularity • 68% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 68% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Blossoms
Blown Rose
129 bpm • C Maj • 03:10 • -5db
41% Popularity • 45% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 45% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Reverend And The Makers
Mdmazing
125 bpm • F# min • 04:09 • -8db
25% Popularity • 75% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
25% Popularity • 75% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 37% Positiveness
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Corella
Waterfall
125 bpm • G min • 03:04 • -4db
39% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 63% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 32% Positiveness
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Paolo Nutini
10/10
129 bpm • C Maj • 02:56 • -6.74db
53% Popularity • 71% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
53% Popularity • 71% Danceability • 69% Energy • 3% Liveness
0% Instrumentalness • 75% Positiveness
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The Clause
Tokyo
125 bpm • F min • 04:44 • -9db
28% Popularity • 57% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
28% Popularity • 57% Danceability • 80% Energy • 14% Liveness
1% Instrumentalness • 56% Positiveness
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DMA'S
Delete
125 bpm • B Maj • 04:26 • -5.94db
29% Popularity • 49% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
29% Popularity • 49% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 12% Positiveness
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Blossoms
Cool Like You
125 bpm • A min • 03:05 • -5db
38% Popularity • 55% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 55% Danceability • 85% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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The Riptide Movement
All Works Out
129 bpm • C Maj • 03:54 • -3.78db
35% Popularity • 54% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
35% Popularity • 54% Danceability • 96% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Mason Owens
Dock Road
129 bpm • F# Maj • 03:45 • -8.51db
8% Popularity • 64% Danceability • 49% Energy • 38% Liveness
1% Instrumentalness • 36% Positiveness
8% Popularity • 64% Danceability • 49% Energy • 38% Liveness
1% Instrumentalness • 36% Positiveness
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The Stone Roses
I Am the Resurrection - Remastered
129 bpm • E Maj • 08:12 • -6.32db
58% Popularity • 36% Danceability • 87% Energy • 8% Liveness
11% Instrumentalness • 72% Positiveness
58% Popularity • 36% Danceability • 87% Energy • 8% Liveness
11% Instrumentalness • 72% Positiveness
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Gerry Cinnamon
Mayhem
129 bpm • C Maj • 03:47 • -7db
37% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
37% Popularity • 64% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Peat and Diesel
Heorna Mhòr
125 bpm • B min • 03:54 • -4.12db
24% Popularity • 44% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 44% Danceability • 92% Energy • 16% Liveness
0% Instrumentalness • 69% Positiveness
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Tom Rogan
Lonely Hearts of Everton Park
129 bpm • F Maj • 03:20 • -16db
26% Popularity • 64% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 64% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Viola Beach
Get To Dancing - BBC Session
125 bpm • C# min • 03:55 • -6.49db
34% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
34% Popularity • 60% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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Louis Dunford
Henry the Brave
124 bpm • G Maj • 04:30 • -8.76db
29% Popularity • 47% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 47% Danceability • 33% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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The Stone Roses
Sally Cinnamon - 12" Single Mix
129 bpm • G Maj • 03:27 • -13.21db
43% Popularity • 42% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
43% Popularity • 42% Danceability • 68% Energy • 28% Liveness
0% Instrumentalness • 33% Positiveness
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Primal Scream
Country Girl
124 bpm • F min • 04:31 • -3.17db
47% Popularity • 47% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
47% Popularity • 47% Danceability • 96% Energy • 27% Liveness
0% Instrumentalness • 33% Positiveness
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Gerry Cinnamon
Six String Gun
130 bpm • A Maj • 02:50 • -7.36db
35% Popularity • 53% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 53% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Razorlight
In The Morning
124 bpm • E min • 03:42 • -3.5db
56% Popularity • 62% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
56% Popularity • 62% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 69% Positiveness
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Catfish and the Bottlemen
Hourglass
130 bpm • F# Maj • 02:18 • -9.95db
58% Popularity • 65% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
58% Popularity • 65% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 40% Positiveness
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Louis Dunford
Lucy
130 bpm • D# Maj • 04:20 • -5db
45% Popularity • 71% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
45% Popularity • 71% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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Picture This
Take My Hand
130 bpm • B Maj • 03:30 • -4.88db
53% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
53% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Brave Giant
The Time I Met the Devil
130 bpm • A# min • 03:11 • -6.98db
36% Popularity • 60% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
36% Popularity • 60% Danceability • 88% Energy • 25% Liveness
0% Instrumentalness • 69% Positiveness
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Gerry Cinnamon
Dark Days
124 bpm • D# Maj • 02:55 • -9db
49% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
49% Popularity • 66% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 74% Positiveness
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The Lutras
Run & Hide
130 bpm • D Maj • 03:54 • -6.15db
16% Popularity • 45% Danceability • 88% Energy • 56% Liveness
0% Instrumentalness • 56% Positiveness
16% Popularity • 45% Danceability • 88% Energy • 56% Liveness
0% Instrumentalness • 56% Positiveness
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Dylan John Thomas
When I Get Home
124 bpm • C Maj • 03:16 • -7.21db
34% Popularity • 72% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
34% Popularity • 72% Danceability • 82% Energy • 38% Liveness
0% Instrumentalness • 83% Positiveness
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Hard-FI
Living for the Weekend
130 bpm • G# Maj • 03:42 • -3.94db
49% Popularity • 52% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
49% Popularity • 52% Danceability • 85% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Stereophonics
Mr and Mrs Smith
130 bpm • D Maj • 06:49 • -5db
16% Popularity • 52% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
16% Popularity • 52% Danceability • 83% Energy • 7% Liveness
0% Instrumentalness • 28% Positiveness
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DMA'S
Life Is A Game Of Changing
130 bpm • A Maj • 04:16 • -5.65db
27% Popularity • 50% Danceability • 93% Energy • 33% Liveness
1% Instrumentalness • 40% Positiveness
27% Popularity • 50% Danceability • 93% Energy • 33% Liveness
1% Instrumentalness • 40% Positiveness
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Blossoms
There's A Reason Why (I Never Returned Y...
124 bpm • B Maj • 03:42 • -5.37db
54% Popularity • 49% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 49% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Aslan
Too Late for Hallelujah
124 bpm • D Maj • 03:45 • -6db
30% Popularity • 48% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
30% Popularity • 48% Danceability • 65% Energy • 29% Liveness
0% Instrumentalness • 17% Positiveness
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Jake Bugg
Messed Up Kids
130 bpm • F# Maj • 02:59 • -4.08db
42% Popularity • 54% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
42% Popularity • 54% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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The Stone Roses
Sally Cinnamon - Single Mix
131 bpm • G Maj • 02:53 • -13db
58% Popularity • 32% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 32% Danceability • 60% Energy • 25% Liveness
0% Instrumentalness • 30% Positiveness
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The Lathums
Struggle
131 bpm • D# Maj • 03:54 • -3db
40% Popularity • 53% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
40% Popularity • 53% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 34% Positiveness
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Andrew Cushin
It's Gonna Get Better
124 bpm • F# min • 03:41 • -6.83db
26% Popularity • 54% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 54% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 20% Positiveness
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Blossoms
Getaway
131 bpm • F# min • 02:59 • -5.4db
49% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
49% Popularity • 53% Danceability • 82% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Viola Beach
Call You Up
131 bpm • C# min • 04:58 • -7.45db
46% Popularity • 42% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
46% Popularity • 42% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Shambolics
Chasing a Disaster
123 bpm • G Maj • 03:38 • -7.99db
23% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
23% Popularity • 50% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 78% Positiveness
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The Stone Roses
Made of Stone - Remastered
132 bpm • G Maj • 04:14 • -5.01db
60% Popularity • 26% Danceability • 97% Energy • 33% Liveness
18% Instrumentalness • 43% Positiveness
60% Popularity • 26% Danceability • 97% Energy • 33% Liveness
18% Instrumentalness • 43% Positiveness
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The Lathums
Struggle - Single Version
131 bpm • D# Maj • 03:24 • -3db
44% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
44% Popularity • 52% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Razorlight
Carry Yourself
122 bpm • A# Maj • 03:53 • -5.01db
42% Popularity • 65% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
42% Popularity • 65% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Skerryvore
Take My Hand
132 bpm • A# Maj • 05:24 • -6.08db
44% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
44% Popularity • 53% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Social Room
SR7
122 bpm • D Maj • 03:27 • -6.17db
12% Popularity • 32% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
12% Popularity • 32% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 40% Positiveness
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Shambolics
If You Want It
133 bpm • B Maj • 02:47 • -6.13db
30% Popularity • 48% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 48% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 56% Positiveness
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Reverend And The Makers
Heavyweight Champion of the World
133 bpm • A Maj • 03:25 • -2.41db
53% Popularity • 55% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 55% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 76% Positiveness
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The Lathums
The Great Escape
132 bpm • G Maj • 03:48 • -4db
49% Popularity • 50% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
49% Popularity • 50% Danceability • 93% Energy • 32% Liveness
0% Instrumentalness • 71% Positiveness
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Gerry Cinnamon
Diamonds in the Mud - Live at Hampden Pa...
121 bpm • C# Maj • 05:16 • -5.83db
38% Popularity • 51% Danceability • 89% Energy • 96% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 51% Danceability • 89% Energy • 96% Liveness
0% Instrumentalness • 32% Positiveness
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Razorlight
I Can't Stop This Feeling I've Got
132 bpm • A Maj • 03:25 • -7.21db
39% Popularity • 50% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
39% Popularity • 50% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Catfish and the Bottlemen
Cocoon
133 bpm • G min • 03:56 • -4db
67% Popularity • 45% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
67% Popularity • 45% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Stereophonics
Have A Nice Day
121 bpm • C# min • 03:25 • -4.09db
65% Popularity • 51% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
65% Popularity • 51% Danceability • 83% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Feeder
Buck Rogers
121 bpm • F Maj • 03:13 • -4.35db
57% Popularity • 48% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
57% Popularity • 48% Danceability • 95% Energy • 7% Liveness
0% Instrumentalness • 16% Positiveness
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Jake Bugg
Two Fingers
121 bpm • F Maj • 03:15 • -5.23db
59% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
59% Popularity • 49% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 91% Positiveness
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The Snuts
The Rodeo
134 bpm • C Maj • 03:04 • -5.46db
42% Popularity • 63% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
42% Popularity • 63% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 71% Positiveness
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Paolo Nutini
Jenny Don't Be Hasty
120 bpm • A Maj • 03:29 • -8.51db
41% Popularity • 81% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
41% Popularity • 81% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 95% Positiveness
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Blossoms
How Long Will This Last?
134 bpm • G# min • 03:20 • -5.97db
36% Popularity • 53% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 53% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 78% Positiveness
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The Lathums
I Know That Much
134 bpm • B min • 03:21 • -4db
42% Popularity • 50% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
42% Popularity • 50% Danceability • 84% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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David Brent
Freelove Freeway
134 bpm • C Maj • 03:08 • -8.87db
39% Popularity • 74% Danceability • 77% Energy • 13% Liveness
1% Instrumentalness • 84% Positiveness
39% Popularity • 74% Danceability • 77% Energy • 13% Liveness
1% Instrumentalness • 84% Positiveness
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Gerry Cinnamon
Lullaby - Live at Hampden Park
120 bpm • C# min • 05:47 • -5.75db
40% Popularity • 55% Danceability • 98% Energy • 97% Liveness
1% Instrumentalness • 19% Positiveness
40% Popularity • 55% Danceability • 98% Energy • 97% Liveness
1% Instrumentalness • 19% Positiveness
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Dylan John Thomas
What a Shame
134 bpm • F# min • 02:58 • -12.46db
31% Popularity • 70% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
31% Popularity • 70% Danceability • 46% Energy • 27% Liveness
0% Instrumentalness • 69% Positiveness
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Kasabian
You're in Love with a Psycho
120 bpm • B min • 03:35 • -5.05db
59% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
59% Popularity • 72% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 71% Positiveness
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Blossoms
How Long Will This Last? - Single Mix
134 bpm • G# min • 03:23 • -3.3db
40% Popularity • 54% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 54% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 75% Positiveness
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The Clause
In My Element
120 bpm • A min • 03:37 • -6db
40% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 60% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Scouting For Girls
1+1
120 bpm • B min • 02:47 • -3.76db
35% Popularity • 68% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
35% Popularity • 68% Danceability • 88% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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Gerry Cinnamon
What Have You Done
120 bpm • A# Maj • 02:31 • -8.3db
53% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
53% Popularity • 68% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Dylan John Thomas
Melancholy's Cure
120 bpm • C Maj • 03:19 • -7.81db
34% Popularity • 70% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 70% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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The Twang
Cloudy Room
120 bpm • G Maj • 05:06 • -4.67db
24% Popularity • 61% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
24% Popularity • 61% Danceability • 78% Energy • 5% Liveness
0% Instrumentalness • 83% Positiveness
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Blossoms
Your Girlfriend
120 bpm • D Maj • 02:41 • -4.83db
57% Popularity • 67% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
57% Popularity • 67% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Mick Konstantin
Let Loose
120 bpm • G Maj • 02:54 • -9.32db
28% Popularity • 70% Danceability • 50% Energy • 46% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 70% Danceability • 50% Energy • 46% Liveness
0% Instrumentalness • 41% Positiveness