Songs like Bench by Telquist
Based on a tempo of (+/- 10%) and a similar genre
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GABRIEL VITEL
Golden
100 bpm • B min • 03:14 • -16db
38% Popularity • 78% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
38% Popularity • 78% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 32% Positiveness
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Seed to Tree
Car
100 bpm • B min • 03:16 • -9.23db
16% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 64% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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EASY EASY
200
100 bpm • G Maj • 02:39 • -8.1db
33% Popularity • 72% Danceability • 65% Energy • 5% Liveness
10% Instrumentalness • 83% Positiveness
33% Popularity • 72% Danceability • 65% Energy • 5% Liveness
10% Instrumentalness • 83% Positiveness
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Dekker
Are We Left to Help Ourselves
100 bpm • G# min • 03:04 • -9.59db
45% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 82% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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zeck
cry for me
100 bpm • F# Maj • 03:15 • -7db
36% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 66% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Yukno
Synthadella
100 bpm • A min • 04:03 • -6.68db
29% Popularity • 53% Danceability • 62% Energy • 12% Liveness
26% Instrumentalness • 20% Positiveness
29% Popularity • 53% Danceability • 62% Energy • 12% Liveness
26% Instrumentalness • 20% Positiveness
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Little Element
Tel Aviv
100 bpm • E Maj • 03:50 • -10.43db
37% Popularity • 70% Danceability • 55% Energy • 9% Liveness
4% Instrumentalness • 66% Positiveness
37% Popularity • 70% Danceability • 55% Energy • 9% Liveness
4% Instrumentalness • 66% Positiveness
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Seed to Tree
All Night Long
100 bpm • E min • 03:27 • -10.41db
32% Popularity • 61% Danceability • 64% Energy • 10% Liveness
16% Instrumentalness • 55% Positiveness
32% Popularity • 61% Danceability • 64% Energy • 10% Liveness
16% Instrumentalness • 55% Positiveness
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Telquist
Low Flying Birds
100 bpm • G# min • 03:15 • -6.04db
17% Popularity • 54% Danceability • 73% Energy • 50% Liveness
0% Instrumentalness • 57% Positiveness
17% Popularity • 54% Danceability • 73% Energy • 50% Liveness
0% Instrumentalness • 57% Positiveness
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Prismala
Places To Be
100 bpm • C min • 02:25 • -6.21db
37% Popularity • 81% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 81% Danceability • 67% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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zeck
disappoint me
100 bpm • B Maj • 02:31 • -10db
31% Popularity • 68% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
31% Popularity • 68% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 11% Positiveness
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Käptn Peng
Dank mir
99 bpm • C Maj • 01:03 • -17.92db
46% Popularity • 56% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
46% Popularity • 56% Danceability • 17% Energy • 13% Liveness
0% Instrumentalness • 37% Positiveness
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BEACHPEOPLE
fugazi
99 bpm • F min • 02:57 • -9.63db
15% Popularity • 40% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
15% Popularity • 40% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Steaming Satellites
So I Fell Down
101 bpm • C Maj • 03:40 • -8.34db
22% Popularity • 44% Danceability • 32% Energy • 13% Liveness
6% Instrumentalness • 10% Positiveness
22% Popularity • 44% Danceability • 32% Energy • 13% Liveness
6% Instrumentalness • 10% Positiveness
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Telquist
Bench
100 bpm • C Maj • 04:57 • -11.43db
16% Popularity • 50% Danceability • 49% Energy • 12% Liveness
7% Instrumentalness • 8% Positiveness
16% Popularity • 50% Danceability • 49% Energy • 12% Liveness
7% Instrumentalness • 8% Positiveness
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Frittenbude
Vorbei
101 bpm • D Maj • 03:23 • -9.97db
27% Popularity • 62% Danceability • 81% Energy • 36% Liveness
81% Instrumentalness • 70% Positiveness
27% Popularity • 62% Danceability • 81% Energy • 36% Liveness
81% Instrumentalness • 70% Positiveness
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anaïs
Runaway
102 bpm • B min • 03:06 • -9.22db
50% Popularity • 63% Danceability • 44% Energy • 11% Liveness
31% Instrumentalness • 53% Positiveness
50% Popularity • 63% Danceability • 44% Energy • 11% Liveness
31% Instrumentalness • 53% Positiveness
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zeck
Wild Girl
101 bpm • B Maj • 03:18 • -9.46db
47% Popularity • 81% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 81% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Shelter Boy
Atmosphere
102 bpm • G Maj • 03:47 • -5.09db
3% Popularity • 53% Danceability • 78% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
3% Popularity • 53% Danceability • 78% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
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Hearts Hearts
Pure Shores
102 bpm • G# Maj • 03:53 • -10.35db
28% Popularity • 66% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 28% Positiveness
28% Popularity • 66% Danceability • 44% Energy • 10% Liveness
3% Instrumentalness • 28% Positiveness
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Mani Orrason
Numb
102 bpm • F# min • 03:57 • -7.07db
29% Popularity • 68% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
29% Popularity • 68% Danceability • 50% Energy • 35% Liveness
0% Instrumentalness • 33% Positiveness
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BILBAO
Parasols
98 bpm • C# Maj • 03:19 • -5.34db
24% Popularity • 55% Danceability • 84% Energy • 7% Liveness
2% Instrumentalness • 58% Positiveness
24% Popularity • 55% Danceability • 84% Energy • 7% Liveness
2% Instrumentalness • 58% Positiveness
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Bonaparte
Last Two Lovers
102 bpm • A min • 03:31 • -11.59db
35% Popularity • 70% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 70% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 36% Positiveness
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KYTES
Take It Easy
98 bpm • C Maj • 03:11 • -5.85db
35% Popularity • 58% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
35% Popularity • 58% Danceability • 74% Energy • 13% Liveness
1% Instrumentalness • 39% Positiveness
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Dekker
This Here Island
98 bpm • A# Maj • 04:03 • -11.28db
51% Popularity • 70% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
51% Popularity • 70% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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MINNEAPOLIS
Presidential Love
97 bpm • C Maj • 04:47 • -7.79db
20% Popularity • 65% Danceability • 75% Energy • 25% Liveness
37% Instrumentalness • 66% Positiveness
20% Popularity • 65% Danceability • 75% Energy • 25% Liveness
37% Instrumentalness • 66% Positiveness
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MOLA
Wenn wir groß sind
97 bpm • C Maj • 03:41 • -5.83db
34% Popularity • 67% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 67% Danceability • 63% Energy • 37% Liveness
0% Instrumentalness • 49% Positiveness
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Steaming Satellites
Witches
97 bpm • C Maj • 03:32 • -7db
39% Popularity • 60% Danceability • 71% Energy • 21% Liveness
12% Instrumentalness • 42% Positiveness
39% Popularity • 60% Danceability • 71% Energy • 21% Liveness
12% Instrumentalness • 42% Positiveness
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Ben Camden
Salt
97 bpm • C# Maj • 03:55 • -12.09db
39% Popularity • 77% Danceability • 41% Energy • 6% Liveness
4% Instrumentalness • 26% Positiveness
39% Popularity • 77% Danceability • 41% Energy • 6% Liveness
4% Instrumentalness • 26% Positiveness
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Jesper Munk
You Won't See Me Go
97 bpm • E min • 03:21 • -8db
42% Popularity • 73% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 73% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Cari Cari
Nothing's Older Than Yesterday
97 bpm • C# Maj • 03:21 • -7db
47% Popularity • 70% Danceability • 68% Energy • 10% Liveness
55% Instrumentalness • 29% Positiveness
47% Popularity • 70% Danceability • 68% Energy • 10% Liveness
55% Instrumentalness • 29% Positiveness
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BRUCKNER
Für immer hier - Zuhause Session
103 bpm • D Maj • 02:57 • -8.76db
37% Popularity • 60% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 60% Danceability • 42% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Kraków Loves Adana
American Boy
104 bpm • C# Maj • 03:15 • -5.97db
34% Popularity • 85% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
34% Popularity • 85% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Matija
White Socks
104 bpm • G# Maj • 03:18 • -4.9db
30% Popularity • 57% Danceability • 83% Energy • 62% Liveness
0% Instrumentalness • 52% Positiveness
30% Popularity • 57% Danceability • 83% Energy • 62% Liveness
0% Instrumentalness • 52% Positiveness
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FORWARD
Wayback
96 bpm • D Maj • 04:18 • -7.09db
36% Popularity • 78% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
36% Popularity • 78% Danceability • 69% Energy • 8% Liveness
2% Instrumentalness • 80% Positiveness
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The Basement Beats
Far From Home
96 bpm • F# Maj • 03:15 • -6.36db
32% Popularity • 70% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
32% Popularity • 70% Danceability • 69% Energy • 6% Liveness
0% Instrumentalness • 59% Positiveness
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Pano
Ride
96 bpm • G Maj • 03:31 • -10.22db
23% Popularity • 55% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
23% Popularity • 55% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Moritz Jahn
Napoli
105 bpm • F# min • 02:52 • -6.25db
36% Popularity • 92% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
36% Popularity • 92% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 85% Positiveness
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Oskar Haag
Stargazing
105 bpm • G Maj • 03:12 • -10.88db
31% Popularity • 45% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 32% Positiveness
31% Popularity • 45% Danceability • 38% Energy • 9% Liveness
1% Instrumentalness • 32% Positiveness
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Naked Cameo
Coming for Me
105 bpm • G# min • 03:54 • -7.24db
31% Popularity • 82% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
31% Popularity • 82% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 66% Positiveness
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FIL BO RIVA
Lost In Life
105 bpm • E min • 04:25 • -5.69db
0% Popularity • 61% Danceability • 73% Energy • 40% Liveness
1% Instrumentalness • 53% Positiveness
0% Popularity • 61% Danceability • 73% Energy • 40% Liveness
1% Instrumentalness • 53% Positiveness
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Bonaparte
Good Things
105 bpm • G# Maj • 04:28 • -8.54db
48% Popularity • 65% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 62% Positiveness
48% Popularity • 65% Danceability • 73% Energy • 9% Liveness
2% Instrumentalness • 62% Positiveness
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Matija
More Than Happiness
105 bpm • E Maj • 03:58 • -6db
43% Popularity • 54% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 54% Danceability • 75% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Oehl
Schönland
105 bpm • A# min • 04:03 • -6.39db
29% Popularity • 64% Danceability • 83% Energy • 9% Liveness
47% Instrumentalness • 62% Positiveness
29% Popularity • 64% Danceability • 83% Energy • 9% Liveness
47% Instrumentalness • 62% Positiveness
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Steaming Satellites
I Think I've Had Enough
105 bpm • A Maj • 03:28 • -7.73db
26% Popularity • 62% Danceability • 66% Energy • 22% Liveness
1% Instrumentalness • 61% Positiveness
26% Popularity • 62% Danceability • 66% Energy • 22% Liveness
1% Instrumentalness • 61% Positiveness
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Naked Cameo
Coming for Me
105 bpm • G# min • 03:14 • -7.27db
37% Popularity • 86% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 86% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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My Ugly Clementine
Who
105 bpm • D Maj • 03:01 • -6db
44% Popularity • 55% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 55% Danceability • 61% Energy • 33% Liveness
0% Instrumentalness • 30% Positiveness
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SWEED
Birdsong
95 bpm • E min • 03:09 • -13.56db
23% Popularity • 70% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 70% Danceability • 33% Energy • 27% Liveness
0% Instrumentalness • 54% Positiveness
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Telquist
High and Low
95 bpm • G Maj • 03:08 • -5.68db
14% Popularity • 64% Danceability • 62% Energy • 37% Liveness
19% Instrumentalness • 15% Positiveness
14% Popularity • 64% Danceability • 62% Energy • 37% Liveness
19% Instrumentalness • 15% Positiveness
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Please Madame
Rome
95 bpm • D Maj • 03:30 • -6.49db
32% Popularity • 73% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
32% Popularity • 73% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 55% Positiveness
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Rathmann
Roter Wein
95 bpm • G Maj • 02:46 • -7.28db
34% Popularity • 78% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
34% Popularity • 78% Danceability • 66% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Trille
Pro
95 bpm • C min • 02:46 • -9.72db
38% Popularity • 76% Danceability • 59% Energy • 14% Liveness
4% Instrumentalness • 54% Positiveness
38% Popularity • 76% Danceability • 59% Energy • 14% Liveness
4% Instrumentalness • 54% Positiveness
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My Ugly Clementine
Playground
95 bpm • D Maj • 03:04 • -8db
44% Popularity • 74% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
44% Popularity • 74% Danceability • 42% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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KYTES
Any Better
106 bpm • C# min • 03:05 • -7db
37% Popularity • 93% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
37% Popularity • 93% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 63% Positiveness
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Telquist
Himmelblau
95 bpm • C Maj • 03:10 • -12db
44% Popularity • 71% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
44% Popularity • 71% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Black Sea Dahu
Le temps se fuit
94 bpm • C Maj • 03:30 • -11db
46% Popularity • 52% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
46% Popularity • 52% Danceability • 54% Energy • 32% Liveness
0% Instrumentalness • 26% Positiveness
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Siamese Elephants
Social Club
106 bpm • C Maj • 03:53 • -7db
19% Popularity • 73% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
19% Popularity • 73% Danceability • 54% Energy • 27% Liveness
0% Instrumentalness • 59% Positiveness
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Oehl
Weitergehen
106 bpm • B min • 03:11 • -6.39db
36% Popularity • 87% Danceability • 70% Energy • 8% Liveness
32% Instrumentalness • 97% Positiveness
36% Popularity • 87% Danceability • 70% Energy • 8% Liveness
32% Instrumentalness • 97% Positiveness
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Cari Cari
Zdarlight 1992
106 bpm • F# min • 03:28 • -10db
36% Popularity • 61% Danceability • 61% Energy • 32% Liveness
15% Instrumentalness • 77% Positiveness
36% Popularity • 61% Danceability • 61% Energy • 32% Liveness
15% Instrumentalness • 77% Positiveness
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Hearts Hearts
Dig Deeper
94 bpm • B min • 03:20 • -9.34db
12% Popularity • 62% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
12% Popularity • 62% Danceability • 55% Energy • 13% Liveness
1% Instrumentalness • 40% Positiveness
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Tigermilch
7 Tage
94 bpm • G# Maj • 04:44 • -9.14db
30% Popularity • 71% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
30% Popularity • 71% Danceability • 41% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Matija
absolutelynothing(today)
94 bpm • E min • 03:30 • -7.37db
24% Popularity • 55% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
24% Popularity • 55% Danceability • 60% Energy • 11% Liveness
2% Instrumentalness • 15% Positiveness
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BRUCKNER
Für immer hier
107 bpm • F min • 02:49 • -4db
44% Popularity • 75% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 71% Positiveness
44% Popularity • 75% Danceability • 84% Energy • 8% Liveness
1% Instrumentalness • 71% Positiveness
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Steaming Satellites
As Long As We Don't Lose Our Minds
93 bpm • C Maj • 03:18 • -9db
31% Popularity • 51% Danceability • 50% Energy • 10% Liveness
68% Instrumentalness • 18% Positiveness
31% Popularity • 51% Danceability • 50% Energy • 10% Liveness
68% Instrumentalness • 18% Positiveness
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My Ugly Clementine
Unwritten - Acoustic Version
94 bpm • A# Maj • 04:05 • -10.04db
42% Popularity • 51% Danceability • 33% Energy • 75% Liveness
0% Instrumentalness • 27% Positiveness
42% Popularity • 51% Danceability • 33% Energy • 75% Liveness
0% Instrumentalness • 27% Positiveness
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Jules Ahoi
Get Lost
108 bpm • D Maj • 03:29 • -8db
29% Popularity • 73% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
29% Popularity • 73% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Jacob Fortyhands
Daisy
108 bpm • D Maj • 03:41 • -5.56db
33% Popularity • 74% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
33% Popularity • 74% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Pano
Places
108 bpm • E Maj • 02:24 • -8.83db
23% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
23% Popularity • 50% Danceability • 27% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Ami Warning
war dabei
92 bpm • C# min • 03:42 • -8.69db
0% Popularity • 88% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
0% Popularity • 88% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 76% Positiveness
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Betterov
Viertel vor Irgendwas
92 bpm • A Maj • 03:12 • -3db
43% Popularity • 52% Danceability • 89% Energy • 9% Liveness
27% Instrumentalness • 33% Positiveness
43% Popularity • 52% Danceability • 89% Energy • 9% Liveness
27% Instrumentalness • 33% Positiveness
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Sharktank
Jesus Made of Jelly
92 bpm • G Maj • 03:16 • -6.51db
27% Popularity • 75% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
27% Popularity • 75% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Mani Orrason
I Swear It's True
92 bpm • G Maj • 03:55 • -6db
42% Popularity • 72% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
42% Popularity • 72% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 67% Positiveness
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Jacob Fortyhands
Daisy - Single Version
108 bpm • D Maj • 03:42 • -5.96db
35% Popularity • 76% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
35% Popularity • 76% Danceability • 75% Energy • 18% Liveness
0% Instrumentalness • 64% Positiveness
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Buntspecht
Rotweinmund
110 bpm • C# Maj • 03:34 • -7.24db
44% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
44% Popularity • 76% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Telquist
Trash Talk
110 bpm • C min • 03:23 • -6.38db
22% Popularity • 48% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
22% Popularity • 48% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Naked Cameo
Up Is Down
91 bpm • G# Maj • 02:35 • -6.02db
30% Popularity • 57% Danceability • 60% Energy • 23% Liveness
4% Instrumentalness • 18% Positiveness
30% Popularity • 57% Danceability • 60% Energy • 23% Liveness
4% Instrumentalness • 18% Positiveness
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Light Whales
Southern Light
91 bpm • C# Maj • 02:46 • -6.99db
18% Popularity • 51% Danceability • 55% Energy • 25% Liveness
11% Instrumentalness • 29% Positiveness
18% Popularity • 51% Danceability • 55% Energy • 25% Liveness
11% Instrumentalness • 29% Positiveness
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Mani Orrason
Change the World
109 bpm • D Maj • 04:04 • -6.6db
18% Popularity • 64% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
18% Popularity • 64% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 59% Positiveness
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Lorenz Ambeek
The Weatherman
110 bpm • B Maj • 04:01 • -10.75db
36% Popularity • 78% Danceability • 48% Energy • 24% Liveness
28% Instrumentalness • 75% Positiveness
36% Popularity • 78% Danceability • 48% Energy • 24% Liveness
28% Instrumentalness • 75% Positiveness
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Some Sprouts
Never Leave
91 bpm • D# Maj • 03:06 • -7db
30% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
30% Popularity • 64% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Telquist
If the Bomb - Radio Edit
110 bpm • D Maj • 03:23 • -9.55db
10% Popularity • 69% Danceability • 46% Energy • 15% Liveness
61% Instrumentalness • 43% Positiveness
10% Popularity • 69% Danceability • 46% Energy • 15% Liveness
61% Instrumentalness • 43% Positiveness
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Naked Cameo
Falling for You
110 bpm • D min • 03:06 • -8.04db
34% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
34% Popularity • 77% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Seed to Tree
Unconcerned
110 bpm • D min • 03:18 • -7.51db
18% Popularity • 66% Danceability • 81% Energy • 16% Liveness
1% Instrumentalness • 40% Positiveness
18% Popularity • 66% Danceability • 81% Energy • 16% Liveness
1% Instrumentalness • 40% Positiveness
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Bulgarian Cartrader
Golden Rope
110 bpm • F Maj • 03:40 • -8.1db
44% Popularity • 91% Danceability • 49% Energy • 13% Liveness
5% Instrumentalness • 83% Positiveness
44% Popularity • 91% Danceability • 49% Energy • 13% Liveness
5% Instrumentalness • 83% Positiveness
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Hank
I'll Be Your Friend
110 bpm • C Maj • 03:22 • -7.54db
25% Popularity • 62% Danceability • 74% Energy • 57% Liveness
38% Instrumentalness • 36% Positiveness
25% Popularity • 62% Danceability • 74% Energy • 57% Liveness
38% Instrumentalness • 36% Positiveness
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zeck
julie, run
110 bpm • G Maj • 03:31 • -11.31db
37% Popularity • 72% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
37% Popularity • 72% Danceability • 59% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Telquist
If the Bomb
110 bpm • D Maj • 04:49 • -9.42db
25% Popularity • 70% Danceability • 47% Energy • 22% Liveness
50% Instrumentalness • 42% Positiveness
25% Popularity • 70% Danceability • 47% Energy • 22% Liveness
50% Instrumentalness • 42% Positiveness
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FIL BO RIVA
Like Eye Did
110 bpm • C Maj • 03:56 • -8.15db
42% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
42% Popularity • 51% Danceability • 47% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Walking On Rivers
Off the Trails
111 bpm • G# min • 04:06 • -10.7db
26% Popularity • 69% Danceability • 51% Energy • 10% Liveness
4% Instrumentalness • 67% Positiveness
26% Popularity • 69% Danceability • 51% Energy • 10% Liveness
4% Instrumentalness • 67% Positiveness
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The Gardener & The Tree
forest fire
111 bpm • F# min • 03:51 • -7.21db
33% Popularity • 56% Danceability • 84% Energy • 12% Liveness
8% Instrumentalness • 46% Positiveness
33% Popularity • 56% Danceability • 84% Energy • 12% Liveness
8% Instrumentalness • 46% Positiveness
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Novaa
Vitamins
111 bpm • G Maj • 02:59 • -7.42db
44% Popularity • 90% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
44% Popularity • 90% Danceability • 42% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
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zeck
ok
110 bpm • D Maj • 02:38 • -11db
55% Popularity • 84% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
55% Popularity • 84% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Donkey Kid
Deep Blue
111 bpm • F# Maj • 02:58 • -10.65db
37% Popularity • 84% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
37% Popularity • 84% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Telquist
Butterfly
110 bpm • E Maj • 03:38 • -15.52db
28% Popularity • 76% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
28% Popularity • 76% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Lemony Rug
Let's Dance to Joy Division
90 bpm • D# Maj • 03:23 • -15.06db
39% Popularity • 64% Danceability • 26% Energy • 10% Liveness
45% Instrumentalness • 26% Positiveness
39% Popularity • 64% Danceability • 26% Energy • 10% Liveness
45% Instrumentalness • 26% Positiveness
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AnnenMayKantereit
Aufgeregt
90 bpm • A# Maj • 03:30 • -7.99db
46% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 74% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 81% Positiveness
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Oehl
Ãœber Nacht
90 bpm • G# Maj • 03:45 • -9.06db
19% Popularity • 78% Danceability • 68% Energy • 28% Liveness
1% Instrumentalness • 67% Positiveness
19% Popularity • 78% Danceability • 68% Energy • 28% Liveness
1% Instrumentalness • 67% Positiveness
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Sharktank
For Myself
90 bpm • B Maj • 03:42 • -7.65db
39% Popularity • 68% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
39% Popularity • 68% Danceability • 70% Energy • 30% Liveness
0% Instrumentalness • 53% Positiveness
