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Bent
Songs like
Bent
by
Gary Willis
Based on a tempo of (+/- 10%) and a similar genre
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Return To Forever
Sorceress - Instrumental
119 bpm • A# min • 07:33 • -11.16db
33% Popularity • 42% Danceability • 62% Energy • 21% Liveness
44% Instrumentalness • 72% Positiveness
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Gary McKay
Sharp Funkster, Pt. 1
119 bpm • G Maj • 01:54 • -6.67db
36% Popularity • 55% Danceability • 90% Energy • 5% Liveness
92% Instrumentalness • 73% Positiveness
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Tal Wilkenfeld
BC
119 bpm • D Maj • 06:21 • -6.25db
33% Popularity • 47% Danceability • 89% Energy • 11% Liveness
80% Instrumentalness • 78% Positiveness
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Gábor Vermes Group
Brothers Jam
119 bpm • E min • 03:18 • -6.42db
35% Popularity • 66% Danceability • 89% Energy • 6% Liveness
84% Instrumentalness • 70% Positiveness
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Gary Willis
Bent
119 bpm • C# Maj • 06:02 • -11.54db
21% Popularity • 79% Danceability • 54% Energy • 13% Liveness
87% Instrumentalness • 64% Positiveness
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Wayne Krantz
Shirts Off
119 bpm • A Maj • 07:30 • -10.46db
14% Popularity • 49% Danceability • 55% Energy • 33% Liveness
16% Instrumentalness • 53% Positiveness
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Tribal Tech
After Hours
119 bpm • E min • 07:23 • -10.29db
14% Popularity • 48% Danceability • 57% Energy • 11% Liveness
76% Instrumentalness • 53% Positiveness
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Doug Johns
Pimpasaurus Rex
119 bpm • A# min • 05:17 • -6.71db
12% Popularity • 69% Danceability • 85% Energy • 14% Liveness
82% Instrumentalness • 62% Positiveness
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Valeriy Stepanov
NGC3314A
119 bpm • D Maj • 02:51 • -14.9db
28% Popularity • 79% Danceability • 49% Energy • 8% Liveness
84% Instrumentalness • 69% Positiveness
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The Dave Weckl Band
Swunk
119 bpm • B min • 04:49 • -8.74db
17% Popularity • 52% Danceability • 71% Energy • 5% Liveness
80% Instrumentalness • 65% Positiveness
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Matt Twaddle
TB
120 bpm • B min • 04:52 • -8.93db
6% Popularity • 45% Danceability • 69% Energy • 8% Liveness
88% Instrumentalness • 39% Positiveness
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Dave Weckl Band
Mixed Bag
120 bpm • G# Maj • 06:37 • -8.63db
24% Popularity • 52% Danceability • 87% Energy • 4% Liveness
85% Instrumentalness • 82% Positiveness
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Tribal Tech
Big Girl Blues
119 bpm • C# Maj • 06:15 • -10.94db
13% Popularity • 53% Danceability • 55% Energy • 25% Liveness
82% Instrumentalness • 47% Positiveness
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Snarky Puppy
Briar
120 bpm • C# Maj • 08:20 • -13.92db
14% Popularity • 59% Danceability • 57% Energy • 54% Liveness
61% Instrumentalness • 46% Positiveness
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The Funky Knuckles
Stormcrow
120 bpm • C Maj • 07:13 • -8.27db
11% Popularity • 57% Danceability • 75% Energy • 53% Liveness
84% Instrumentalness • 32% Positiveness
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Steve Smith
Come on In
120 bpm • C# Maj • 05:40 • -9.85db
11% Popularity • 63% Danceability • 87% Energy • 10% Liveness
92% Instrumentalness • 86% Positiveness
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Adam Nitti
Oakwood
120 bpm • D Maj • 07:47 • -10.16db
9% Popularity • 70% Danceability • 48% Energy • 10% Liveness
91% Instrumentalness • 48% Positiveness
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FORQ
Burr
118 bpm • C Maj • 05:02 • -9.65db
12% Popularity • 71% Danceability • 76% Energy • 9% Liveness
82% Instrumentalness • 56% Positiveness
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Frank Gambale
Salvador Once More
120 bpm • A Maj • 09:57 • -14.44db
7% Popularity • 36% Danceability • 59% Energy • 15% Liveness
88% Instrumentalness • 33% Positiveness
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Snarky Puppy
Phoebus
120 bpm • D Maj • 06:47 • -12.6db
14% Popularity • 56% Danceability • 58% Energy • 31% Liveness
43% Instrumentalness • 50% Positiveness
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The John Scofield Band
Lucky For Her
120 bpm • F min • 03:13 • -11.88db
14% Popularity • 73% Danceability • 72% Energy • 7% Liveness
25% Instrumentalness • 51% Positiveness
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Doug Johns
Just Play
120 bpm • B min • 01:29 • -14db
32% Popularity • 79% Danceability • 77% Energy • 11% Liveness
92% Instrumentalness • 22% Positiveness
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Cristiano Parato
Benny
118 bpm • G Maj • 03:36 • -4.67db
26% Popularity • 74% Danceability • 94% Energy • 11% Liveness
61% Instrumentalness • 91% Positiveness
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Mike Gotthard
Peek-a-Boo
120 bpm • D Maj • 05:54 • -5.61db
5% Popularity • 72% Danceability • 78% Energy • 12% Liveness
79% Instrumentalness • 34% Positiveness
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Victor Bailey
Slippin N Trippin
120 bpm • C Maj • 07:07 • -9.38db
7% Popularity • 74% Danceability • 56% Energy • 11% Liveness
30% Instrumentalness • 73% Positiveness
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Gary Willis
Do The Math
120 bpm • G Maj • 04:15 • -10.13db
13% Popularity • 69% Danceability • 65% Energy • 10% Liveness
73% Instrumentalness • 88% Positiveness
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Nicole Badila
Pra Chanel
120 bpm • A# min • 02:59 • -13.11db
19% Popularity • 70% Danceability • 78% Energy • 11% Liveness
92% Instrumentalness • 85% Positiveness
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Doug Johns
Uum Continue
120 bpm • E Maj • 02:59 • -12.92db
19% Popularity • 74% Danceability • 56% Energy • 11% Liveness
96% Instrumentalness • 78% Positiveness
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Steve Gadd Band
Skulk
118 bpm • C Maj • 04:49 • -11.94db
12% Popularity • 84% Danceability • 40% Energy • 10% Liveness
80% Instrumentalness • 38% Positiveness
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Joshua Redman Elastic Band
Swunk
118 bpm • D Maj • 08:15 • -6db
13% Popularity • 59% Danceability • 83% Energy • 12% Liveness
39% Instrumentalness • 65% Positiveness
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Dimas Pradipta
1 Year After
120 bpm • A min • 09:39 • -7.7db
21% Popularity • 66% Danceability • 86% Energy • 6% Liveness
91% Instrumentalness • 83% Positiveness
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Gary Willis
Hipmotize
118 bpm • D min • 05:29 • -13.37db
20% Popularity • 56% Danceability • 45% Energy • 12% Liveness
67% Instrumentalness • 30% Positiveness
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Elegant People
Carribean Skies
117 bpm • D Maj • 07:28 • -7.17db
13% Popularity • 63% Danceability • 80% Energy • 12% Liveness
66% Instrumentalness • 79% Positiveness
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Donny McCaslin
Stadium Jazz
120 bpm • E Maj • 07:17 • -8.74db
22% Popularity • 44% Danceability • 85% Energy • 24% Liveness
35% Instrumentalness • 26% Positiveness
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Soulive
One In Seven
121 bpm • G Maj • 05:16 • -5.6db
30% Popularity • 72% Danceability • 73% Energy • 12% Liveness
78% Instrumentalness • 60% Positiveness
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Garaj Mahal
Mondo Garaj
117 bpm • A Maj • 05:33 • -8.11db
21% Popularity • 57% Danceability • 96% Energy • 18% Liveness
90% Instrumentalness • 77% Positiveness
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Doug Johns
The Claw
117 bpm • D Maj • 01:56 • -10.45db
25% Popularity • 75% Danceability • 58% Energy • 7% Liveness
90% Instrumentalness • 60% Positiveness
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The Dave Weckl Band
Double Up
121 bpm • F# Maj • 05:36 • -9.25db
11% Popularity • 53% Danceability • 84% Energy • 7% Liveness
40% Instrumentalness • 83% Positiveness
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Trilok Gurtu
Kuruk Setra
117 bpm • D Maj • 09:43 • -7.99db
12% Popularity • 50% Danceability • 84% Energy • 70% Liveness
82% Instrumentalness • 45% Positiveness
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VOID
Conzuela
117 bpm • B min • 07:54 • -7.34db
8% Popularity • 71% Danceability • 71% Energy • 11% Liveness
77% Instrumentalness • 39% Positiveness
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Joshua Redman Elastic Band
Showtime
117 bpm • A# min • 01:06 • -9.94db
41% Popularity • 55% Danceability • 61% Energy • 11% Liveness
75% Instrumentalness • 78% Positiveness
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Dave Weckl Band
Big B Little B
117 bpm • G# Maj • 06:31 • -12.1db
18% Popularity • 67% Danceability • 70% Energy • 3% Liveness
91% Instrumentalness • 83% Positiveness
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Wayne Krantz Trio
Specific People, Places, Things or Ideas
121 bpm • D Maj • 06:41 • -17.84db
8% Popularity • 54% Danceability • 46% Energy • 13% Liveness
79% Instrumentalness • 60% Positiveness
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Victor Bailey
Joyce's Favorite
117 bpm • D# Maj • 06:05 • -18.24db
8% Popularity • 59% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Shaun Martin
The Torrent
122 bpm • A# Maj • 04:43 • -11.32db
20% Popularity • 34% Danceability • 67% Energy • 10% Liveness
40% Instrumentalness • 63% Positiveness
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Michael Manson
The Bassment
116 bpm • C Maj • 05:55 • -6db
24% Popularity • 75% Danceability • 94% Energy • 11% Liveness
59% Instrumentalness • 87% Positiveness
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Ben Eunson
Shadow in the Sky
122 bpm • C Maj • 03:20 • -11.13db
8% Popularity • 34% Danceability • 62% Energy • 13% Liveness
74% Instrumentalness • 43% Positiveness
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Fernando Petry
The Bridge
122 bpm • A# Maj • 02:58 • -12.2db
18% Popularity • 60% Danceability • 73% Energy • 11% Liveness
94% Instrumentalness • 95% Positiveness
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Steve Gadd Band
Temporary Fault
122 bpm • G Maj • 03:41 • -11.76db
10% Popularity • 76% Danceability • 26% Energy • 8% Liveness
65% Instrumentalness • 22% Positiveness
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Uzeb
Mister Moe
122 bpm • F# Maj • 04:14 • -14.49db
11% Popularity • 65% Danceability • 81% Energy • 3% Liveness
89% Instrumentalness • 67% Positiveness
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Alain Caron
D-Code
116 bpm • C Maj • 05:05 • -13db
22% Popularity • 76% Danceability • 74% Energy • 10% Liveness
43% Instrumentalness • 59% Positiveness
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Gary Willis
Raise - Original Mix
122 bpm • G Maj • 06:21 • -7.11db
1% Popularity • 78% Danceability • 98% Energy • 39% Liveness
90% Instrumentalness • 59% Positiveness
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Greg Howe
Side Note
116 bpm • G Maj • 07:14 • -5.85db
12% Popularity • 45% Danceability • 89% Energy • 14% Liveness
29% Instrumentalness • 38% Positiveness
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Shaun Martin
Recordame
116 bpm • C Maj • 05:25 • -15db
29% Popularity • 37% Danceability • 63% Energy • 9% Liveness
86% Instrumentalness • 66% Positiveness
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Larnell Lewis
Coconuts
116 bpm • A# min • 05:57 • -9.55db
28% Popularity • 52% Danceability • 64% Energy • 10% Liveness
93% Instrumentalness • 31% Positiveness
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Janek Gwizdala
Light Years
122 bpm • D min • 03:45 • -17.3db
18% Popularity • 40% Danceability • 32% Energy • 12% Liveness
94% Instrumentalness • 30% Positiveness
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The John Scofield Band
Offspring
122 bpm • C# min • 06:27 • -8.52db
15% Popularity • 68% Danceability • 87% Energy • 7% Liveness
57% Instrumentalness • 82% Positiveness
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Spirit Fingers
Nails
116 bpm • G Maj • 03:43 • -7.24db
14% Popularity • 48% Danceability • 85% Energy • 15% Liveness
80% Instrumentalness • 35% Positiveness
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Tony MacAlpine
Just Perfect
123 bpm • C Maj • 05:05 • -11.25db
11% Popularity • 57% Danceability • 67% Energy • 37% Liveness
37% Instrumentalness • 81% Positiveness
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Joshua Redman
Jazz Crimes
115 bpm • G# min • 06:43 • -11.87db
32% Popularity • 77% Danceability • 56% Energy • 5% Liveness
83% Instrumentalness • 78% Positiveness
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Joshua Redman Elastic Band
Soundcheck
115 bpm • B min • 01:26 • -12.89db
31% Popularity • 61% Danceability • 44% Energy • 5% Liveness
41% Instrumentalness • 52% Positiveness
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Tal Wilkenfeld
Serendipity
115 bpm • G Maj • 05:02 • -6db
31% Popularity • 44% Danceability • 88% Energy • 10% Liveness
94% Instrumentalness • 82% Positiveness
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Tom Kennedy
I Remember You
115 bpm • C Maj • 07:59 • -14.87db
8% Popularity • 68% Danceability • 62% Energy • 9% Liveness
78% Instrumentalness • 77% Positiveness
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Adam Nitti
Cosmic Underground
115 bpm • G Maj • 06:37 • -10db
28% Popularity • 61% Danceability • 75% Energy • 35% Liveness
91% Instrumentalness • 64% Positiveness
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Cosmosquad
Epapo Funk
115 bpm • G Maj • 07:00 • -12db
19% Popularity • 71% Danceability • 65% Energy • 27% Liveness
84% Instrumentalness • 78% Positiveness
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Snarky Puppy
Native Sons
124 bpm • D min • 08:54 • -12.57db
19% Popularity • 56% Danceability • 55% Energy • 37% Liveness
39% Instrumentalness • 25% Positiveness
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Benny Greb
Immune System
115 bpm • C# Maj • 03:46 • -9.69db
10% Popularity • 40% Danceability • 55% Energy • 29% Liveness
86% Instrumentalness • 46% Positiveness
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Weather Report
Gibraltar
114 bpm • A# min • 07:45 • -18db
13% Popularity • 40% Danceability • 57% Energy • 31% Liveness
22% Instrumentalness • 46% Positiveness
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Brett Garsed
A Thousand Days
114 bpm • A min • 09:54 • -8.58db
4% Popularity • 40% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 30% Positiveness
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Vital Information
Dr. Demento
124 bpm • C Maj • 03:10 • -9.75db
12% Popularity • 65% Danceability • 62% Energy • 6% Liveness
88% Instrumentalness • 69% Positiveness
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Gary Willis
Praise - Dan Mckie Fish Dont Dance Mix
124 bpm • B min • 06:28 • -10.55db
0% Popularity • 79% Danceability • 74% Energy • 29% Liveness
58% Instrumentalness • 20% Positiveness
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Snarky Puppy
Oblongata
115 bpm • A min • 08:20 • -14.32db
13% Popularity • 45% Danceability • 34% Energy • 10% Liveness
83% Instrumentalness • 41% Positiveness
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Tribal Tech
Face First
124 bpm • G Maj • 07:04 • -10db
32% Popularity • 57% Danceability • 89% Energy • 13% Liveness
91% Instrumentalness • 53% Positiveness
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Cosmosquad
Slowburn
114 bpm • D min • 05:57 • -14db
16% Popularity • 48% Danceability • 29% Energy • 9% Liveness
71% Instrumentalness • 35% Positiveness
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Jazz Pistols
Special Treatment
124 bpm • B Maj • 07:24 • -12.61db
11% Popularity • 44% Danceability • 65% Energy • 10% Liveness
75% Instrumentalness • 49% Positiveness
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FORQ
Lenburu
114 bpm • G Maj • 05:14 • -15.14db
16% Popularity • 74% Danceability • 67% Energy • 31% Liveness
91% Instrumentalness • 73% Positiveness
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Gary Willis
Who Is
124 bpm • F Maj • 06:15 • -6.79db
0% Popularity • 80% Danceability • 89% Energy • 4% Liveness
94% Instrumentalness • 59% Positiveness
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Alexei Orechin
Silk
124 bpm • F min • 06:59 • -12.44db
14% Popularity • 36% Danceability • 31% Energy • 8% Liveness
56% Instrumentalness • 7% Positiveness
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Tribal Tech
Stoopid
114 bpm • F min • 05:47 • -10.4db
17% Popularity • 77% Danceability • 70% Energy • 12% Liveness
53% Instrumentalness • 72% Positiveness
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Technical Info
Groove Machine
125 bpm • G Maj • 06:32 • -8.17db
11% Popularity • 55% Danceability • 86% Energy • 9% Liveness
82% Instrumentalness • 86% Positiveness
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The Funky Knuckles
Micro Clown
125 bpm • B min • 08:51 • -7.17db
9% Popularity • 46% Danceability • 68% Energy • 55% Liveness
38% Instrumentalness • 30% Positiveness
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Gábor Vermes Group
Wudu Mudu
125 bpm • E min • 04:09 • -10.84db
23% Popularity • 71% Danceability • 84% Energy • 11% Liveness
90% Instrumentalness • 80% Positiveness
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Gary Willis
Muzica
125 bpm • G# Maj • 06:10 • -5.7db
3% Popularity • 76% Danceability • 83% Energy • 7% Liveness
91% Instrumentalness • 70% Positiveness
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Holmtik
Stonker - Original Mix
125 bpm • G Maj • 07:10 • -10.54db
0% Popularity • 77% Danceability • 70% Energy • 38% Liveness
85% Instrumentalness • 52% Positiveness
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Vital Techtones
Puhtainin' Tuh
125 bpm • C# min • 05:17 • -9.59db
9% Popularity • 75% Danceability • 44% Energy • 15% Liveness
81% Instrumentalness • 50% Positiveness
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John Patitucci
The Call
125 bpm • C# Maj • 03:30 • -10.46db
10% Popularity • 73% Danceability • 56% Energy • 11% Liveness
92% Instrumentalness • 91% Positiveness
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Lee Ritenour
Captain Fingers
125 bpm • A# Maj • 07:07 • -14.79db
20% Popularity • 64% Danceability • 50% Energy • 18% Liveness
51% Instrumentalness • 89% Positiveness
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Joshua Redman Elastic Band
Sweet Nasty
125 bpm • A# min • 06:20 • -6db
20% Popularity • 67% Danceability • 76% Energy • 5% Liveness
52% Instrumentalness • 78% Positiveness
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Gary Willis
Go Get Yo - Original Mix
125 bpm • G Maj • 06:27 • -4.99db
0% Popularity • 80% Danceability • 99% Energy • 3% Liveness
89% Instrumentalness • 63% Positiveness
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Brett Garsed
Swarming Goblets
113 bpm • E Maj • 07:24 • -6.05db
9% Popularity • 51% Danceability • 82% Energy • 59% Liveness
29% Instrumentalness • 51% Positiveness
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Dave Weckl Band
Watch Your Step
113 bpm • G# Maj • 05:29 • -8db
31% Popularity • 70% Danceability • 89% Energy • 8% Liveness
88% Instrumentalness • 89% Positiveness
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Vital Information
Once in a Lifetime
125 bpm • D Maj • 10:43 • -10.26db
17% Popularity • 41% Danceability • 79% Energy • 6% Liveness
87% Instrumentalness • 43% Positiveness
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The Funky Knuckles
Megaboss
113 bpm • A# min • 09:10 • -7.33db
18% Popularity • 49% Danceability • 80% Energy • 11% Liveness
84% Instrumentalness • 54% Positiveness
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Redtenbacher's Funkestra
Wiggles
125 bpm • C# Maj • 03:27 • -10db
32% Popularity • 74% Danceability • 61% Energy • 8% Liveness
53% Instrumentalness • 70% Positiveness
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Gary Willis
Juba
125 bpm • C# Maj • 06:47 • -4.21db
0% Popularity • 69% Danceability • 97% Energy • 22% Liveness
87% Instrumentalness • 76% Positiveness
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Cory Henry
Green Dolphin Street
113 bpm • F Maj • 06:00 • -10.34db
15% Popularity • 44% Danceability • 60% Energy • 70% Liveness
83% Instrumentalness • 33% Positiveness
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Per Mathisen
Floating Fretless Dreams
126 bpm • C Maj • 04:36 • -6.91db
21% Popularity • 45% Danceability • 86% Energy • 11% Liveness
92% Instrumentalness • 54% Positiveness
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Snarky Puppy
Thorn
126 bpm • A# min • 05:34 • -12.17db
15% Popularity • 62% Danceability • 64% Energy • 12% Liveness
81% Instrumentalness • 88% Positiveness
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Wayne Krantz
One Of Two
113 bpm • E min • 04:17 • -21db
35% Popularity • 76% Danceability • 12% Energy • 10% Liveness
94% Instrumentalness • 22% Positiveness
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Dave Weckl Band
Cascade
112 bpm • C# min • 05:33 • -9db
16% Popularity • 64% Danceability • 76% Energy • 10% Liveness
86% Instrumentalness • 87% Positiveness
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Bent