Songs like Berceuse, Op. 3 No. 2 (Version for Piano) by Alexander Spendiarov
Based on a tempo of (+/- 10%) and a similar genre
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Alexander Spendiarov
Armenian lullaby
129 bpm • G# Maj • 03:23 • -21.54db
1% Popularity • 39% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
1% Popularity • 39% Danceability • 6% Energy • 11% Liveness
87% Instrumentalness • 18% Positiveness
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Baal HaSulam
Melodies of the Upper Worlds (Arr. M. Ay...
129 bpm • A min • 02:57 • -32db
42% Popularity • 42% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
42% Popularity • 42% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 20% Positiveness
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Leoš Janáček
On an Overgrown Path, JW VIII/17, Book 1...
129 bpm • G Maj • 02:46 • -28db
24% Popularity • 38% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
24% Popularity • 38% Danceability • 0% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Nikoghayos Tigranian
Armenian Folk Dances: No. 4, 3 Round Dan...
129 bpm • D Maj • 04:03 • -20db
0% Popularity • 38% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
0% Popularity • 38% Danceability • 18% Energy • 9% Liveness
92% Instrumentalness • 26% Positiveness
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Pyotr Ilyich Tchaikovsky
2 Pieces, Op. 10: I. Nocturne
129 bpm • D Maj • 07:36 • -30.53db
3% Popularity • 46% Danceability • 1% Energy • 5% Liveness
90% Instrumentalness • 6% Positiveness
3% Popularity • 46% Danceability • 1% Energy • 5% Liveness
90% Instrumentalness • 6% Positiveness
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Sergei Rachmaninoff
13 Préludes, Op. 32: No. 5 in G Major. ...
129 bpm • G Maj • 03:14 • -39db
31% Popularity • 19% Danceability • 1% Energy • 5% Liveness
91% Instrumentalness • 5% Positiveness
31% Popularity • 19% Danceability • 1% Energy • 5% Liveness
91% Instrumentalness • 5% Positiveness
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Edward Gregson
4 Pictures for Piano Duet: No. 2, Quite ...
129 bpm • A min • 01:13 • -29db
27% Popularity • 57% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 23% Positiveness
27% Popularity • 57% Danceability • 1% Energy • 9% Liveness
98% Instrumentalness • 23% Positiveness
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Alexander Spendiarov
Crimean Sketches, Op. 9: III. Drinking S...
129 bpm • G Maj • 01:38 • -17db
0% Popularity • 33% Danceability • 31% Energy • 41% Liveness
86% Instrumentalness • 51% Positiveness
0% Popularity • 33% Danceability • 31% Energy • 41% Liveness
86% Instrumentalness • 51% Positiveness
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Ignaz Friedman
Orfeo ed Euridice, Act II: Dance of the ...
128 bpm • D min • 04:11 • -34db
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
53% Popularity • 38% Danceability • 0% Energy • 7% Liveness
90% Instrumentalness • 6% Positiveness
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Makar Ekmalian
10 Armenian Folk Songs: No. 5, Berdice d...
128 bpm • A min • 01:42 • -20db
0% Popularity • 37% Danceability • 23% Energy • 9% Liveness
86% Instrumentalness • 45% Positiveness
0% Popularity • 37% Danceability • 23% Energy • 9% Liveness
86% Instrumentalness • 45% Positiveness
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Eduard Bagdasarian
24 Preludes: No. 13 in F-Sharp Major
128 bpm • G# min • 01:17 • -22.86db
0% Popularity • 34% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 70% Positiveness
0% Popularity • 34% Danceability • 17% Energy • 12% Liveness
90% Instrumentalness • 70% Positiveness
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Baal HaSulam
Melodies of the Upper Worlds (Arr. M. Ay...
128 bpm • E min • 03:19 • -16.88db
8% Popularity • 29% Danceability • 25% Energy • 13% Liveness
80% Instrumentalness • 15% Positiveness
8% Popularity • 29% Danceability • 25% Energy • 13% Liveness
80% Instrumentalness • 15% Positiveness
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Felix Mendelssohn
Songs without Words, Op. 102, No. 5 in A...
130 bpm • C# min • 01:18 • -22.73db
9% Popularity • 38% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
9% Popularity • 38% Danceability • 17% Energy • 9% Liveness
92% Instrumentalness • 42% Positiveness
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Alexander Spendiarov
Berceuse, Op. 3 No. 2 (Version for Piano...
129 bpm • G# Maj • 03:16 • -31db
12% Popularity • 47% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
12% Popularity • 47% Danceability • 1% Energy • 11% Liveness
86% Instrumentalness • 14% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: 1. Von fremden Lä...
128 bpm • G Maj • 01:53 • -41.93db
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
61% Popularity • 28% Danceability • 0% Energy • 6% Liveness
91% Instrumentalness • 32% Positiveness
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Mikael Ayrapetyan
Miniatures for Piano "A Whole in Twelve"...
128 bpm • A Maj • 04:15 • -26db
4% Popularity • 34% Danceability • 7% Energy • 8% Liveness
87% Instrumentalness • 12% Positiveness
4% Popularity • 34% Danceability • 7% Energy • 8% Liveness
87% Instrumentalness • 12% Positiveness
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Sarkis Barkhudarian
Piano Pieces, Series 1: No. 5, Smooth Da...
128 bpm • A min • 01:35 • -18.49db
1% Popularity • 40% Danceability • 27% Energy • 9% Liveness
84% Instrumentalness • 44% Positiveness
1% Popularity • 40% Danceability • 27% Energy • 9% Liveness
84% Instrumentalness • 44% Positiveness
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Clara Schumann
3 Romances, Op. 11: No. 1, Andante
127 bpm • D# min • 03:02 • -29db
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
54% Popularity • 31% Danceability • 3% Energy • 10% Liveness
92% Instrumentalness • 5% Positiveness
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Nikoghayos Tigranian
Armenian Folk Dances: No. 10, Ver-ver
127 bpm • A Maj • 02:42 • -15db
1% Popularity • 37% Danceability • 29% Energy • 13% Liveness
92% Instrumentalness • 36% Positiveness
1% Popularity • 37% Danceability • 29% Energy • 13% Liveness
92% Instrumentalness • 36% Positiveness
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Maurice Ravel
Ravel: Sonatine, M. 40: II. Mouvement de...
131 bpm • C# Maj • 02:56 • -27.01db
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
34% Popularity • 39% Danceability • 4% Energy • 10% Liveness
89% Instrumentalness • 5% Positiveness
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Leoš Janáček
On an Overgrown Path, JW VIII/17, Book 1...
131 bpm • D Maj • 01:30 • -32db
31% Popularity • 38% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
31% Popularity • 38% Danceability • 1% Energy • 10% Liveness
93% Instrumentalness • 26% Positiveness
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Aram Khachaturian
7 Recitatives & Fugues: Recitative No. 1...
127 bpm • C# Maj • 02:37 • -28.62db
14% Popularity • 33% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
14% Popularity • 33% Danceability • 6% Energy • 7% Liveness
93% Instrumentalness • 6% Positiveness
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Frédéric Chopin
24 Preludes, Op. 28: No. 15 in D Flat Ma...
131 bpm • C# Maj • 06:19 • -23db
27% Popularity • 40% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
27% Popularity • 40% Danceability • 1% Energy • 9% Liveness
91% Instrumentalness • 7% Positiveness
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Marie Awadis
Étude No. 3: Ballade
127 bpm • C# Maj • 03:23 • -33.08db
47% Popularity • 36% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
47% Popularity • 36% Danceability • 3% Energy • 9% Liveness
93% Instrumentalness • 6% Positiveness
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Charles-Valentin Alkan
48 Esquisses, Op. 63, Book 1: No. 1, La ...
127 bpm • C Maj • 02:55 • -40.44db
41% Popularity • 41% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
41% Popularity • 41% Danceability • 1% Energy • 6% Liveness
96% Instrumentalness • 4% Positiveness
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Alexander Spendiarov
Crimean Sketches, Op. 9 (Version for Pia...
131 bpm • C Maj • 02:12 • -17.1db
0% Popularity • 35% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 55% Positiveness
0% Popularity • 35% Danceability • 22% Energy • 14% Liveness
94% Instrumentalness • 55% Positiveness
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Tekla BÄ…darzewska-Baranowska
Douce rĂŞverie in G Minor
131 bpm • G min • 01:57 • -22.15db
35% Popularity • 44% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
35% Popularity • 44% Danceability • 9% Energy • 9% Liveness
87% Instrumentalness • 21% Positiveness
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Stéphan Elmas
27 Mazurkas (Ed. M. Ayrapetyan): No. 10 ...
132 bpm • C# min • 01:57 • -26.58db
16% Popularity • 45% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 20% Positiveness
16% Popularity • 45% Danceability • 4% Energy • 13% Liveness
88% Instrumentalness • 20% Positiveness
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Franz Liszt
Liebesträume, S.541: No. 1, Hohe Liebe ...
126 bpm • G# Maj • 06:47 • -31.16db
22% Popularity • 37% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
22% Popularity • 37% Danceability • 2% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
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David Wikander
Kung liljekonvalje (Arr. for Piano & Bas...
132 bpm • G min • 03:28 • -20.48db
12% Popularity • 62% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 29% Positiveness
12% Popularity • 62% Danceability • 5% Energy • 9% Liveness
95% Instrumentalness • 29% Positiveness
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Robert Schumann
Liederkreis, Op. 39: No. 5, Mondnacht (A...
132 bpm • E Maj • 03:51 • -36.84db
7% Popularity • 40% Danceability • 0% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
7% Popularity • 40% Danceability • 0% Energy • 7% Liveness
87% Instrumentalness • 7% Positiveness
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Komitas
12 Pieces for Children: No. 6, My Darlin...
125 bpm • E Maj • 01:17 • -37db
50% Popularity • 56% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
50% Popularity • 56% Danceability • 1% Energy • 6% Liveness
92% Instrumentalness • 8% Positiveness
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Franz Schubert
Variations on an Original Theme in A-Fla...
133 bpm • D# Maj • 02:03 • -36.8db
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
45% Popularity • 40% Danceability • 1% Energy • 15% Liveness
96% Instrumentalness • 13% Positiveness
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Jean Sibelius
Finnish Folk Songs Arranged for Piano JS...
133 bpm • F# min • 01:39 • -34db
12% Popularity • 33% Danceability • 0% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
12% Popularity • 33% Danceability • 0% Energy • 7% Liveness
87% Instrumentalness • 9% Positiveness
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Sarkis Barkhudarian
Piano Pieces, Series 1: No. 1, Naz-Par
125 bpm • F# min • 02:32 • -19.56db
0% Popularity • 37% Danceability • 24% Energy • 15% Liveness
76% Instrumentalness • 53% Positiveness
0% Popularity • 37% Danceability • 24% Energy • 15% Liveness
76% Instrumentalness • 53% Positiveness
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Alexander Spendiarov
Barcarolle in G Minor
124 bpm • G min • 02:48 • -22.58db
0% Popularity • 39% Danceability • 8% Energy • 18% Liveness
89% Instrumentalness • 11% Positiveness
0% Popularity • 39% Danceability • 8% Energy • 18% Liveness
89% Instrumentalness • 11% Positiveness
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Robert Schumann
Kinderszenen, Op. 15: No. 7, Träumerei
133 bpm • F Maj • 02:28 • -35.01db
16% Popularity • 48% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 22% Positiveness
16% Popularity • 48% Danceability • 1% Energy • 6% Liveness
87% Instrumentalness • 22% Positiveness
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Benjamin Godard
Jocelyn, Op. 100: Berceuse (Arr. for Pia...
134 bpm • F Maj • 02:32 • -32db
23% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
23% Popularity • 40% Danceability • 2% Energy • 12% Liveness
95% Instrumentalness • 14% Positiveness
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Makar Ekmalian
3 Armenian Folk Esquisses: No. 1, —
134 bpm • A# Maj • 02:14 • -23.03db
0% Popularity • 44% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
0% Popularity • 44% Danceability • 4% Energy • 10% Liveness
88% Instrumentalness • 68% Positiveness
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Stéphan Elmas
27 Mazurkas (Ed. M. Ayrapetyan): No. 13 ...
134 bpm • A# min • 01:49 • -26.3db
1% Popularity • 40% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
1% Popularity • 40% Danceability • 7% Energy • 12% Liveness
92% Instrumentalness • 14% Positiveness
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Sergei Rachmaninoff
Variations on a Theme of Corelli, Op. 42...
134 bpm • C# Maj • 01:00 • -34.6db
11% Popularity • 50% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 22% Positiveness
11% Popularity • 50% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 22% Positiveness
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Alexander Spendiarov
Crimean Sketches, Op. 9 (Version for Pia...
124 bpm • G Maj • 01:48 • -15.25db
0% Popularity • 40% Danceability • 25% Energy • 12% Liveness
95% Instrumentalness • 50% Positiveness
0% Popularity • 40% Danceability • 25% Energy • 12% Liveness
95% Instrumentalness • 50% Positiveness
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Clara Schumann
Three Romances, Op. 11: No. 1 in E-Flat ...
134 bpm • D# min • 03:03 • -24db
35% Popularity • 37% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
35% Popularity • 37% Danceability • 9% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Haro Stepanian
8 Preludes, Op. 48: No. 2 in C Minor
123 bpm • C Maj • 02:29 • -19.73db
0% Popularity • 47% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
0% Popularity • 47% Danceability • 20% Energy • 11% Liveness
90% Instrumentalness • 10% Positiveness
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Makar Ekmalian
10 Armenian Folk Songs: No. 4, Baher, du...
124 bpm • F# min • 03:01 • -27.28db
1% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 35% Positiveness
1% Popularity • 39% Danceability • 2% Energy • 8% Liveness
91% Instrumentalness • 35% Positiveness
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David Monrad Johansen
Fra Gudbrandsdalen, Op. 9: IV. Dei som d...
135 bpm • C Maj • 01:06 • -26.47db
12% Popularity • 48% Danceability • 14% Energy • 17% Liveness
97% Instrumentalness • 48% Positiveness
12% Popularity • 48% Danceability • 14% Energy • 17% Liveness
97% Instrumentalness • 48% Positiveness
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Carl Maria von Weber
Variations on a Theme from the Opera Sil...
123 bpm • A# Maj • 01:10 • -17.02db
45% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
45% Popularity • 41% Danceability • 31% Energy • 10% Liveness
96% Instrumentalness • 72% Positiveness
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Charles-Valentin Alkan
Premier Nocturne, Op. 22
135 bpm • B Maj • 06:09 • -31.53db
43% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
43% Popularity • 34% Danceability • 2% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Giya Kancheli
33 Miniatures for Piano (Excerpts): No. ...
135 bpm • D# Maj • 01:07 • -42.94db
15% Popularity • 32% Danceability • 0% Energy • 10% Liveness
72% Instrumentalness • 11% Positiveness
15% Popularity • 32% Danceability • 0% Energy • 10% Liveness
72% Instrumentalness • 11% Positiveness
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Pyotr Ilyich Tchaikovsky
6 Pieces, Op. 19: IV. Nocturne (Andante ...
135 bpm • C# min • 04:09 • -28.06db
13% Popularity • 41% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
13% Popularity • 41% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 9% Positiveness
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Makar Ekmalian
10 Armenian Folk Songs: No. 6, Hov areq,...
134 bpm • E Maj • 02:54 • -29.16db
0% Popularity • 58% Danceability • 1% Energy • 17% Liveness
95% Instrumentalness • 25% Positiveness
0% Popularity • 58% Danceability • 1% Energy • 17% Liveness
95% Instrumentalness • 25% Positiveness
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Ludwig van Beethoven
Piano Sonata No. 25 in G Major, Op. 79 "...
136 bpm • D# Maj • 02:33 • -37db
38% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
38% Popularity • 30% Danceability • 1% Energy • 9% Liveness
88% Instrumentalness • 6% Positiveness
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Gabriel Fauré
V. Improvisation
136 bpm • C# Maj • 01:35 • -28.8db
39% Popularity • 30% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
39% Popularity • 30% Danceability • 2% Energy • 9% Liveness
86% Instrumentalness • 10% Positiveness
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Alexander Scriabin
9 Mazurkas, Op. 25: No. 3 in E Minor
136 bpm • E min • 02:17 • -37db
9% Popularity • 39% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 11% Positiveness
9% Popularity • 39% Danceability • 0% Energy • 7% Liveness
93% Instrumentalness • 11% Positiveness
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Carlos Marquez
Snow Nocturne No. 3 in C sharp Minor
136 bpm • B min • 02:41 • -24.03db
18% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
18% Popularity • 38% Danceability • 8% Energy • 11% Liveness
91% Instrumentalness • 17% Positiveness
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Samuel Maykapar
Biriulki, Op. 28: II. The Little Orphan
136 bpm • A min • 01:01 • -36db
20% Popularity • 44% Danceability • 1% Energy • 9% Liveness
85% Instrumentalness • 38% Positiveness
20% Popularity • 44% Danceability • 1% Energy • 9% Liveness
85% Instrumentalness • 38% Positiveness
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Clara Schumann
Piano Sonata in G Minor: II. Adagio
137 bpm • A# Maj • 03:06 • -30.49db
12% Popularity • 47% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
12% Popularity • 47% Danceability • 0% Energy • 8% Liveness
94% Instrumentalness • 8% Positiveness
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Alfred Francis Hill
Valse Triste
136 bpm • A min • 02:46 • -21.25db
26% Popularity • 51% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
26% Popularity • 51% Danceability • 9% Energy • 7% Liveness
90% Instrumentalness • 11% Positiveness
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Johannes Brahms
3 Intermezzi, Op. 117: No. 1, Andante mo...
138 bpm • D# Maj • 04:50 • -31.45db
40% Popularity • 44% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
40% Popularity • 44% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
► Preview
Alexander Spendiarov
Scherzo in D Major
138 bpm • D Maj • 02:51 • -21.26db
0% Popularity • 44% Danceability • 13% Energy • 9% Liveness
86% Instrumentalness • 47% Positiveness
0% Popularity • 44% Danceability • 13% Energy • 9% Liveness
86% Instrumentalness • 47% Positiveness
► Preview
Gabriel Fauré
9 Préludes, Op. 103: No. 5 in D Minor
121 bpm • D min • 02:11 • -21.2db
11% Popularity • 36% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
11% Popularity • 36% Danceability • 10% Energy • 9% Liveness
88% Instrumentalness • 5% Positiveness
► Preview
Blagoje Bersa
Na Ĺľalu
138 bpm • C# Maj • 03:40 • -31.46db
10% Popularity • 28% Danceability • 3% Energy • 6% Liveness
87% Instrumentalness • 11% Positiveness
10% Popularity • 28% Danceability • 3% Energy • 6% Liveness
87% Instrumentalness • 11% Positiveness
► Preview
Alfons Szczerbiński
4 Chansons sans paroles, Op. 14: No. 2, ...
138 bpm • G min • 01:49 • -28db
19% Popularity • 38% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
19% Popularity • 38% Danceability • 4% Energy • 12% Liveness
91% Instrumentalness • 7% Positiveness
► Preview
Stephen Heller
25 melodische EtĂĽden, Op. 45: No. 2, Al...
138 bpm • A min • 01:14 • -23db
10% Popularity • 36% Danceability • 13% Energy • 7% Liveness
91% Instrumentalness • 45% Positiveness
10% Popularity • 36% Danceability • 13% Energy • 7% Liveness
91% Instrumentalness • 45% Positiveness
► Preview
Robert Schumann
NachtstĂĽcke, Op. 23: IV. Ad libitum - E...
138 bpm • F Maj • 03:50 • -33db
11% Popularity • 51% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 17% Positiveness
11% Popularity • 51% Danceability • 0% Energy • 8% Liveness
85% Instrumentalness • 17% Positiveness
► Preview
Stéphan Elmas
27 Mazurkas (Ed. M. Ayrapetyan): No. 23 ...
138 bpm • C# min • 02:12 • -23.21db
0% Popularity • 42% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
0% Popularity • 42% Danceability • 11% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
► Preview
Reynaldo Hahn
Premières valses: No. 5, Pas vite, simp...
139 bpm • G min • 02:24 • -31.12db
23% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
23% Popularity • 32% Danceability • 1% Energy • 7% Liveness
91% Instrumentalness • 13% Positiveness
► Preview
Milo Paulus
9 Preludes, “Mythical Creature Chronic...
140 bpm • A# min • 05:07 • -20.39db
15% Popularity • 40% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
15% Popularity • 40% Danceability • 16% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
► Preview
Nikoghayos Tigranian
Armenian Folk Dances: No. 11, Zourni trn...
140 bpm • C Maj • 01:35 • -15.8db
1% Popularity • 33% Danceability • 24% Energy • 7% Liveness
88% Instrumentalness • 28% Positiveness
1% Popularity • 33% Danceability • 24% Energy • 7% Liveness
88% Instrumentalness • 28% Positiveness
► Preview
Makar Ekmalian
Nocturne for Piano
119 bpm • A# min • 03:51 • -17.2db
0% Popularity • 37% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
0% Popularity • 37% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 6% Positiveness
► Preview
Robert Schumann
Kinderszenen, Op. 15: No. 1, Von fremden...
141 bpm • G Maj • 01:41 • -37.56db
8% Popularity • 27% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
8% Popularity • 27% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 15% Positiveness
► Preview
Manuel de Falla
Siete Canciones Populares Españolas: VI...
141 bpm • C Maj • 02:13 • -39db
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
29% Popularity • 14% Danceability • 0% Energy • 6% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Christian Schittenhelm
The Algot Waltz
141 bpm • C# min • 03:54 • -18.75db
12% Popularity • 31% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
12% Popularity • 31% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 7% Positiveness
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Stéphan Elmas
Nocturne No. 4 in D Major
117 bpm • E min • 03:39 • -24.18db
0% Popularity • 45% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
0% Popularity • 45% Danceability • 5% Energy • 8% Liveness
86% Instrumentalness • 8% Positiveness
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Mikael Ayrapetyan
Doomsday Clock
117 bpm • D min • 05:19 • -21.9db
0% Popularity • 62% Danceability • 20% Energy • 8% Liveness
58% Instrumentalness • 9% Positiveness
0% Popularity • 62% Danceability • 20% Energy • 8% Liveness
58% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Variations on a Theme by Beethoven, Op. ...
143 bpm • D# Maj • 01:12 • -27.62db
20% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 68% Positiveness
20% Popularity • 39% Danceability • 8% Energy • 20% Liveness
84% Instrumentalness • 68% Positiveness
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Robert Amirkhanian
Children's Images
116 bpm • F# min • 08:18 • -21.38db
0% Popularity • 37% Danceability • 12% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
0% Popularity • 37% Danceability • 12% Energy • 8% Liveness
87% Instrumentalness • 4% Positiveness
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Sarkis Barkhudarian
12 Armenian Dances: No. 5, Provocative D...
116 bpm • C# Maj • 01:36 • -14.25db
1% Popularity • 38% Danceability • 48% Energy • 13% Liveness
93% Instrumentalness • 89% Positiveness
1% Popularity • 38% Danceability • 48% Energy • 13% Liveness
93% Instrumentalness • 89% Positiveness
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Henrique Oswald
En nacelle
116 bpm • F# Maj • 02:45 • -29.75db
59% Popularity • 43% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
59% Popularity • 43% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Amy Beach
By the Still Waters, Op. 114
115 bpm • C# Maj • 02:12 • -29.85db
19% Popularity • 27% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
19% Popularity • 27% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Ernest Bloch
Enfantines, B. 49: Dream
116 bpm • F min • 01:54 • -38db
21% Popularity • 37% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
21% Popularity • 37% Danceability • 1% Energy • 8% Liveness
91% Instrumentalness • 6% Positiveness
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Selim Palmgren
Finnish Rhythms, Op. 31: No. 5, Vestfins...
114 bpm • G Maj • 01:10 • -28.99db
12% Popularity • 41% Danceability • 3% Energy • 14% Liveness
84% Instrumentalness • 26% Positiveness
12% Popularity • 41% Danceability • 3% Energy • 14% Liveness
84% Instrumentalness • 26% Positiveness
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Nikoghayos Tigranian
Armenian Folk Dances: No. 6, Round Dance...
114 bpm • A min • 03:37 • -17.38db
2% Popularity • 39% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 17% Positiveness
2% Popularity • 39% Danceability • 20% Energy • 7% Liveness
86% Instrumentalness • 17% Positiveness
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Sarkis Barkhudarian
Oriental Dances: No. 4, —
115 bpm • G min • 01:49 • -16.35db
0% Popularity • 39% Danceability • 31% Energy • 8% Liveness
84% Instrumentalness • 34% Positiveness
0% Popularity • 39% Danceability • 31% Energy • 8% Liveness
84% Instrumentalness • 34% Positiveness
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Franz Schubert
Waltz, D. 1/14, "Kupelwieser-Walzer"
113 bpm • F# Maj • 01:36 • -34db
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
57% Popularity • 26% Danceability • 2% Energy • 8% Liveness
92% Instrumentalness • 14% Positiveness
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Samuel Barber
Sure on This Shining Night, Op. 13 No. 3...
113 bpm • A# Maj • 02:10 • -26db
34% Popularity • 22% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
34% Popularity • 22% Danceability • 3% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Alexander Borodin
Petite Suite: Nocturne
148 bpm • B Maj • 02:36 • -36db
22% Popularity • 29% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
22% Popularity • 29% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
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Gerald Finzi
Lo, the full, final sacrifice, Op. 26: A...
112 bpm • E Maj • 02:40 • -25.09db
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
52% Popularity • 20% Danceability • 9% Energy • 15% Liveness
92% Instrumentalness • 7% Positiveness
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Nikoghayos Tigranian
Armenian Folk Dances: No. 2, Faten kitam
148 bpm • A Maj • 01:41 • -18.97db
2% Popularity • 37% Danceability • 22% Energy • 24% Liveness
93% Instrumentalness • 74% Positiveness
2% Popularity • 37% Danceability • 22% Energy • 24% Liveness
93% Instrumentalness • 74% Positiveness
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Sarkis Barkhudarian
12 Armenian Dances: No. 1, Dance of the ...
112 bpm • A Maj • 01:47 • -22.42db
0% Popularity • 38% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 48% Positiveness
0% Popularity • 38% Danceability • 14% Energy • 12% Liveness
94% Instrumentalness • 48% Positiveness
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Alexander Spendiarov
Menuet & Trio, Op. 3 No. 1 (Version for ...
112 bpm • A# Maj • 05:08 • -21.2db
0% Popularity • 57% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 42% Positiveness
0% Popularity • 57% Danceability • 8% Energy • 11% Liveness
88% Instrumentalness • 42% Positiveness
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CĂ©cile Chaminade
Contes bleus, No. 2 Op. 122
112 bpm • G Maj • 03:04 • -31db
11% Popularity • 30% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
11% Popularity • 30% Danceability • 5% Energy • 6% Liveness
90% Instrumentalness • 10% Positiveness
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Eduard Bagdasarian
24 Preludes: No. 11 in B Major
112 bpm • F# Maj • 01:53 • -18.78db
0% Popularity • 52% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
0% Popularity • 52% Danceability • 17% Energy • 12% Liveness
93% Instrumentalness • 22% Positiveness
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Stéphan Elmas
Barcarolle No. 1 in E-Flat Minor
111 bpm • D# Maj • 05:27 • -20.65db
0% Popularity • 48% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
0% Popularity • 48% Danceability • 10% Energy • 10% Liveness
92% Instrumentalness • 12% Positiveness
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Nikoghayos Tigranian
Armenian Folk Dances: No. 1, Findjan
148 bpm • D Maj • 01:49 • -19.89db
2% Popularity • 35% Danceability • 24% Energy • 18% Liveness
83% Instrumentalness • 59% Positiveness
2% Popularity • 35% Danceability • 24% Energy • 18% Liveness
83% Instrumentalness • 59% Positiveness
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Sonny Chua
Assorted Fairies: Airy Fairy
149 bpm • C Maj • 00:58 • -40.61db
26% Popularity • 20% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
26% Popularity • 20% Danceability • 1% Energy • 8% Liveness
90% Instrumentalness • 18% Positiveness
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Sarkis Barkhudarian
Piano Pieces, Series 1: No. 7, Maiden Da...
114 bpm • D# min • 01:50 • -18.83db
0% Popularity • 46% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 47% Positiveness
0% Popularity • 46% Danceability • 20% Energy • 13% Liveness
89% Instrumentalness • 47% Positiveness
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Edvard Grieg
Grieg: Lyric Pieces, Book 8, Op. 65: No....
111 bpm • F# min • 02:22 • -41.11db
20% Popularity • 49% Danceability • 0% Energy • 6% Liveness
86% Instrumentalness • 20% Positiveness
20% Popularity • 49% Danceability • 0% Energy • 6% Liveness
86% Instrumentalness • 20% Positiveness