Songs like Berlioz: La Damnation de Faust, Op. 24, H. 111, Pt. 1: Marche hongroise by Hector Berlioz
Based on a tempo of (+/- 10%) and a similar genre
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Edward Elgar
Elgar: 5 Pomp and Circumstance Marches, ...
93 bpm • D Maj • 06:06 • -14.2db
24% Popularity • 23% Danceability • 31% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
24% Popularity • 23% Danceability • 31% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Hector Berlioz
Te Deum, H. 118: I. Te Deum - Live at St...
93 bpm • F Maj • 07:23 • -19db
10% Popularity • 11% Danceability • 14% Energy • 7% Liveness
83% Instrumentalness • 7% Positiveness
10% Popularity • 11% Danceability • 14% Energy • 7% Liveness
83% Instrumentalness • 7% Positiveness
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Johannes Brahms
Hungarian Dance No. 3 in F - Orchestrate...
93 bpm • F Maj • 02:08 • -29.63db
10% Popularity • 33% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
10% Popularity • 33% Danceability • 2% Energy • 9% Liveness
95% Instrumentalness • 7% Positiveness
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Jacques Offenbach
Les contes d'Hoffmann (The Tales of Hoff...
93 bpm • G Maj • 02:12 • -18db
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
45% Popularity • 56% Danceability • 7% Energy • 8% Liveness
89% Instrumentalness • 59% Positiveness
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AntonÃn Dvořák
Serenade for Strings in E Major, Op. 22,...
93 bpm • F# min • 07:31 • -24.52db
28% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
28% Popularity • 18% Danceability • 3% Energy • 24% Liveness
89% Instrumentalness • 16% Positiveness
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Gioachino Rossini
Rossini: Il barbiere di Siviglia: Overtu...
94 bpm • E Maj • 06:55 • -19db
9% Popularity • 34% Danceability • 14% Energy • 28% Liveness
88% Instrumentalness • 38% Positiveness
9% Popularity • 34% Danceability • 14% Energy • 28% Liveness
88% Instrumentalness • 38% Positiveness
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Richard Wagner
Lohengrin, Act III: Prelude
94 bpm • G Maj • 02:31 • -17db
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
41% Popularity • 38% Danceability • 21% Energy • 77% Liveness
93% Instrumentalness • 21% Positiveness
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Hector Berlioz
Béatrice et Bénédict, H.138 / Act 1: ...
93 bpm • G Maj • 06:13 • -15.78db
0% Popularity • 35% Danceability • 39% Energy • 38% Liveness
3% Instrumentalness • 24% Positiveness
0% Popularity • 35% Danceability • 39% Energy • 38% Liveness
3% Instrumentalness • 24% Positiveness
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Georges Delerue
La nuit américaine
94 bpm • D Maj • 02:17 • -15.22db
20% Popularity • 28% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 34% Positiveness
20% Popularity • 28% Danceability • 32% Energy • 9% Liveness
86% Instrumentalness • 34% Positiveness
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Alexandre Desplat
New Moon
94 bpm • A min • 02:47 • -15.43db
19% Popularity • 18% Danceability • 24% Energy • 12% Liveness
80% Instrumentalness • 13% Positiveness
19% Popularity • 18% Danceability • 24% Energy • 12% Liveness
80% Instrumentalness • 13% Positiveness
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Nikolai Rimsky-Korsakov
The Tale of Tsar Saltan: The Flight of t...
91 bpm • G min • 01:19 • -26.57db
21% Popularity • 42% Danceability • 15% Energy • 22% Liveness
72% Instrumentalness • 49% Positiveness
21% Popularity • 42% Danceability • 15% Energy • 22% Liveness
72% Instrumentalness • 49% Positiveness
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Gioachino Rossini
Overture to The Barber of Seville
94 bpm • E Maj • 07:04 • -17.73db
17% Popularity • 37% Danceability • 19% Energy • 11% Liveness
75% Instrumentalness • 33% Positiveness
17% Popularity • 37% Danceability • 19% Energy • 11% Liveness
75% Instrumentalness • 33% Positiveness
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Max Bruch
Violin Concerto No. 1 in G Minor, Op. 26...
95 bpm • G Maj • 07:08 • -16.73db
7% Popularity • 30% Danceability • 17% Energy • 5% Liveness
38% Instrumentalness • 22% Positiveness
7% Popularity • 30% Danceability • 17% Energy • 5% Liveness
38% Instrumentalness • 22% Positiveness
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Hector Berlioz
La Damnation de Faust, Op. 24, H 111 / P...
93 bpm • A Maj • 04:46 • -16db
11% Popularity • 46% Danceability • 24% Energy • 5% Liveness
80% Instrumentalness • 15% Positiveness
11% Popularity • 46% Danceability • 24% Energy • 5% Liveness
80% Instrumentalness • 15% Positiveness
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Johannes Brahms
21 Hungarian Dances, WoO 1: No. 5 in F-S...
95 bpm • G min • 02:53 • -17.16db
16% Popularity • 30% Danceability • 10% Energy • 8% Liveness
65% Instrumentalness • 23% Positiveness
16% Popularity • 30% Danceability • 10% Energy • 8% Liveness
65% Instrumentalness • 23% Positiveness
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Marc-Antoine Charpentier
Te Deum for Soloists, Chorus and Orchest...
95 bpm • C Maj • 01:22 • -15db
27% Popularity • 50% Danceability • 55% Energy • 34% Liveness
86% Instrumentalness • 75% Positiveness
27% Popularity • 50% Danceability • 55% Energy • 34% Liveness
86% Instrumentalness • 75% Positiveness
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Franz Liszt
Rhapsodie Hongroise N° 2
91 bpm • C# Maj • 10:06 • -24.14db
13% Popularity • 35% Danceability • 11% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
13% Popularity • 35% Danceability • 11% Energy • 11% Liveness
80% Instrumentalness • 6% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture
91 bpm • E Maj • 07:26 • -17.88db
18% Popularity • 37% Danceability • 13% Energy • 8% Liveness
60% Instrumentalness • 24% Positiveness
18% Popularity • 37% Danceability • 13% Energy • 8% Liveness
60% Instrumentalness • 24% Positiveness
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Georges Bizet
L’arlésienne Suite No. 2 (Arr. E. Gui...
91 bpm • D Maj • 03:15 • -19db
32% Popularity • 50% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
32% Popularity • 50% Danceability • 27% Energy • 9% Liveness
96% Instrumentalness • 16% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Pt. I Sce...
93 bpm • A Maj • 04:52 • -18.53db
8% Popularity • 55% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
8% Popularity • 55% Danceability • 20% Energy • 11% Liveness
94% Instrumentalness • 47% Positiveness
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Jules Massenet
Massenet: Thaïs, Act 2: Méditation
90 bpm • E min • 05:17 • -24.49db
24% Popularity • 13% Danceability • 6% Energy • 14% Liveness
23% Instrumentalness • 4% Positiveness
24% Popularity • 13% Danceability • 6% Energy • 14% Liveness
23% Instrumentalness • 4% Positiveness
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Edward Elgar
Variations on an Original Theme, Op. 36,...
91 bpm • G min • 01:25 • -35db
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
41% Popularity • 14% Danceability • 1% Energy • 11% Liveness
62% Instrumentalness • 4% Positiveness
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Camille Saint-Saëns
Violin Concerto No. 3 in B Minor, Op. 61...
96 bpm • G Maj • 10:57 • -18.6db
14% Popularity • 32% Danceability • 16% Energy • 28% Liveness
43% Instrumentalness • 21% Positiveness
14% Popularity • 32% Danceability • 16% Energy • 28% Liveness
43% Instrumentalness • 21% Positiveness
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Felix Mendelssohn
Violin Concerto In E Minor, Op. 64, MWV ...
90 bpm • E min • 03:19 • -19db
14% Popularity • 44% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
14% Popularity • 44% Danceability • 14% Energy • 9% Liveness
2% Instrumentalness • 47% Positiveness
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Léo Delibes
Coppélia, Act I: Valse Lente
90 bpm • D# Maj • 00:56 • -12.93db
41% Popularity • 26% Danceability • 25% Energy • 25% Liveness
94% Instrumentalness • 31% Positiveness
41% Popularity • 26% Danceability • 25% Energy • 25% Liveness
94% Instrumentalness • 31% Positiveness
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Hector Berlioz
Berlioz: La Damnation de Faust, Op. 24, ...
93 bpm • E min • 04:53 • -18.22db
14% Popularity • 31% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
14% Popularity • 31% Danceability • 20% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 2: Chorus. ...
90 bpm • E min • 02:11 • -22.26db
6% Popularity • 17% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
6% Popularity • 17% Danceability • 11% Energy • 14% Liveness
90% Instrumentalness • 8% Positiveness
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Antonio Vivaldi
I. Allegro
97 bpm • C Maj • 02:42 • -11db
21% Popularity • 49% Danceability • 61% Energy • 27% Liveness
96% Instrumentalness • 63% Positiveness
21% Popularity • 49% Danceability • 61% Energy • 27% Liveness
96% Instrumentalness • 63% Positiveness
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AntonÃn Dvořák
8 Slavonic Dances, Op. 72, B. 147: 2. Du...
97 bpm • C Maj • 05:41 • -15db
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
30% Popularity • 16% Danceability • 19% Energy • 10% Liveness
70% Instrumentalness • 12% Positiveness
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Aram Khachaturian
Khachaturian / Orch Walter: Gayaneh, Act...
90 bpm • D Maj • 02:26 • -11db
16% Popularity • 50% Danceability • 63% Energy • 15% Liveness
85% Instrumentalness • 56% Positiveness
16% Popularity • 50% Danceability • 63% Energy • 15% Liveness
85% Instrumentalness • 56% Positiveness
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Jean-Philippe Rameau
Les Indes galantes, RCT 44, Act III: Dan...
97 bpm • F# min • 01:39 • -19.39db
29% Popularity • 50% Danceability • 24% Energy • 20% Liveness
8% Instrumentalness • 71% Positiveness
29% Popularity • 50% Danceability • 24% Energy • 20% Liveness
8% Instrumentalness • 71% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, Pt. III S...
94 bpm • F Maj • 04:30 • -30.93db
0% Popularity • 17% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 17% Danceability • 3% Energy • 6% Liveness
0% Instrumentalness • 4% Positiveness
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Johann Sebastian Bach
Toccata and Fugue in D Minor, BWV 565: I...
89 bpm • D Maj • 02:38 • -15.12db
21% Popularity • 21% Danceability • 20% Energy • 26% Liveness
95% Instrumentalness • 22% Positiveness
21% Popularity • 21% Danceability • 20% Energy • 26% Liveness
95% Instrumentalness • 22% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture
97 bpm • E Maj • 06:47 • -22.02db
12% Popularity • 33% Danceability • 10% Energy • 8% Liveness
66% Instrumentalness • 21% Positiveness
12% Popularity • 33% Danceability • 10% Energy • 8% Liveness
66% Instrumentalness • 21% Positiveness
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Jacques Offenbach
La vie parisienne: Overture
89 bpm • F Maj • 05:18 • -17db
20% Popularity • 35% Danceability • 43% Energy • 9% Liveness
88% Instrumentalness • 56% Positiveness
20% Popularity • 35% Danceability • 43% Energy • 9% Liveness
88% Instrumentalness • 56% Positiveness
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Alexander Borodin
Prince Igor, Act II: Polovtsian Dances, ...
97 bpm • F Maj • 02:11 • -19.15db
14% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
14% Popularity • 49% Danceability • 13% Energy • 18% Liveness
20% Instrumentalness • 22% Positiveness
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Modest Mussorgsky
Une nuit sur le Mont Chauve, Op. posthum...
97 bpm • D Maj • 11:25 • -19.6db
13% Popularity • 27% Danceability • 17% Energy • 13% Liveness
70% Instrumentalness • 5% Positiveness
13% Popularity • 27% Danceability • 17% Energy • 13% Liveness
70% Instrumentalness • 5% Positiveness
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Hector Berlioz
La Damnation de Faust, Op. 24, H 111 / P...
94 bpm • D Maj • 06:17 • -23db
5% Popularity • 13% Danceability • 10% Energy • 10% Liveness
48% Instrumentalness • 5% Positiveness
5% Popularity • 13% Danceability • 10% Energy • 10% Liveness
48% Instrumentalness • 5% Positiveness
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Francis Poulenc
L'invitation au château, FP 138: Acte 2...
97 bpm • F min • 01:45 • -23.59db
26% Popularity • 40% Danceability • 4% Energy • 12% Liveness
57% Instrumentalness • 55% Positiveness
26% Popularity • 40% Danceability • 4% Energy • 12% Liveness
57% Instrumentalness • 55% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Eugene Onegin, Op. 24, Act ...
97 bpm • G Maj • 04:54 • -14.43db
8% Popularity • 48% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
8% Popularity • 48% Danceability • 23% Energy • 10% Liveness
91% Instrumentalness • 30% Positiveness
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Gioachino Rossini
Il barbiere di Siviglia: Overture (Sinfo...
98 bpm • E Maj • 06:59 • -15.16db
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
27% Popularity • 35% Danceability • 26% Energy • 9% Liveness
90% Instrumentalness • 45% Positiveness
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Ludwig van Beethoven
Symphony No. 5 in C Minor, Op. 67: I. Al...
98 bpm • C min • 07:24 • -17.43db
9% Popularity • 32% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
9% Popularity • 32% Danceability • 19% Energy • 9% Liveness
90% Instrumentalness • 14% Positiveness
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Johann Strauss II
An der schönen blauen Donau, Op. 314
88 bpm • D Maj • 04:21 • -22.75db
12% Popularity • 31% Danceability • 5% Energy • 39% Liveness
92% Instrumentalness • 8% Positiveness
12% Popularity • 31% Danceability • 5% Energy • 39% Liveness
92% Instrumentalness • 8% Positiveness
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Hector Berlioz
La Damnation de Faust, Op. 24, H. 111, P...
92 bpm • A Maj • 04:53 • -20db
15% Popularity • 36% Danceability • 14% Energy • 6% Liveness
76% Instrumentalness • 39% Positiveness
15% Popularity • 36% Danceability • 14% Energy • 6% Liveness
76% Instrumentalness • 39% Positiveness
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Johann Sebastian Bach
Bach, JS: Piano Concerto No. 1 in D Mino...
98 bpm • D min • 08:03 • -20db
34% Popularity • 47% Danceability • 25% Energy • 31% Liveness
83% Instrumentalness • 49% Positiveness
34% Popularity • 47% Danceability • 25% Energy • 31% Liveness
83% Instrumentalness • 49% Positiveness
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Vladimir Cosma
Le Grand Blond avec une chaussure noire
98 bpm • D min • 04:01 • -15.16db
18% Popularity • 51% Danceability • 31% Energy • 8% Liveness
68% Instrumentalness • 64% Positiveness
18% Popularity • 51% Danceability • 31% Energy • 8% Liveness
68% Instrumentalness • 64% Positiveness
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Richard Wagner
Tannhauser: Overture
98 bpm • B Maj • 09:48 • -21db
31% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 18% Danceability • 4% Energy • 58% Liveness
92% Instrumentalness • 4% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Eugene Onegin, Op. 24, Act ...
98 bpm • G Maj • 04:45 • -17.21db
10% Popularity • 41% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 38% Positiveness
10% Popularity • 41% Danceability • 18% Energy • 14% Liveness
94% Instrumentalness • 38% Positiveness
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Ralph Vaughan Williams
Concerto For Oboe And Strings: 2. Minuet...
88 bpm • G min • 02:47 • -18.76db
1% Popularity • 34% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
1% Popularity • 34% Danceability • 21% Energy • 9% Liveness
93% Instrumentalness • 39% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, H. 111 / ...
94 bpm • D Maj • 02:36 • -16.29db
0% Popularity • 27% Danceability • 25% Energy • 93% Liveness
0% Instrumentalness • 36% Positiveness
0% Popularity • 27% Danceability • 25% Energy • 93% Liveness
0% Instrumentalness • 36% Positiveness
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Antonio Vivaldi
Concerto For Violin And Strings In E, Op...
98 bpm • E Maj • 03:26 • -18.33db
31% Popularity • 50% Danceability • 8% Energy • 41% Liveness
62% Instrumentalness • 35% Positiveness
31% Popularity • 50% Danceability • 8% Energy • 41% Liveness
62% Instrumentalness • 35% Positiveness
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Alexander Borodin
Dans les steppes de l'Asie centrale
88 bpm • A Maj • 06:49 • -32.97db
8% Popularity • 10% Danceability • 1% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
8% Popularity • 10% Danceability • 1% Energy • 13% Liveness
13% Instrumentalness • 4% Positiveness
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Modest Mussorgsky
Pictures At An Exhibition: Gnomus
99 bpm • B Maj • 02:39 • -20.94db
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
27% Popularity • 31% Danceability • 4% Energy • 14% Liveness
64% Instrumentalness • 9% Positiveness
► Preview
Francis Poulenc
Concerto for 2 Pianos and Orchestra in D...
99 bpm • D# Maj • 08:05 • -22.5db
13% Popularity • 36% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
13% Popularity • 36% Danceability • 10% Energy • 12% Liveness
87% Instrumentalness • 5% Positiveness
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Nikolai Rimsky-Korsakov
Symphonic Suite based on Rimsky-Korsakov...
99 bpm • C Maj • 05:26 • -14.76db
12% Popularity • 35% Danceability • 30% Energy • 32% Liveness
65% Instrumentalness • 18% Positiveness
12% Popularity • 35% Danceability • 30% Energy • 32% Liveness
65% Instrumentalness • 18% Positiveness
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Hector Berlioz
Berlioz: Benvenuto Cellini, H. 76a, Act ...
95 bpm • A# Maj • 03:21 • -21.28db
0% Popularity • 41% Danceability • 12% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
0% Popularity • 41% Danceability • 12% Energy • 36% Liveness
0% Instrumentalness • 8% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Swan Lake, Op. 20 - Mariinsky Version / ...
87 bpm • E min • 02:21 • -14.95db
29% Popularity • 19% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
29% Popularity • 19% Danceability • 21% Energy • 13% Liveness
90% Instrumentalness • 10% Positiveness
► Preview
Georges Bizet
L’arlésienne Suite No. 1, Op. 23bis, ...
87 bpm • C min • 06:30 • -24db
26% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
26% Popularity • 16% Danceability • 3% Energy • 9% Liveness
71% Instrumentalness • 5% Positiveness
► Preview
Gioachino Rossini
La gazza ladra: Overture
99 bpm • E Maj • 08:55 • -18db
22% Popularity • 35% Danceability • 20% Energy • 26% Liveness
24% Instrumentalness • 39% Positiveness
22% Popularity • 35% Danceability • 20% Energy • 26% Liveness
24% Instrumentalness • 39% Positiveness
► Preview
Modest Mussorgsky
Pictures At An Exhibition: Promenade - I...
87 bpm • G# Maj • 01:07 • -39.84db
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
47% Popularity • 17% Danceability • 0% Energy • 14% Liveness
41% Instrumentalness • 10% Positiveness
► Preview
Nikolai Rimsky-Korsakov
Scheherazade: The Sea & Sinbad's Ship
87 bpm • A min • 03:37 • -20.67db
38% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
38% Popularity • 14% Danceability • 12% Energy • 28% Liveness
62% Instrumentalness • 3% Positiveness
► Preview
Hector Berlioz
Berlioz: Benvenuto Cellini, H. 76a, Act ...
90 bpm • G Maj • 03:55 • -19.69db
0% Popularity • 32% Danceability • 26% Energy • 48% Liveness
2% Instrumentalness • 34% Positiveness
0% Popularity • 32% Danceability • 26% Energy • 48% Liveness
2% Instrumentalness • 34% Positiveness
► Preview
Alexander Borodin
Les danses polovtsiennes (Extraits de l'...
87 bpm • A Maj • 01:25 • -32db
53% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
53% Popularity • 17% Danceability • 1% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
► Preview
John Williams
Williams: Indiana Jones, "Raiders of the...
87 bpm • C min • 04:16 • -18.97db
4% Popularity • 9% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
4% Popularity • 9% Danceability • 16% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
La belle au bois dormant, Op.66 : 'Valse...
100 bpm • A# Maj • 04:35 • -18.29db
14% Popularity • 29% Danceability • 13% Energy • 26% Liveness
85% Instrumentalness • 35% Positiveness
14% Popularity • 29% Danceability • 13% Energy • 26% Liveness
85% Instrumentalness • 35% Positiveness
► Preview
Modest Mussorgsky
Pictures at an Exhibition (Orch. M. Rave...
87 bpm • F Maj • 01:38 • -19db
23% Popularity • 26% Danceability • 9% Energy • 38% Liveness
89% Instrumentalness • 38% Positiveness
23% Popularity • 26% Danceability • 9% Energy • 38% Liveness
89% Instrumentalness • 38% Positiveness
► Preview
Ludwig van Beethoven
Piano Sonata No. 14 in C-sharp minor, Op...
87 bpm • F# min • 06:51 • -23.54db
21% Popularity • 29% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
21% Popularity • 29% Danceability • 11% Energy • 9% Liveness
93% Instrumentalness • 8% Positiveness
► Preview
Hector Berlioz
Berlioz: Roméo et Juliette, Op. 17, H 7...
90 bpm • A Maj • 02:50 • -31db
2% Popularity • 18% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
2% Popularity • 18% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Erich Wolfgang Korngold
Violin Concerto, Op. 35: II. Romanze. An...
87 bpm • G Maj • 08:31 • -29db
9% Popularity • 12% Danceability • 3% Energy • 4% Liveness
21% Instrumentalness • 4% Positiveness
9% Popularity • 12% Danceability • 3% Energy • 4% Liveness
21% Instrumentalness • 4% Positiveness
► Preview
Jacques Offenbach
Les Contes d'Hoffmann / Act 1: Entr'acte
100 bpm • E Maj • 01:18 • -15db
39% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
39% Popularity • 48% Danceability • 24% Energy • 22% Liveness
90% Instrumentalness • 68% Positiveness
► Preview
Jules Massenet
Thaïs / Acte Deux: Meditation
86 bpm • D Maj • 04:55 • -26.7db
26% Popularity • 11% Danceability • 7% Energy • 30% Liveness
35% Instrumentalness • 4% Positiveness
26% Popularity • 11% Danceability • 7% Energy • 30% Liveness
35% Instrumentalness • 4% Positiveness
► Preview
Richard Wagner
Die Walküre, WWV 86B - Concert version ...
100 bpm • G Maj • 04:53 • -14.32db
38% Popularity • 29% Danceability • 35% Energy • 12% Liveness
75% Instrumentalness • 16% Positiveness
38% Popularity • 29% Danceability • 35% Energy • 12% Liveness
75% Instrumentalness • 16% Positiveness
► Preview
Camille Saint-Saëns
Le carnaval des animaux, R. 125: XIII. L...
101 bpm • G Maj • 02:49 • -34db
30% Popularity • 15% Danceability • 5% Energy • 10% Liveness
43% Instrumentalness • 5% Positiveness
30% Popularity • 15% Danceability • 5% Energy • 10% Liveness
43% Instrumentalness • 5% Positiveness
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Hector Berlioz
La Damnation de Faust, Op. 24 / Part 1: ...
90 bpm • A Maj • 04:54 • -15db
11% Popularity • 48% Danceability • 29% Energy • 6% Liveness
93% Instrumentalness • 43% Positiveness
11% Popularity • 48% Danceability • 29% Energy • 6% Liveness
93% Instrumentalness • 43% Positiveness
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Robert Schumann
Rêverie
86 bpm • F Maj • 03:39 • -20.92db
23% Popularity • 9% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
23% Popularity • 9% Danceability • 14% Energy • 10% Liveness
94% Instrumentalness • 4% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 2: Aria. "B...
86 bpm • D# min • 01:31 • -30.09db
5% Popularity • 20% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
5% Popularity • 20% Danceability • 3% Energy • 14% Liveness
0% Instrumentalness • 5% Positiveness
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Anonymous
Turandot, Act III: Nessun dorma (arr. fo...
85 bpm • D Maj • 03:14 • -23db
28% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
28% Popularity • 20% Danceability • 6% Energy • 13% Liveness
89% Instrumentalness • 4% Positiveness
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Nikolai Rimsky-Korsakov
Scheherazade, Op. 35: I. The Sea and Sin...
85 bpm • C Maj • 03:13 • -23db
16% Popularity • 13% Danceability • 7% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
16% Popularity • 13% Danceability • 7% Energy • 10% Liveness
44% Instrumentalness • 4% Positiveness
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Georges Bizet
L'Arlésienne Suite No. 2: Farandole
85 bpm • D Maj • 03:21 • -16db
12% Popularity • 52% Danceability • 45% Energy • 8% Liveness
89% Instrumentalness • 57% Positiveness
12% Popularity • 52% Danceability • 45% Energy • 8% Liveness
89% Instrumentalness • 57% Positiveness
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Hector Berlioz
Berlioz: Benvenuto Cellini, H. 76a, Act ...
90 bpm • G Maj • 01:49 • -18.74db
0% Popularity • 33% Danceability • 34% Energy • 26% Liveness
3% Instrumentalness • 45% Positiveness
0% Popularity • 33% Danceability • 34% Energy • 26% Liveness
3% Instrumentalness • 45% Positiveness
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Jean-Philippe Rameau
Les Indes galantes: Air des Sauvages
85 bpm • F# min • 01:58 • -19.13db
26% Popularity • 47% Danceability • 18% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
26% Popularity • 47% Danceability • 18% Energy • 13% Liveness
1% Instrumentalness • 81% Positiveness
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Antonio Vivaldi
Vivaldi: Mandolin Concerto in C Major, R...
85 bpm • B Maj • 03:09 • -21db
30% Popularity • 53% Danceability • 28% Energy • 21% Liveness
81% Instrumentalness • 44% Positiveness
30% Popularity • 53% Danceability • 28% Energy • 21% Liveness
81% Instrumentalness • 44% Positiveness
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Gabriel Fauré
Requiem, Op. 48: 4. Pie Jesu
102 bpm • A# Maj • 04:04 • -29db
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
27% Popularity • 19% Danceability • 3% Energy • 11% Liveness
91% Instrumentalness • 3% Positiveness
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Camille Saint-Saëns
Le Carnaval des Animaux, R. 125: 14. Fin...
102 bpm • C Maj • 01:53 • -15db
36% Popularity • 60% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 61% Positiveness
36% Popularity • 60% Danceability • 34% Energy • 8% Liveness
91% Instrumentalness • 61% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 3: Duet. "O...
102 bpm • D Maj • 01:36 • -22.24db
4% Popularity • 61% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
4% Popularity • 61% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Hector Berlioz
Reverie et Caprice, Op. 8
89 bpm • A Maj • 08:39 • -27db
10% Popularity • 20% Danceability • 4% Energy • 6% Liveness
20% Instrumentalness • 4% Positiveness
10% Popularity • 20% Danceability • 4% Energy • 6% Liveness
20% Instrumentalness • 4% Positiveness
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Jean-Philippe Rameau
Suite Les Indes Galantes / Les Sauvages:...
102 bpm • F min • 01:45 • -15db
27% Popularity • 60% Danceability • 38% Energy • 24% Liveness
73% Instrumentalness • 80% Positiveness
27% Popularity • 60% Danceability • 38% Energy • 24% Liveness
73% Instrumentalness • 80% Positiveness
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Sergei Rachmaninoff
Rachmaninov: Piano Concerto No. 3 in D M...
103 bpm • D min • 02:52 • -23.34db
33% Popularity • 27% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
33% Popularity • 27% Danceability • 18% Energy • 9% Liveness
88% Instrumentalness • 33% Positiveness
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Nikolai Rimsky-Korsakov
Rimsky-Korsakov / Orch Sándor: The Tale...
84 bpm • E min • 01:18 • -19.13db
22% Popularity • 45% Danceability • 33% Energy • 12% Liveness
62% Instrumentalness • 74% Positiveness
22% Popularity • 45% Danceability • 33% Energy • 12% Liveness
62% Instrumentalness • 74% Positiveness
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Sergei Prokofiev
Lieutenant Kijé Suite, Op. 60: II. Roma...
103 bpm • C min • 04:38 • -35db
12% Popularity • 18% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
12% Popularity • 18% Danceability • 0% Energy • 9% Liveness
90% Instrumentalness • 7% Positiveness
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Nino Rota
Love Theme
84 bpm • C min • 03:15 • -14.36db
21% Popularity • 13% Danceability • 22% Energy • 9% Liveness
22% Instrumentalness • 6% Positiveness
21% Popularity • 13% Danceability • 22% Energy • 9% Liveness
22% Instrumentalness • 6% Positiveness
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Hector Berlioz
Roméo et Juliette, Op. 17, H 79, Pt. 3:...
97 bpm • A Maj • 06:33 • -22.47db
6% Popularity • 20% Danceability • 2% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
6% Popularity • 20% Danceability • 2% Energy • 14% Liveness
48% Instrumentalness • 4% Positiveness
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Édouard Lalo
Lalo: Symphonie espagnole, Op. 21: III. ...
103 bpm • A min • 06:04 • -24.84db
9% Popularity • 36% Danceability • 6% Energy • 6% Liveness
4% Instrumentalness • 31% Positiveness
9% Popularity • 36% Danceability • 6% Energy • 6% Liveness
4% Instrumentalness • 31% Positiveness
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George Frideric Handel
Handel: Messiah, HWV 56, Pt. 2: Chorus. ...
103 bpm • E min • 02:12 • -17.62db
6% Popularity • 28% Danceability • 19% Energy • 31% Liveness
3% Instrumentalness • 9% Positiveness
6% Popularity • 28% Danceability • 19% Energy • 31% Liveness
3% Instrumentalness • 9% Positiveness
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Camille Saint-Saëns
Saint-Saëns: Le carnaval des animaux, R...
103 bpm • C Maj • 02:00 • -13db
17% Popularity • 66% Danceability • 40% Energy • 8% Liveness
85% Instrumentalness • 67% Positiveness
17% Popularity • 66% Danceability • 40% Energy • 8% Liveness
85% Instrumentalness • 67% Positiveness
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Sergei Prokofiev
Prokofiev: Cinderella, Op. 87, Act 2: No...
103 bpm • G Maj • 02:49 • -18.79db
17% Popularity • 30% Danceability • 24% Energy • 35% Liveness
92% Instrumentalness • 41% Positiveness
17% Popularity • 30% Danceability • 24% Energy • 35% Liveness
92% Instrumentalness • 41% Positiveness
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Jacques Offenbach
Offenbach: Les Contes d'Hoffmann, Act 4:...
84 bpm • D Maj • 03:36 • -24.06db
22% Popularity • 14% Danceability • 8% Energy • 39% Liveness
37% Instrumentalness • 13% Positiveness
22% Popularity • 14% Danceability • 8% Energy • 39% Liveness
37% Instrumentalness • 13% Positiveness
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Hector Berlioz
La damnation de Faust, Op. 24, H 111, Sc...
89 bpm • A Maj • 05:07 • -25.12db
8% Popularity • 42% Danceability • 11% Energy • 5% Liveness
89% Instrumentalness • 47% Positiveness
8% Popularity • 42% Danceability • 11% Energy • 5% Liveness
89% Instrumentalness • 47% Positiveness
