Songs like Berretes Fandango by Lous Berretes
Based on a tempo of (+/- 10%) and a similar genre
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Roman Street
Bohemia
123 bpm • E min • 04:46 • -5.2db
7% Popularity • 72% Danceability • 62% Energy • 20% Liveness
89% Instrumentalness • 66% Positiveness
7% Popularity • 72% Danceability • 62% Energy • 20% Liveness
89% Instrumentalness • 66% Positiveness
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Lous Berretes
Berretes Fandango
123 bpm • F Maj • 03:57 • -5.47db
0% Popularity • 50% Danceability • 81% Energy • 11% Liveness
82% Instrumentalness • 81% Positiveness
0% Popularity • 50% Danceability • 81% Energy • 11% Liveness
82% Instrumentalness • 81% Positiveness
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Rosemary Standley
El negro Zumbón
123 bpm • D# Maj • 02:13 • -12db
31% Popularity • 64% Danceability • 25% Energy • 11% Liveness
81% Instrumentalness • 94% Positiveness
31% Popularity • 64% Danceability • 25% Energy • 11% Liveness
81% Instrumentalness • 94% Positiveness
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Feten Feten
Pan Tumaca (Seguidilla)
123 bpm • E Maj • 03:49 • -11.64db
11% Popularity • 50% Danceability • 20% Energy • 8% Liveness
25% Instrumentalness • 32% Positiveness
11% Popularity • 50% Danceability • 20% Energy • 8% Liveness
25% Instrumentalness • 32% Positiveness
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Manassés de Sousa
Valsa Pra Gibran
122 bpm • A min • 06:22 • -9.35db
11% Popularity • 56% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
11% Popularity • 56% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Trio Manouche
Dark Eyes
124 bpm • D min • 02:23 • -5.86db
23% Popularity • 86% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 72% Positiveness
23% Popularity • 86% Danceability • 58% Energy • 11% Liveness
91% Instrumentalness • 72% Positiveness
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Billy Thompson
Wanderin' G
122 bpm • G Maj • 05:15 • -15.2db
24% Popularity • 58% Danceability • 23% Energy • 11% Liveness
36% Instrumentalness • 57% Positiveness
24% Popularity • 58% Danceability • 23% Energy • 11% Liveness
36% Instrumentalness • 57% Positiveness
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Chano Dominguez
Sofrito
122 bpm • A# Maj • 02:16 • -10.98db
10% Popularity • 68% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 56% Positiveness
10% Popularity • 68% Danceability • 52% Energy • 10% Liveness
90% Instrumentalness • 56% Positiveness
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Toufic Farroukh
Maïssa's Look
124 bpm • F Maj • 01:34 • -8.72db
25% Popularity • 71% Danceability • 50% Energy • 8% Liveness
84% Instrumentalness • 68% Positiveness
25% Popularity • 71% Danceability • 50% Energy • 8% Liveness
84% Instrumentalness • 68% Positiveness
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Simon Chenet
Vieux pères
124 bpm • G Maj • 02:44 • -12.01db
11% Popularity • 72% Danceability • 45% Energy • 17% Liveness
84% Instrumentalness • 41% Positiveness
11% Popularity • 72% Danceability • 45% Energy • 17% Liveness
84% Instrumentalness • 41% Positiveness
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La Fanforale du Douzbekistan
Viera
122 bpm • A min • 03:28 • -8.29db
8% Popularity • 72% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 72% Danceability • 69% Energy • 22% Liveness
0% Instrumentalness • 97% Positiveness
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Johann Strauss II
Cuban Danube
124 bpm • D Maj • 05:31 • -8db
9% Popularity • 73% Danceability • 50% Energy • 10% Liveness
70% Instrumentalness • 39% Positiveness
9% Popularity • 73% Danceability • 50% Energy • 10% Liveness
70% Instrumentalness • 39% Positiveness
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Luigi Scialdone
Barber's Taranta - Instrumental Version
122 bpm • D Maj • 02:40 • -10.18db
12% Popularity • 84% Danceability • 62% Energy • 18% Liveness
68% Instrumentalness • 94% Positiveness
12% Popularity • 84% Danceability • 62% Energy • 18% Liveness
68% Instrumentalness • 94% Positiveness
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Gypsy Jazz Caravan
Cumparsita
124 bpm • G min • 03:44 • -12.39db
11% Popularity • 87% Danceability • 27% Energy • 11% Liveness
83% Instrumentalness • 71% Positiveness
11% Popularity • 87% Danceability • 27% Energy • 11% Liveness
83% Instrumentalness • 71% Positiveness
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Mario Zedog
Tatiana
124 bpm • D min • 04:14 • -11.37db
23% Popularity • 77% Danceability • 48% Energy • 13% Liveness
87% Instrumentalness • 47% Positiveness
23% Popularity • 77% Danceability • 48% Energy • 13% Liveness
87% Instrumentalness • 47% Positiveness
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Harmonious Wail
Bohemian Tango
124 bpm • G Maj • 03:59 • -10.61db
15% Popularity • 69% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
15% Popularity • 69% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Cuarteto Patria
Cerisiers Roses
124 bpm • C# Maj • 04:24 • -9.45db
11% Popularity • 65% Danceability • 58% Energy • 3% Liveness
48% Instrumentalness • 84% Positiveness
11% Popularity • 65% Danceability • 58% Energy • 3% Liveness
48% Instrumentalness • 84% Positiveness
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Vaicraal
Betella Markeley
122 bpm • D min • 00:56 • -20.17db
7% Popularity • 46% Danceability • 26% Energy • 16% Liveness
93% Instrumentalness • 80% Positiveness
7% Popularity • 46% Danceability • 26% Energy • 16% Liveness
93% Instrumentalness • 80% Positiveness
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Maria de Barros
Djam Crebu Ma'ca ta Frabu
121 bpm • F Maj • 04:57 • -9.37db
11% Popularity • 62% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 62% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Custódio Castelo
In-quietude
125 bpm • E min • 03:08 • -9.96db
32% Popularity • 74% Danceability • 59% Energy • 14% Liveness
86% Instrumentalness • 86% Positiveness
32% Popularity • 74% Danceability • 59% Energy • 14% Liveness
86% Instrumentalness • 86% Positiveness
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Aaron Monteverde
Mujer Soltera (Tango)
125 bpm • G Maj • 03:08 • -9.29db
11% Popularity • 68% Danceability • 51% Energy • 9% Liveness
75% Instrumentalness • 76% Positiveness
11% Popularity • 68% Danceability • 51% Energy • 9% Liveness
75% Instrumentalness • 76% Positiveness
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Maurice el Medioni
Moi Je T'Aime Toujours
125 bpm • A# min • 06:40 • -8.87db
10% Popularity • 67% Danceability • 54% Energy • 9% Liveness
92% Instrumentalness • 74% Positiveness
10% Popularity • 67% Danceability • 54% Energy • 9% Liveness
92% Instrumentalness • 74% Positiveness
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Cuarteto Patria
Cielito Lindo
121 bpm • G# Maj • 03:14 • -9.07db
21% Popularity • 63% Danceability • 55% Energy • 7% Liveness
45% Instrumentalness • 86% Positiveness
21% Popularity • 63% Danceability • 55% Energy • 7% Liveness
45% Instrumentalness • 86% Positiveness
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Manos Hadjidakis
Sto Club - Tango
125 bpm • F min • 01:41 • -5.81db
10% Popularity • 81% Danceability • 57% Energy • 21% Liveness
40% Instrumentalness • 93% Positiveness
10% Popularity • 81% Danceability • 57% Energy • 21% Liveness
40% Instrumentalness • 93% Positiveness
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Bassa
Siebzehn
125 bpm • F Maj • 04:42 • -10.21db
8% Popularity • 57% Danceability • 47% Energy • 9% Liveness
72% Instrumentalness • 16% Positiveness
8% Popularity • 57% Danceability • 47% Energy • 9% Liveness
72% Instrumentalness • 16% Positiveness
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Gypsy Jazz Caravan
Fool's Tango
121 bpm • A min • 03:48 • -15.14db
23% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 69% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Antonio González
Isabel del Alma Mía
121 bpm • F min • 01:48 • -7.21db
11% Popularity • 88% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 88% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Carlos D'Alessio
Tango-Tango
121 bpm • C min • 02:35 • -18.27db
12% Popularity • 55% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 37% Positiveness
12% Popularity • 55% Danceability • 9% Energy • 10% Liveness
76% Instrumentalness • 37% Positiveness
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Pink Martini
Ohayoo Ohio
126 bpm • G min • 04:47 • -8.4db
30% Popularity • 80% Danceability • 55% Energy • 8% Liveness
86% Instrumentalness • 88% Positiveness
30% Popularity • 80% Danceability • 55% Energy • 8% Liveness
86% Instrumentalness • 88% Positiveness
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Les Yeux Noirs
Drogoi dalneyou
120 bpm • A min • 03:12 • -16db
32% Popularity • 38% Danceability • 18% Energy • 39% Liveness
11% Instrumentalness • 32% Positiveness
32% Popularity • 38% Danceability • 18% Energy • 39% Liveness
11% Instrumentalness • 32% Positiveness
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Viorureto
Beatrice Everard
120 bpm • A Maj • 00:56 • -20.9db
8% Popularity • 52% Danceability • 25% Energy • 20% Liveness
84% Instrumentalness • 62% Positiveness
8% Popularity • 52% Danceability • 25% Energy • 20% Liveness
84% Instrumentalness • 62% Positiveness
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Mastretta
El Gran Vázquez
120 bpm • G Maj • 01:13 • -2.97db
17% Popularity • 71% Danceability • 84% Energy • 6% Liveness
91% Instrumentalness • 70% Positiveness
17% Popularity • 71% Danceability • 84% Energy • 6% Liveness
91% Instrumentalness • 70% Positiveness
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Aldapeko basque latin jazz
Soka dantza: Fandangoa
120 bpm • C Maj • 01:13 • -11.37db
9% Popularity • 77% Danceability • 50% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
9% Popularity • 77% Danceability • 50% Energy • 8% Liveness
8% Instrumentalness • 84% Positiveness
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Opa Tsupa
Je cherche après Titine - Les yeux noir...
126 bpm • D Maj • 05:24 • -13.73db
30% Popularity • 54% Danceability • 44% Energy • 7% Liveness
28% Instrumentalness • 49% Positiveness
30% Popularity • 54% Danceability • 44% Energy • 7% Liveness
28% Instrumentalness • 49% Positiveness
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Maria del Mar Bonet
Tonada Camagüeyana
126 bpm • G Maj • 02:06 • -7.37db
21% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 66% Danceability • 59% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Elias Rahbani
Tango d'amour
120 bpm • D Maj • 03:24 • -10.83db
8% Popularity • 69% Danceability • 44% Energy • 14% Liveness
77% Instrumentalness • 82% Positiveness
8% Popularity • 69% Danceability • 44% Energy • 14% Liveness
77% Instrumentalness • 82% Positiveness
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אפרת אביב
אמא אוהבת קפה
126 bpm • A Maj • 02:28 • -10.19db
8% Popularity • 81% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
8% Popularity • 81% Danceability • 37% Energy • 21% Liveness
0% Instrumentalness • 51% Positiveness
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Khaled Mouzanar
Hashishet Albi - Instrumental
120 bpm • G min • 01:48 • -8.93db
18% Popularity • 76% Danceability • 55% Energy • 4% Liveness
4% Instrumentalness • 96% Positiveness
18% Popularity • 76% Danceability • 55% Energy • 4% Liveness
4% Instrumentalness • 96% Positiveness
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Daniele Benati
Just a Whistle
126 bpm • C# Maj • 01:58 • -9.48db
15% Popularity • 89% Danceability • 30% Energy • 13% Liveness
19% Instrumentalness • 92% Positiveness
15% Popularity • 89% Danceability • 30% Energy • 13% Liveness
19% Instrumentalness • 92% Positiveness
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Pedro Jóia
Jacarandá
120 bpm • G Maj • 03:49 • -12.41db
11% Popularity • 45% Danceability • 50% Energy • 13% Liveness
88% Instrumentalness • 64% Positiveness
11% Popularity • 45% Danceability • 50% Energy • 13% Liveness
88% Instrumentalness • 64% Positiveness
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Global Village Players
Ciao Bambino
120 bpm • G# Maj • 01:03 • -4.42db
12% Popularity • 82% Danceability • 63% Energy • 17% Liveness
3% Instrumentalness • 97% Positiveness
12% Popularity • 82% Danceability • 63% Energy • 17% Liveness
3% Instrumentalness • 97% Positiveness
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La Scène
Juglaresca (Remasterizada 2024)
120 bpm • A min • 04:36 • -8.52db
16% Popularity • 79% Danceability • 79% Energy • 20% Liveness
11% Instrumentalness • 71% Positiveness
16% Popularity • 79% Danceability • 79% Energy • 20% Liveness
11% Instrumentalness • 71% Positiveness
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Mariana Ramos
Cé la vida
120 bpm • A min • 04:34 • -5db
34% Popularity • 87% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
34% Popularity • 87% Danceability • 67% Energy • 5% Liveness
0% Instrumentalness • 87% Positiveness
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Buddha Guitar
Tango at Buddha Bar
120 bpm • F min • 03:26 • -9.89db
21% Popularity • 73% Danceability • 44% Energy • 8% Liveness
49% Instrumentalness • 94% Positiveness
21% Popularity • 73% Danceability • 44% Energy • 8% Liveness
49% Instrumentalness • 94% Positiveness
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Daniele Benati
Bacio bacio bacio
126 bpm • F# min • 03:17 • -8.8db
10% Popularity • 75% Danceability • 82% Energy • 15% Liveness
65% Instrumentalness • 86% Positiveness
10% Popularity • 75% Danceability • 82% Energy • 15% Liveness
65% Instrumentalness • 86% Positiveness
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NiNNa
Ma Mère, la Terre
120 bpm • G Maj • 04:00 • -5.79db
28% Popularity • 80% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
28% Popularity • 80% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 61% Positiveness
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Toufic Farroukh
Yellow Bird
126 bpm • C min • 04:43 • -7.85db
7% Popularity • 60% Danceability • 62% Energy • 10% Liveness
84% Instrumentalness • 58% Positiveness
7% Popularity • 60% Danceability • 62% Energy • 10% Liveness
84% Instrumentalness • 58% Positiveness
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Fred De Fred
Romance
120 bpm • C min • 01:37 • -10.83db
11% Popularity • 56% Danceability • 28% Energy • 25% Liveness
25% Instrumentalness • 74% Positiveness
11% Popularity • 56% Danceability • 28% Energy • 25% Liveness
25% Instrumentalness • 74% Positiveness
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Lino Cannavacciuolo
Tango finale
120 bpm • D Maj • 02:05 • -17.49db
23% Popularity • 48% Danceability • 26% Energy • 14% Liveness
57% Instrumentalness • 51% Positiveness
23% Popularity • 48% Danceability • 26% Energy • 14% Liveness
57% Instrumentalness • 51% Positiveness
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Opa Tsupa
Mamma Mia (Swing Version)
126 bpm • G min • 02:54 • -8db
25% Popularity • 77% Danceability • 45% Energy • 10% Liveness
85% Instrumentalness • 95% Positiveness
25% Popularity • 77% Danceability • 45% Energy • 10% Liveness
85% Instrumentalness • 95% Positiveness
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Natural Records
A Raja Tabla
120 bpm • G# Maj • 03:26 • -7.97db
11% Popularity • 65% Danceability • 69% Energy • 28% Liveness
64% Instrumentalness • 82% Positiveness
11% Popularity • 65% Danceability • 69% Energy • 28% Liveness
64% Instrumentalness • 82% Positiveness
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Enoch Light
Mambo Jambo
120 bpm • C Maj • 02:17 • -11.14db
19% Popularity • 57% Danceability • 86% Energy • 16% Liveness
94% Instrumentalness • 70% Positiveness
19% Popularity • 57% Danceability • 86% Energy • 16% Liveness
94% Instrumentalness • 70% Positiveness
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Maurice el Medioni
Ma Testahalchi
126 bpm • D min • 04:57 • -18.26db
10% Popularity • 45% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 67% Positiveness
10% Popularity • 45% Danceability • 46% Energy • 12% Liveness
89% Instrumentalness • 67% Positiveness
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Amanda Martinez
Guajira Sola
127 bpm • G min • 03:57 • -8db
16% Popularity • 64% Danceability • 67% Energy • 5% Liveness
4% Instrumentalness • 91% Positiveness
16% Popularity • 64% Danceability • 67% Energy • 5% Liveness
4% Instrumentalness • 91% Positiveness
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Puente Celeste
Feria del Trueque
127 bpm • F min • 06:18 • -10.95db
8% Popularity • 68% Danceability • 81% Energy • 28% Liveness
70% Instrumentalness • 79% Positiveness
8% Popularity • 68% Danceability • 81% Energy • 28% Liveness
70% Instrumentalness • 79% Positiveness
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Pepe Jaramillo
Stairway to the Sea
119 bpm • G min • 02:55 • -14db
22% Popularity • 74% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 52% Positiveness
22% Popularity • 74% Danceability • 36% Energy • 11% Liveness
94% Instrumentalness • 52% Positiveness
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Lous Berretes
Goesba
127 bpm • F Maj • 03:36 • -5.45db
0% Popularity • 50% Danceability • 85% Energy • 26% Liveness
78% Instrumentalness • 88% Positiveness
0% Popularity • 50% Danceability • 85% Energy • 26% Liveness
78% Instrumentalness • 88% Positiveness
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Café Voyage
Les yeux neujahr
128 bpm • E min • 04:27 • -10.08db
18% Popularity • 53% Danceability • 54% Energy • 20% Liveness
52% Instrumentalness • 78% Positiveness
18% Popularity • 53% Danceability • 54% Energy • 20% Liveness
52% Instrumentalness • 78% Positiveness
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Cyrius
La Banda De Santiago
119 bpm • E min • 03:56 • -13.39db
22% Popularity • 56% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
22% Popularity • 56% Danceability • 23% Energy • 22% Liveness
0% Instrumentalness • 64% Positiveness
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Amanda Martinez
Hasta Que Pueda
119 bpm • F min • 03:05 • -13.5db
38% Popularity • 81% Danceability • 29% Energy • 12% Liveness
14% Instrumentalness • 74% Positiveness
38% Popularity • 81% Danceability • 29% Energy • 12% Liveness
14% Instrumentalness • 74% Positiveness
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Romane
Gypsy Fire
118 bpm • A min • 03:26 • -11db
35% Popularity • 72% Danceability • 40% Energy • 22% Liveness
17% Instrumentalness • 64% Positiveness
35% Popularity • 72% Danceability • 40% Energy • 22% Liveness
17% Instrumentalness • 64% Positiveness
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Pedro Juan Rivera
Guevara
118 bpm • C Maj • 03:46 • -5.87db
17% Popularity • 96% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 96% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 86% Positiveness
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Barcelona Gipsy Klezmer Orchestra
Kus Kus
128 bpm • A min • 03:09 • -8.02db
30% Popularity • 66% Danceability • 37% Energy • 9% Liveness
60% Instrumentalness • 51% Positiveness
30% Popularity • 66% Danceability • 37% Energy • 9% Liveness
60% Instrumentalness • 51% Positiveness
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Nechifor Anna
Haluci
118 bpm • G Maj • 02:05 • -9db
11% Popularity • 78% Danceability • 39% Energy • 22% Liveness
6% Instrumentalness • 79% Positiveness
11% Popularity • 78% Danceability • 39% Energy • 22% Liveness
6% Instrumentalness • 79% Positiveness
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Guy Barker
Malecon By Night
118 bpm • D# Maj • 02:38 • -13.13db
12% Popularity • 68% Danceability • 34% Energy • 10% Liveness
28% Instrumentalness • 77% Positiveness
12% Popularity • 68% Danceability • 34% Energy • 10% Liveness
28% Instrumentalness • 77% Positiveness
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Tres Muchachos & Companeros
Pa’ Mantener Tradicion
118 bpm • G Maj • 04:29 • -10.59db
14% Popularity • 74% Danceability • 59% Energy • 6% Liveness
3% Instrumentalness • 63% Positiveness
14% Popularity • 74% Danceability • 59% Energy • 6% Liveness
3% Instrumentalness • 63% Positiveness
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Daniele Benati
Goodbye Lullaby
118 bpm • F min • 03:17 • -10.46db
13% Popularity • 70% Danceability • 45% Energy • 11% Liveness
82% Instrumentalness • 52% Positiveness
13% Popularity • 70% Danceability • 45% Energy • 11% Liveness
82% Instrumentalness • 52% Positiveness
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Bassa
Courageux
128 bpm • F Maj • 03:40 • -9.29db
8% Popularity • 69% Danceability • 39% Energy • 14% Liveness
70% Instrumentalness • 42% Positiveness
8% Popularity • 69% Danceability • 39% Energy • 14% Liveness
70% Instrumentalness • 42% Positiveness
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Noro Morales
Quien Será
129 bpm • A min • 02:46 • -9.98db
13% Popularity • 81% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 81% Danceability • 55% Energy • 6% Liveness
0% Instrumentalness • 96% Positiveness
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Amanda Martinez
Alcoba Azul
128 bpm • E min • 03:33 • -10.4db
33% Popularity • 64% Danceability • 40% Energy • 14% Liveness
3% Instrumentalness • 63% Positiveness
33% Popularity • 64% Danceability • 40% Energy • 14% Liveness
3% Instrumentalness • 63% Positiveness
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Putumayo
Guajira Linda
118 bpm • G min • 01:11 • -12.75db
35% Popularity • 77% Danceability • 39% Energy • 7% Liveness
95% Instrumentalness • 96% Positiveness
35% Popularity • 77% Danceability • 39% Energy • 7% Liveness
95% Instrumentalness • 96% Positiveness
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Romengo
Kálé Bálá
129 bpm • C min • 04:05 • -9.74db
12% Popularity • 62% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
12% Popularity • 62% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 86% Positiveness
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Cyrius
Chago Et Laura
117 bpm • D Maj • 03:10 • -9.42db
7% Popularity • 74% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
7% Popularity • 74% Danceability • 45% Energy • 6% Liveness
0% Instrumentalness • 91% Positiveness
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Lous Berretes
Missirlou
117 bpm • A min • 02:47 • -6.67db
0% Popularity • 67% Danceability • 62% Energy • 10% Liveness
94% Instrumentalness • 96% Positiveness
0% Popularity • 67% Danceability • 62% Energy • 10% Liveness
94% Instrumentalness • 96% Positiveness
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Angelo DeBarre
La Gitane
117 bpm • D min • 03:39 • -16db
35% Popularity • 57% Danceability • 40% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
35% Popularity • 57% Danceability • 40% Energy • 12% Liveness
89% Instrumentalness • 80% Positiveness
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Bandera Latina
Cada Dia
129 bpm • G# Maj • 02:53 • -12.89db
10% Popularity • 63% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
10% Popularity • 63% Danceability • 50% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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Pearl Django
Sombre Dimanche / Le Rubis
117 bpm • G min • 03:58 • -10.02db
22% Popularity • 76% Danceability • 44% Energy • 22% Liveness
4% Instrumentalness • 61% Positiveness
22% Popularity • 76% Danceability • 44% Energy • 22% Liveness
4% Instrumentalness • 61% Positiveness
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Edith Baker
Latifondista
129 bpm • E min • 03:17 • -12.5db
20% Popularity • 77% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 77% Danceability • 40% Energy • 24% Liveness
0% Instrumentalness • 86% Positiveness
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Daniele Benati
Everybody Ciao
129 bpm • G Maj • 02:26 • -5.16db
11% Popularity • 89% Danceability • 75% Energy • 33% Liveness
13% Instrumentalness • 97% Positiveness
11% Popularity • 89% Danceability • 75% Energy • 33% Liveness
13% Instrumentalness • 97% Positiveness
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Manero
Una Noce de Verano
117 bpm • F# min • 03:33 • -10.27db
8% Popularity • 68% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
8% Popularity • 68% Danceability • 52% Energy • 16% Liveness
0% Instrumentalness • 92% Positiveness
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Lous Berretes
Joselu
129 bpm • D# Maj • 03:31 • -6.5db
0% Popularity • 52% Danceability • 84% Energy • 34% Liveness
81% Instrumentalness • 99% Positiveness
0% Popularity • 52% Danceability • 84% Energy • 34% Liveness
81% Instrumentalness • 99% Positiveness
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Ayhan Sicimoğlu
Güle Güle
117 bpm • C Maj • 05:03 • -5.27db
8% Popularity • 82% Danceability • 97% Energy • 5% Liveness
4% Instrumentalness • 81% Positiveness
8% Popularity • 82% Danceability • 97% Energy • 5% Liveness
4% Instrumentalness • 81% Positiveness
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O Sister!
Diciendo Adiós
117 bpm • A# Maj • 03:22 • -11.97db
10% Popularity • 70% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 70% Danceability • 22% Energy • 30% Liveness
0% Instrumentalness • 30% Positiveness
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Feten Feten
Pasodoble del Galán (Pasodoble)
130 bpm • A min • 03:55 • -7.31db
12% Popularity • 69% Danceability • 44% Energy • 35% Liveness
53% Instrumentalness • 60% Positiveness
12% Popularity • 69% Danceability • 44% Energy • 35% Liveness
53% Instrumentalness • 60% Positiveness
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Andre Toussaint
Cu Cu Ru Cu Cu Paloma
117 bpm • G Maj • 03:52 • -14.49db
30% Popularity • 52% Danceability • 12% Energy • 13% Liveness
32% Instrumentalness • 47% Positiveness
30% Popularity • 52% Danceability • 12% Energy • 13% Liveness
32% Instrumentalness • 47% Positiveness
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Romane
Ciao Bella
117 bpm • G min • 05:20 • -11.05db
23% Popularity • 72% Danceability • 47% Energy • 10% Liveness
84% Instrumentalness • 81% Positiveness
23% Popularity • 72% Danceability • 47% Energy • 10% Liveness
84% Instrumentalness • 81% Positiveness
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Koben Sprengers
The Soho Samba
130 bpm • A min • 01:59 • -13db
13% Popularity • 45% Danceability • 21% Energy • 20% Liveness
19% Instrumentalness • 23% Positiveness
13% Popularity • 45% Danceability • 21% Energy • 20% Liveness
19% Instrumentalness • 23% Positiveness
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Rupa & the April Fishes
neruda
130 bpm • A min • 03:14 • -9.39db
34% Popularity • 45% Danceability • 37% Energy • 33% Liveness
10% Instrumentalness • 54% Positiveness
34% Popularity • 45% Danceability • 37% Energy • 33% Liveness
10% Instrumentalness • 54% Positiveness
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Emir Kusturica & The No Smoking Orchestra
The Waterfall - 'Life Is A Miracle' Orig...
130 bpm • D Maj • 02:12 • -10.08db
31% Popularity • 75% Danceability • 31% Energy • 6% Liveness
35% Instrumentalness • 54% Positiveness
31% Popularity • 75% Danceability • 31% Energy • 6% Liveness
35% Instrumentalness • 54% Positiveness
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Renzo Gil
Sonrisas
130 bpm • C Maj • 02:51 • -5.73db
12% Popularity • 84% Danceability • 75% Energy • 37% Liveness
63% Instrumentalness • 92% Positiveness
12% Popularity • 84% Danceability • 75% Energy • 37% Liveness
63% Instrumentalness • 92% Positiveness
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Balkan Paradise Orchestra
Dígame Limón
130 bpm • C min • 02:44 • -7.41db
12% Popularity • 62% Danceability • 43% Energy • 7% Liveness
3% Instrumentalness • 74% Positiveness
12% Popularity • 62% Danceability • 43% Energy • 7% Liveness
3% Instrumentalness • 74% Positiveness
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Daniele Benati
Ah Ah Ah
130 bpm • B min • 03:05 • -8.88db
12% Popularity • 83% Danceability • 68% Energy • 22% Liveness
62% Instrumentalness • 76% Positiveness
12% Popularity • 83% Danceability • 68% Energy • 22% Liveness
62% Instrumentalness • 76% Positiveness
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Custódio Castelo
Sobre lisboa
116 bpm • A Maj • 03:10 • -8.89db
24% Popularity • 63% Danceability • 38% Energy • 30% Liveness
85% Instrumentalness • 62% Positiveness
24% Popularity • 63% Danceability • 38% Energy • 30% Liveness
85% Instrumentalness • 62% Positiveness
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Carré Bleu
Sifflotant
116 bpm • G min • 02:48 • -11.47db
12% Popularity • 82% Danceability • 35% Energy • 8% Liveness
20% Instrumentalness • 45% Positiveness
12% Popularity • 82% Danceability • 35% Energy • 8% Liveness
20% Instrumentalness • 45% Positiveness
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Jerry Tiffe
Que Sas
116 bpm • D min • 02:34 • -10.09db
12% Popularity • 68% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
12% Popularity • 68% Danceability • 43% Energy • 9% Liveness
0% Instrumentalness • 81% Positiveness
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Renzo Gil
Alma de Mi Alma
130 bpm • E min • 04:40 • -6.48db
11% Popularity • 80% Danceability • 54% Energy • 22% Liveness
69% Instrumentalness • 76% Positiveness
11% Popularity • 80% Danceability • 54% Energy • 22% Liveness
69% Instrumentalness • 76% Positiveness
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Sledge
Rumba Khaleegy
116 bpm • F# Maj • 02:08 • -10.02db
16% Popularity • 56% Danceability • 72% Energy • 9% Liveness
81% Instrumentalness • 50% Positiveness
16% Popularity • 56% Danceability • 72% Energy • 9% Liveness
81% Instrumentalness • 50% Positiveness
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Barcelona Gipsy Klezmer Orchestra
He Thought He Was Italian
131 bpm • D min • 04:47 • -9.51db
21% Popularity • 68% Danceability • 37% Energy • 17% Liveness
56% Instrumentalness • 37% Positiveness
21% Popularity • 68% Danceability • 37% Energy • 17% Liveness
56% Instrumentalness • 37% Positiveness
