Songs like Besame Mucho by Diana Krall
Based on a tempo of (+/- 10%) and a similar genre
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Thomas Dutronc
C'est si bon
114 bpm • A min • 03:24 • -12.15db
38% Popularity • 81% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
38% Popularity • 81% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Heather Rigdon
Not Quite
114 bpm • G Maj • 04:08 • -14db
53% Popularity • 80% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
53% Popularity • 80% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Sylvia Bennett
Fly Me to the Moon
114 bpm • F Maj • 02:43 • -9.61db
44% Popularity • 64% Danceability • 42% Energy • 22% Liveness
2% Instrumentalness • 45% Positiveness
44% Popularity • 64% Danceability • 42% Energy • 22% Liveness
2% Instrumentalness • 45% Positiveness
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Diana Krall
Besame Mucho
114 bpm • E min • 06:40 • -15.81db
47% Popularity • 48% Danceability • 32% Energy • 9% Liveness
7% Instrumentalness • 36% Positiveness
47% Popularity • 48% Danceability • 32% Energy • 9% Liveness
7% Instrumentalness • 36% Positiveness
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Carmen Cuesta-Loeb
Tell Me Something - Nelson Rangell
114 bpm • A min • 03:45 • -8.84db
26% Popularity • 70% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
26% Popularity • 70% Danceability • 62% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Catherine Russell
You Turned The Tables On Me
114 bpm • A min • 03:40 • -10db
54% Popularity • 80% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
54% Popularity • 80% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Charlie Haden Quartet West
Let's Call It A Day
114 bpm • C Maj • 05:52 • -10.75db
14% Popularity • 33% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 33% Danceability • 26% Energy • 14% Liveness
0% Instrumentalness • 14% Positiveness
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Heather Rigdon
Table For Two
114 bpm • A# min • 03:13 • -12db
53% Popularity • 78% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
53% Popularity • 78% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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Sarah McKenzie
I'm Old Fashioned
114 bpm • A min • 04:44 • -6.21db
43% Popularity • 64% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
43% Popularity • 64% Danceability • 36% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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Diana Krall
Pick Yourself Up
114 bpm • G# Maj • 03:01 • -15.28db
39% Popularity • 71% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
39% Popularity • 71% Danceability • 13% Energy • 18% Liveness
0% Instrumentalness • 27% Positiveness
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Tony Bennett
My One And Only
114 bpm • F min • 02:48 • -11.47db
42% Popularity • 67% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
42% Popularity • 67% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Kat Edmonson
'S Wonderful (Bonus Track)
115 bpm • G min • 03:20 • -12db
30% Popularity • 82% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
30% Popularity • 82% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 50% Positiveness
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Emilie Schiøtt
Coming Home
115 bpm • A Maj • 02:17 • -12db
62% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
62% Popularity • 71% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Manhattan Jazz Quartett
You Are the Sunshine of My Life
115 bpm • C Maj • 05:12 • -9.69db
48% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
48% Popularity • 74% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Peter Cincotti
Ain't Misbehavin'
113 bpm • D min • 03:43 • -10.35db
39% Popularity • 60% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
39% Popularity • 60% Danceability • 30% Energy • 10% Liveness
1% Instrumentalness • 39% Positiveness
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Diana Krall
Squeeze Me
114 bpm • G Maj • 05:37 • -19.17db
45% Popularity • 47% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
45% Popularity • 47% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Cris Delanno
Crazy Little Thing Called Love
115 bpm • G Maj • 03:06 • -11db
48% Popularity • 82% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
48% Popularity • 82% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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48th St. Collective
Missing
115 bpm • C Maj • 03:43 • -13db
43% Popularity • 77% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 43% Positiveness
43% Popularity • 77% Danceability • 39% Energy • 12% Liveness
2% Instrumentalness • 43% Positiveness
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Jill Barber
Petite fleur
115 bpm • A min • 02:43 • -10db
68% Popularity • 62% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
68% Popularity • 62% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Melody Gardot
Baby I'm A Fool
113 bpm • A# min • 03:30 • -13.13db
54% Popularity • 52% Danceability • 24% Energy • 17% Liveness
2% Instrumentalness • 28% Positiveness
54% Popularity • 52% Danceability • 24% Energy • 17% Liveness
2% Instrumentalness • 28% Positiveness
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Heather Rigdon
And so It Goes
115 bpm • G min • 02:31 • -7.31db
53% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
53% Popularity • 80% Danceability • 50% Energy • 8% Liveness
0% Instrumentalness • 76% Positiveness
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Diana Krall
I Remember You
113 bpm • A# Maj • 03:55 • -14.67db
45% Popularity • 67% Danceability • 35% Energy • 12% Liveness
15% Instrumentalness • 67% Positiveness
45% Popularity • 67% Danceability • 35% Energy • 12% Liveness
15% Instrumentalness • 67% Positiveness
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Eve St. Jones
Last Train to London
115 bpm • F Maj • 03:47 • -11.61db
49% Popularity • 77% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
49% Popularity • 77% Danceability • 44% Energy • 29% Liveness
0% Instrumentalness • 64% Positiveness
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Amanda Martinez
Amor
115 bpm • E Maj • 03:17 • -10.99db
22% Popularity • 68% Danceability • 48% Energy • 10% Liveness
7% Instrumentalness • 64% Positiveness
22% Popularity • 68% Danceability • 48% Energy • 10% Liveness
7% Instrumentalness • 64% Positiveness
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Nancy Wilson
I Wish You Love - 2004 Remastered/Remixe...
115 bpm • A# min • 02:00 • -11.17db
60% Popularity • 66% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 66% Danceability • 25% Energy • 19% Liveness
0% Instrumentalness • 65% Positiveness
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Tony Bennett
Nice Work If You Can Get It
113 bpm • A# Maj • 02:45 • -13db
41% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
41% Popularity • 63% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Lizz Wright
Stop
115 bpm • F min • 03:32 • -14.19db
33% Popularity • 68% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
33% Popularity • 68% Danceability • 36% Energy • 11% Liveness
5% Instrumentalness • 50% Positiveness
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Kat Edmonson
Summertime
113 bpm • D# min • 05:12 • -12.54db
41% Popularity • 48% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
41% Popularity • 48% Danceability • 25% Energy • 9% Liveness
2% Instrumentalness • 8% Positiveness
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Sara Gazarek
Let's Try This Again
115 bpm • G# Maj • 03:42 • -13db
39% Popularity • 73% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 73% Danceability • 19% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Kevin Mahogany
Don't Let Me Be Lonely Tonight
116 bpm • A min • 04:13 • -17.27db
34% Popularity • 55% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 18% Positiveness
34% Popularity • 55% Danceability • 16% Energy • 10% Liveness
7% Instrumentalness • 18% Positiveness
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Carin Lundin
What Now My Love
112 bpm • C Maj • 04:57 • -14.4db
29% Popularity • 59% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
29% Popularity • 59% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 24% Positiveness
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Cæcilie Norby
Big Time
112 bpm • G Maj • 03:51 • -7.54db
18% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
18% Popularity • 64% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Roberta Gambarini
Crazy
116 bpm • A# Maj • 05:00 • -16db
16% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
16% Popularity • 41% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Alma Sinti
Ton boléro
112 bpm • A Maj • 03:40 • -10db
35% Popularity • 73% Danceability • 45% Energy • 13% Liveness
50% Instrumentalness • 61% Positiveness
35% Popularity • 73% Danceability • 45% Energy • 13% Liveness
50% Instrumentalness • 61% Positiveness
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Tony DeSare
I Wish You Love
112 bpm • G# Maj • 03:00 • -14db
41% Popularity • 72% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
41% Popularity • 72% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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The Cooltrane Quartet
Smoke on the Water
116 bpm • F Maj • 04:24 • -11.52db
39% Popularity • 76% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
39% Popularity • 76% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Ibrahim Maalouf
J'attendrai
116 bpm • D# Maj • 04:19 • -15db
47% Popularity • 74% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
47% Popularity • 74% Danceability • 26% Energy • 34% Liveness
0% Instrumentalness • 47% Positiveness
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Cris Delanno
Corazón PartÃo
116 bpm • C Maj • 05:15 • -7.76db
31% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
31% Popularity • 60% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Ellen Andersson
I'll Be Seeing You
116 bpm • C# Maj • 06:07 • -11db
40% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
40% Popularity • 60% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Jazzystics
Walking on Sunshine
112 bpm • G Maj • 03:21 • -5db
50% Popularity • 72% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
50% Popularity • 72% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Tony DeSare
All of Me
112 bpm • C Maj • 03:26 • -14.22db
35% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
35% Popularity • 66% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Charlie Haden Quartet West
Goodbye
112 bpm • E min • 05:48 • -11.63db
16% Popularity • 32% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
16% Popularity • 32% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 12% Positiveness
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Diana Krall
Sorry Seems To Be The Hardest Word
116 bpm • E min • 04:11 • -12.21db
41% Popularity • 41% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
41% Popularity • 41% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Carla Cook
Summer (Estaté)
112 bpm • A min • 05:15 • -16.66db
28% Popularity • 54% Danceability • 18% Energy • 14% Liveness
13% Instrumentalness • 18% Positiveness
28% Popularity • 54% Danceability • 18% Energy • 14% Liveness
13% Instrumentalness • 18% Positiveness
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NYC Jazz Quartett
As Time Goes By
112 bpm • F# Maj • 03:37 • -9db
44% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
44% Popularity • 56% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Sarah McKenzie
I Wish You Love
111 bpm • C Maj • 04:49 • -11.05db
22% Popularity • 62% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
22% Popularity • 62% Danceability • 38% Energy • 7% Liveness
0% Instrumentalness • 56% Positiveness
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Roberta Gambarini
Smoke Gets In Your Eyes/All the Things Y...
117 bpm • D Maj • 05:52 • -15.53db
32% Popularity • 50% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
32% Popularity • 50% Danceability • 17% Energy • 17% Liveness
0% Instrumentalness • 22% Positiveness
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Stacey Kent
Never Let Me Go
111 bpm • E Maj • 04:39 • -17db
48% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
48% Popularity • 44% Danceability • 15% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Hilde Hefte
Vakker Natt
117 bpm • E min • 05:19 • -16db
33% Popularity • 81% Danceability • 24% Energy • 26% Liveness
14% Instrumentalness • 53% Positiveness
33% Popularity • 81% Danceability • 24% Energy • 26% Liveness
14% Instrumentalness • 53% Positiveness
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Ella Fitzgerald
Night And Day
117 bpm • G# Maj • 03:06 • -14.62db
55% Popularity • 44% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
55% Popularity • 44% Danceability • 20% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Erin Boheme
One Night With Frank
111 bpm • C# Maj • 04:14 • -15db
37% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
37% Popularity • 54% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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The Cooltrane Quartet
Like a Virgin
117 bpm • D Maj • 04:07 • -12db
52% Popularity • 83% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
52% Popularity • 83% Danceability • 40% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Diana Krall
Where Or When
111 bpm • A# Maj • 04:09 • -17db
33% Popularity • 35% Danceability • 20% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
33% Popularity • 35% Danceability • 20% Energy • 8% Liveness
1% Instrumentalness • 20% Positiveness
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Melody Gardot
Goodnite
111 bpm • D min • 03:04 • -11.99db
53% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 65% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Catherine Russell
Alone Together
117 bpm • G Maj • 04:10 • -10db
41% Popularity • 75% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
41% Popularity • 75% Danceability • 30% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Bria Skonberg
Que Sera Sera (Whatever Will Be Will Be)
111 bpm • G# Maj • 04:13 • -14db
36% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
36% Popularity • 64% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Erin Boheme
Let’s Make The Most Of A Beautiful Thi...
111 bpm • C# Maj • 04:39 • -12db
43% Popularity • 31% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
43% Popularity • 31% Danceability • 21% Energy • 18% Liveness
0% Instrumentalness • 12% Positiveness
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NYC Jazz Quartett
My Baby Just Cares For Me
118 bpm • A Maj • 03:41 • -13db
49% Popularity • 72% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
49% Popularity • 72% Danceability • 34% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Diana Krall
Frim Fram Sauce
117 bpm • G# Maj • 05:00 • -14.61db
36% Popularity • 78% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
36% Popularity • 78% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Nat King Cole
Quizas, Quizas, Quizas (Perhaps, Perhaps...
110 bpm • D min • 02:45 • -11.63db
56% Popularity • 49% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
56% Popularity • 49% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 64% Positiveness
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Hailey Tuck
When It's Sleepytime Down South
110 bpm • A# Maj • 05:03 • -14db
39% Popularity • 52% Danceability • 13% Energy • 31% Liveness
1% Instrumentalness • 14% Positiveness
39% Popularity • 52% Danceability • 13% Energy • 31% Liveness
1% Instrumentalness • 14% Positiveness
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Heather Rigdon
Bad For Business
118 bpm • B min • 03:36 • -13.55db
51% Popularity • 83% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
51% Popularity • 83% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Emilie Schiøtt
It May Be You
118 bpm • G# Maj • 03:41 • -13db
57% Popularity • 78% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
57% Popularity • 78% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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The Cooltrane Quartet
Wonderwall
118 bpm • G# min • 04:08 • -11db
47% Popularity • 72% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
47% Popularity • 72% Danceability • 27% Energy • 12% Liveness
2% Instrumentalness • 37% Positiveness
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Diana Krall
So Nice
111 bpm • A min • 03:50 • -15.76db
50% Popularity • 69% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 40% Positiveness
50% Popularity • 69% Danceability • 27% Energy • 38% Liveness
0% Instrumentalness • 40% Positiveness
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Michael Franks
One Day In St. Tropez
110 bpm • E min • 05:19 • -11.56db
34% Popularity • 84% Danceability • 40% Energy • 10% Liveness
8% Instrumentalness • 60% Positiveness
34% Popularity • 84% Danceability • 40% Energy • 10% Liveness
8% Instrumentalness • 60% Positiveness
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Juliana Aquino
Don't Leave Me This Way
118 bpm • F Maj • 04:53 • -8.98db
51% Popularity • 77% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
51% Popularity • 77% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Stella Starlight Trio
My Sweet Lord
110 bpm • B Maj • 03:22 • -15.14db
38% Popularity • 78% Danceability • 38% Energy • 10% Liveness
75% Instrumentalness • 72% Positiveness
38% Popularity • 78% Danceability • 38% Energy • 10% Liveness
75% Instrumentalness • 72% Positiveness
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Jamie Lancaster
All You Need Is Love
110 bpm • G Maj • 03:26 • -14db
42% Popularity • 82% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
42% Popularity • 82% Danceability • 38% Energy • 15% Liveness
1% Instrumentalness • 70% Positiveness
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Berk & The Virtual Band
Suburbia
110 bpm • B min • 04:14 • -7.19db
31% Popularity • 83% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
31% Popularity • 83% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Diana Krall
The Boy From Ipanema
118 bpm • F Maj • 04:52 • -18.05db
42% Popularity • 54% Danceability • 22% Energy • 11% Liveness
6% Instrumentalness • 30% Positiveness
42% Popularity • 54% Danceability • 22% Energy • 11% Liveness
6% Instrumentalness • 30% Positiveness
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Thomas Dutronc
La belle vie - The Good Life
110 bpm • F Maj • 03:42 • -11db
41% Popularity • 82% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
41% Popularity • 82% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Jeff Cascaro
Love Is in the Air
110 bpm • A# Maj • 05:22 • -8.38db
51% Popularity • 73% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
51% Popularity • 73% Danceability • 64% Energy • 10% Liveness
1% Instrumentalness • 78% Positiveness
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Juliana Aquino
Could It Be Magic
110 bpm • E Maj • 04:55 • -12db
51% Popularity • 76% Danceability • 37% Energy • 10% Liveness
9% Instrumentalness • 53% Positiveness
51% Popularity • 76% Danceability • 37% Energy • 10% Liveness
9% Instrumentalness • 53% Positiveness
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NMR Digital
How I Sensitive
118 bpm • E min • 03:47 • -13.56db
28% Popularity • 70% Danceability • 33% Energy • 11% Liveness
6% Instrumentalness • 46% Positiveness
28% Popularity • 70% Danceability • 33% Energy • 11% Liveness
6% Instrumentalness • 46% Positiveness
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Tony DeSare
Kiss
118 bpm • B min • 03:59 • -15.99db
32% Popularity • 80% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
32% Popularity • 80% Danceability • 11% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Diana Krall
Why Should I Care? - Single Version
110 bpm • A Maj • 03:46 • -11.74db
43% Popularity • 30% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
43% Popularity • 30% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Lara Louise
It Could Happen To You
110 bpm • A# Maj • 02:37 • -15.61db
54% Popularity • 68% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 34% Positiveness
54% Popularity • 68% Danceability • 14% Energy • 13% Liveness
4% Instrumentalness • 34% Positiveness
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George White Group
Nothing Compares 2 U
110 bpm • G# Maj • 03:49 • -13.83db
43% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
43% Popularity • 46% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Michael Franks
Antonio's Song (The Rainbow)
110 bpm • A min • 05:06 • -16.3db
41% Popularity • 66% Danceability • 42% Energy • 11% Liveness
10% Instrumentalness • 84% Positiveness
41% Popularity • 66% Danceability • 42% Energy • 11% Liveness
10% Instrumentalness • 84% Positiveness
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Sylvia Bennett
C'est si bon
119 bpm • D Maj • 03:02 • -7.86db
22% Popularity • 64% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 64% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Marcela Mangabeira
Poker Face - Lounge Mix
119 bpm • G min • 03:02 • -13.24db
44% Popularity • 86% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
44% Popularity • 86% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Diana Krall
Autumn In New York
118 bpm • D# min • 05:19 • -15.34db
52% Popularity • 50% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
52% Popularity • 50% Danceability • 11% Energy • 25% Liveness
0% Instrumentalness • 20% Positiveness
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Buika
Soledad - con la colaboración de Chucho...
109 bpm • A min • 02:50 • -14.93db
45% Popularity • 72% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 72% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Paul Brown
Moondance
119 bpm • D min • 03:22 • -11.01db
43% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
43% Popularity • 67% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Malene Mortensen
Sway
120 bpm • B Maj • 02:46 • -9.43db
49% Popularity • 80% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
49% Popularity • 80% Danceability • 23% Energy • 19% Liveness
0% Instrumentalness • 57% Positiveness
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Sylvia Bennett
La mer
119 bpm • F min • 03:22 • -7.29db
43% Popularity • 77% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
43% Popularity • 77% Danceability • 34% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Roberto Menescal
Corazon Partio
120 bpm • A min • 05:12 • -9.8db
38% Popularity • 62% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
38% Popularity • 62% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 33% Positiveness
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Diana Krall
Too Marvelous For Words
118 bpm • D# min • 04:03 • -17.54db
37% Popularity • 47% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
37% Popularity • 47% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 26% Positiveness
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Julie London
Cry Me A River
120 bpm • E min • 02:58 • -14.93db
58% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
58% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Chiara Civello
Caramel
120 bpm • A Maj • 03:05 • -17db
37% Popularity • 59% Danceability • 28% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
37% Popularity • 59% Danceability • 28% Energy • 10% Liveness
8% Instrumentalness • 4% Positiveness
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Nicola Conte
Sea and Sand
120 bpm • F Maj • 03:59 • -12db
38% Popularity • 67% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 51% Positiveness
38% Popularity • 67% Danceability • 41% Energy • 12% Liveness
4% Instrumentalness • 51% Positiveness
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Sylvia Bennett
Look of Love
109 bpm • C Maj • 03:30 • -9db
41% Popularity • 76% Danceability • 51% Energy • 12% Liveness
4% Instrumentalness • 67% Positiveness
41% Popularity • 76% Danceability • 51% Energy • 12% Liveness
4% Instrumentalness • 67% Positiveness
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Stella Starlight Trio
Don't You (Forget About Me)
120 bpm • D# Maj • 03:14 • -14.08db
44% Popularity • 66% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 66% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Diana Krall
Popsicle Toes
119 bpm • C# Maj • 04:27 • -14.96db
30% Popularity • 73% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
30% Popularity • 73% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Cocktail Martino
Estate
120 bpm • F Maj • 03:55 • -10db
40% Popularity • 57% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
40% Popularity • 57% Danceability • 39% Energy • 28% Liveness
0% Instrumentalness • 38% Positiveness
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Les Crossaders
A Hard Day's Night
120 bpm • C Maj • 02:53 • -9db
46% Popularity • 75% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
46% Popularity • 75% Danceability • 35% Energy • 18% Liveness
0% Instrumentalness • 48% Positiveness
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Sara Gazarek
Blackbird - Bye Bye Blackbird
108 bpm • G# min • 05:55 • -15db
30% Popularity • 40% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 22% Positiveness
30% Popularity • 40% Danceability • 24% Energy • 8% Liveness
7% Instrumentalness • 22% Positiveness
