Songs like Best Days - Album Version Final by Matt White
Based on a tempo of (+/- 10%) and a similar genre
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Matt White
Best Days
127 bpm • B Maj • 03:00 • -5.22db
36% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
36% Popularity • 65% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 81% Positiveness
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Joy Williams
One of Those Days
126 bpm • D Maj • 03:01 • -5.5db
28% Popularity • 65% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 65% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 44% Positiveness
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Donna
All in Line
126 bpm • C min • 03:29 • -9.97db
0% Popularity • 76% Danceability • 56% Energy • 7% Liveness
8% Instrumentalness • 80% Positiveness
0% Popularity • 76% Danceability • 56% Energy • 7% Liveness
8% Instrumentalness • 80% Positiveness
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Five For Fighting
Slice
128 bpm • B Maj • 03:34 • -6db
44% Popularity • 59% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 59% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 33% Positiveness
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Paul Thomas
Stars - Original Club Mix
128 bpm • B min • 07:47 • -8.24db
0% Popularity • 79% Danceability • 80% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
0% Popularity • 79% Danceability • 80% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Jess Penner
The Lucky One
126 bpm • C Maj • 04:06 • -9.69db
9% Popularity • 64% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
9% Popularity • 64% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 53% Positiveness
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Matt White
Best Days - Album Version Final
127 bpm • B Maj • 03:00 • -3.8db
36% Popularity • 62% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
36% Popularity • 62% Danceability • 85% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Ryan Cabrera
House on Fire
128 bpm • D Maj • 03:34 • -4.7db
24% Popularity • 56% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 56% Danceability • 84% Energy • 35% Liveness
0% Instrumentalness • 48% Positiveness
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Amy Stroup
Just Takes a Little
126 bpm • C Maj • 02:40 • -8.94db
15% Popularity • 71% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
15% Popularity • 71% Danceability • 38% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Stephen Kellogg and The Sixers
Such A Way
128 bpm • D Maj • 04:53 • -5.51db
17% Popularity • 65% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
17% Popularity • 65% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Paul Thomas
Stars - Original Instrumental Mix
128 bpm • D Maj • 07:47 • -8.68db
1% Popularity • 79% Danceability • 76% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
1% Popularity • 79% Danceability • 76% Energy • 10% Liveness
91% Instrumentalness • 6% Positiveness
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Phillip Phillips
Raging Fire
126 bpm • G Maj • 03:54 • -4.67db
54% Popularity • 56% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
54% Popularity • 56% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 45% Positiveness
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Michael Tolcher
Kings In Castles
125 bpm • D Maj • 03:35 • -3.08db
9% Popularity • 55% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
9% Popularity • 55% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Matt White
Honeymoon Phase
125 bpm • B Maj • 03:09 • -6.64db
2% Popularity • 62% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
2% Popularity • 62% Danceability • 73% Energy • 40% Liveness
0% Instrumentalness • 75% Positiveness
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Five For Fighting
Johnny America
129 bpm • A# Maj • 04:14 • -5.16db
10% Popularity • 65% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 65% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Steve Bailey
Call on Me
125 bpm • E min • 03:49 • -11.22db
1% Popularity • 84% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
1% Popularity • 84% Danceability • 26% Energy • 10% Liveness
91% Instrumentalness • 37% Positiveness
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Paul Thomas
Stars - P.T.M. Remix
128 bpm • B min • 07:57 • -6.4db
0% Popularity • 82% Danceability • 79% Energy • 8% Liveness
76% Instrumentalness • 35% Positiveness
0% Popularity • 82% Danceability • 79% Energy • 8% Liveness
76% Instrumentalness • 35% Positiveness
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John Mayer
Daughters
125 bpm • D Maj • 03:57 • -7.82db
67% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
67% Popularity • 67% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Chantal Kreviazuk
Weight Of The World
125 bpm • D Maj • 03:33 • -4.5db
34% Popularity • 59% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
34% Popularity • 59% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Matt White
Sunshine
125 bpm • F min • 03:15 • -4.51db
7% Popularity • 54% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
7% Popularity • 54% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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The Goo Goo Dolls
Sympathy
130 bpm • G# Maj • 02:58 • -5.76db
62% Popularity • 55% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
62% Popularity • 55% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Higher Praise Trio
Come, Thou Fount
124 bpm • A# Maj • 02:41 • -13.64db
1% Popularity • 32% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
1% Popularity • 32% Danceability • 5% Energy • 16% Liveness
0% Instrumentalness • 15% Positiveness
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Paul Thomas
Stars - P.T.M. Instrumental Mix
128 bpm • B min • 07:57 • -6.69db
0% Popularity • 80% Danceability • 86% Energy • 8% Liveness
89% Instrumentalness • 22% Positiveness
0% Popularity • 80% Danceability • 86% Energy • 8% Liveness
89% Instrumentalness • 22% Positiveness
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Jason Reeves
Photographs & Memories.
130 bpm • G Maj • 05:27 • -9.47db
25% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
25% Popularity • 60% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Newton Faulkner
Gone In The Morning - Single Version
130 bpm • C# Maj • 02:32 • -4.7db
17% Popularity • 66% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
17% Popularity • 66% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 91% Positiveness
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Tim Halperin
The Last Song
130 bpm • A# Maj • 04:17 • -6.06db
12% Popularity • 47% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
12% Popularity • 47% Danceability • 51% Energy • 27% Liveness
0% Instrumentalness • 28% Positiveness
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Schuyler Fisk
Hello
130 bpm • A Maj • 04:18 • -6.79db
21% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
21% Popularity • 58% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Joy Williams
Sunny Day
130 bpm • C Maj • 02:38 • -4.01db
31% Popularity • 69% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
31% Popularity • 69% Danceability • 77% Energy • 21% Liveness
0% Instrumentalness • 92% Positiveness
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Paul Thomas
Stars - Simon Gain & Joey Seminara Remix
128 bpm • E min • 06:46 • -6.97db
0% Popularity • 71% Danceability • 86% Energy • 5% Liveness
92% Instrumentalness • 7% Positiveness
0% Popularity • 71% Danceability • 86% Energy • 5% Liveness
92% Instrumentalness • 7% Positiveness
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Jason Reeves
Just Friends.
124 bpm • F Maj • 03:43 • -6.28db
14% Popularity • 62% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
14% Popularity • 62% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Justin James
A Beautiful Life
124 bpm • G Maj • 04:00 • -6.05db
23% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
23% Popularity • 76% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 54% Positiveness
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Mikey Wax
Counting On You
124 bpm • C Maj • 03:31 • -4.92db
14% Popularity • 51% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
14% Popularity • 51% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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John & Jacob
Be My Girl
124 bpm • G Maj • 03:09 • -6db
19% Popularity • 60% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
19% Popularity • 60% Danceability • 87% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Gabe Dixon
Disappear
124 bpm • A Maj • 04:56 • -7.47db
20% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
20% Popularity • 52% Danceability • 60% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Matt White
Teacher Teacher
130 bpm • E min • 03:32 • -5.12db
2% Popularity • 57% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
2% Popularity • 57% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Rob Thomas
Heaven Help Me
131 bpm • G# Maj • 03:21 • -6db
33% Popularity • 68% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
33% Popularity • 68% Danceability • 66% Energy • 27% Liveness
0% Instrumentalness • 76% Positiveness
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Phillip Phillips
Don't Trust Me
131 bpm • F# Maj • 03:36 • -4.35db
18% Popularity • 64% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
18% Popularity • 64% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Gavin DeGraw
More Than Anyone
123 bpm • A Maj • 02:58 • -7.44db
26% Popularity • 66% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
26% Popularity • 66% Danceability • 41% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Michael Bublé
Haven't Met You Yet
123 bpm • G# Maj • 04:04 • -4.81db
71% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
71% Popularity • 62% Danceability • 73% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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John Mayer
No Such Thing
132 bpm • E Maj • 03:51 • -4.92db
62% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
62% Popularity • 67% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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Schuyler Fisk
From Where I'm Standing
132 bpm • D Maj • 03:32 • -5.59db
29% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
29% Popularity • 60% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 79% Positiveness
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Scars On 45
Heart on Fire
132 bpm • C# Maj • 03:39 • -7.51db
24% Popularity • 57% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
24% Popularity • 57% Danceability • 85% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Rachel Platten
1,000 Ships
132 bpm • C Maj • 03:23 • -5db
43% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
43% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 78% Positiveness
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Matt Wertz
Feels so Right
132 bpm • F# Maj • 02:25 • -4.96db
34% Popularity • 46% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 46% Danceability • 86% Energy • 36% Liveness
0% Instrumentalness • 40% Positiveness
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The Alternate Routes
Endless Conversation
122 bpm • C Maj • 03:30 • -4.01db
8% Popularity • 59% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
8% Popularity • 59% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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O.A.R.
Love And Memories
122 bpm • E Maj • 03:27 • -5db
53% Popularity • 65% Danceability • 71% Energy • 48% Liveness
0% Instrumentalness • 66% Positiveness
53% Popularity • 65% Danceability • 71% Energy • 48% Liveness
0% Instrumentalness • 66% Positiveness
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Benjamin Taylor
Wicked Way
122 bpm • A# Maj • 02:27 • -11db
33% Popularity • 78% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
33% Popularity • 78% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 69% Positiveness
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Evan And Jaron
Another Mistake
122 bpm • C Maj • 03:24 • -3.13db
15% Popularity • 61% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
15% Popularity • 61% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 57% Positiveness
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Matt Hires
Wishing on Dead Stars
122 bpm • G Maj • 04:05 • -5.18db
8% Popularity • 65% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
8% Popularity • 65% Danceability • 87% Energy • 20% Liveness
0% Instrumentalness • 67% Positiveness
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Jason Reeves
You're My Best Friend
122 bpm • A Maj • 04:43 • -10.32db
22% Popularity • 58% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 58% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Oh Honey
Sugar, You
133 bpm • A Maj • 03:32 • -7db
47% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 52% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 25% Positiveness
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Justin James
Perfect Sometimes
133 bpm • D Maj • 04:11 • -5.29db
13% Popularity • 74% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
13% Popularity • 74% Danceability • 72% Energy • 34% Liveness
0% Instrumentalness • 74% Positiveness
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Phillip Phillips
Home
121 bpm • C Maj • 03:30 • -6.04db
71% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
71% Popularity • 61% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Edwin McCain
Broke Down Hearted Wonderland
121 bpm • E Maj • 03:02 • -5db
16% Popularity • 64% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 64% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 63% Positiveness
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Graham Colton
Start Somewhere (acoustic)
121 bpm • F# Maj • 03:39 • -10.26db
19% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 62% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Jason Reeves
No One Ever Taught Us
121 bpm • A Maj • 04:01 • -6.52db
20% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
20% Popularity • 66% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Five For Fighting
100 Years
121 bpm • G Maj • 04:04 • -7.46db
65% Popularity • 64% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
65% Popularity • 64% Danceability • 57% Energy • 18% Liveness
0% Instrumentalness • 28% Positiveness
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Duncan Sheik
Half-Life
134 bpm • F Maj • 03:53 • -6db
44% Popularity • 54% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
44% Popularity • 54% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Matt White
Peter Pan
120 bpm • C Maj • 03:53 • -7.35db
1% Popularity • 62% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
1% Popularity • 62% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Ben Lee
Birds And Bees
120 bpm • G Maj • 03:10 • -4.42db
4% Popularity • 71% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
4% Popularity • 71% Danceability • 80% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Echosmith
Tell Her You Love Her
120 bpm • G Maj • 04:06 • -7.63db
41% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
41% Popularity • 64% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Andrew Allen
Sooner
120 bpm • G Maj • 03:22 • -4.67db
32% Popularity • 73% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
32% Popularity • 73% Danceability • 75% Energy • 21% Liveness
0% Instrumentalness • 84% Positiveness
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Francie Conway
Hold Your Head Up
120 bpm • G Maj • 03:27 • -7.16db
0% Popularity • 67% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
0% Popularity • 67% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 84% Positiveness
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Brendan James
The Skeptic
120 bpm • G Maj • 03:56 • -5.47db
12% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
12% Popularity • 72% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Matt White
Falling in Love (With My Best Friend)
120 bpm • C Maj • 03:09 • -6db
25% Popularity • 66% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
25% Popularity • 66% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Carlos Bertonatti
Perfect Picture
120 bpm • F Maj • 03:04 • -3.33db
21% Popularity • 86% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
21% Popularity • 86% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 81% Positiveness
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Scott Helman
Bungalow
120 bpm • C# Maj • 03:32 • -4.78db
43% Popularity • 71% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
43% Popularity • 71% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Oh Honey
Get It Right
120 bpm • G Maj • 02:48 • -6db
29% Popularity • 63% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
29% Popularity • 63% Danceability • 82% Energy • 36% Liveness
0% Instrumentalness • 45% Positiveness
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Alex & Sierra
Scarecrow
120 bpm • B Maj • 03:26 • -5db
39% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
39% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 52% Positiveness
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Austin Hartley-Leonard
The Come Down
120 bpm • C# Maj • 03:36 • -10.19db
18% Popularity • 73% Danceability • 51% Energy • 35% Liveness
7% Instrumentalness • 73% Positiveness
18% Popularity • 73% Danceability • 51% Energy • 35% Liveness
7% Instrumentalness • 73% Positiveness
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Gabe Dixon
The One Thing
135 bpm • B min • 04:52 • -9db
27% Popularity • 57% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
27% Popularity • 57% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Matt White
New York Girls
135 bpm • C Maj • 03:42 • -3.79db
4% Popularity • 57% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
4% Popularity • 57% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 72% Positiveness
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Graham Colton
You Find a Way
135 bpm • B min • 04:09 • -3.33db
27% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
27% Popularity • 53% Danceability • 92% Energy • 14% Liveness
0% Instrumentalness • 64% Positiveness
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Lee DeWyze
Beautiful Day
135 bpm • C Maj • 03:57 • -4.87db
19% Popularity • 48% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
19% Popularity • 48% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Vanessa Carlton
White Houses
135 bpm • C Maj • 03:44 • -7.42db
46% Popularity • 60% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
46% Popularity • 60% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Five For Fighting
The Riddle
119 bpm • A# Maj • 03:47 • -5.8db
49% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
49% Popularity • 59% Danceability • 56% Energy • 14% Liveness
0% Instrumentalness • 27% Positiveness
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Virginia Coalition
Same Page
119 bpm • G# Maj • 03:35 • -4.61db
13% Popularity • 56% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
13% Popularity • 56% Danceability • 77% Energy • 32% Liveness
0% Instrumentalness • 56% Positiveness
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Matt White
I'll Be There
135 bpm • C Maj • 04:17 • -3.69db
5% Popularity • 52% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
5% Popularity • 52% Danceability • 95% Energy • 21% Liveness
0% Instrumentalness • 39% Positiveness
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Sara Bareilles
King of Anything
119 bpm • C# Maj • 03:27 • -4.17db
58% Popularity • 68% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
58% Popularity • 68% Danceability • 76% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Howie Day
Perfect Time of Day - Single Version
119 bpm • C Maj • 04:21 • -6db
12% Popularity • 54% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 39% Positiveness
12% Popularity • 54% Danceability • 82% Energy • 14% Liveness
6% Instrumentalness • 39% Positiveness
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Ben Jelen
Come On
136 bpm • G# Maj • 03:46 • -7.1db
27% Popularity • 46% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
27% Popularity • 46% Danceability • 56% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Sister Hazel
This Kind Of Love
136 bpm • D Maj • 03:36 • -9db
34% Popularity • 66% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
34% Popularity • 66% Danceability • 31% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Tim Halperin
I Wanna Fall in Love
136 bpm • G Maj • 03:35 • -5.3db
19% Popularity • 53% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 53% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 58% Positiveness
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Matt White
Half A Smile
119 bpm • D Maj • 02:52 • -6.71db
1% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
1% Popularity • 56% Danceability • 41% Energy • 15% Liveness
0% Instrumentalness • 56% Positiveness
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Graham Colton
If Love Was Enough
136 bpm • G Maj • 03:51 • -5.89db
27% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
27% Popularity • 53% Danceability • 62% Energy • 54% Liveness
0% Instrumentalness • 31% Positiveness
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Rob Thomas
Someday
136 bpm • A# Maj • 04:07 • -6db
51% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
51% Popularity • 57% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Matt Hires
The Sound of Falling in Love
136 bpm • C Maj • 03:59 • -2.74db
10% Popularity • 56% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
10% Popularity • 56% Danceability • 94% Energy • 13% Liveness
0% Instrumentalness • 75% Positiveness
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Scars On 45
Two Way Radio
136 bpm • E min • 04:03 • -6.29db
8% Popularity • 57% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
8% Popularity • 57% Danceability • 76% Energy • 14% Liveness
0% Instrumentalness • 65% Positiveness
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Five For Fighting
Your Man
136 bpm • G# Maj • 03:28 • -6db
31% Popularity • 56% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
31% Popularity • 56% Danceability • 88% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Lee DeWyze
Earth Stood Still
118 bpm • A Maj • 03:18 • -4.01db
15% Popularity • 41% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 41% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 47% Positiveness
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Graham Colton
Always in Love
136 bpm • B min • 04:03 • -3.87db
23% Popularity • 47% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
23% Popularity • 47% Danceability • 86% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Jamie Scott
My Hurricane
136 bpm • C Maj • 04:12 • -6.29db
17% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
17% Popularity • 58% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Edwin McCain
I'll Be
137 bpm • B Maj • 04:26 • -5.52db
67% Popularity • 37% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
67% Popularity • 37% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Joy Williams
Doesn't Get Better Than This
118 bpm • C Maj • 03:10 • -5db
15% Popularity • 82% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
15% Popularity • 82% Danceability • 76% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Jason Reeves
Someone Somewhere.
118 bpm • F Maj • 04:28 • -4.83db
21% Popularity • 52% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 52% Danceability • 75% Energy • 32% Liveness
0% Instrumentalness • 42% Positiveness
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Gavin DeGraw
Make a Move
118 bpm • A# Maj • 03:17 • -5.55db
37% Popularity • 73% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
37% Popularity • 73% Danceability • 89% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Five For Fighting
This Dance
117 bpm • F Maj • 03:51 • -8.07db
29% Popularity • 81% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
29% Popularity • 81% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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The Alternate Routes
Please Don't Let It Be
137 bpm • C# Maj • 04:47 • -5.13db
7% Popularity • 47% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
7% Popularity • 47% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness