Songs like Best Life by Alex Cameron
Based on a tempo of (+/- 10%) and a similar genre
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Low
What Part of Me
112 bpm • A Maj • 03:08 • -8.17db
38% Popularity • 65% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
38% Popularity • 65% Danceability • 58% Energy • 5% Liveness
0% Instrumentalness • 70% Positiveness
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Antonio Williams
Changes
112 bpm • G Maj • 04:08 • -7.13db
47% Popularity • 74% Danceability • 75% Energy • 18% Liveness
20% Instrumentalness • 74% Positiveness
47% Popularity • 74% Danceability • 75% Energy • 18% Liveness
20% Instrumentalness • 74% Positiveness
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Angel Olsen
Summer
112 bpm • A min • 04:05 • -7.35db
27% Popularity • 53% Danceability • 85% Energy • 16% Liveness
9% Instrumentalness • 40% Positiveness
27% Popularity • 53% Danceability • 85% Energy • 16% Liveness
9% Instrumentalness • 40% Positiveness
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Destroyer
Blue Eyes
112 bpm • D Maj • 04:07 • -8.85db
32% Popularity • 62% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
32% Popularity • 62% Danceability • 47% Energy • 20% Liveness
0% Instrumentalness • 41% Positiveness
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Amen Dunes
Saturdarah
112 bpm • E Maj • 02:43 • -12.99db
11% Popularity • 45% Danceability • 26% Energy • 24% Liveness
2% Instrumentalness • 9% Positiveness
11% Popularity • 45% Danceability • 26% Energy • 24% Liveness
2% Instrumentalness • 9% Positiveness
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Alex Cameron
Miami Memory - Demo
112 bpm • A Maj • 04:16 • -11.21db
9% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
9% Popularity • 73% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Iceage
Take It All
112 bpm • E Maj • 03:50 • -6.43db
15% Popularity • 39% Danceability • 71% Energy • 16% Liveness
43% Instrumentalness • 35% Positiveness
15% Popularity • 39% Danceability • 71% Energy • 16% Liveness
43% Instrumentalness • 35% Positiveness
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John Maus
Do Your Best
112 bpm • C# min • 02:47 • -11.31db
42% Popularity • 59% Danceability • 51% Energy • 14% Liveness
95% Instrumentalness • 52% Positiveness
42% Popularity • 59% Danceability • 51% Energy • 14% Liveness
95% Instrumentalness • 52% Positiveness
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Kurt Vile
Freeway
112 bpm • F# Maj • 02:41 • -8.16db
34% Popularity • 61% Danceability • 92% Energy • 13% Liveness
36% Instrumentalness • 89% Positiveness
34% Popularity • 61% Danceability • 92% Energy • 13% Liveness
36% Instrumentalness • 89% Positiveness
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Ariel Pink
Picture Me Gone
111 bpm • G Maj • 05:39 • -4.75db
24% Popularity • 20% Danceability • 65% Energy • 7% Liveness
1% Instrumentalness • 34% Positiveness
24% Popularity • 20% Danceability • 65% Energy • 7% Liveness
1% Instrumentalness • 34% Positiveness
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LCD Soundsystem
i used to
113 bpm • B min • 05:32 • -8db
30% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
30% Popularity • 62% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Alex Cameron
Best Life
112 bpm • A# Maj • 03:14 • -8.21db
30% Popularity • 75% Danceability • 73% Energy • 10% Liveness
6% Instrumentalness • 79% Positiveness
30% Popularity • 75% Danceability • 73% Energy • 10% Liveness
6% Instrumentalness • 79% Positiveness
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Deerhunter
All the Same
113 bpm • B Maj • 03:05 • -6db
31% Popularity • 53% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 53% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Happyness
Falling Down
113 bpm • E Maj • 05:11 • -5.33db
9% Popularity • 26% Danceability • 70% Energy • 15% Liveness
79% Instrumentalness • 40% Positiveness
9% Popularity • 26% Danceability • 70% Energy • 15% Liveness
79% Instrumentalness • 40% Positiveness
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Whyte Horses
The Snowfalls
113 bpm • C Maj • 03:54 • -4.39db
21% Popularity • 59% Danceability • 94% Energy • 9% Liveness
17% Instrumentalness • 77% Positiveness
21% Popularity • 59% Danceability • 94% Energy • 9% Liveness
17% Instrumentalness • 77% Positiveness
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Eleanor Friedberger
My Jesus Phase
111 bpm • C Maj • 03:46 • -11.79db
8% Popularity • 71% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 25% Positiveness
8% Popularity • 71% Danceability • 39% Energy • 12% Liveness
3% Instrumentalness • 25% Positiveness
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Tim Heidecker
Sirens of Titan
111 bpm • B Maj • 03:27 • -5.86db
23% Popularity • 70% Danceability • 60% Energy • 27% Liveness
2% Instrumentalness • 62% Positiveness
23% Popularity • 70% Danceability • 60% Energy • 27% Liveness
2% Instrumentalness • 62% Positiveness
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Alex Cameron
Far From Born Again - Demo
113 bpm • C# min • 04:04 • -8.21db
13% Popularity • 79% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
13% Popularity • 79% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 96% Positiveness
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Purple Mountains
Darkness And Cold
113 bpm • G Maj • 03:58 • -7.89db
14% Popularity • 58% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
14% Popularity • 58% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 82% Positiveness
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The Feelies
When Company Comes
114 bpm • G Maj • 02:16 • -11db
22% Popularity • 43% Danceability • 48% Energy • 23% Liveness
98% Instrumentalness • 50% Positiveness
22% Popularity • 43% Danceability • 48% Energy • 23% Liveness
98% Instrumentalness • 50% Positiveness
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Cate Le Bon
Crab Day
114 bpm • A Maj • 03:49 • -7.78db
19% Popularity • 69% Danceability • 48% Energy • 6% Liveness
22% Instrumentalness • 83% Positiveness
19% Popularity • 69% Danceability • 48% Energy • 6% Liveness
22% Instrumentalness • 83% Positiveness
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Whitney
The Falls
110 bpm • A# Maj • 02:20 • -5.7db
39% Popularity • 69% Danceability • 70% Energy • 12% Liveness
33% Instrumentalness • 73% Positiveness
39% Popularity • 69% Danceability • 70% Energy • 12% Liveness
33% Instrumentalness • 73% Positiveness
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Ariel Pink
Round and Round
110 bpm • C# min • 05:08 • -7db
46% Popularity • 66% Danceability • 59% Energy • 56% Liveness
62% Instrumentalness • 57% Positiveness
46% Popularity • 66% Danceability • 59% Energy • 56% Liveness
62% Instrumentalness • 57% Positiveness
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Alex Cameron
Stepdad
111 bpm • F Maj • 04:15 • -5.77db
27% Popularity • 72% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
27% Popularity • 72% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Laura Marling
May I Be the Light
110 bpm • B Maj • 04:46 • -11.27db
19% Popularity • 60% Danceability • 28% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
19% Popularity • 60% Danceability • 28% Energy • 11% Liveness
34% Instrumentalness • 4% Positiveness
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A. Savage
Eyeballs
114 bpm • D Maj • 02:54 • -9.49db
36% Popularity • 73% Danceability • 77% Energy • 35% Liveness
2% Instrumentalness • 96% Positiveness
36% Popularity • 73% Danceability • 77% Energy • 35% Liveness
2% Instrumentalness • 96% Positiveness
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BC Camplight
I'm In a Weird Place Now
114 bpm • B min • 04:32 • -7.47db
22% Popularity • 53% Danceability • 70% Energy • 17% Liveness
22% Instrumentalness • 68% Positiveness
22% Popularity • 53% Danceability • 70% Energy • 17% Liveness
22% Instrumentalness • 68% Positiveness
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Destroyer
Downtown
110 bpm • D Maj • 03:51 • -10.03db
32% Popularity • 76% Danceability • 56% Energy • 18% Liveness
22% Instrumentalness • 37% Positiveness
32% Popularity • 76% Danceability • 56% Energy • 18% Liveness
22% Instrumentalness • 37% Positiveness
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GOON
She
110 bpm • D Maj • 04:33 • -9db
13% Popularity • 31% Danceability • 54% Energy • 40% Liveness
86% Instrumentalness • 23% Positiveness
13% Popularity • 31% Danceability • 54% Energy • 40% Liveness
86% Instrumentalness • 23% Positiveness
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Alex Cameron
Gaslight
110 bpm • C Maj • 04:25 • -5.99db
22% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 62% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 70% Positiveness
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Stephen Malkmus
Come Get Me
110 bpm • B Maj • 02:29 • -4db
25% Popularity • 54% Danceability • 84% Energy • 75% Liveness
17% Instrumentalness • 33% Positiveness
25% Popularity • 54% Danceability • 84% Energy • 75% Liveness
17% Instrumentalness • 33% Positiveness
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Spike Fuck
Guts
110 bpm • C# Maj • 06:08 • -11.41db
23% Popularity • 61% Danceability • 37% Energy • 13% Liveness
5% Instrumentalness • 17% Positiveness
23% Popularity • 61% Danceability • 37% Energy • 13% Liveness
5% Instrumentalness • 17% Positiveness
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BC Camplight
Midnight Ease
114 bpm • F Maj • 04:58 • -10.25db
11% Popularity • 56% Danceability • 46% Energy • 11% Liveness
72% Instrumentalness • 14% Positiveness
11% Popularity • 56% Danceability • 46% Energy • 11% Liveness
72% Instrumentalness • 14% Positiveness
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Destroyer
Kaputt
110 bpm • E Maj • 06:17 • -8.92db
43% Popularity • 65% Danceability • 72% Energy • 17% Liveness
12% Instrumentalness • 56% Positiveness
43% Popularity • 65% Danceability • 72% Energy • 17% Liveness
12% Instrumentalness • 56% Positiveness
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Moon Duo
Stars Are the Light
110 bpm • G Maj • 04:25 • -5.48db
30% Popularity • 60% Danceability • 99% Energy • 19% Liveness
93% Instrumentalness • 67% Positiveness
30% Popularity • 60% Danceability • 99% Energy • 19% Liveness
93% Instrumentalness • 67% Positiveness
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Alex Cameron
Far From Born Again
114 bpm • C# min • 04:16 • -6.13db
37% Popularity • 80% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
37% Popularity • 80% Danceability • 79% Energy • 33% Liveness
0% Instrumentalness • 97% Positiveness
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David Byrne
Strange Overtones
110 bpm • C# Maj • 04:16 • -6.94db
53% Popularity • 69% Danceability • 84% Energy • 61% Liveness
0% Instrumentalness • 81% Positiveness
53% Popularity • 69% Danceability • 84% Energy • 61% Liveness
0% Instrumentalness • 81% Positiveness
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Cate Le Bon
Perfume Days
114 bpm • C Maj • 04:03 • -7.04db
16% Popularity • 74% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
16% Popularity • 74% Danceability • 50% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Cass McCombs
In A Chinese Alley
114 bpm • C Maj • 03:15 • -9.05db
21% Popularity • 61% Danceability • 71% Energy • 19% Liveness
58% Instrumentalness • 69% Positiveness
21% Popularity • 61% Danceability • 71% Energy • 19% Liveness
58% Instrumentalness • 69% Positiveness
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Parquet Courts
Human Performance
110 bpm • F# min • 04:15 • -4db
37% Popularity • 46% Danceability • 75% Energy • 29% Liveness
48% Instrumentalness • 52% Positiveness
37% Popularity • 46% Danceability • 75% Energy • 29% Liveness
48% Instrumentalness • 52% Positiveness
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Yeasayer
Let Me Listen In On You
110 bpm • B min • 03:52 • -6.63db
18% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
18% Popularity • 65% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Alex Cameron
Country Figs
114 bpm • C# Maj • 04:11 • -7.32db
33% Popularity • 71% Danceability • 84% Energy • 11% Liveness
6% Instrumentalness • 84% Positiveness
33% Popularity • 71% Danceability • 84% Energy • 11% Liveness
6% Instrumentalness • 84% Positiveness
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Richard Dawson
Jogging
110 bpm • C Maj • 06:38 • -8.57db
28% Popularity • 74% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
28% Popularity • 74% Danceability • 54% Energy • 5% Liveness
0% Instrumentalness • 31% Positiveness
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Ariel Pink
Do Yourself a Favor
109 bpm • A min • 03:40 • -5.91db
17% Popularity • 55% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
17% Popularity • 55% Danceability • 43% Energy • 8% Liveness
1% Instrumentalness • 26% Positiveness
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Donny Benét
Sex Tourist
115 bpm • D Maj • 05:28 • -9.4db
22% Popularity • 61% Danceability • 87% Energy • 31% Liveness
42% Instrumentalness • 47% Positiveness
22% Popularity • 61% Danceability • 87% Energy • 31% Liveness
42% Instrumentalness • 47% Positiveness
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U.S. Girls
M.A.H.
115 bpm • A Maj • 02:54 • -4.08db
32% Popularity • 45% Danceability • 91% Energy • 50% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 45% Danceability • 91% Energy • 50% Liveness
0% Instrumentalness • 36% Positiveness
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Girls
Hellhole Ratrace
115 bpm • A Maj • 06:56 • -7.37db
34% Popularity • 40% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
34% Popularity • 40% Danceability • 55% Energy • 28% Liveness
0% Instrumentalness • 8% Positiveness
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Alex Cameron
Dead Eyes
110 bpm • F# Maj • 03:30 • -12.13db
24% Popularity • 64% Danceability • 37% Energy • 17% Liveness
36% Instrumentalness • 34% Positiveness
24% Popularity • 64% Danceability • 37% Energy • 17% Liveness
36% Instrumentalness • 34% Positiveness
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DLake Creates
Got No Soul
115 bpm • B min • 03:14 • -4.3db
0% Popularity • 73% Danceability • 91% Energy • 95% Liveness
0% Instrumentalness • 69% Positiveness
0% Popularity • 73% Danceability • 91% Energy • 95% Liveness
0% Instrumentalness • 69% Positiveness
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Deerhunter
Futurism
115 bpm • E min • 02:51 • -9.02db
26% Popularity • 68% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
26% Popularity • 68% Danceability • 44% Energy • 36% Liveness
0% Instrumentalness • 88% Positiveness
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Cate Le Bon
Home to You
109 bpm • A min • 05:27 • -6.07db
41% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
41% Popularity • 80% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 82% Positiveness
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Purple Mountains
Nights That Won't Happen
109 bpm • B min • 06:08 • -9.61db
13% Popularity • 52% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
13% Popularity • 52% Danceability • 46% Energy • 8% Liveness
1% Instrumentalness • 58% Positiveness
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Porches
Goodbye
115 bpm • D Maj • 02:46 • -8.48db
36% Popularity • 45% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
36% Popularity • 45% Danceability • 53% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Alex Cameron
End is Nigh
109 bpm • D Maj • 03:04 • -9.77db
24% Popularity • 69% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
24% Popularity • 69% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 48% Positiveness
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HMLTD
Mikey's Song
109 bpm • A# min • 03:37 • -6.58db
26% Popularity • 64% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 20% Positiveness
26% Popularity • 64% Danceability • 66% Energy • 5% Liveness
1% Instrumentalness • 20% Positiveness
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Deerhunter
Plains
115 bpm • B min • 02:13 • -5.68db
24% Popularity • 67% Danceability • 83% Energy • 13% Liveness
28% Instrumentalness • 80% Positiveness
24% Popularity • 67% Danceability • 83% Energy • 13% Liveness
28% Instrumentalness • 80% Positiveness
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Dehd
Desire
115 bpm • C Maj • 03:14 • -5.62db
33% Popularity • 30% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
33% Popularity • 30% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Sam Evian
IDGAF
115 bpm • D# Maj • 03:16 • -8.11db
42% Popularity • 64% Danceability • 89% Energy • 13% Liveness
86% Instrumentalness • 96% Positiveness
42% Popularity • 64% Danceability • 89% Energy • 13% Liveness
86% Instrumentalness • 96% Positiveness
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Jack Ladder
Beautiful Sound
109 bpm • A Maj • 05:01 • -8db
13% Popularity • 50% Danceability • 55% Energy • 14% Liveness
15% Instrumentalness • 25% Positiveness
13% Popularity • 50% Danceability • 55% Energy • 14% Liveness
15% Instrumentalness • 25% Positiveness
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Alex Cameron
The Chihuahua
115 bpm • G Maj • 04:06 • -8.37db
25% Popularity • 77% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
25% Popularity • 77% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Cate Le Bon
Aside From Growing Old
109 bpm • G Maj • 03:47 • -6.82db
17% Popularity • 68% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
17% Popularity • 68% Danceability • 49% Energy • 27% Liveness
0% Instrumentalness • 86% Positiveness
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Richard Swift
Wendy
116 bpm • B min • 03:11 • -4.67db
18% Popularity • 63% Danceability • 98% Energy • 63% Liveness
90% Instrumentalness • 84% Positiveness
18% Popularity • 63% Danceability • 98% Energy • 63% Liveness
90% Instrumentalness • 84% Positiveness
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Helado Negro
Transmission Listen
116 bpm • F# Maj • 03:43 • -10.77db
17% Popularity • 62% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 62% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 52% Positiveness
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Dehd
On My Side
116 bpm • A Maj • 04:07 • -5.93db
21% Popularity • 43% Danceability • 64% Energy • 10% Liveness
94% Instrumentalness • 61% Positiveness
21% Popularity • 43% Danceability • 64% Energy • 10% Liveness
94% Instrumentalness • 61% Positiveness
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Purple Mountains
I Loved Being My Mother's Son
108 bpm • D Maj • 04:20 • -10.55db
11% Popularity • 61% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
11% Popularity • 61% Danceability • 57% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Alex Cameron
Take Care of Business
115 bpm • F# Maj • 04:07 • -9.35db
28% Popularity • 58% Danceability • 38% Energy • 10% Liveness
72% Instrumentalness • 18% Positiveness
28% Popularity • 58% Danceability • 38% Energy • 10% Liveness
72% Instrumentalness • 18% Positiveness
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Spike Fuck
Junkie Logic
116 bpm • A Maj • 04:56 • -7.62db
28% Popularity • 71% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
28% Popularity • 71% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 43% Positiveness
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Lawrence Arabia
Everybody Wants Something
116 bpm • F# min • 04:07 • -8.35db
31% Popularity • 80% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
31% Popularity • 80% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 28% Positiveness
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Nilüfer Yanya
Angels
116 bpm • G# min • 03:56 • -7.47db
21% Popularity • 76% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
21% Popularity • 76% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 80% Positiveness
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BC Camplight
You Should've Gone to School
116 bpm • G Maj • 04:29 • -9db
24% Popularity • 65% Danceability • 54% Energy • 13% Liveness
17% Instrumentalness • 60% Positiveness
24% Popularity • 65% Danceability • 54% Energy • 13% Liveness
17% Instrumentalness • 60% Positiveness
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De Lux
When Your Life Feels Like a Loss
108 bpm • D Maj • 04:02 • -6.14db
22% Popularity • 65% Danceability • 85% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
22% Popularity • 65% Danceability • 85% Energy • 7% Liveness
1% Instrumentalness • 96% Positiveness
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Hamilton Leithauser
My Reward
116 bpm • B min • 04:31 • -8.56db
23% Popularity • 62% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
23% Popularity • 62% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 48% Positiveness
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Girls
Oh So Protective One
116 bpm • F Maj • 03:36 • -7.6db
35% Popularity • 76% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
35% Popularity • 76% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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Alex Cameron
True Lies
108 bpm • A# Maj • 03:52 • -6.83db
29% Popularity • 61% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
29% Popularity • 61% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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Baby Dayliner
You Push I'll Go
116 bpm • G# Maj • 04:31 • -7.62db
21% Popularity • 81% Danceability • 82% Energy • 7% Liveness
56% Instrumentalness • 54% Positiveness
21% Popularity • 81% Danceability • 82% Energy • 7% Liveness
56% Instrumentalness • 54% Positiveness
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BODEGA
Charlie
116 bpm • D# min • 02:32 • -6.37db
33% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
33% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Bill Callahan
Diamond Dancer
108 bpm • G# min • 04:00 • -7db
34% Popularity • 72% Danceability • 56% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
34% Popularity • 72% Danceability • 56% Energy • 7% Liveness
17% Instrumentalness • 94% Positiveness
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Purr
Gates of Cool
116 bpm • E min • 03:07 • -4.55db
9% Popularity • 64% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
9% Popularity • 64% Danceability • 71% Energy • 16% Liveness
0% Instrumentalness • 55% Positiveness
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Nap Eyes
Mixer
108 bpm • G Maj • 04:36 • -10.23db
29% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
29% Popularity • 76% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 41% Positiveness
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Alex Cameron
Bad For The Boys
116 bpm • C Maj • 04:38 • -5.77db
23% Popularity • 64% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 64% Danceability • 79% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Cate Le Bon
Daylight Matters
107 bpm • C Maj • 04:18 • -7.64db
29% Popularity • 67% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
29% Popularity • 67% Danceability • 35% Energy • 10% Liveness
2% Instrumentalness • 50% Positiveness
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Amen Dunes
Freedom
107 bpm • D# Maj • 05:00 • -9.82db
11% Popularity • 41% Danceability • 53% Energy • 8% Liveness
7% Instrumentalness • 21% Positiveness
11% Popularity • 41% Danceability • 53% Energy • 8% Liveness
7% Instrumentalness • 21% Positiveness
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Jack Ladder
Dumb Love
107 bpm • C Maj • 05:14 • -9db
11% Popularity • 58% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 59% Positiveness
11% Popularity • 58% Danceability • 61% Energy • 10% Liveness
82% Instrumentalness • 59% Positiveness
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Wolf Parade
Fine Young Cannibals
117 bpm • C Maj • 06:31 • -9.88db
38% Popularity • 60% Danceability • 61% Energy • 13% Liveness
59% Instrumentalness • 62% Positiveness
38% Popularity • 60% Danceability • 61% Energy • 13% Liveness
59% Instrumentalness • 62% Positiveness
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Clap Your Hands Say Yeah
The Pilot
107 bpm • E Maj • 03:11 • -7.78db
27% Popularity • 33% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
27% Popularity • 33% Danceability • 68% Energy • 27% Liveness
0% Instrumentalness • 32% Positiveness
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Alex Cameron
Runnin' Outta Luck
117 bpm • G Maj • 03:51 • -5.41db
34% Popularity • 75% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
34% Popularity • 75% Danceability • 83% Energy • 18% Liveness
0% Instrumentalness • 91% Positiveness
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Cate Le Bon
You Don't Love Me
107 bpm • B min • 03:06 • -8.56db
15% Popularity • 87% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
15% Popularity • 87% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Amen Dunes
Blue Rose
107 bpm • G Maj • 04:06 • -6.77db
25% Popularity • 64% Danceability • 73% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
25% Popularity • 64% Danceability • 73% Energy • 14% Liveness
4% Instrumentalness • 34% Positiveness
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Marika Hackman
Time's Been Reckless
118 bpm • D Maj • 03:54 • -7.64db
26% Popularity • 65% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
26% Popularity • 65% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 42% Positiveness
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Haley Bonar
Hometown
118 bpm • D Maj • 03:04 • -7.33db
24% Popularity • 48% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
24% Popularity • 48% Danceability • 72% Energy • 28% Liveness
0% Instrumentalness • 40% Positiveness
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Kurt Vile
Hysteria
106 bpm • G Maj • 05:22 • -4.79db
29% Popularity • 64% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
29% Popularity • 64% Danceability • 57% Energy • 9% Liveness
1% Instrumentalness • 50% Positiveness
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Alex Cameron
Midsummer Nights
117 bpm • D Maj • 04:00 • -8.32db
16% Popularity • 63% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 77% Positiveness
16% Popularity • 63% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 77% Positiveness
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U.S. Girls
Poem
106 bpm • A Maj • 03:30 • -8db
29% Popularity • 66% Danceability • 74% Energy • 11% Liveness
75% Instrumentalness • 37% Positiveness
29% Popularity • 66% Danceability • 74% Energy • 11% Liveness
75% Instrumentalness • 37% Positiveness
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Girl Ray
Just Like That
118 bpm • E Maj • 04:04 • -7.74db
12% Popularity • 47% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
12% Popularity • 47% Danceability • 72% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Shy Boys
Evil Sin
118 bpm • C# min • 02:34 • -11.29db
20% Popularity • 71% Danceability • 41% Energy • 12% Liveness
12% Instrumentalness • 71% Positiveness
20% Popularity • 71% Danceability • 41% Energy • 12% Liveness
12% Instrumentalness • 71% Positiveness
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The Orielles
Sunflower Seeds
118 bpm • A Maj • 05:04 • -7.18db
36% Popularity • 34% Danceability • 67% Energy • 81% Liveness
5% Instrumentalness • 59% Positiveness
36% Popularity • 34% Danceability • 67% Energy • 81% Liveness
5% Instrumentalness • 59% Positiveness
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Kyle Craft
Lady of the Ark
119 bpm • B Maj • 05:06 • -4.15db
27% Popularity • 59% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 59% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Alex Cameron
Mongrel
107 bpm • F# Maj • 03:37 • -9.02db
30% Popularity • 76% Danceability • 47% Energy • 11% Liveness
60% Instrumentalness • 65% Positiveness
30% Popularity • 76% Danceability • 47% Energy • 11% Liveness
60% Instrumentalness • 65% Positiveness
