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Better Hold On
Songs like
Better Hold On
by
Tullara
Based on a tempo of (+/- 10%) and a similar genre
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Ainslie Wills
Running Second
98 bpm • G# Maj • 04:29 • -13db
12% Popularity • 76% Danceability • 26% Energy • 19% Liveness
1% Instrumentalness • 30% Positiveness
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Sam Buckingham
The Water
98 bpm • A min • 03:30 • -9.34db
13% Popularity • 88% Danceability • 46% Energy • 7% Liveness
3% Instrumentalness • 60% Positiveness
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Kat Edwards
Stranger in My Room
98 bpm • G# Maj • 04:16 • -10.25db
16% Popularity • 44% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Tullara
Better Hold On
98 bpm • F min • 03:47 • -6.66db
6% Popularity • 73% Danceability • 55% Energy • 18% Liveness
0% Instrumentalness • 47% Positiveness
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Lowland Hum
We're All Waiting
98 bpm • B Maj • 05:22 • -11.78db
12% Popularity • 71% Danceability • 25% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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The Little Stevies
Break My Heart
98 bpm • D Maj • 03:40 • -9.88db
11% Popularity • 49% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Ainslie Wills
Running Second - Single Version
98 bpm • G# Maj • 03:54 • -12db
21% Popularity • 78% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Emma Louise
Just The Way I Am
98 bpm • F# Maj • 03:33 • -12.75db
13% Popularity • 30% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Mimi Gilbert
Taught to Build Walls
98 bpm • G Maj • 03:41 • -8.39db
29% Popularity • 60% Danceability • 46% Energy • 24% Liveness
1% Instrumentalness • 32% Positiveness
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Electric Fields
Nina
98 bpm • C# Maj • 05:02 • -7.61db
18% Popularity • 56% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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The Woodlands
Bronze - Acoustic
98 bpm • B min • 03:38 • -9.17db
24% Popularity • 65% Danceability • 31% Energy • 8% Liveness
11% Instrumentalness • 36% Positiveness
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Emily Wurramara
Blue Moon, Black Sea
98 bpm • G min • 04:06 • -14db
24% Popularity • 49% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Darlingside
Futures
98 bpm • C Maj • 04:45 • -10.08db
32% Popularity • 35% Danceability • 48% Energy • 10% Liveness
15% Instrumentalness • 17% Positiveness
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Little Quirks
Devil's Ivy
97 bpm • C Maj • 03:15 • -7.5db
18% Popularity • 64% Danceability • 56% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Jordan Merrick
You Gotta Go
99 bpm • F Maj • 03:06 • -7.49db
15% Popularity • 52% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 45% Positiveness
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Honeysuckle
Greenline
99 bpm • D# Maj • 02:52 • -9.77db
21% Popularity • 52% Danceability • 70% Energy • 13% Liveness
1% Instrumentalness • 14% Positiveness
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Boy & Bear
Telescope - Acoustic
99 bpm • D Maj • 03:07 • -9.36db
34% Popularity • 61% Danceability • 39% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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The Eastern
Hope and Wire
99 bpm • D# Maj • 04:33 • -9.68db
17% Popularity • 57% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 39% Positiveness
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Mama Kin
Water and Fire
97 bpm • G Maj • 03:42 • -12.39db
15% Popularity • 65% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Kate Vargas
Who Knew What
99 bpm • B Maj • 03:41 • -7.87db
11% Popularity • 74% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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The Mae Trio
Rain
99 bpm • F# min • 03:18 • -10.71db
19% Popularity • 75% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 73% Positiveness
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Little May
Back Seat Driver
97 bpm • B min • 03:04 • -13.11db
13% Popularity • 69% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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The Paper Kites
St. Clarity (Mahogany Sessions)
97 bpm • F min • 02:32 • -11db
25% Popularity • 53% Danceability • 19% Energy • 37% Liveness
0% Instrumentalness • 27% Positiveness
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Jade Bird
Uh Huh - Acoustic
97 bpm • E Maj • 02:51 • -6.86db
33% Popularity • 54% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 31% Positiveness
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Mama Kin
One Too Many
99 bpm • B min • 03:23 • -7.42db
26% Popularity • 74% Danceability • 57% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
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Jack River
Fool's Gold - Acoustic
99 bpm • A# Maj • 03:29 • -6.81db
15% Popularity • 34% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Jordie Lane
Out of State
96 bpm • G min • 02:59 • -7.69db
25% Popularity • 56% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Greta Stanley
Burden for Certain
100 bpm • D Maj • 03:58 • -9.66db
16% Popularity • 54% Danceability • 48% Energy • 18% Liveness
0% Instrumentalness • 7% Positiveness
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Little Quirks
Same Old
96 bpm • G Maj • 03:57 • -7.78db
8% Popularity • 61% Danceability • 39% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Holly Throsby
Aeroplane
96 bpm • D Maj • 03:51 • -11.92db
20% Popularity • 41% Danceability • 27% Energy • 11% Liveness
44% Instrumentalness • 31% Positiveness
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Joshua Burnside
Blood Drive
100 bpm • D Maj • 03:54 • -12.67db
43% Popularity • 66% Danceability • 40% Energy • 10% Liveness
16% Instrumentalness • 39% Positiveness
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Joe Mungovan
June + July
100 bpm • B min • 03:40 • -7.36db
8% Popularity • 60% Danceability • 76% Energy • 22% Liveness
1% Instrumentalness • 48% Positiveness
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Dean Ray
Simple Things
100 bpm • C Maj • 04:33 • -15.96db
9% Popularity • 59% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Winterbourne
When I'm Under
96 bpm • B Maj • 04:48 • -5.84db
12% Popularity • 55% Danceability • 48% Energy • 29% Liveness
0% Instrumentalness • 35% Positiveness
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Ferris & Sylvester
Burning River
96 bpm • D Maj • 04:47 • -7.9db
20% Popularity • 61% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Luke Jackson
Is It Me?
100 bpm • D Maj • 04:20 • -7.26db
10% Popularity • 78% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Luke Morris
Leave
100 bpm • G Maj • 03:59 • -8.29db
16% Popularity • 76% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Daniel Champagne
Heart Like This
96 bpm • C min • 04:58 • -9db
16% Popularity • 58% Danceability • 38% Energy • 4% Liveness
0% Instrumentalness • 47% Positiveness
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NIGHT FLIGHT
Machiavellianites
100 bpm • F Maj • 04:36 • -9.33db
9% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Alice Skye
For Every Year
100 bpm • G Maj • 04:49 • -16.97db
9% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Julia Deans
Clandestine
101 bpm • A min • 04:04 • -11.34db
13% Popularity • 34% Danceability • 25% Energy • 13% Liveness
2% Instrumentalness • 8% Positiveness
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Andrea von Kampen
Desdemona
96 bpm • E Maj • 03:03 • -5.96db
14% Popularity • 42% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 29% Positiveness
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Harry James Angus
My Boring Life
101 bpm • A min • 04:26 • -10.18db
15% Popularity • 61% Danceability • 55% Energy • 11% Liveness
1% Instrumentalness • 51% Positiveness
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Peter Doran
Every Little Thing
101 bpm • G Maj • 03:28 • -12.58db
30% Popularity • 55% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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David Keenan
The Friary
95 bpm • F# Maj • 04:10 • -7.55db
37% Popularity • 59% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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The Maes
When I Found You
101 bpm • C Maj • 03:17 • -5.23db
30% Popularity • 49% Danceability • 30% Energy • 22% Liveness
0% Instrumentalness • 25% Positiveness
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Mama Kin
Blue Belle
95 bpm • G Maj • 04:54 • -9.86db
10% Popularity • 56% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jade Bird
Cathedral
95 bpm • G# Maj • 02:50 • -6db
40% Popularity • 59% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Liam Wright
Younger
95 bpm • F Maj • 03:37 • -7.72db
11% Popularity • 66% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Amy Shark
Adore - Acoustic
95 bpm • C Maj • 03:10 • -7.53db
28% Popularity • 49% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 7% Positiveness
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David Keenan
Cobwebs
95 bpm • C# Maj • 03:09 • -6db
20% Popularity • 43% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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James Abberley
Into the Sun
102 bpm • C Maj • 03:40 • -9db
22% Popularity • 71% Danceability • 62% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Mama Kin
Give Me A Reason
95 bpm • C Maj • 03:56 • -6.78db
17% Popularity • 75% Danceability • 57% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Josh Pyke
You're My Colour
95 bpm • D Maj • 04:20 • -6.17db
28% Popularity • 47% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Gretta Ray
Unexpected Feeling
102 bpm • D Maj • 03:36 • -10db
22% Popularity • 57% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Diamond Thug
Sweet Return
102 bpm • F Maj • 02:15 • -10.42db
33% Popularity • 69% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Banjo Lucia
That's Not Loving
94 bpm • D Maj • 03:34 • -9.92db
18% Popularity • 41% Danceability • 24% Energy • 7% Liveness
0% Instrumentalness • 18% Positiveness
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Ferris & Sylvester
The Room
102 bpm • F Maj • 03:23 • -8.91db
14% Popularity • 64% Danceability • 57% Energy • 15% Liveness
0% Instrumentalness • 55% Positiveness
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Nick Mulvey
Remembering
102 bpm • D Maj • 04:17 • -9.43db
18% Popularity • 65% Danceability • 47% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Didirri
Tea Stains
94 bpm • A Maj • 02:46 • -12.16db
26% Popularity • 69% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Kat Edwards
Darling
102 bpm • E Maj • 04:28 • -9.82db
13% Popularity • 57% Danceability • 14% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Ruby Gill
Your Mum
93 bpm • F Maj • 03:21 • -10.7db
23% Popularity • 42% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Mama Kin
Sweet Eddie
103 bpm • C Maj • 03:16 • -12.35db
10% Popularity • 66% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 54% Positiveness
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Fly My Pretties
Champion
103 bpm • C Maj • 04:58 • -11.65db
11% Popularity • 52% Danceability • 59% Energy • 19% Liveness
36% Instrumentalness • 50% Positiveness
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Robbie Miller
Show Your Skin
93 bpm • E min • 03:17 • -10db
20% Popularity • 61% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Liz Lawrence
Rooftops
93 bpm • A Maj • 02:42 • -11.17db
16% Popularity • 63% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 27% Positiveness
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Jenny Mitchell
Let Me Be
104 bpm • B Maj • 03:07 • -7.28db
17% Popularity • 62% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 23% Positiveness
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Carmanah
Long Way from Home
104 bpm • B Maj • 03:24 • -10.79db
33% Popularity • 63% Danceability • 50% Energy • 9% Liveness
20% Instrumentalness • 42% Positiveness
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Lior
Between You and Me
92 bpm • D Maj • 02:37 • -14.55db
13% Popularity • 48% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Tullara
Jailbreak
92 bpm • B min • 02:43 • -5.98db
3% Popularity • 60% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Little Georgia
Yellow Cup
92 bpm • G Maj • 04:04 • -8db
17% Popularity • 51% Danceability • 37% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Thelma Plum
Love and War
92 bpm • A Maj • 03:28 • -10db
29% Popularity • 69% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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The Northern Folk
St Philomena
92 bpm • F Maj • 03:55 • -7db
17% Popularity • 48% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Amber Maya
Dance on the Mountain
92 bpm • A# min • 02:40 • -17.09db
11% Popularity • 60% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Lior
Apple Tree
105 bpm • D# Maj • 04:11 • -16.93db
24% Popularity • 52% Danceability • 21% Energy • 13% Liveness
20% Instrumentalness • 32% Positiveness
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Jordie Lane
The Walls
105 bpm • D min • 03:07 • -6.83db
17% Popularity • 34% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 43% Positiveness
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Maddy Jane
Crazy Jane Talks to the Bishop
92 bpm • E Maj • 04:04 • -8.71db
8% Popularity • 55% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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Benny Walker
We're Home
105 bpm • A Maj • 03:38 • -9.76db
14% Popularity • 55% Danceability • 61% Energy • 44% Liveness
7% Instrumentalness • 20% Positiveness
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Pat Devlin
Outrunning Rivers
105 bpm • G Maj • 03:50 • -8.03db
16% Popularity • 74% Danceability • 50% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Ainslie Wills
Fighting Kind
105 bpm • D Maj • 04:05 • -8.71db
8% Popularity • 85% Danceability • 45% Energy • 12% Liveness
7% Instrumentalness • 65% Positiveness
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Stu Larsen
Chicago Song (SLNK)
105 bpm • D# Maj • 03:35 • -12.77db
16% Popularity • 70% Danceability • 40% Energy • 13% Liveness
2% Instrumentalness • 78% Positiveness
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Copilot
Look at Me
91 bpm • C Maj • 04:39 • -11.23db
9% Popularity • 47% Danceability • 13% Energy • 8% Liveness
0% Instrumentalness • 11% Positiveness
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Nick Mulvey
Remembering
105 bpm • C Maj • 04:16 • -5db
31% Popularity • 65% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 55% Positiveness
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Tullara
Six Months
91 bpm • D Maj • 05:07 • -18.41db
12% Popularity • 44% Danceability • 8% Energy • 32% Liveness
0% Instrumentalness • 27% Positiveness
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All Our Exes Live in Texas
I'm Gonna Get My Heart Cut Out
105 bpm • D Maj • 03:26 • -8.66db
10% Popularity • 46% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Luke Morris
Tuesday's Funeral
91 bpm • E Maj • 03:43 • -8.95db
7% Popularity • 68% Danceability • 37% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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The Northern Folk
Foolish Child
105 bpm • C Maj • 04:19 • -11.18db
10% Popularity • 52% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Jed Parsons
She's OK
91 bpm • D Maj • 03:07 • -10.95db
14% Popularity • 59% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Jordy Maxwell
Long Road Home
106 bpm • E Maj • 03:53 • -11db
23% Popularity • 43% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 29% Positiveness
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Emma Louise
Gentleman
106 bpm • C# Maj • 03:39 • -6.77db
8% Popularity • 69% Danceability • 83% Energy • 34% Liveness
0% Instrumentalness • 95% Positiveness
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Dusty Boots
These Roads
106 bpm • E Maj • 04:06 • -8.88db
21% Popularity • 66% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Mama Kin
Cherokee Boy
106 bpm • D Maj • 04:59 • -10.36db
13% Popularity • 85% Danceability • 21% Energy • 10% Liveness
20% Instrumentalness • 16% Positiveness
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Bob Evans
Not Fair - triple j Like A Version
107 bpm • D min • 03:45 • -11.82db
24% Popularity • 41% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Julia Deans
A New Dialogue
107 bpm • A Maj • 04:30 • -9.26db
10% Popularity • 34% Danceability • 37% Energy • 9% Liveness
0% Instrumentalness • 10% Positiveness
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Tullara
The Kilby Kiss
90 bpm • A Maj • 03:13 • -7.45db
3% Popularity • 67% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 81% Positiveness
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Merpire
Lately
90 bpm • D Maj • 02:50 • -6.92db
16% Popularity • 60% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 32% Positiveness
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David Keenan
Nazareth House
107 bpm • G Maj • 03:08 • -8.99db
12% Popularity • 54% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Miss Max
Get Going
90 bpm • F# min • 02:25 • -12.55db
11% Popularity • 62% Danceability • 12% Energy • 9% Liveness
0% Instrumentalness • 48% Positiveness
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Little Georgia
Ticket to the Country
90 bpm • A Maj • 01:26 • -4.63db
11% Popularity • 63% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 46% Positiveness
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The Mae Trio
Caroline
107 bpm • G min • 03:09 • -11.59db
13% Popularity • 65% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 58% Positiveness
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Better Hold On