Songs like Better Than Flowers by Chuck Wicks
Based on a tempo of (+/- 10%) and a similar genre
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Chuck Wicks
Better Than Flowers
115 bpm • B Maj • 03:23 • -4.84db
17% Popularity • 63% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
17% Popularity • 63% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 68% Positiveness
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Thomas Rhett
Things You Do For Love
115 bpm • C Maj • 03:26 • -5.68db
34% Popularity • 55% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
34% Popularity • 55% Danceability • 80% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Cash Campbell
Don't Wanna Think About It - Acoustic
115 bpm • A Maj • 04:17 • -10.85db
11% Popularity • 65% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
11% Popularity • 65% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Adam Craig
Reckon
116 bpm • C Maj • 03:29 • -3.81db
24% Popularity • 58% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
24% Popularity • 58% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Brandon Lay
Break Down On Me
114 bpm • D# Maj • 02:54 • -8.62db
38% Popularity • 68% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 68% Danceability • 53% Energy • 30% Liveness
0% Instrumentalness • 47% Positiveness
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James Barker Band
Good Together - Recorded At Revolution S...
114 bpm • C Maj • 03:15 • -5.76db
19% Popularity • 68% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
19% Popularity • 68% Danceability • 79% Energy • 17% Liveness
0% Instrumentalness • 38% Positiveness
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Lewis Brice
Messin' with My Mind
116 bpm • E Maj • 03:28 • -5.31db
16% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
16% Popularity • 51% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Walker McGuire
18 Forever
117 bpm • E Maj • 03:21 • -3.89db
22% Popularity • 62% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
22% Popularity • 62% Danceability • 91% Energy • 35% Liveness
0% Instrumentalness • 45% Positiveness
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Ryan Robinette
What I Wasn't Lookin' for
113 bpm • F# Maj • 03:07 • -3.5db
28% Popularity • 55% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
28% Popularity • 55% Danceability • 69% Energy • 23% Liveness
0% Instrumentalness • 48% Positiveness
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Chad Brownlee
Back In The Game
117 bpm • B Maj • 03:03 • -4.46db
20% Popularity • 66% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
20% Popularity • 66% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Brett Eldredge
Superhero
117 bpm • F min • 02:59 • -4.8db
27% Popularity • 64% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
27% Popularity • 64% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 53% Positiveness
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William Michael Morgan
Gone Enough
113 bpm • F# min • 04:00 • -6.18db
25% Popularity • 61% Danceability • 78% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
25% Popularity • 61% Danceability • 78% Energy • 14% Liveness
1% Instrumentalness • 44% Positiveness
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LANCO
Old Camaro
113 bpm • B Maj • 03:07 • -4.58db
31% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 58% Danceability • 83% Energy • 11% Liveness
0% Instrumentalness • 63% Positiveness
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Tyler Farr
Love by the Moon
118 bpm • A Maj • 02:41 • -3db
30% Popularity • 70% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
30% Popularity • 70% Danceability • 79% Energy • 15% Liveness
0% Instrumentalness • 62% Positiveness
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Trea Landon
When I Get There
117 bpm • C min • 03:15 • -4.7db
18% Popularity • 71% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
18% Popularity • 71% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Austin Burke
Whole Lot in Love - Acoustic
112 bpm • G Maj • 02:36 • -8.84db
26% Popularity • 85% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
26% Popularity • 85% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Thompson Square
Stuck in My Head
119 bpm • D Maj • 03:39 • -4.26db
11% Popularity • 58% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
11% Popularity • 58% Danceability • 94% Energy • 8% Liveness
0% Instrumentalness • 29% Positiveness
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Granger Smith
You're In It (Acoustic)
112 bpm • G# min • 02:43 • -7.62db
22% Popularity • 85% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
22% Popularity • 85% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 74% Positiveness
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Russell Dickerson
You Look Like a Love Song
119 bpm • F Maj • 04:37 • -5.75db
25% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
25% Popularity • 66% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Walker Hayes
Beautiful
111 bpm • C Maj • 03:00 • -7.69db
37% Popularity • 80% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 80% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Jana Kramer
Dammit
120 bpm • C Maj • 03:53 • -8db
36% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 57% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Devin Dawson
Prison
120 bpm • D Maj • 03:41 • -4.37db
17% Popularity • 57% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
17% Popularity • 57% Danceability • 76% Energy • 24% Liveness
0% Instrumentalness • 25% Positiveness
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Jojo Mason
Edge Of The Night
120 bpm • E Maj • 02:58 • -3.65db
22% Popularity • 58% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
22% Popularity • 58% Danceability • 94% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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LANCO
Born to Love You - RISE Recording
120 bpm • G Maj • 03:31 • -7.89db
34% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
34% Popularity • 57% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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BEXAR
Bedroom
120 bpm • A Maj • 03:12 • -6.69db
17% Popularity • 96% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
17% Popularity • 96% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 94% Positiveness
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Morgan Evans
We Dream
120 bpm • A# Maj • 03:36 • -6.92db
24% Popularity • 60% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
24% Popularity • 60% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 53% Positiveness
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Old Dominion
Hear You Now
120 bpm • G Maj • 04:21 • -5.91db
34% Popularity • 60% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
34% Popularity • 60% Danceability • 88% Energy • 19% Liveness
0% Instrumentalness • 55% Positiveness
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Dylan Schneider
You I Used to Know
120 bpm • C# Maj • 03:09 • -7.4db
27% Popularity • 71% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
27% Popularity • 71% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 59% Positiveness
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Jojo Mason
Future
120 bpm • G# Maj • 02:59 • -6.57db
28% Popularity • 66% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
28% Popularity • 66% Danceability • 57% Energy • 32% Liveness
0% Instrumentalness • 47% Positiveness
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The Swon Brothers
What Ever Happened
120 bpm • G min • 03:40 • -5db
18% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
18% Popularity • 65% Danceability • 87% Energy • 16% Liveness
0% Instrumentalness • 52% Positiveness
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Jordan Brooker
All She Wants Is the Moon
120 bpm • G min • 03:33 • -7.71db
17% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
17% Popularity • 54% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Austin Burke
One Summer
120 bpm • G Maj • 03:50 • -4.43db
29% Popularity • 62% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
29% Popularity • 62% Danceability • 82% Energy • 33% Liveness
0% Instrumentalness • 37% Positiveness
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Waterloo Revival
What Guy Wouldn't
120 bpm • F# Maj • 02:58 • -6db
35% Popularity • 54% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
35% Popularity • 54% Danceability • 82% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Brett Young
The Ship And The Bottle
110 bpm • D# Maj • 04:29 • -8.78db
33% Popularity • 62% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
33% Popularity • 62% Danceability • 61% Energy • 12% Liveness
1% Instrumentalness • 34% Positiveness
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Levi Hummon
Change My Life
110 bpm • F# Maj • 02:40 • -5.76db
30% Popularity • 73% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
30% Popularity • 73% Danceability • 73% Energy • 38% Liveness
0% Instrumentalness • 84% Positiveness
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Clare Dunn
My Love
110 bpm • G Maj • 03:15 • -2.17db
21% Popularity • 69% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
21% Popularity • 69% Danceability • 89% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Thomas Rhett
Country Gold
110 bpm • A min • 03:49 • -5.45db
28% Popularity • 76% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
28% Popularity • 76% Danceability • 81% Energy • 29% Liveness
0% Instrumentalness • 93% Positiveness
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Jake Owen
In It
110 bpm • D Maj • 03:09 • -7.32db
32% Popularity • 60% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
32% Popularity • 60% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Chuck Wicks
She's Gone
110 bpm • C# Maj • 03:44 • -7.98db
19% Popularity • 68% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 68% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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Ryan Robinette
New Boots
110 bpm • A Maj • 02:45 • -4.7db
27% Popularity • 56% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 56% Danceability • 80% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Levi Hummon
Night Lights
110 bpm • B Maj • 02:43 • -4.51db
21% Popularity • 69% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
21% Popularity • 69% Danceability • 79% Energy • 12% Liveness
0% Instrumentalness • 55% Positiveness
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Austin Burke
Love You Most
110 bpm • A min • 03:19 • -6.43db
22% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
22% Popularity • 65% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 72% Positiveness
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Alex Hall
Half Past You
110 bpm • G# Maj • 02:51 • -4db
27% Popularity • 66% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
27% Popularity • 66% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 90% Positiveness
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Haley & Michaels
Drunk Text
110 bpm • B Maj • 02:33 • -4.91db
15% Popularity • 68% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
15% Popularity • 68% Danceability • 72% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Cash Campbell
The in Between
121 bpm • B Maj • 03:40 • -4.84db
20% Popularity • 37% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
20% Popularity • 37% Danceability • 88% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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Abby Anderson
Guy Like You
121 bpm • D# Maj • 02:45 • -5db
27% Popularity • 84% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
27% Popularity • 84% Danceability • 66% Energy • 13% Liveness
0% Instrumentalness • 78% Positiveness
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Levi Hummon
Don't Waste the Night
110 bpm • C# min • 02:55 • -5db
24% Popularity • 57% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
24% Popularity • 57% Danceability • 72% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Carlton Anderson
Drop Everything
109 bpm • C Maj • 02:38 • -3db
27% Popularity • 70% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 70% Danceability • 88% Energy • 4% Liveness
0% Instrumentalness • 67% Positiveness
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Brandon Lay
Still Rock & Roll
108 bpm • G# Maj • 03:47 • -5.09db
28% Popularity • 69% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
28% Popularity • 69% Danceability • 82% Energy • 29% Liveness
0% Instrumentalness • 65% Positiveness
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Ross Ellis
Barefoot Dancer
108 bpm • C# Maj • 03:19 • -4.94db
25% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
25% Popularity • 51% Danceability • 71% Energy • 14% Liveness
0% Instrumentalness • 36% Positiveness
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John King
Heat Wave
108 bpm • G Maj • 03:10 • -5.73db
18% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 60% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Paul Brandt
Bittersweet
123 bpm • C Maj • 02:45 • -5.17db
24% Popularity • 51% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
24% Popularity • 51% Danceability • 72% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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Levi Hummon
Drop of Us
109 bpm • F# Maj • 02:52 • -5.54db
19% Popularity • 60% Danceability • 86% Energy • 45% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 60% Danceability • 86% Energy • 45% Liveness
0% Instrumentalness • 58% Positiveness
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Randy Houser
What Leaving Looks Like
123 bpm • G Maj • 04:00 • -7.2db
18% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
18% Popularity • 63% Danceability • 49% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Brandon Lay
Let It
107 bpm • F# Maj • 02:28 • -5.67db
37% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
37% Popularity • 65% Danceability • 78% Energy • 7% Liveness
0% Instrumentalness • 78% Positiveness
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Ryan Griffin
Young Love
123 bpm • G# Maj • 03:12 • -5.16db
14% Popularity • 57% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 57% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Kane Brown
Live Forever
107 bpm • E Maj • 03:06 • -8.19db
45% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
45% Popularity • 71% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Chase Bryant
Wayfarer Weather
124 bpm • A Maj • 03:09 • -4.38db
29% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
29% Popularity • 60% Danceability • 87% Energy • 8% Liveness
0% Instrumentalness • 67% Positiveness
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Austin Burke
Sleepin' Around
107 bpm • E Maj • 02:55 • -9.95db
28% Popularity • 65% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
28% Popularity • 65% Danceability • 66% Energy • 34% Liveness
0% Instrumentalness • 42% Positiveness
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Chuck Wicks
Tell Me
124 bpm • F# Maj • 04:00 • -6.23db
10% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
10% Popularity • 64% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Matthew McSwain
Still Fallin' for You
124 bpm • D# Maj • 02:48 • -8.69db
13% Popularity • 71% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
13% Popularity • 71% Danceability • 71% Energy • 13% Liveness
0% Instrumentalness • 93% Positiveness
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Smithfield
Pull It Off
124 bpm • C# min • 02:46 • -3.9db
16% Popularity • 65% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 65% Danceability • 88% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Kane Brown
Cold Spot
124 bpm • C Maj • 03:37 • -6.84db
31% Popularity • 66% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
31% Popularity • 66% Danceability • 48% Energy • 24% Liveness
0% Instrumentalness • 20% Positiveness
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Old Dominion
New York at Night
124 bpm • A min • 03:34 • -5.71db
35% Popularity • 60% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
35% Popularity • 60% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 45% Positiveness
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Morgan Evans
Song for the Summer
124 bpm • A min • 03:32 • -5.11db
26% Popularity • 61% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
26% Popularity • 61% Danceability • 82% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Ryan Kinder
Still Believe in Crazy Love
106 bpm • G# Maj • 03:56 • -6.6db
34% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
34% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Sons of Daughters
Ain’t Gonna Be Lonely Long
106 bpm • G min • 03:55 • -5.87db
23% Popularity • 58% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
23% Popularity • 58% Danceability • 80% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Tyler Dial
Hold You To It
105 bpm • C Maj • 02:56 • -5.84db
25% Popularity • 88% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
25% Popularity • 88% Danceability • 36% Energy • 5% Liveness
0% Instrumentalness • 79% Positiveness
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Kane Brown
My Where I Come From
105 bpm • G# Maj • 03:02 • -5.73db
38% Popularity • 57% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
38% Popularity • 57% Danceability • 87% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Trent Tomlinson
That's What's Working Right Now
126 bpm • A# Maj • 04:18 • -4.54db
29% Popularity • 48% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
29% Popularity • 48% Danceability • 55% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Old Dominion
Do It With Me
125 bpm • C# Maj • 03:36 • -6.12db
36% Popularity • 77% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
36% Popularity • 77% Danceability • 68% Energy • 11% Liveness
0% Instrumentalness • 73% Positiveness
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Brett Young
Used To Missin’ You
105 bpm • F# Maj • 03:50 • -6.27db
38% Popularity • 68% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
38% Popularity • 68% Danceability • 74% Energy • 13% Liveness
0% Instrumentalness • 85% Positiveness
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Jason Cassidy
Falling Too Fast
125 bpm • G# Maj • 03:17 • -5.14db
15% Popularity • 53% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
15% Popularity • 53% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 52% Positiveness
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Chuck Wicks
Fix Me
126 bpm • D# Maj • 03:43 • -7.98db
11% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 68% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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Walker McGuire
Growin' Up
126 bpm • C Maj • 03:25 • -4.42db
35% Popularity • 62% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
35% Popularity • 62% Danceability • 80% Energy • 37% Liveness
0% Instrumentalness • 36% Positiveness
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Thompson Square
A Love Like This
126 bpm • C# Maj • 03:20 • -4db
32% Popularity • 65% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
32% Popularity • 65% Danceability • 86% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Levi Hummon
Songs We Sang
105 bpm • B min • 02:48 • -6.75db
28% Popularity • 73% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
28% Popularity • 73% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 44% Positiveness
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Devin Dawson
War Paint
127 bpm • B Maj • 03:42 • -4.36db
17% Popularity • 64% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 64% Danceability • 91% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Thomas Rhett
Renegades
127 bpm • A Maj • 03:42 • -5.68db
35% Popularity • 57% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 57% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 46% Positiveness
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Chuck Wicks
Whole Damn Thing
126 bpm • A Maj • 04:01 • -7.06db
36% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
36% Popularity • 59% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Jana Kramer
Good Enough
104 bpm • F Maj • 02:48 • -6.78db
34% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 62% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ryan Hurd
Panorama
104 bpm • B min • 03:46 • -6db
27% Popularity • 50% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
27% Popularity • 50% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 17% Positiveness
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Steve Moakler
Born Ready
104 bpm • D Maj • 03:38 • -6.45db
28% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
28% Popularity • 71% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Stephen Carey
The Way It Goes
104 bpm • C# min • 02:47 • -5.12db
16% Popularity • 70% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
16% Popularity • 70% Danceability • 74% Energy • 29% Liveness
0% Instrumentalness • 82% Positiveness
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Andrew Hyatt
Habit
104 bpm • G Maj • 02:57 • -6.24db
19% Popularity • 54% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
19% Popularity • 54% Danceability • 86% Energy • 35% Liveness
0% Instrumentalness • 58% Positiveness
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Waterloo Revival
Wonder Woman
104 bpm • B Maj • 03:10 • -4.91db
20% Popularity • 72% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 72% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Josh Mirenda
Greener
128 bpm • G Maj • 03:11 • -5.83db
18% Popularity • 72% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
18% Popularity • 72% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Ryan Kinder
Stay
127 bpm • E Maj • 03:37 • -7.98db
32% Popularity • 52% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
32% Popularity • 52% Danceability • 43% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Tim McGraw
Neon Church
128 bpm • C Maj • 03:33 • -5db
39% Popularity • 46% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
39% Popularity • 46% Danceability • 79% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Jana Kramer
Beautiful Lies
103 bpm • D Maj • 03:09 • -5.74db
34% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
34% Popularity • 60% Danceability • 65% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Brandon Lay
Wilder Horses
103 bpm • B Maj • 02:52 • -8.13db
27% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
27% Popularity • 64% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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David Fanning
Ex Thing
129 bpm • G Maj • 03:12 • -7.03db
27% Popularity • 64% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 64% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 35% Positiveness
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Thomas Rhett
Dream You Never Had
129 bpm • G Maj • 03:22 • -5.53db
34% Popularity • 47% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
34% Popularity • 47% Danceability • 63% Energy • 18% Liveness
0% Instrumentalness • 40% Positiveness
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Michael Ray
Forget About It
102 bpm • C# min • 02:46 • -5db
20% Popularity • 70% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
20% Popularity • 70% Danceability • 87% Energy • 19% Liveness
0% Instrumentalness • 82% Positiveness
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ALISSA GRIFFITH
Glasses
102 bpm • G min • 03:38 • -7.25db
21% Popularity • 62% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 62% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Brett Young
Memory Won't Let Me
102 bpm • F# Maj • 03:31 • -5.87db
38% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
38% Popularity • 59% Danceability • 72% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Seaforth
Love That
102 bpm • C min • 03:10 • -6db
34% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
34% Popularity • 58% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 45% Positiveness
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Haley & Michaels
Taking Off
102 bpm • E min • 02:40 • -5.45db
11% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 55% Danceability • 94% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
