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Better Than That
Songs like
Better Than That
by
Matt Stell
Based on a tempo of (+/- 10%) and a similar genre
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Matt Stell
Better Than That
158 bpm • A min • 03:18 • -3.37db
33% Popularity • 47% Danceability • 88% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Ryan Hurd
Payback
158 bpm • D Maj • 03:27 • -3.71db
33% Popularity • 38% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 56% Positiveness
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Tucker Beathard
You Would Think
158 bpm • B Maj • 03:20 • -5.5db
24% Popularity • 52% Danceability • 74% Energy • 14% Liveness
0% Instrumentalness • 41% Positiveness
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Filmore
Me Lately
158 bpm • D Maj • 03:06 • -5.17db
18% Popularity • 59% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Jade Eagleson
Close
158 bpm • F Maj • 03:04 • -4db
40% Popularity • 43% Danceability • 91% Energy • 23% Liveness
0% Instrumentalness • 39% Positiveness
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Kip Moore
More Than Enough
157 bpm • D# Maj • 03:20 • -6.83db
33% Popularity • 62% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 70% Positiveness
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John Gurney
Get Around
158 bpm • D min • 03:18 • -5.11db
14% Popularity • 49% Danceability • 86% Energy • 14% Liveness
0% Instrumentalness • 72% Positiveness
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Ryan Robinette
Eraser
160 bpm • C# Maj • 03:12 • -4.74db
11% Popularity • 40% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Lane
Summer Job Money
156 bpm • G Maj • 03:09 • -4.08db
31% Popularity • 46% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Matt Stell
Last Habit
160 bpm • F# Maj • 03:12 • -5.57db
23% Popularity • 45% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Kolby Cooper
By Your Side
156 bpm • G# Maj • 03:51 • -4.96db
30% Popularity • 43% Danceability • 76% Energy • 12% Liveness
0% Instrumentalness • 46% Positiveness
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Lindsay Ell
wAnt me back
156 bpm • E Maj • 03:13 • -4.16db
43% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Jordan Rager
Somebody's Summer
160 bpm • B Maj • 03:21 • -3.65db
17% Popularity • 42% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 74% Positiveness
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Chris Colston
Five Beers
156 bpm • C Maj • 03:30 • -5.47db
29% Popularity • 43% Danceability • 77% Energy • 15% Liveness
0% Instrumentalness • 70% Positiveness
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Dustin Lynch
Red Dirt, Blue Eyes
160 bpm • G# Maj • 03:17 • -4.52db
42% Popularity • 51% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 78% Positiveness
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Chris Bandi
Man Enough Now - Radio Edit
156 bpm • D Maj • 03:04 • -4.72db
31% Popularity • 56% Danceability • 65% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Tyler Rich
Adrenaline
160 bpm • F# Maj • 03:26 • -5.17db
27% Popularity • 56% Danceability • 71% Energy • 11% Liveness
0% Instrumentalness • 76% Positiveness
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Trea Landon
Get the Girl
160 bpm • C# Maj • 03:27 • -4db
30% Popularity • 52% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 46% Positiveness
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Adairs Run
As Long as I'm With You
160 bpm • C Maj • 03:01 • -4.54db
18% Popularity • 47% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Tyler Braden
Little Red Wine
160 bpm • C Maj • 03:31 • -4.54db
50% Popularity • 49% Danceability • 87% Energy • 27% Liveness
0% Instrumentalness • 63% Positiveness
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Roman Alexander
Bad for Me
160 bpm • D Maj • 03:09 • -5.28db
27% Popularity • 45% Danceability • 70% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Travis Denning
ABBY
160 bpm • D# Maj • 03:15 • -4.58db
51% Popularity • 60% Danceability • 76% Energy • 8% Liveness
0% Instrumentalness • 79% Positiveness
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Dylan Schneider
Bad Thing About A Backroad
156 bpm • A Maj • 03:13 • -5.18db
31% Popularity • 55% Danceability • 91% Energy • 6% Liveness
0% Instrumentalness • 66% Positiveness
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James Barker Band
Summer Time
160 bpm • A Maj • 03:06 • -3.92db
38% Popularity • 51% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 63% Positiveness
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Brian Fuller
Myself
156 bpm • C Maj • 03:45 • -7.39db
13% Popularity • 48% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 45% Positiveness
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Drew Baldridge
It's Your Loss
160 bpm • F# Maj • 03:03 • -3.54db
23% Popularity • 62% Danceability • 87% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Mitchell Tenpenny
Broken Up
160 bpm • D Maj • 03:05 • -4.48db
46% Popularity • 58% Danceability • 87% Energy • 35% Liveness
0% Instrumentalness • 70% Positiveness
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Tyler Rich
Real Love
160 bpm • A Maj • 03:02 • -5.57db
34% Popularity • 55% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 56% Positiveness
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Matt Stell
Born Lonely
156 bpm • B Maj • 02:55 • -3.85db
44% Popularity • 49% Danceability • 86% Energy • 28% Liveness
0% Instrumentalness • 63% Positiveness
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Austin Burke
Town Home
156 bpm • F Maj • 02:50 • -5.7db
43% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Justin Lee
Better Than This
160 bpm • G# Maj • 03:42 • -6db
22% Popularity • 45% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 46% Positiveness
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Ryan Hurd
Sunrise, Sunburn, Sunset
160 bpm • A# Maj • 03:31 • -4.51db
23% Popularity • 44% Danceability • 84% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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Rayne Johnson
Last Name
160 bpm • F# Maj • 03:30 • -4db
24% Popularity • 61% Danceability • 82% Energy • 35% Liveness
0% Instrumentalness • 72% Positiveness
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Colt Ford
Bad Beer
155 bpm • C Maj • 03:11 • -3.55db
25% Popularity • 50% Danceability • 91% Energy • 40% Liveness
0% Instrumentalness • 83% Positiveness
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Lakeview
Poor Me
155 bpm • D Maj • 02:41 • -4.87db
31% Popularity • 48% Danceability • 91% Energy • 9% Liveness
0% Instrumentalness • 75% Positiveness
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Murphy Elmore
Good With the Memory
154 bpm • C min • 03:31 • -5.58db
22% Popularity • 41% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 35% Positiveness
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Justin Lee
Last Call
161 bpm • G# Maj • 03:22 • -2.64db
34% Popularity • 44% Danceability • 93% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Russell Dickerson
Never Get Old
162 bpm • G Maj • 03:05 • -4.86db
29% Popularity • 49% Danceability • 80% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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Steven Lee Olsen
Hello Country
154 bpm • D# Maj • 02:53 • -3.46db
31% Popularity • 58% Danceability • 87% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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Ross Ellis
Home to Me
154 bpm • D# Maj • 03:36 • -6.72db
40% Popularity • 51% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 36% Positiveness
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Matt Stell
Chase it Down
162 bpm • G min • 03:06 • -5.12db
21% Popularity • 45% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Lauren Alaina
Getting Over Him
154 bpm • G# Maj • 02:46 • -4.73db
48% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Justin Lee
Me and You
162 bpm • B Maj • 03:20 • -5.07db
18% Popularity • 50% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Heath Sanders
Can’t Undo I Do
154 bpm • A Maj • 03:28 • -4.53db
18% Popularity • 48% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 46% Positiveness
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Tyler Rich
Take It Or Leave It
154 bpm • C Maj • 03:00 • -6.1db
26% Popularity • 52% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Andrew Jannakos
Like Yesterday
154 bpm • D Maj • 03:26 • -5.17db
16% Popularity • 52% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Tenille Arts
Over You is You
162 bpm • D Maj • 03:04 • -3.87db
37% Popularity • 45% Danceability • 86% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Tyler Braden
Brother
154 bpm • A Maj • 03:56 • -7.08db
43% Popularity • 41% Danceability • 49% Energy • 26% Liveness
0% Instrumentalness • 9% Positiveness
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Justin Lee
Like I've Fallen
154 bpm • G# Maj • 03:28 • -4.69db
33% Popularity • 42% Danceability • 94% Energy • 34% Liveness
0% Instrumentalness • 44% Positiveness
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Michael Ray
Dancing Forever - Acoustic
154 bpm • A# Maj • 03:29 • -9.1db
31% Popularity • 62% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Josh Melton
Letters
154 bpm • F# Maj • 03:20 • -7.19db
29% Popularity • 58% Danceability • 79% Energy • 21% Liveness
0% Instrumentalness • 56% Positiveness
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Walker McGuire
Best Kinda Bad
163 bpm • D Maj • 03:41 • -2.78db
38% Popularity • 44% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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Adam Doleac
Somewhere Cool With You
164 bpm • D# Maj • 02:48 • -5.14db
39% Popularity • 52% Danceability • 77% Energy • 34% Liveness
0% Instrumentalness • 70% Positiveness
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Shawn Austin
What Do I Know
164 bpm • C# Maj • 03:00 • -5db
34% Popularity • 48% Danceability • 85% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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LOCASH
Beers to Catch Up On
164 bpm • F# Maj • 03:00 • -3.47db
34% Popularity • 45% Danceability • 78% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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Noah Hicks
Drinkin’ Alone
152 bpm • C# Maj • 03:52 • -5.18db
24% Popularity • 45% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Josh Melton
Everybody Knows Me
164 bpm • G Maj • 02:59 • -4.54db
23% Popularity • 55% Danceability • 85% Energy • 34% Liveness
0% Instrumentalness • 75% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Trey Lewis
Lying Ex to Me
152 bpm • G Maj • 02:46 • -4.48db
27% Popularity • 55% Danceability • 67% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Tyler Rich
Here With You
152 bpm • A# Maj • 02:48 • -4.05db
22% Popularity • 52% Danceability • 81% Energy • 36% Liveness
0% Instrumentalness • 52% Positiveness
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Filmore
Other Girl
166 bpm • C Maj • 03:15 • -5.84db
26% Popularity • 44% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 62% Positiveness
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Jordan Rager
Want Me to Want You
150 bpm • B Maj • 03:10 • -3.33db
21% Popularity • 44% Danceability • 85% Energy • 18% Liveness
0% Instrumentalness • 52% Positiveness
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Teddy Robb
Heaven On Dirt
150 bpm • A# Maj • 03:28 • -4.52db
29% Popularity • 51% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 39% Positiveness
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Matt Stell
This One's Gonna Hurt
166 bpm • G Maj • 03:05 • -3.55db
22% Popularity • 53% Danceability • 92% Energy • 54% Liveness
0% Instrumentalness • 73% Positiveness
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Kyle Clark
Think You Know Someone
150 bpm • B Maj • 03:12 • -4.18db
36% Popularity • 53% Danceability • 73% Energy • 12% Liveness
0% Instrumentalness • 26% Positiveness
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Drew Green
Fine by Me
150 bpm • A# min • 02:59 • -5.83db
33% Popularity • 61% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Old Dominion
Goes Without Saying
150 bpm • F# Maj • 04:07 • -5.31db
33% Popularity • 57% Danceability • 67% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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Tyler Braden
Leave Me Alone
150 bpm • C min • 03:16 • -7.02db
51% Popularity • 40% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Jason Blaine
Helluva Band In Heaven
150 bpm • G Maj • 03:13 • -5.77db
14% Popularity • 61% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Matt Stell
Boyfriend Season
150 bpm • A Maj • 03:09 • -3.35db
33% Popularity • 54% Danceability • 94% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Ruediger
Love Like That
150 bpm • A Maj • 03:38 • -4.66db
17% Popularity • 59% Danceability • 71% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
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Drew Green
Dirt Boy
150 bpm • F Maj • 03:12 • -5.21db
31% Popularity • 56% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Easton Corbin
Old Lovers Don't Make Good Friends
150 bpm • A Maj • 02:49 • -3.75db
24% Popularity • 62% Danceability • 82% Energy • 21% Liveness
0% Instrumentalness • 75% Positiveness
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Walker Montgomery
Like My Daddy Done It
150 bpm • C Maj • 03:27 • -4.54db
25% Popularity • 39% Danceability • 85% Energy • 37% Liveness
0% Instrumentalness • 57% Positiveness
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Dustin Lynch
The World Ain't Yours and Mine
150 bpm • E Maj • 03:24 • -6.06db
30% Popularity • 66% Danceability • 73% Energy • 7% Liveness
0% Instrumentalness • 84% Positiveness
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Brian Kelley
Don't Take Much
150 bpm • D# Maj • 02:55 • -6.22db
31% Popularity • 58% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 66% Positiveness
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Ray Fulcher
Somebody Like Me
150 bpm • A Maj • 03:23 • -5.97db
26% Popularity • 54% Danceability • 81% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Priscilla Block
Just About Over You - Radio Edit
150 bpm • E Maj • 03:08 • -4db
37% Popularity • 54% Danceability • 76% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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American Young
Some Girl
150 bpm • A min • 03:28 • -5.63db
6% Popularity • 56% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Walker Montgomery
Wouldn't Be A Country Boy
150 bpm • B Maj • 03:28 • -5.38db
20% Popularity • 61% Danceability • 48% Energy • 20% Liveness
0% Instrumentalness • 40% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
52% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Travis Denning
Sittin' By A Fire
150 bpm • G Maj • 03:02 • -7.37db
23% Popularity • 54% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 33% Positiveness
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Ray Fulcher
Love Ya Son, Go Dawgs
150 bpm • C# Maj • 04:02 • -6db
27% Popularity • 58% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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Chris Bandi
Why I Don't Drink
150 bpm • F# Maj • 03:29 • -6.82db
22% Popularity • 43% Danceability • 43% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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SixForty1
Show You Around
149 bpm • D Maj • 03:08 • -5.5db
16% Popularity • 47% Danceability • 80% Energy • 19% Liveness
0% Instrumentalness • 45% Positiveness
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Parmalee
Better With You
168 bpm • B Maj • 02:41 • -3.43db
38% Popularity • 57% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 73% Positiveness
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Lakeview
Eyes Closed
168 bpm • F Maj • 02:58 • -6.22db
26% Popularity • 45% Danceability • 80% Energy • 17% Liveness
0% Instrumentalness • 41% Positiveness
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Brantley Gilbert
Never Gonna Be Alone
168 bpm • C# Maj • 03:08 • -5.25db
31% Popularity • 46% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Russell Dickerson
Forever For A Little While
168 bpm • A Maj • 03:00 • -4db
39% Popularity • 46% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Kyle Clark
Winning
148 bpm • A# Maj • 02:56 • -5.22db
40% Popularity • 60% Danceability • 68% Energy • 64% Liveness
0% Instrumentalness • 62% Positiveness
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Jaden Hamilton
Bad Spot
148 bpm • C# Maj • 03:17 • -5.92db
30% Popularity • 42% Danceability • 84% Energy • 38% Liveness
0% Instrumentalness • 32% Positiveness
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Luke Bryan
Drink A Little Whiskey Down
148 bpm • G Maj • 03:17 • -6.75db
31% Popularity • 61% Danceability • 70% Energy • 9% Liveness
0% Instrumentalness • 39% Positiveness
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Jon Langston
Now You Know
148 bpm • F# Maj • 02:55 • -4db
39% Popularity • 48% Danceability • 93% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Mike Ryan
Ghost Town
148 bpm • F# min • 03:26 • -6.74db
42% Popularity • 51% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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LANCO
First Beer
148 bpm • G Maj • 04:01 • -6.2db
27% Popularity • 44% Danceability • 74% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Noah Hicks
No More of 'Em
148 bpm • F# Maj • 03:08 • -5db
35% Popularity • 52% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Dylan Schneider
Gimme a Red Light
148 bpm • G Maj • 03:09 • -5.12db
38% Popularity • 48% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 40% Positiveness
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Michael Ray
Run Away With You
148 bpm • D# min • 03:40 • -4db
30% Popularity • 50% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 40% Positiveness
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Jon Langston
Happy Ever After
148 bpm • A Maj • 03:10 • -3.07db
24% Popularity • 56% Danceability • 91% Energy • 29% Liveness
0% Instrumentalness • 63% Positiveness
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Tyler Braden
Secret
148 bpm • G Maj • 03:54 • -7.82db
43% Popularity • 52% Danceability • 67% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Better Than That