Songs like Betting On Trains by Hem
Based on a tempo of (+/- 10%) and a similar genre
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Erin McKeown
Born to Hum
144 bpm • C Maj • 02:10 • -7.93db
37% Popularity • 70% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 35% Positiveness
37% Popularity • 70% Danceability • 46% Energy • 10% Liveness
2% Instrumentalness • 35% Positiveness
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Eliza Gilkyson
Think About You
144 bpm • C Maj • 03:23 • -13.91db
27% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
27% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 67% Positiveness
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The Jayhawks
All The Right Reasons
144 bpm • F# Maj • 03:24 • -9db
36% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
36% Popularity • 35% Danceability • 37% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Carrie Newcomer
Help in Hard Times
144 bpm • E min • 03:13 • -13.16db
22% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 58% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Natalie Merchant
If No One Ever Marries Me
144 bpm • G Maj • 02:21 • -16.61db
30% Popularity • 53% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
30% Popularity • 53% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 52% Positiveness
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Hem
Betting On Trains
144 bpm • C# Maj • 02:44 • -13.9db
36% Popularity • 53% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
36% Popularity • 53% Danceability • 20% Energy • 11% Liveness
1% Instrumentalness • 39% Positiveness
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Abigail Lapell
Fur and Feathers
143 bpm • A min • 03:08 • -14.21db
35% Popularity • 42% Danceability • 21% Energy • 10% Liveness
15% Instrumentalness • 23% Positiveness
35% Popularity • 42% Danceability • 21% Energy • 10% Liveness
15% Instrumentalness • 23% Positiveness
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John Gorka
The Water is Wide
143 bpm • D Maj • 04:28 • -14.97db
22% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
22% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Ruth Moody
Dancing In The Dark
145 bpm • C Maj • 04:18 • -13db
38% Popularity • 63% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
38% Popularity • 63% Danceability • 29% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Rosie Thomas
Finish Line
145 bpm • A min • 02:40 • -14.04db
10% Popularity • 64% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
10% Popularity • 64% Danceability • 25% Energy • 8% Liveness
1% Instrumentalness • 6% Positiveness
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Natalie Merchant
maggie and milly and molly and may
144 bpm • E Maj • 04:06 • -13.24db
13% Popularity • 43% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
13% Popularity • 43% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 13% Positiveness
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Hem
Leave Me Here
145 bpm • G# Maj • 03:50 • -12.7db
33% Popularity • 35% Danceability • 21% Energy • 12% Liveness
28% Instrumentalness • 33% Positiveness
33% Popularity • 35% Danceability • 21% Energy • 12% Liveness
28% Instrumentalness • 33% Positiveness
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Girlyman
The Shape I Found You In
143 bpm • A# Maj • 03:30 • -12.83db
15% Popularity • 30% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
15% Popularity • 30% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Amelia Curran
Hands on a Grain of Sand
143 bpm • C# Maj • 03:48 • -10.39db
25% Popularity • 61% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
25% Popularity • 61% Danceability • 32% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Dave Carter
Ordinary Town
146 bpm • A# Maj • 02:48 • -8.69db
33% Popularity • 38% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
33% Popularity • 38% Danceability • 47% Energy • 12% Liveness
0% Instrumentalness • 74% Positiveness
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The Duhks
Who Will Take My Place?
146 bpm • A Maj • 03:39 • -9.48db
15% Popularity • 36% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
15% Popularity • 36% Danceability • 23% Energy • 6% Liveness
0% Instrumentalness • 40% Positiveness
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Joan Shelley
Even Though
147 bpm • A# min • 03:20 • -15.53db
15% Popularity • 52% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 52% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Hem
Pacific Street
144 bpm • G# Maj • 03:10 • -19.2db
6% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
6% Popularity • 37% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Neko Case
A Widow's Toast
146 bpm • D Maj • 01:36 • -9.14db
30% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
30% Popularity • 38% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Amelia Curran
Wrecking Ball
143 bpm • G Maj • 03:42 • -9.94db
13% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
13% Popularity • 56% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Catie Curtis
Troubled Mind
147 bpm • A Maj • 04:00 • -12.96db
20% Popularity • 50% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
20% Popularity • 50% Danceability • 23% Energy • 14% Liveness
0% Instrumentalness • 19% Positiveness
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John Gorka
The Gypsy Life
147 bpm • C Maj • 04:26 • -17.57db
19% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 47% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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The Be Good Tanyas
The Littlest Birds
141 bpm • C Maj • 04:09 • -12db
44% Popularity • 57% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
44% Popularity • 57% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Hem
Things Are Not Perfect In Our Yard
142 bpm • G Maj • 02:21 • -13.81db
13% Popularity • 45% Danceability • 29% Energy • 9% Liveness
40% Instrumentalness • 53% Positiveness
13% Popularity • 45% Danceability • 29% Energy • 9% Liveness
40% Instrumentalness • 53% Positiveness
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Caroline Herring
Black Mountain Lullaby
147 bpm • G Maj • 04:11 • -9.82db
23% Popularity • 41% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 41% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Amelia Curran
Julia
141 bpm • D Maj • 03:43 • -10.4db
13% Popularity • 60% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 60% Danceability • 40% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Redbird
Patience
141 bpm • A# Maj • 03:18 • -12.98db
25% Popularity • 59% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
25% Popularity • 59% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Dave Carter
Gentle Soldier of My Soul
141 bpm • D# Maj • 03:28 • -19.55db
29% Popularity • 58% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
29% Popularity • 58% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Secret Sisters
To All the Girls Who Cry
141 bpm • A# Maj • 04:22 • -13.86db
29% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
29% Popularity • 36% Danceability • 8% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Hem
The Seed
147 bpm • C Maj • 01:39 • -13db
15% Popularity • 40% Danceability • 23% Energy • 10% Liveness
15% Instrumentalness • 39% Positiveness
15% Popularity • 40% Danceability • 23% Energy • 10% Liveness
15% Instrumentalness • 39% Positiveness
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Jesca Hoop
Hunting My Dress
140 bpm • D Maj • 04:54 • -10.32db
13% Popularity • 44% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 44% Danceability • 40% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Neko Case
Atomic Number
140 bpm • F min • 02:57 • -9.27db
41% Popularity • 48% Danceability • 63% Energy • 11% Liveness
7% Instrumentalness • 24% Positiveness
41% Popularity • 48% Danceability • 63% Energy • 11% Liveness
7% Instrumentalness • 24% Positiveness
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Natalie Merchant
Poor Wayfaring Stranger
140 bpm • C Maj • 04:16 • -15.63db
30% Popularity • 52% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
30% Popularity • 52% Danceability • 14% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Ferron
Our Purpose Here
140 bpm • D Maj • 04:04 • -17.18db
16% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
16% Popularity • 57% Danceability • 20% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Lucy Wainwright Roche
Landslide
140 bpm • C Maj • 03:17 • -10.47db
17% Popularity • 64% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
17% Popularity • 64% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Vienna Teng
City Hall
140 bpm • G Maj • 04:46 • -11.64db
12% Popularity • 51% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
12% Popularity • 51% Danceability • 28% Energy • 16% Liveness
0% Instrumentalness • 33% Positiveness
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Cry Cry Cry
I Know What Kind Of Love This Is
140 bpm • F Maj • 04:29 • -10.35db
13% Popularity • 49% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 49% Danceability • 18% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Anna Tivel
Dust and Magic
140 bpm • D Maj • 02:59 • -10.11db
27% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 38% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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John Gorka
The Dutchman
149 bpm • C Maj • 04:48 • -14.15db
11% Popularity • 52% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
11% Popularity • 52% Danceability • 16% Energy • 13% Liveness
0% Instrumentalness • 30% Positiveness
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Amelia Curran
Scattered & Small
139 bpm • F Maj • 03:32 • -10.4db
17% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
17% Popularity • 47% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Ani DiFranco
Both Hands
139 bpm • G Maj • 03:38 • -20db
46% Popularity • 77% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
46% Popularity • 77% Danceability • 12% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
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Po' Girl
South of Nowhere
139 bpm • A# Maj • 02:50 • -10.63db
24% Popularity • 39% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 39% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Bruce Cockburn
Pacing The Cage
149 bpm • E Maj • 04:40 • -14.58db
37% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
37% Popularity • 57% Danceability • 21% Energy • 9% Liveness
0% Instrumentalness • 21% Positiveness
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Nanci Griffith
It's A Hard Life Wherever You Go
149 bpm • C Maj • 04:02 • -16.33db
29% Popularity • 38% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
29% Popularity • 38% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 44% Positiveness
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Hem
I'll Dream Of You Tonight
139 bpm • G# Maj • 03:58 • -6.24db
7% Popularity • 38% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
7% Popularity • 38% Danceability • 42% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Girlyman
Tell Me There's a Reason
150 bpm • E Maj • 03:24 • -8.38db
10% Popularity • 55% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
10% Popularity • 55% Danceability • 35% Energy • 26% Liveness
0% Instrumentalness • 38% Positiveness
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The Be Good Tanyas
Rain And Snow
150 bpm • G Maj • 04:01 • -9.28db
40% Popularity • 64% Danceability • 66% Energy • 18% Liveness
2% Instrumentalness • 85% Positiveness
40% Popularity • 64% Danceability • 66% Energy • 18% Liveness
2% Instrumentalness • 85% Positiveness
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Darlingside
The God of Loss
138 bpm • D Maj • 03:53 • -10.47db
30% Popularity • 38% Danceability • 33% Energy • 9% Liveness
20% Instrumentalness • 18% Positiveness
30% Popularity • 38% Danceability • 33% Energy • 9% Liveness
20% Instrumentalness • 18% Positiveness
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Redbird
Buckets of Rain
150 bpm • F Maj • 03:41 • -15db
32% Popularity • 47% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
32% Popularity • 47% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Neko Case
I Want To Be Here
150 bpm • D Maj • 02:47 • -11.52db
24% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 44% Danceability • 29% Energy • 8% Liveness
0% Instrumentalness • 21% Positiveness
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Hem
The Beautiful Sea
138 bpm • D# Maj • 02:37 • -10.24db
5% Popularity • 40% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
5% Popularity • 40% Danceability • 26% Energy • 19% Liveness
0% Instrumentalness • 16% Positiveness
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Pieta Brown
Other Way Around
150 bpm • A# Maj • 03:36 • -11.88db
10% Popularity • 54% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
10% Popularity • 54% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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The Be Good Tanyas
Little Black Bear
150 bpm • B Maj • 02:28 • -17.81db
45% Popularity • 49% Danceability • 16% Energy • 11% Liveness
16% Instrumentalness • 34% Positiveness
45% Popularity • 49% Danceability • 16% Energy • 11% Liveness
16% Instrumentalness • 34% Positiveness
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Linda Thompson
If I Were a Bluebird
138 bpm • B Maj • 06:50 • -13db
21% Popularity • 54% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
21% Popularity • 54% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Trisky
Sur l'honneur
138 bpm • C# Maj • 03:33 • -5.08db
0% Popularity • 64% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
0% Popularity • 64% Danceability • 77% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Lucy Kaplansky
The Red Thread
137 bpm • A Maj • 03:35 • -11.34db
12% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 59% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Hem
Rainy Night In Georgia
150 bpm • G Maj • 04:30 • -13.42db
24% Popularity • 40% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
24% Popularity • 40% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
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Kris Delmhorst
Homeless
137 bpm • G Maj • 04:44 • -13.39db
18% Popularity • 58% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
18% Popularity • 58% Danceability • 25% Energy • 11% Liveness
2% Instrumentalness • 27% Positiveness
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Rosie Thomas
October
137 bpm • B Maj • 02:21 • -16.37db
17% Popularity • 65% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
17% Popularity • 65% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Mary Gauthier
Lucky Stars
137 bpm • G Maj • 03:25 • -18.3db
21% Popularity • 49% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
21% Popularity • 49% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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The Be Good Tanyas
It's Not Happening
136 bpm • C Maj • 02:41 • -13.5db
48% Popularity • 73% Danceability • 46% Energy • 10% Liveness
5% Instrumentalness • 78% Positiveness
48% Popularity • 73% Danceability • 46% Energy • 10% Liveness
5% Instrumentalness • 78% Positiveness
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The Story
So Much Mine
152 bpm • E Maj • 04:18 • -13.04db
21% Popularity • 59% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
21% Popularity • 59% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Hem
Reservoir
138 bpm • A Maj • 03:21 • -10.82db
24% Popularity • 49% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
24% Popularity • 49% Danceability • 27% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Amelia Curran
San Andreas Fault
136 bpm • F# Maj • 03:04 • -10.51db
13% Popularity • 69% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 69% Danceability • 30% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Amy Ray
Holler
136 bpm • A# Maj • 03:40 • -13.74db
23% Popularity • 65% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
23% Popularity • 65% Danceability • 20% Energy • 11% Liveness
2% Instrumentalness • 52% Positiveness
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Sara Watkins
Without A Word
136 bpm • B Maj • 03:58 • -14.5db
47% Popularity • 58% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
47% Popularity • 58% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Dave Carter
Farewell to Fiddler's Rim
152 bpm • C Maj • 02:12 • -10.43db
22% Popularity • 39% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
22% Popularity • 39% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Mary Gauthier
Our Lady Of The Shooting Stars
152 bpm • E min • 03:29 • -18.37db
33% Popularity • 58% Danceability • 15% Energy • 11% Liveness
21% Instrumentalness • 21% Positiveness
33% Popularity • 58% Danceability • 15% Energy • 11% Liveness
21% Instrumentalness • 21% Positiveness
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Hem
Idle (The Rabbit Song)
152 bpm • E Maj • 03:44 • -11.27db
22% Popularity • 52% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 56% Positiveness
22% Popularity • 52% Danceability • 43% Energy • 11% Liveness
6% Instrumentalness • 56% Positiveness
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Ruth Moody
One and Only
136 bpm • D Maj • 04:54 • -11.18db
19% Popularity • 54% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
19% Popularity • 54% Danceability • 42% Energy • 19% Liveness
0% Instrumentalness • 40% Positiveness
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Catherine MacLellan
Everything'll Be Alright
136 bpm • G# Maj • 04:06 • -11.39db
10% Popularity • 51% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
10% Popularity • 51% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Caroline Herring
Song Of The Wandering Aengus
152 bpm • A min • 03:32 • -12.74db
31% Popularity • 40% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
31% Popularity • 40% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Dave Carter
Farewell to Bitterroot Valley
136 bpm • G min • 02:37 • -16.97db
28% Popularity • 48% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 48% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Eliza Gilkyson
Coast
153 bpm • B Maj • 03:25 • -14db
27% Popularity • 43% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
27% Popularity • 43% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Susan McKeown
Because I Could Not Stop For Death
135 bpm • G min • 03:50 • -12db
17% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
17% Popularity • 48% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Lula Wiles
Leave Me Now
135 bpm • A# Maj • 04:30 • -12.23db
22% Popularity • 39% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
22% Popularity • 39% Danceability • 18% Energy • 11% Liveness
1% Instrumentalness • 26% Positiveness
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Lucy Wainwright Roche
A Quiet Line
135 bpm • B Maj • 03:34 • -8.57db
18% Popularity • 69% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
18% Popularity • 69% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 44% Positiveness
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Hem
He Came To Meet Me
135 bpm • B Maj • 04:25 • -12.63db
25% Popularity • 38% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
25% Popularity • 38% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Cry Cry Cry
Northern Cross
135 bpm • A# Maj • 02:59 • -14.84db
12% Popularity • 57% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
12% Popularity • 57% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Devon Sproule
Plea for a Good Night's Rest
135 bpm • C# Maj • 03:58 • -14.96db
12% Popularity • 67% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
12% Popularity • 67% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Cowboy Junkies
Misguided Angel
135 bpm • G Maj • 04:52 • -19.46db
39% Popularity • 44% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
39% Popularity • 44% Danceability • 21% Energy • 13% Liveness
0% Instrumentalness • 20% Positiveness
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Girlyman
Say Goodbye
154 bpm • F# Maj • 04:17 • -7.97db
10% Popularity • 54% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
10% Popularity • 54% Danceability • 32% Energy • 9% Liveness
0% Instrumentalness • 34% Positiveness
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Elizabeth & the Catapult
Apathy
154 bpm • C Maj • 02:53 • -11.22db
12% Popularity • 38% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 38% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Hem
Carry Me Home
135 bpm • F# Maj • 05:15 • -12.79db
9% Popularity • 31% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
9% Popularity • 31% Danceability • 2% Energy • 12% Liveness
0% Instrumentalness • 16% Positiveness
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Patty Larkin
Winter Wind
134 bpm • F Maj • 03:25 • -19.83db
10% Popularity • 51% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 51% Danceability • 4% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Jenny Lewis
Melt Your Heart
155 bpm • G Maj • 02:52 • -11.94db
20% Popularity • 40% Danceability • 35% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
20% Popularity • 40% Danceability • 35% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
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Nickel Creek
Out Of The Woods
134 bpm • D Maj • 05:19 • -14.9db
39% Popularity • 57% Danceability • 32% Energy • 8% Liveness
10% Instrumentalness • 25% Positiveness
39% Popularity • 57% Danceability • 32% Energy • 8% Liveness
10% Instrumentalness • 25% Positiveness
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Great Lake Swimmers
Everything Is Moving So Fast
134 bpm • E Maj • 04:19 • -14db
42% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
42% Popularity • 66% Danceability • 51% Energy • 13% Liveness
1% Instrumentalness • 64% Positiveness
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Po' Girl
Mercy
134 bpm • A# Maj • 04:56 • -10db
25% Popularity • 54% Danceability • 47% Energy • 11% Liveness
33% Instrumentalness • 47% Positiveness
25% Popularity • 54% Danceability • 47% Energy • 11% Liveness
33% Instrumentalness • 47% Positiveness
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Hem
Seven Angels
154 bpm • C Maj • 02:25 • -12.05db
13% Popularity • 36% Danceability • 23% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
13% Popularity • 36% Danceability • 23% Energy • 9% Liveness
2% Instrumentalness • 28% Positiveness
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Erin McKeown
Aspera
134 bpm • G# Maj • 04:27 • -6.7db
11% Popularity • 38% Danceability • 70% Energy • 9% Liveness
71% Instrumentalness • 29% Positiveness
11% Popularity • 38% Danceability • 70% Energy • 9% Liveness
71% Instrumentalness • 29% Positiveness
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Lucy Wainwright Roche
Soft Line
134 bpm • A Maj • 04:19 • -14.22db
23% Popularity • 52% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
23% Popularity • 52% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Sam Beam
Soft Place to Land
133 bpm • B Maj • 03:34 • -14.22db
20% Popularity • 43% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
20% Popularity • 43% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Amelia Curran
You Won't Find Me
133 bpm • G# Maj • 03:23 • -9.25db
22% Popularity • 67% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 67% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 68% Positiveness
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Ruth Moody
Far and Wide
156 bpm • C Maj • 03:24 • -17.64db
21% Popularity • 61% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 61% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 34% Positiveness
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Cowboy Junkies
River Waltz
133 bpm • C Maj • 04:04 • -14.48db
24% Popularity • 45% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
24% Popularity • 45% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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The Be Good Tanyas
Junkie Song
132 bpm • G Maj • 03:49 • -13db
39% Popularity • 47% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
39% Popularity • 47% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 24% Positiveness
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Lucy Wainwright Roche
Bleecker Street
156 bpm • A Maj • 03:00 • -12.83db
14% Popularity • 35% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
14% Popularity • 35% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 21% Positiveness
