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Between Fear and Love
Songs like
Between Fear and Love
by
Subheim
Based on a tempo of (+/- 10%) and a similar genre
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Subheim
Ybe 76
110 bpm • G Maj • 04:39 • -15db
13% Popularity • 52% Danceability • 52% Energy • 10% Liveness
89% Instrumentalness • 10% Positiveness
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AES DANA
Small Things Matter
110 bpm • D min • 08:05 • -22.75db
19% Popularity • 58% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 6% Positiveness
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Kettel
Ghost Cave
110 bpm • G Maj • 04:43 • -13.51db
11% Popularity • 45% Danceability • 58% Energy • 11% Liveness
92% Instrumentalness • 46% Positiveness
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The Black Dog
Business Car Park 9
110 bpm • G# min • 05:09 • -20.91db
18% Popularity • 66% Danceability • 27% Energy • 9% Liveness
82% Instrumentalness • 6% Positiveness
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James Murray
What Can Be Done
110 bpm • A min • 06:14 • -19db
10% Popularity • 16% Danceability • 34% Energy • 8% Liveness
96% Instrumentalness • 4% Positiveness
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Between Interval
The Tides of Time
110 bpm • E min • 04:38 • -24.93db
24% Popularity • 50% Danceability • 13% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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Subheim
Daughter
110 bpm • D min • 04:14 • -19db
22% Popularity • 32% Danceability • 22% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Greg Haines
Wake Mania Without End II
111 bpm • A# Maj • 05:37 • -18.65db
7% Popularity • 23% Danceability • 30% Energy • 9% Liveness
81% Instrumentalness • 4% Positiveness
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Pjusk
Byge
110 bpm • D Maj • 01:18 • -23.42db
27% Popularity • 30% Danceability • 32% Energy • 12% Liveness
91% Instrumentalness • 28% Positiveness
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Kodomo
Landing
111 bpm • F Maj • 02:49 • -20.46db
34% Popularity • 16% Danceability • 14% Energy • 8% Liveness
95% Instrumentalness • 6% Positiveness
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Ben Chatwin
Tail
109 bpm • C Maj • 03:29 • -16.7db
9% Popularity • 16% Danceability • 27% Energy • 7% Liveness
92% Instrumentalness • 3% Positiveness
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X.Y.R.
False Angel Lullaby
111 bpm • C# min • 07:24 • -16.5db
26% Popularity • 39% Danceability • 14% Energy • 11% Liveness
92% Instrumentalness • 12% Positiveness
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Subheim
Between Fear and Love
110 bpm • A# Maj • 04:36 • -14db
4% Popularity • 47% Danceability • 37% Energy • 11% Liveness
84% Instrumentalness • 4% Positiveness
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Hior Chronik
One Eternity at a Time
111 bpm • E min • 03:32 • -13.78db
25% Popularity • 36% Danceability • 49% Energy • 9% Liveness
95% Instrumentalness • 4% Positiveness
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SiebZehn
Over the Radar
111 bpm • G Maj • 05:07 • -12.08db
29% Popularity • 18% Danceability • 45% Energy • 8% Liveness
73% Instrumentalness • 4% Positiveness
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Bvdub
On Deaf Hearts Your Prayers Fall
108 bpm • A min • 10:29 • -19.8db
12% Popularity • 16% Danceability • 20% Energy • 7% Liveness
91% Instrumentalness • 4% Positiveness
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Wordclock
Bell Ringing I
111 bpm • F# min • 05:26 • -18db
22% Popularity • 20% Danceability • 18% Energy • 10% Liveness
88% Instrumentalness • 7% Positiveness
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Ben Chatwin
Silver Pit
112 bpm • F# min • 04:03 • -12.86db
10% Popularity • 18% Danceability • 33% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Subheim
Stranded
110 bpm • G# Maj • 05:36 • -19db
7% Popularity • 32% Danceability • 39% Energy • 21% Liveness
86% Instrumentalness • 47% Positiveness
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Roly Porter
In System
112 bpm • A# Maj • 04:52 • -25.66db
11% Popularity • 23% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 3% Positiveness
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The Allegorist
The Sacrifice
108 bpm • C min • 04:00 • -17.48db
21% Popularity • 15% Danceability • 8% Energy • 10% Liveness
85% Instrumentalness • 3% Positiveness
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Connect.Ohm
9980 - Remastered
113 bpm • F Maj • 08:14 • -14.71db
24% Popularity • 37% Danceability • 42% Energy • 9% Liveness
90% Instrumentalness • 3% Positiveness
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Carbon Based Lifeforms
~42°
113 bpm • A# Maj • 04:55 • -13db
41% Popularity • 35% Danceability • 48% Energy • 9% Liveness
85% Instrumentalness • 12% Positiveness
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James Murray
The Black and the Grey
106 bpm • C Maj • 05:44 • -19.33db
10% Popularity • 33% Danceability • 28% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Subheim
Trails - John Lemke Remix
110 bpm • B min • 05:22 • -11.26db
2% Popularity • 41% Danceability • 72% Energy • 14% Liveness
88% Instrumentalness • 5% Positiveness
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Rafael Anton Irisarri
Indefinite Fields
114 bpm • D# min • 06:05 • -11db
17% Popularity • 19% Danceability • 12% Energy • 8% Liveness
63% Instrumentalness • 4% Positiveness
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LIGHTS OUT ASIA
Abell 1835
115 bpm • D min • 03:55 • -14.3db
23% Popularity • 17% Danceability • 16% Energy • 10% Liveness
93% Instrumentalness • 5% Positiveness
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Tineidae
Initial Phase
115 bpm • B min • 05:44 • -11.55db
11% Popularity • 38% Danceability • 50% Energy • 65% Liveness
88% Instrumentalness • 10% Positiveness
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Applefish
Particles
115 bpm • B min • 04:47 • -14.32db
18% Popularity • 24% Danceability • 31% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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AES DANA
Period 08 _ Overpass
115 bpm • F min • 06:37 • -20.47db
13% Popularity • 50% Danceability • 30% Energy • 8% Liveness
90% Instrumentalness • 3% Positiveness
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Subheim
Supernova
112 bpm • F# min • 07:59 • -13.66db
6% Popularity • 49% Danceability • 54% Energy • 34% Liveness
78% Instrumentalness • 3% Positiveness
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Abul Mogard
Bound Universe
105 bpm • C# Maj • 06:44 • -25.66db
24% Popularity • 20% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 2% Positiveness
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Pausal
Murmuration II
115 bpm • D Maj • 04:31 • -21db
26% Popularity • 17% Danceability • 28% Energy • 12% Liveness
94% Instrumentalness • 3% Positiveness
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Deaf Center
Divided
116 bpm • A Maj • 04:22 • -17.11db
15% Popularity • 17% Danceability • 32% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Dryft
Marked Velotin
105 bpm • C Maj • 05:53 • -12.82db
8% Popularity • 40% Danceability • 52% Energy • 10% Liveness
94% Instrumentalness • 7% Positiveness
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AES DANA
Borderline - Remastered
115 bpm • A# min • 06:13 • -12.01db
23% Popularity • 66% Danceability • 53% Energy • 11% Liveness
86% Instrumentalness • 7% Positiveness
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Subheim
Hollow - Mobthrow Remix
105 bpm • A# min • 06:03 • -14.79db
4% Popularity • 61% Danceability • 34% Energy • 60% Liveness
68% Instrumentalness • 9% Positiveness
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LAN Formatique
Home? Is Run No More - Subheim Remix
104 bpm • B Maj • 04:29 • -12.01db
0% Popularity • 61% Danceability • 45% Energy • 9% Liveness
77% Instrumentalness • 7% Positiveness
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The Allegorist
Trees of Peace - Subheim Rework
104 bpm • E min • 05:07 • -15.66db
3% Popularity • 74% Danceability • 39% Energy • 12% Liveness
87% Instrumentalness • 19% Positiveness
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Kodomo
Endless Waves
104 bpm • F# min • 02:07 • -18.68db
39% Popularity • 48% Danceability • 32% Energy • 9% Liveness
96% Instrumentalness • 32% Positiveness
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Deru
Addictive Yearning
117 bpm • A min • 03:45 • -16.21db
27% Popularity • 18% Danceability • 29% Energy • 13% Liveness
96% Instrumentalness • 4% Positiveness
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AES DANA
Alignments
105 bpm • A# min • 08:02 • -17db
27% Popularity • 58% Danceability • 54% Energy • 8% Liveness
88% Instrumentalness • 8% Positiveness
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Ochre
Orford Sentinel
104 bpm • A Maj • 01:12 • -18.7db
26% Popularity • 57% Danceability • 41% Energy • 18% Liveness
91% Instrumentalness • 15% Positiveness
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Ben Chatwin
Chiral
104 bpm • A min • 03:19 • -16.63db
10% Popularity • 14% Danceability • 34% Energy • 8% Liveness
98% Instrumentalness • 4% Positiveness
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Subheim
Dunes
117 bpm • D Maj • 04:29 • -11.8db
11% Popularity • 55% Danceability • 57% Energy • 10% Liveness
66% Instrumentalness • 4% Positiveness
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Loess
Wiebke
118 bpm • C# Maj • 02:00 • -15.69db
19% Popularity • 75% Danceability • 30% Energy • 10% Liveness
89% Instrumentalness • 28% Positiveness
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Proem
Rectangle Snake
118 bpm • C# Maj • 03:02 • -10.16db
21% Popularity • 62% Danceability • 58% Energy • 17% Liveness
86% Instrumentalness • 4% Positiveness
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JB Dunckel
Monolake
102 bpm • C# Maj • 07:40 • -18.36db
14% Popularity • 14% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 3% Positiveness
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Ochre
A Midsummer Nice Dream
118 bpm • F# min • 02:50 • -19.52db
36% Popularity • 45% Danceability • 22% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Sebastian Plano
Mantle & Core
119 bpm • C# Maj • 07:15 • -19.49db
13% Popularity • 29% Danceability • 24% Energy • 11% Liveness
83% Instrumentalness • 7% Positiveness
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Subheim
Old Blade
117 bpm • C# Maj • 04:47 • -11.57db
10% Popularity • 36% Danceability • 32% Energy • 11% Liveness
93% Instrumentalness • 3% Positiveness
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Superposition
Echo//Radiate
119 bpm • C Maj • 03:54 • -24.49db
24% Popularity • 17% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 3% Positiveness
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Proem
Awake at 4 A. M.
118 bpm • D# Maj • 02:22 • -16.93db
22% Popularity • 17% Danceability • 26% Energy • 10% Liveness
95% Instrumentalness • 3% Positiveness
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ILUITEQ
A Possible Tomorrow
119 bpm • E min • 06:31 • -14.92db
20% Popularity • 19% Danceability • 30% Energy • 35% Liveness
86% Instrumentalness • 4% Positiveness
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Ben Chatwin
Bone
119 bpm • E min • 04:34 • -13.86db
28% Popularity • 19% Danceability • 21% Energy • 7% Liveness
94% Instrumentalness • 4% Positiveness
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Rafael Anton Irisarri
Empire Systems
119 bpm • C Maj • 08:44 • -11.5db
23% Popularity • 17% Danceability • 18% Energy • 11% Liveness
89% Instrumentalness • 3% Positiveness
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Subheim
Light
102 bpm • E min • 03:45 • -13.14db
6% Popularity • 35% Danceability • 50% Energy • 18% Liveness
89% Instrumentalness • 3% Positiveness
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Marconi Union
Burned
120 bpm • G Maj • 07:41 • -18.29db
31% Popularity • 22% Danceability • 13% Energy • 6% Liveness
89% Instrumentalness • 5% Positiveness
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Circular
Deeper
101 bpm • A min • 06:26 • -18.42db
11% Popularity • 31% Danceability • 27% Energy • 44% Liveness
93% Instrumentalness • 7% Positiveness
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Greg Haines
The Intruder
101 bpm • A# Maj • 06:26 • -17.24db
8% Popularity • 24% Danceability • 17% Energy • 39% Liveness
86% Instrumentalness • 4% Positiveness
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Holographic Field
Hum
101 bpm • F# min • 07:44 • -15.34db
29% Popularity • 49% Danceability • 52% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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LIGHTS OUT ASIA
All These Worlds Are Yours
120 bpm • D min • 02:25 • -25.67db
15% Popularity • 49% Danceability • 6% Energy • 11% Liveness
83% Instrumentalness • 15% Positiveness
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Aaron Marshall
Peace and Gravity
120 bpm • E min • 07:24 • -21db
29% Popularity • 27% Danceability • 22% Energy • 62% Liveness
85% Instrumentalness • 4% Positiveness
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Subheim
Benedict
120 bpm • C min • 05:52 • -11.82db
1% Popularity • 38% Danceability • 57% Energy • 19% Liveness
94% Instrumentalness • 4% Positiveness
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Lonely Roads
Milliseconds
120 bpm • F min • 02:57 • -20.43db
27% Popularity • 51% Danceability • 27% Energy • 11% Liveness
82% Instrumentalness • 33% Positiveness
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Olivier Orand
Hours
120 bpm • F# min • 05:42 • -9.14db
10% Popularity • 66% Danceability • 80% Energy • 18% Liveness
82% Instrumentalness • 25% Positiveness
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Obsidian Kingdom
Last of the Light - Subheim, Poordream R...
120 bpm • C# Maj • 05:05 • -14.53db
0% Popularity • 56% Danceability • 63% Energy • 26% Liveness
85% Instrumentalness • 23% Positiveness
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Ascendant
Instasis
120 bpm • G Maj • 05:36 • -17db
25% Popularity • 38% Danceability • 45% Energy • 8% Liveness
90% Instrumentalness • 4% Positiveness
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AES DANA
Period 04 _ Somewhen
120 bpm • C# Maj • 08:49 • -23.56db
13% Popularity • 19% Danceability • 24% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Subheim
When Time Relieves
120 bpm • F Maj • 06:27 • -8.95db
5% Popularity • 44% Danceability • 49% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Carbon Based Lifeforms
Arecibo
120 bpm • G Maj • 09:25 • -19db
36% Popularity • 21% Danceability • 33% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Scann-Tec
Ne Viden
120 bpm • G min • 08:47 • -15.21db
13% Popularity • 72% Danceability • 36% Energy • 10% Liveness
88% Instrumentalness • 20% Positiveness
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AUN
Fiat Lux
120 bpm • F min • 05:06 • -12.66db
8% Popularity • 58% Danceability • 67% Energy • 10% Liveness
94% Instrumentalness • 12% Positiveness
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Aaron Marshall
Escape Into the Storm
120 bpm • F Maj • 05:13 • -28.51db
27% Popularity • 47% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Indian Wells
Night Arp Blues
120 bpm • A# min • 04:01 • -18.39db
36% Popularity • 64% Danceability • 31% Energy • 10% Liveness
91% Instrumentalness • 21% Positiveness
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Subheim
Arktos
120 bpm • G Maj • 06:05 • -11.38db
4% Popularity • 62% Danceability • 51% Energy • 9% Liveness
82% Instrumentalness • 7% Positiveness
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Felix Rösch
Becoming Ocean
120 bpm • A min • 03:04 • -12db
30% Popularity • 56% Danceability • 70% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
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Deaf Center
New Beginning (Tidal Darkness)
120 bpm • G Maj • 06:18 • -16db
17% Popularity • 20% Danceability • 33% Energy • 20% Liveness
93% Instrumentalness • 11% Positiveness
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Bvdub
Make The Pain Go Away
120 bpm • F min • 05:51 • -19.01db
17% Popularity • 24% Danceability • 30% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Brambles
Half​-​Gramme Holiday
120 bpm • G# min • 07:19 • -13db
21% Popularity • 53% Danceability • 41% Energy • 9% Liveness
67% Instrumentalness • 6% Positiveness
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Carbon Based Lifeforms
Epicentre
120 bpm • D min • 06:14 • -13.88db
27% Popularity • 26% Danceability • 28% Energy • 11% Liveness
87% Instrumentalness • 3% Positiveness
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Subheim
The Cold Hearted Sea
120 bpm • G Maj • 03:43 • -17.41db
5% Popularity • 59% Danceability • 23% Energy • 10% Liveness
89% Instrumentalness • 3% Positiveness
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Forest Swords
Police
120 bpm • B min • 02:18 • -15.65db
14% Popularity • 64% Danceability • 24% Energy • 13% Liveness
86% Instrumentalness • 5% Positiveness
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Melorman
The Sky out of Your Window
120 bpm • C Maj • 03:20 • -20.18db
34% Popularity • 24% Danceability • 12% Energy • 10% Liveness
92% Instrumentalness • 6% Positiveness
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Rafael Anton Irisarri
RH Negative
101 bpm • B min • 05:49 • -10.95db
23% Popularity • 17% Danceability • 25% Energy • 9% Liveness
96% Instrumentalness • 9% Positiveness
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MIKTEK
Deep Dive Conversations
100 bpm • D Maj • 05:53 • -17.4db
8% Popularity • 50% Danceability • 49% Energy • 11% Liveness
93% Instrumentalness • 6% Positiveness
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Carbon Based Lifeforms
Somewhere in Russia
120 bpm • A min • 08:41 • -14db
29% Popularity • 20% Danceability • 41% Energy • 11% Liveness
97% Instrumentalness • 6% Positiveness
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Robot Koch
Circle 18 - Hainbach Rework
100 bpm • G# Maj • 02:56 • -20.38db
26% Popularity • 38% Danceability • 8% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Subheim
The Veil
120 bpm • E min • 04:51 • -10.66db
3% Popularity • 49% Danceability • 28% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
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Eguana
Wormhole
100 bpm • C min • 06:02 • -17.22db
17% Popularity • 22% Danceability • 25% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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H.U.V.A. Network
Distances
100 bpm • F min • 09:13 • -24.71db
16% Popularity • 61% Danceability • 23% Energy • 5% Liveness
94% Instrumentalness • 29% Positiveness
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Between Interval
From a Silent Surface
100 bpm • F# Maj • 07:00 • -10.68db
10% Popularity • 36% Danceability • 41% Energy • 73% Liveness
88% Instrumentalness • 16% Positiveness
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Sync24
The Tale of the Lonely Apothecary
100 bpm • A min • 06:24 • -17.2db
14% Popularity • 52% Danceability • 33% Energy • 9% Liveness
90% Instrumentalness • 52% Positiveness
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Robot Koch
Circle 19 - Midori Hirano Rework
100 bpm • A# min • 03:07 • -14.99db
32% Popularity • 55% Danceability • 30% Energy • 16% Liveness
94% Instrumentalness • 4% Positiveness
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Subheim
Forsaken Part II
100 bpm • D Maj • 06:30 • -12.21db
3% Popularity • 64% Danceability • 50% Energy • 10% Liveness
88% Instrumentalness • 13% Positiveness
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Cell
Risky Nap under Blue Tree
100 bpm • G# min • 06:59 • -23db
20% Popularity • 40% Danceability • 19% Energy • 8% Liveness
93% Instrumentalness • 3% Positiveness
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Easily Embarrassed
Interstellar Clouds
100 bpm • G min • 03:20 • -20db
29% Popularity • 35% Danceability • 32% Energy • 9% Liveness
95% Instrumentalness • 8% Positiveness
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Forest Swords
Target Night Vision
100 bpm • A# min • 03:41 • -15.63db
9% Popularity • 48% Danceability • 33% Energy • 11% Liveness
87% Instrumentalness • 15% Positiveness
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H.U.V.A. Network
Symetric Lifes
100 bpm • A# min • 07:28 • -15.33db
19% Popularity • 58% Danceability • 34% Energy • 9% Liveness
91% Instrumentalness • 6% Positiveness
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Microhm
Stargazers
100 bpm • F min • 07:15 • -11db
15% Popularity • 76% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Between Fear and Love