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Bewildered
Songs like
Bewildered
by
Basematic
Based on a tempo of (+/- 10%) and a similar genre
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Basematic
Bewildered
118 bpm • E Maj • 04:20 • -9.76db
0% Popularity • 59% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Low
Hatchet
117 bpm • G Maj • 02:18 • -17.11db
15% Popularity • 86% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 67% Positiveness
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k.d. lang
Simple
117 bpm • A Maj • 02:43 • -20.23db
13% Popularity • 47% Danceability • 9% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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The Chapin Sisters
Kill Me Now
118 bpm • B min • 03:04 • -6.76db
20% Popularity • 59% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 39% Positiveness
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Karen Elson
Cruel Summer
119 bpm • G Maj • 03:30 • -8.61db
8% Popularity • 36% Danceability • 56% Energy • 35% Liveness
0% Instrumentalness • 65% Positiveness
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Tori Amos
Abnormally Attracted To Sin
117 bpm • D min • 05:32 • -9db
17% Popularity • 55% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 43% Positiveness
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Alison Moyet
Mary, Don't Keep Me Waiting
117 bpm • D# min • 03:38 • -8.59db
16% Popularity • 50% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Sean Feucht
Be Not Far (Remixed)
117 bpm • C Maj • 05:25 • -11.7db
13% Popularity • 66% Danceability • 33% Energy • 8% Liveness
0% Instrumentalness • 25% Positiveness
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The Last Town Chorus
Modern Love
117 bpm • C Maj • 04:26 • -10.47db
27% Popularity • 56% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Automatic Shoes
Gypsy (Fleetwood Mac)
117 bpm • D Maj • 03:58 • -12.43db
14% Popularity • 67% Danceability • 33% Energy • 12% Liveness
1% Instrumentalness • 32% Positiveness
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Edie Brickell & New Bohemians
10,000 Angels
117 bpm • G Maj • 06:06 • -11.93db
15% Popularity • 47% Danceability • 33% Energy • 15% Liveness
0% Instrumentalness • 6% Positiveness
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The Cake Sale
Last Leaf
119 bpm • F# min • 03:07 • -8.95db
13% Popularity • 45% Danceability • 35% Energy • 19% Liveness
2% Instrumentalness • 9% Positiveness
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Cowboy Junkies
You Will Be Loved Again
119 bpm • C Maj • 03:25 • -26.17db
20% Popularity • 33% Danceability • 2% Energy • 11% Liveness
1% Instrumentalness • 10% Positiveness
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Markéta Irglová
We Are Good
119 bpm • B min • 05:10 • -10.3db
12% Popularity • 64% Danceability • 28% Energy • 14% Liveness
0% Instrumentalness • 10% Positiveness
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Kele Fleming
Echo Chamber
117 bpm • A min • 02:58 • -9.18db
11% Popularity • 75% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 46% Positiveness
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Dadafon
Slow Day
117 bpm • D min • 05:36 • -10db
8% Popularity • 31% Danceability • 33% Energy • 9% Liveness
6% Instrumentalness • 5% Positiveness
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Fiona Apple
Never Is a Promise
117 bpm • C Maj • 05:54 • -13.42db
46% Popularity • 33% Danceability • 19% Energy • 11% Liveness
2% Instrumentalness • 19% Positiveness
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Nadia Kazmi
Mother
120 bpm • G# min • 03:48 • -7.37db
8% Popularity • 38% Danceability • 53% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Jill Tracy
Haunted By the Thought of You
116 bpm • G min • 06:08 • -14db
12% Popularity • 46% Danceability • 38% Energy • 18% Liveness
35% Instrumentalness • 7% Positiveness
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Plumb
candycoatedwaterdrops
120 bpm • D Maj • 05:25 • -9.83db
12% Popularity • 42% Danceability • 32% Energy • 47% Liveness
0% Instrumentalness • 17% Positiveness
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Ani DiFranco
Minerva
120 bpm • F min • 04:55 • -15.38db
7% Popularity • 54% Danceability • 13% Energy • 15% Liveness
0% Instrumentalness • 9% Positiveness
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Anneke Van Giersbergen
Day After Yesterday
120 bpm • A# min • 03:43 • -14.11db
1% Popularity • 59% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Fiona Apple
Limp
120 bpm • A min • 03:29 • -10.46db
55% Popularity • 77% Danceability • 52% Energy • 40% Liveness
0% Instrumentalness • 34% Positiveness
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Thony
Promises
116 bpm • D Maj • 03:56 • -9.64db
9% Popularity • 67% Danceability • 38% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Rachael Yamagata
Be Be Your Love
120 bpm • D# Maj • 04:12 • -7.99db
41% Popularity • 63% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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The Audreys
More to a Sinner
120 bpm • D Maj • 04:32 • -11db
18% Popularity • 57% Danceability • 31% Energy • 10% Liveness
11% Instrumentalness • 22% Positiveness
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John Cantu
That's Alright
120 bpm • A min • 03:31 • -10db
18% Popularity • 83% Danceability • 66% Energy • 17% Liveness
0% Instrumentalness • 65% Positiveness
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All India Radio
Persist
120 bpm • B min • 03:33 • -8.1db
25% Popularity • 66% Danceability • 60% Energy • 13% Liveness
59% Instrumentalness • 30% Positiveness
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Fiona Apple
Get Him Back
120 bpm • A Maj • 05:24 • -8db
42% Popularity • 65% Danceability • 85% Energy • 30% Liveness
5% Instrumentalness • 28% Positiveness
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后海大鲨鱼
偷月亮的人
116 bpm • D Maj • 06:53 • -11db
18% Popularity • 54% Danceability • 37% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Basematic
Zest
120 bpm • D Maj • 03:27 • -12.28db
0% Popularity • 74% Danceability • 38% Energy • 9% Liveness
69% Instrumentalness • 53% Positiveness
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Adema
Nutshell
120 bpm • D# min • 04:28 • -7.94db
22% Popularity • 60% Danceability • 73% Energy • 8% Liveness
1% Instrumentalness • 27% Positiveness
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Kristin Hersh
Deep Wilson
116 bpm • D min • 04:18 • -12db
11% Popularity • 37% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 17% Positiveness
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Ani DiFranco
Rain Check
116 bpm • A Maj • 04:05 • -13.4db
9% Popularity • 54% Danceability • 20% Energy • 9% Liveness
11% Instrumentalness • 10% Positiveness
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NY PodCat
Who Knew
116 bpm • F Maj • 03:04 • -11.56db
33% Popularity • 59% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 45% Positiveness
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Lizzie West & Baba Buffalo
Chariots Rise
120 bpm • G# Maj • 03:24 • -16.82db
17% Popularity • 86% Danceability • 40% Energy • 7% Liveness
1% Instrumentalness • 74% Positiveness
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Karliene
Become the Beast (Predator Remix )
120 bpm • C# min • 04:53 • -11.74db
28% Popularity • 65% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Lucas Dom Project
Ballad of a Sad Line
120 bpm • D Maj • 04:42 • -9.5db
10% Popularity • 90% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 70% Positiveness
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Angela McCluskey
Wrong Side
116 bpm • F Maj • 04:19 • -8.25db
8% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Gemma Hayes
Easy On The Eye
116 bpm • D Maj • 03:56 • -12.61db
9% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Bic Runga
Roll into One
116 bpm • A min • 03:19 • -11.03db
1% Popularity • 59% Danceability • 49% Energy • 17% Liveness
0% Instrumentalness • 55% Positiveness
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Kate Bush
Rubberband Girl
120 bpm • B Maj • 04:36 • -18db
19% Popularity • 64% Danceability • 43% Energy • 10% Liveness
88% Instrumentalness • 73% Positiveness
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川村ゆみ
やすらぎ
121 bpm • F Maj • 01:31 • -15.78db
39% Popularity • 54% Danceability • 18% Energy • 19% Liveness
48% Instrumentalness • 16% Positiveness
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Sarah Harmer
Dandelions In Bullet Holes
121 bpm • E Maj • 06:02 • -11.3db
25% Popularity • 44% Danceability • 29% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Anneke Van Giersbergen
Notthemostprettygirl
121 bpm • A Maj • 03:14 • -7.33db
8% Popularity • 60% Danceability • 61% Energy • 14% Liveness
12% Instrumentalness • 7% Positiveness
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Sarah Slean
Get Home
121 bpm • C Maj • 03:42 • -11.26db
14% Popularity • 51% Danceability • 28% Energy • 24% Liveness
0% Instrumentalness • 17% Positiveness
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Lucinda Williams
Broken Butterflies
121 bpm • C Maj • 05:40 • -12.87db
15% Popularity • 33% Danceability • 21% Energy • 15% Liveness
0% Instrumentalness • 10% Positiveness
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Corinne Bailey Rae
The Sea
115 bpm • C Maj • 04:04 • -16db
23% Popularity • 42% Danceability • 18% Energy • 30% Liveness
0% Instrumentalness • 18% Positiveness
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Rilo Kiley
About the Moon
114 bpm • C Maj • 03:09 • -9.54db
12% Popularity • 30% Danceability • 33% Energy • 11% Liveness
3% Instrumentalness • 14% Positiveness
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Leningrad
Japanese Knives
114 bpm • E Maj • 03:39 • -14.84db
7% Popularity • 72% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Anneke Van Giersbergen
Day After Yesterday
121 bpm • A# min • 03:42 • -8.65db
18% Popularity • 57% Danceability • 39% Energy • 12% Liveness
6% Instrumentalness • 8% Positiveness
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One Little Plane
She Was out in the Water
114 bpm • C Maj • 04:07 • -14.24db
21% Popularity • 42% Danceability • 39% Energy • 19% Liveness
1% Instrumentalness • 34% Positiveness
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Kathleen Edwards
The Lone Wolf
114 bpm • B min • 04:55 • -10.71db
13% Popularity • 62% Danceability • 51% Energy • 15% Liveness
0% Instrumentalness • 38% Positiveness
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Rebecca St. James
A Cold Heart Turns - God Album Version
123 bpm • D Maj • 02:54 • -13.28db
8% Popularity • 41% Danceability • 8% Energy • 7% Liveness
0% Instrumentalness • 5% Positiveness
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Pluralone
Can't Put The Bullet Back In The Gun
123 bpm • F Maj • 03:46 • -8.59db
13% Popularity • 65% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 53% Positiveness
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Iron & Wine
Gray Stables
114 bpm • A min • 03:55 • -9.75db
22% Popularity • 62% Danceability • 50% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Anneke Van Giersbergen
Sunken Soldiers Ball
122 bpm • B min • 05:07 • -8.35db
15% Popularity • 60% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 15% Positiveness
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Bic Runga
Delight
123 bpm • C Maj • 04:00 • -13.25db
1% Popularity • 79% Danceability • 32% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Q.Age
The Way We Are
123 bpm • A min • 02:08 • -6.86db
20% Popularity • 55% Danceability • 86% Energy • 15% Liveness
24% Instrumentalness • 65% Positiveness
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Tori Amos
In the Springtime of His Voodoo - 2016 R...
113 bpm • C Maj • 05:33 • -10.14db
25% Popularity • 64% Danceability • 40% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Rachael Yamagata
Horizon
123 bpm • A# Maj • 08:15 • -10.33db
21% Popularity • 38% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Ani DiFranco
Hello Birmingham
123 bpm • G min • 05:23 • -14.05db
15% Popularity • 45% Danceability • 20% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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Lesley Gore
Better Angels
113 bpm • A Maj • 04:21 • -11.06db
21% Popularity • 64% Danceability • 32% Energy • 10% Liveness
10% Instrumentalness • 14% Positiveness
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Linda Perry
Taken
113 bpm • B min • 03:38 • -14.95db
14% Popularity • 71% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Sarah Slean
Euphoria
124 bpm • F# min • 03:13 • -9.77db
14% Popularity • 60% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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Tori Amos
Another Girl's Paradise (2023 Remaster)
123 bpm • C Maj • 03:36 • -10.98db
23% Popularity • 62% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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The Cardigans
Holy Love
123 bpm • E Maj • 04:07 • -6.58db
21% Popularity • 45% Danceability • 51% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Seah Cheng Tat
Tatsplantbabies
113 bpm • A min • 03:48 • -20.76db
12% Popularity • 42% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 41% Positiveness
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Sheryl Crow
Run, Baby, Run
124 bpm • E Maj • 04:53 • -11.35db
41% Popularity • 53% Danceability • 56% Energy • 36% Liveness
0% Instrumentalness • 22% Positiveness
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Melissa Ferrick
Glycerine
124 bpm • F Maj • 03:05 • -14.73db
12% Popularity • 78% Danceability • 20% Energy • 10% Liveness
1% Instrumentalness • 45% Positiveness
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Tesla
Only You
124 bpm • A# min • 04:33 • -9.28db
17% Popularity • 59% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Grey Dogs
Scots Wha Hae
124 bpm • C Maj • 02:58 • -14.96db
9% Popularity • 41% Danceability • 15% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
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Björk
Human Behaviour - Acoustic Version
112 bpm • D min • 03:14 • -20.31db
7% Popularity • 45% Danceability • 26% Energy • 70% Liveness
0% Instrumentalness • 34% Positiveness
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The Gathering
Marooned
124 bpm • D min • 05:51 • -8.92db
10% Popularity • 41% Danceability • 64% Energy • 98% Liveness
14% Instrumentalness • 18% Positiveness
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Tori Amos
Benjamin
124 bpm • G Maj • 02:43 • -9.67db
14% Popularity • 63% Danceability • 53% Energy • 62% Liveness
0% Instrumentalness • 63% Positiveness
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Anna Aaron
Mary Ruth
124 bpm • A min • 03:11 • -10db
19% Popularity • 77% Danceability • 46% Energy • 10% Liveness
21% Instrumentalness • 73% Positiveness
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Over the Rhine
Cruel and Pretty
112 bpm • C Maj • 04:17 • -9.6db
9% Popularity • 64% Danceability • 50% Energy • 34% Liveness
8% Instrumentalness • 33% Positiveness
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A Camp
Rock 'n' Roll Ghost
112 bpm • C Maj • 03:59 • -10.54db
8% Popularity • 41% Danceability • 56% Energy • 36% Liveness
20% Instrumentalness • 38% Positiveness
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aeseaes
Bloodsucker - Slowed
112 bpm • A# min • 04:01 • -15.68db
10% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Ani DiFranco
Hide and Seek - hightstown, n.j.
112 bpm • E min • 04:34 • -13.09db
14% Popularity • 77% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 51% Positiveness
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PJ Harvey
Send His Love To Me
125 bpm • G Maj • 04:20 • -10.9db
40% Popularity • 64% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Mary Margaret O'Hara
To Cry About
125 bpm • B Maj • 03:24 • -21.95db
22% Popularity • 42% Danceability • 2% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Tori Amos
Real Men
112 bpm • F# min • 04:04 • -12.8db
19% Popularity • 37% Danceability • 28% Energy • 10% Liveness
1% Instrumentalness • 34% Positiveness
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Sami Akbari
Quicksand
125 bpm • B min • 04:11 • -8.6db
9% Popularity • 56% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Lisa Germano
Trouble
112 bpm • C Maj • 02:20 • -15.08db
21% Popularity • 48% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Ani DiFranco
Untouchable Face
112 bpm • G Maj • 04:39 • -15.36db
43% Popularity • 68% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 39% Positiveness
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Marley Brown
every rhyme
112 bpm • G# Maj • 03:36 • -9.6db
19% Popularity • 32% Danceability • 34% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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The Innocence Mission
Happy, The End
125 bpm • E Maj • 03:38 • -13.73db
15% Popularity • 37% Danceability • 29% Energy • 10% Liveness
20% Instrumentalness • 14% Positiveness
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Erised
Always Yours
125 bpm • G Maj • 05:37 • -21.38db
9% Popularity • 43% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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David Crowder Band
Thank You for Hearing Me
125 bpm • E Maj • 05:32 • -8.53db
9% Popularity • 56% Danceability • 24% Energy • 12% Liveness
6% Instrumentalness • 28% Positiveness
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Tori Amos
Pandora's Aquarium
125 bpm • A min • 04:45 • -9.78db
25% Popularity • 40% Danceability • 40% Energy • 11% Liveness
1% Instrumentalness • 23% Positiveness
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Prose Garden
Hope
125 bpm • D# Maj • 05:10 • -18.07db
15% Popularity • 40% Danceability • 4% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Hey
Fate - MTV Unplugged
125 bpm • D Maj • 03:43 • -7.82db
13% Popularity • 50% Danceability • 63% Energy • 98% Liveness
0% Instrumentalness • 30% Positiveness
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Rickie Lee Jones
Jimmy Choos
125 bpm • G Maj • 03:57 • -9.17db
9% Popularity • 76% Danceability • 56% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Rilo Kiley
Draggin' Around
111 bpm • C Maj • 03:24 • -7.95db
14% Popularity • 67% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 28% Positiveness
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Stevie Nicks
Crystal - 2019 Remaster
125 bpm • E min • 05:53 • -11.21db
45% Popularity • 33% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 20% Positiveness
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Sheryl Crow
Solitaire
126 bpm • B Maj • 04:43 • -10.32db
23% Popularity • 52% Danceability • 40% Energy • 22% Liveness
2% Instrumentalness • 20% Positiveness
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Heather Nova
Sugar - Blow Version
126 bpm • D Maj • 05:31 • -12.37db
14% Popularity • 50% Danceability • 41% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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The Body
Oh Sinner
126 bpm • G# Maj • 04:34 • -7.98db
18% Popularity • 75% Danceability • 51% Energy • 33% Liveness
90% Instrumentalness • 24% Positiveness
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Ani DiFranco
Company
111 bpm • D Maj • 04:06 • -13.82db
7% Popularity • 50% Danceability • 18% Energy • 54% Liveness
0% Instrumentalness • 8% Positiveness
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