Songs like Bhajan - Vaishnav Jana To Tene Re Kahie by Amjad Ali Khan
Based on a tempo of (+/- 10%) and a similar genre
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Bickram Ghosh
Paal
174 bpm • G Maj • 04:32 • -8.76db
14% Popularity • 52% Danceability • 61% Energy • 9% Liveness
11% Instrumentalness • 49% Positiveness
14% Popularity • 52% Danceability • 61% Energy • 9% Liveness
11% Instrumentalness • 49% Positiveness
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Alam Khan
Bhimpalasri alap (solo)
174 bpm • F Maj • 04:14 • -16db
22% Popularity • 50% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
22% Popularity • 50% Danceability • 3% Energy • 12% Liveness
2% Instrumentalness • 26% Positiveness
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Rajhesh Vaidhya
Chandrasekara - Sindu Bhairavi - Adi
173 bpm • D# Maj • 02:58 • -9db
22% Popularity • 31% Danceability • 59% Energy • 8% Liveness
95% Instrumentalness • 71% Positiveness
22% Popularity • 31% Danceability • 59% Energy • 8% Liveness
95% Instrumentalness • 71% Positiveness
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Amjad Ali Khan
Bhajan - Vaishnav Jana To Tene Re Kahie
174 bpm • G min • 09:35 • -19.53db
12% Popularity • 42% Danceability • 33% Energy • 36% Liveness
14% Instrumentalness • 25% Positiveness
12% Popularity • 42% Danceability • 33% Energy • 36% Liveness
14% Instrumentalness • 25% Positiveness
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Milind Date
Durga-Teen Taal
175 bpm • E Maj • 08:10 • -12.96db
12% Popularity • 35% Danceability • 52% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
12% Popularity • 35% Danceability • 52% Energy • 15% Liveness
82% Instrumentalness • 36% Positiveness
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Imrat Khan
Raga yaman kalyan : Alap
173 bpm • G# Maj • 05:43 • -15db
15% Popularity • 34% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
15% Popularity • 34% Danceability • 9% Energy • 10% Liveness
0% Instrumentalness • 15% Positiveness
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Ganesh & Kumaresh
Raga Karnaranjani
175 bpm • G# min • 04:58 • -11db
24% Popularity • 49% Danceability • 59% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
24% Popularity • 49% Danceability • 59% Energy • 8% Liveness
93% Instrumentalness • 69% Positiveness
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Joe Walsh
Goddess
175 bpm • C Maj • 06:04 • -11.32db
11% Popularity • 38% Danceability • 52% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
11% Popularity • 38% Danceability • 52% Energy • 11% Liveness
90% Instrumentalness • 33% Positiveness
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Subham jossi
Radha Krishna flute
175 bpm • A# Maj • 01:10 • -16.26db
46% Popularity • 25% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 88% Positiveness
46% Popularity • 25% Danceability • 7% Energy • 9% Liveness
12% Instrumentalness • 88% Positiveness
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Shruti Sadolikar
Durga
173 bpm • C# Maj • 03:31 • -18db
14% Popularity • 23% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 47% Positiveness
14% Popularity • 23% Danceability • 40% Energy • 14% Liveness
2% Instrumentalness • 47% Positiveness
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Amjad Ali Khan
Raga Darbari
173 bpm • A# min • 14:45 • -25.47db
7% Popularity • 38% Danceability • 18% Energy • 34% Liveness
82% Instrumentalness • 12% Positiveness
7% Popularity • 38% Danceability • 18% Energy • 34% Liveness
82% Instrumentalness • 12% Positiveness
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Ganesha Bhajans
Jai Ganesha Jai Ganesha
172 bpm • G# Maj • 07:13 • -12.55db
40% Popularity • 33% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
40% Popularity • 33% Danceability • 42% Energy • 7% Liveness
0% Instrumentalness • 57% Positiveness
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Nikhil Banerjee
Jogiya Kalingra: Medium tintal
172 bpm • A Maj • 05:03 • -19.19db
9% Popularity • 30% Danceability • 50% Energy • 12% Liveness
70% Instrumentalness • 49% Positiveness
9% Popularity • 30% Danceability • 50% Energy • 12% Liveness
70% Instrumentalness • 49% Positiveness
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Sissaya Heyku
Spinning Wheel
172 bpm • D Maj • 03:59 • -16.65db
12% Popularity • 25% Danceability • 25% Energy • 36% Liveness
9% Instrumentalness • 26% Positiveness
12% Popularity • 25% Danceability • 25% Energy • 36% Liveness
9% Instrumentalness • 26% Positiveness
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Ustad Bismillahkhan
Shudh Sarang - Instrumental
177 bpm • D# Maj • 03:26 • -13db
13% Popularity • 21% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
13% Popularity • 21% Danceability • 62% Energy • 12% Liveness
94% Instrumentalness • 42% Positiveness
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Buddhadev DasGupta
Chayanat
176 bpm • C Maj • 03:39 • -21.64db
12% Popularity • 41% Danceability • 48% Energy • 8% Liveness
95% Instrumentalness • 26% Positiveness
12% Popularity • 41% Danceability • 48% Energy • 8% Liveness
95% Instrumentalness • 26% Positiveness
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Amjad Ali Khan
Raga Miya-Ki-Malhar Teental
177 bpm • A# Maj • 05:24 • -16.96db
25% Popularity • 35% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 41% Positiveness
25% Popularity • 35% Danceability • 32% Energy • 15% Liveness
86% Instrumentalness • 41% Positiveness
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Shahid Parvez with Vijay Ghate
Raga Bhairav
171 bpm • C# Maj • 15:31 • -16.45db
19% Popularity • 31% Danceability • 26% Energy • 5% Liveness
60% Instrumentalness • 15% Positiveness
19% Popularity • 31% Danceability • 26% Energy • 5% Liveness
60% Instrumentalness • 15% Positiveness
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Joe Walsh
Healing Love
171 bpm • C Maj • 07:59 • -12.64db
6% Popularity • 40% Danceability • 33% Energy • 14% Liveness
7% Instrumentalness • 15% Positiveness
6% Popularity • 40% Danceability • 33% Energy • 14% Liveness
7% Instrumentalness • 15% Positiveness
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Shahid Parvez
Raga Tilak Kamod
171 bpm • C# Maj • 15:05 • -19.06db
19% Popularity • 28% Danceability • 27% Energy • 8% Liveness
48% Instrumentalness • 32% Positiveness
19% Popularity • 28% Danceability • 27% Energy • 8% Liveness
48% Instrumentalness • 32% Positiveness
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Milind Date
Romantic Flute-Gorakh Kalyan-Teen Taal
170 bpm • E Maj • 03:51 • -9.27db
10% Popularity • 65% Danceability • 60% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
10% Popularity • 65% Danceability • 60% Energy • 9% Liveness
89% Instrumentalness • 46% Positiveness
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Shruti Sadolikar
Bhimpalasi
177 bpm • C# Maj • 03:41 • -19.38db
16% Popularity • 22% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
16% Popularity • 22% Danceability • 37% Energy • 12% Liveness
3% Instrumentalness • 53% Positiveness
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Bickram Ghosh
Scintillating Tabla
171 bpm • B min • 13:39 • -6.57db
3% Popularity • 41% Danceability • 75% Energy • 24% Liveness
81% Instrumentalness • 62% Positiveness
3% Popularity • 41% Danceability • 75% Energy • 24% Liveness
81% Instrumentalness • 62% Positiveness
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Ricky Kej
The Awakening
170 bpm • F Maj • 02:21 • -8.19db
27% Popularity • 49% Danceability • 77% Energy • 23% Liveness
6% Instrumentalness • 56% Positiveness
27% Popularity • 49% Danceability • 77% Energy • 23% Liveness
6% Instrumentalness • 56% Positiveness
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Bhimsen Joshi & Ashwini Bhide
Madhurashtakam
170 bpm • G min • 04:08 • -14.73db
14% Popularity • 52% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
14% Popularity • 52% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 65% Positiveness
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Amjad Ali Khan
Raga Darbari - Drut Gat - Teentaal - Ins...
178 bpm • A# min • 09:34 • -7.12db
17% Popularity • 34% Danceability • 71% Energy • 35% Liveness
95% Instrumentalness • 30% Positiveness
17% Popularity • 34% Danceability • 71% Energy • 35% Liveness
95% Instrumentalness • 30% Positiveness
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Rasika Shekar
Departure
170 bpm • G min • 03:58 • -15.33db
19% Popularity • 18% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
19% Popularity • 18% Danceability • 30% Energy • 10% Liveness
90% Instrumentalness • 3% Positiveness
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Pandit Shivkumar Sharma & Pandit Hariprasad Chaurasia
Love (alap)
170 bpm • G Maj • 05:56 • -19.96db
31% Popularity • 33% Danceability • 11% Energy • 16% Liveness
16% Instrumentalness • 17% Positiveness
31% Popularity • 33% Danceability • 11% Energy • 16% Liveness
16% Instrumentalness • 17% Positiveness
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Reshma Jain
Tera Mangal: Maitri Bhavana
170 bpm • E min • 03:11 • -17db
37% Popularity • 29% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
37% Popularity • 29% Danceability • 10% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
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Buddhadev DasGupta
Sur Malhar
170 bpm • G min • 04:46 • -21.87db
8% Popularity • 44% Danceability • 37% Energy • 6% Liveness
84% Instrumentalness • 30% Positiveness
8% Popularity • 44% Danceability • 37% Energy • 6% Liveness
84% Instrumentalness • 30% Positiveness
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Kutumba
Freedom
170 bpm • C# Maj • 02:32 • -11.51db
11% Popularity • 29% Danceability • 61% Energy • 71% Liveness
0% Instrumentalness • 49% Positiveness
11% Popularity • 29% Danceability • 61% Energy • 71% Liveness
0% Instrumentalness • 49% Positiveness
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Zakir Hussain & Dudhadev Dasgupta
Toronto (Canada) 1989 - Tintal
178 bpm • B min • 04:57 • -14.96db
9% Popularity • 37% Danceability • 81% Energy • 11% Liveness
89% Instrumentalness • 51% Positiveness
9% Popularity • 37% Danceability • 81% Energy • 11% Liveness
89% Instrumentalness • 51% Positiveness
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Shujaat Khan
Lajo Lajo
169 bpm • F# Maj • 08:50 • -13.68db
17% Popularity • 30% Danceability • 52% Energy • 23% Liveness
3% Instrumentalness • 42% Positiveness
17% Popularity • 30% Danceability • 52% Energy • 23% Liveness
3% Instrumentalness • 42% Positiveness
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Bickram Ghosh
Khandam - A Sequence of Five
170 bpm • F# min • 03:44 • -15db
11% Popularity • 40% Danceability • 78% Energy • 17% Liveness
30% Instrumentalness • 90% Positiveness
11% Popularity • 40% Danceability • 78% Energy • 17% Liveness
30% Instrumentalness • 90% Positiveness
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M.S. Gopalakrishnan
Janani Ninnuvina
169 bpm • F# min • 09:29 • -8db
15% Popularity • 39% Danceability • 41% Energy • 22% Liveness
92% Instrumentalness • 36% Positiveness
15% Popularity • 39% Danceability • 41% Energy • 22% Liveness
92% Instrumentalness • 36% Positiveness
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Vedanth Bharadwaj
Maya
180 bpm • A# Maj • 08:29 • -8.53db
9% Popularity • 19% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
9% Popularity • 19% Danceability • 14% Energy • 22% Liveness
0% Instrumentalness • 8% Positiveness
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Prasanna
Dark Sundae in Triplicane
180 bpm • E Maj • 06:50 • -10.31db
9% Popularity • 52% Danceability • 55% Energy • 9% Liveness
90% Instrumentalness • 77% Positiveness
9% Popularity • 52% Danceability • 55% Energy • 9% Liveness
90% Instrumentalness • 77% Positiveness
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Rahim AlHaj
Missing You
168 bpm • A min • 04:18 • -14.09db
1% Popularity • 34% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
1% Popularity • 34% Danceability • 32% Energy • 10% Liveness
90% Instrumentalness • 8% Positiveness
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Ismail Sheikh
Bhajan In Dadara, Humak Chala Ta Raam Ch...
182 bpm • G Maj • 06:29 • -19.06db
21% Popularity • 46% Danceability • 43% Energy • 32% Liveness
29% Instrumentalness • 84% Positiveness
21% Popularity • 46% Danceability • 43% Energy • 32% Liveness
29% Instrumentalness • 84% Positiveness
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Bickram Ghosh
The Song Of The Little Road
180 bpm • F# min • 01:34 • -8db
25% Popularity • 53% Danceability • 52% Energy • 16% Liveness
53% Instrumentalness • 67% Positiveness
25% Popularity • 53% Danceability • 52% Energy • 16% Liveness
53% Instrumentalness • 67% Positiveness
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L. Subramaniam
Raga kirvani : Pallavî
166 bpm • B Maj • 11:26 • -13.28db
17% Popularity • 41% Danceability • 55% Energy • 30% Liveness
92% Instrumentalness • 76% Positiveness
17% Popularity • 41% Danceability • 55% Energy • 30% Liveness
92% Instrumentalness • 76% Positiveness
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Vilayat Khan
Raga Gauti
165 bpm • C# Maj • 10:55 • -9.98db
23% Popularity • 28% Danceability • 53% Energy • 6% Liveness
76% Instrumentalness • 25% Positiveness
23% Popularity • 28% Danceability • 53% Energy • 6% Liveness
76% Instrumentalness • 25% Positiveness
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Shruti Sadolikar
Tilang
165 bpm • G# Maj • 03:47 • -17.74db
9% Popularity • 23% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
9% Popularity • 23% Danceability • 42% Energy • 10% Liveness
2% Instrumentalness • 41% Positiveness
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Tirtha Gandharbha
Paan Ko Paat
165 bpm • G min • 05:22 • -12.56db
16% Popularity • 34% Danceability • 34% Energy • 7% Liveness
23% Instrumentalness • 72% Positiveness
16% Popularity • 34% Danceability • 34% Energy • 7% Liveness
23% Instrumentalness • 72% Positiveness
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Girija Devi, Kishan Maharaj, Ramesh Mishra
Jhama Jham - Thumri
184 bpm • E Maj • 09:02 • -12db
15% Popularity • 23% Danceability • 44% Energy • 70% Liveness
0% Instrumentalness • 50% Positiveness
15% Popularity • 23% Danceability • 44% Energy • 70% Liveness
0% Instrumentalness • 50% Positiveness
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Shivkumar Sharma & Zakir Hussain
Raga Hameer, Gat In Teentaal
185 bpm • D Maj • 05:06 • -17.03db
25% Popularity • 24% Danceability • 45% Energy • 33% Liveness
24% Instrumentalness • 34% Positiveness
25% Popularity • 24% Danceability • 45% Energy • 33% Liveness
24% Instrumentalness • 34% Positiveness
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Amjad Ali Khan
Calcutta City
165 bpm • B Maj • 06:14 • -8.15db
27% Popularity • 30% Danceability • 68% Energy • 7% Liveness
13% Instrumentalness • 49% Positiveness
27% Popularity • 30% Danceability • 68% Energy • 7% Liveness
13% Instrumentalness • 49% Positiveness
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N. Ravikiran
Vallabha Nayakasya - Raga Begada
162 bpm • C min • 06:14 • -17db
9% Popularity • 42% Danceability • 48% Energy • 8% Liveness
73% Instrumentalness • 45% Positiveness
9% Popularity • 42% Danceability • 48% Energy • 8% Liveness
73% Instrumentalness • 45% Positiveness
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Shruti Sadolikar
Yaman
163 bpm • G# Maj • 03:41 • -18.13db
10% Popularity • 23% Danceability • 37% Energy • 17% Liveness
13% Instrumentalness • 38% Positiveness
10% Popularity • 23% Danceability • 37% Energy • 17% Liveness
13% Instrumentalness • 38% Positiveness
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![Dream (Raag Tilak Nat) [Radio Edit] cover art](https://i.scdn.co/image/ab67616d00001e024dc733eec183d653293189a0)
Niladri Kumar
Dream (Raag Tilak Nat) [Radio Edit]
161 bpm • D Maj • 07:31 • -10.69db
29% Popularity • 27% Danceability • 61% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
29% Popularity • 27% Danceability • 61% Energy • 11% Liveness
93% Instrumentalness • 56% Positiveness
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Phani Narayana
The Invisible Omnipresent One (Kurai Ond...
160 bpm • D min • 05:30 • -10.13db
8% Popularity • 69% Danceability • 57% Energy • 12% Liveness
24% Instrumentalness • 77% Positiveness
8% Popularity • 69% Danceability • 57% Energy • 12% Liveness
24% Instrumentalness • 77% Positiveness
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Shahid Parvez
Raga Kirwani Gat
158 bpm • B Maj • 08:47 • -13db
11% Popularity • 24% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
11% Popularity • 24% Danceability • 59% Energy • 11% Liveness
94% Instrumentalness • 18% Positiveness
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Amjad Ali Khan
Bhairavi
160 bpm • A# Maj • 06:47 • -24db
34% Popularity • 42% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
34% Popularity • 42% Danceability • 19% Energy • 9% Liveness
92% Instrumentalness • 22% Positiveness
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Vishwa Mohan Bhatt
Dhun in Rag Pahadi
157 bpm • C Maj • 08:29 • -24db
17% Popularity • 38% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
17% Popularity • 38% Danceability • 24% Energy • 10% Liveness
90% Instrumentalness • 33% Positiveness
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Shruti Sadolikar
Bhatiyar
191 bpm • G# Maj • 04:10 • -17.4db
17% Popularity • 19% Danceability • 32% Energy • 28% Liveness
4% Instrumentalness • 26% Positiveness
17% Popularity • 19% Danceability • 32% Energy • 28% Liveness
4% Instrumentalness • 26% Positiveness
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Tarun Bhattacharya
Dhun In Misra Anandi
157 bpm • F# min • 08:19 • -21.5db
19% Popularity • 32% Danceability • 33% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
19% Popularity • 32% Danceability • 33% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
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Ajoy Chakrabarty
Khelun Piya Sang Hori
156 bpm • F# Maj • 08:01 • -7db
9% Popularity • 51% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
9% Popularity • 51% Danceability • 53% Energy • 11% Liveness
0% Instrumentalness • 46% Positiveness
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Bageshree Vaze
Lucknow's Jewel
155 bpm • B min • 06:28 • -8db
11% Popularity • 40% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
11% Popularity • 40% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Amjad Ali Khan
Ganesh Kalyan
158 bpm • G Maj • 06:57 • -20.17db
1% Popularity • 38% Danceability • 14% Energy • 16% Liveness
67% Instrumentalness • 17% Positiveness
1% Popularity • 38% Danceability • 14% Energy • 16% Liveness
67% Instrumentalness • 17% Positiveness
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Bickram Ghosh
Nat Bhairavi
154 bpm • E min • 06:32 • -18.54db
10% Popularity • 36% Danceability • 40% Energy • 5% Liveness
89% Instrumentalness • 44% Positiveness
10% Popularity • 36% Danceability • 40% Energy • 5% Liveness
89% Instrumentalness • 44% Positiveness
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Shruti Sadolikar
Tilak Kamod
156 bpm • G# Maj • 04:06 • -18.8db
9% Popularity • 27% Danceability • 34% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
9% Popularity • 27% Danceability • 34% Energy • 12% Liveness
3% Instrumentalness • 57% Positiveness
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Kishori Amonkar
Sanwariya Sanjh
153 bpm • C# min • 04:44 • -15db
15% Popularity • 31% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
15% Popularity • 31% Danceability • 36% Energy • 21% Liveness
0% Instrumentalness • 58% Positiveness
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Shahid Parvez
Raga Yaman Gat
153 bpm • C# Maj • 11:39 • -15db
14% Popularity • 29% Danceability • 40% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
14% Popularity • 29% Danceability • 40% Energy • 13% Liveness
96% Instrumentalness • 26% Positiveness
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Kutumba
Planet Nepal
153 bpm • D# min • 05:14 • -11db
13% Popularity • 33% Danceability • 52% Energy • 80% Liveness
0% Instrumentalness • 46% Positiveness
13% Popularity • 33% Danceability • 52% Energy • 80% Liveness
0% Instrumentalness • 46% Positiveness
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Amjad Ali Khan
Raga Bhatiyali
154 bpm • F Maj • 06:49 • -8.57db
5% Popularity • 43% Danceability • 63% Energy • 66% Liveness
88% Instrumentalness • 33% Positiveness
5% Popularity • 43% Danceability • 63% Energy • 66% Liveness
88% Instrumentalness • 33% Positiveness
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Chirag Katti
Lat Ulajhi - Instrumental
152 bpm • A# Maj • 03:48 • -8.02db
19% Popularity • 59% Danceability • 61% Energy • 10% Liveness
52% Instrumentalness • 39% Positiveness
19% Popularity • 59% Danceability • 61% Energy • 10% Liveness
52% Instrumentalness • 39% Positiveness
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Birju Maharaj
Kanha Main Tose Haari
151 bpm • C# min • 05:46 • -11.01db
5% Popularity • 44% Danceability • 60% Energy • 17% Liveness
2% Instrumentalness • 64% Positiveness
5% Popularity • 44% Danceability • 60% Energy • 17% Liveness
2% Instrumentalness • 64% Positiveness
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Kishori Amonkar
Ek Hi Sang Hute
151 bpm • C# Maj • 04:53 • -17db
19% Popularity • 33% Danceability • 20% Energy • 13% Liveness
72% Instrumentalness • 38% Positiveness
19% Popularity • 33% Danceability • 20% Energy • 13% Liveness
72% Instrumentalness • 38% Positiveness
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Iqubal Huein
Raga Kirwani - Alap Gat - Teental
151 bpm • C min • 10:13 • -11db
19% Popularity • 45% Danceability • 60% Energy • 28% Liveness
50% Instrumentalness • 36% Positiveness
19% Popularity • 45% Danceability • 60% Energy • 28% Liveness
50% Instrumentalness • 36% Positiveness
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Karnamrita
The Glories of Sri Radha
150 bpm • A# Maj • 04:11 • -12db
17% Popularity • 48% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 48% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 72% Positiveness
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Amjad Ali Khan
Raga desh : Drut gaat in teentaal
153 bpm • F# Maj • 07:37 • -10.17db
0% Popularity • 32% Danceability • 84% Energy • 70% Liveness
88% Instrumentalness • 53% Positiveness
0% Popularity • 32% Danceability • 84% Energy • 70% Liveness
88% Instrumentalness • 53% Positiveness
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Apoorva Krishna
Charukesi (Violin Solo)
150 bpm • A Maj • 06:24 • -8.06db
19% Popularity • 64% Danceability • 64% Energy • 7% Liveness
20% Instrumentalness • 65% Positiveness
19% Popularity • 64% Danceability • 64% Energy • 7% Liveness
20% Instrumentalness • 65% Positiveness
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Anuradha Pal
Tabla Tonic
150 bpm • F# min • 03:23 • -8.22db
24% Popularity • 71% Danceability • 90% Energy • 11% Liveness
82% Instrumentalness • 54% Positiveness
24% Popularity • 71% Danceability • 90% Energy • 11% Liveness
82% Instrumentalness • 54% Positiveness
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Shivkumar Sharma
Twilight Shadows
150 bpm • F Maj • 03:56 • -15db
20% Popularity • 49% Danceability • 35% Energy • 25% Liveness
4% Instrumentalness • 28% Positiveness
20% Popularity • 49% Danceability • 35% Energy • 25% Liveness
4% Instrumentalness • 28% Positiveness
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Shruti Sadolikar
Alhaiya Bilaval
150 bpm • C# Maj • 04:09 • -17db
23% Popularity • 29% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
23% Popularity • 29% Danceability • 38% Energy • 44% Liveness
0% Instrumentalness • 49% Positiveness
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Rahim AlHaj
Release of the Dove
149 bpm • E Maj • 10:28 • -17.32db
3% Popularity • 55% Danceability • 11% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
3% Popularity • 55% Danceability • 11% Energy • 11% Liveness
76% Instrumentalness • 14% Positiveness
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Niladri Kumar
Raghupati
149 bpm • A# min • 05:04 • -9.58db
29% Popularity • 30% Danceability • 59% Energy • 6% Liveness
88% Instrumentalness • 22% Positiveness
29% Popularity • 30% Danceability • 59% Energy • 6% Liveness
88% Instrumentalness • 22% Positiveness
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Parvathy Baul
Kotha He
148 bpm • D Maj • 06:29 • -6.31db
10% Popularity • 50% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
10% Popularity • 50% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 41% Positiveness
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Ustad Bismillahkhan
Todi - Instrumental
148 bpm • D# Maj • 03:30 • -15db
12% Popularity • 34% Danceability • 40% Energy • 23% Liveness
91% Instrumentalness • 31% Positiveness
12% Popularity • 34% Danceability • 40% Energy • 23% Liveness
91% Instrumentalness • 31% Positiveness