Songs like Bham Bham Bole by Hariharan
Based on a tempo of (+/- 10%) and a similar genre
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Kailash Kher
Elegeylaga
121 bpm • D Maj • 04:20 • -8db
47% Popularity • 84% Danceability • 79% Energy • 7% Liveness
3% Instrumentalness • 58% Positiveness
47% Popularity • 84% Danceability • 79% Energy • 7% Liveness
3% Instrumentalness • 58% Positiveness
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Hariharan
Bham Bham Bole
121 bpm • G Maj • 06:07 • -10db
42% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 69% Danceability • 80% Energy • 16% Liveness
0% Instrumentalness • 76% Positiveness
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Kunal Ganjawala
Naaku Neeku
121 bpm • A Maj • 05:25 • -6db
54% Popularity • 82% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 70% Positiveness
54% Popularity • 82% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 70% Positiveness
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Swarnalatha
Yamunna Thatilo
122 bpm • B Maj • 01:18 • -8db
49% Popularity • 61% Danceability • 30% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
49% Popularity • 61% Danceability • 30% Energy • 54% Liveness
0% Instrumentalness • 54% Positiveness
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Chakri
Badmaashu Pilla
120 bpm • C# min • 04:29 • -5.97db
11% Popularity • 88% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
11% Popularity • 88% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 82% Positiveness
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P. Susheela
Kalaya Nijama
122 bpm • A# Maj • 04:57 • -6db
48% Popularity • 71% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 71% Danceability • 49% Energy • 15% Liveness
0% Instrumentalness • 68% Positiveness
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Vidyasagar
Neeya Pesiyathu
120 bpm • G Maj • 04:37 • -8.61db
46% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
46% Popularity • 73% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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S.A. Rajkumar
Kadhal Vennila
122 bpm • E min • 03:56 • -11db
46% Popularity • 86% Danceability • 69% Energy • 5% Liveness
1% Instrumentalness • 90% Positiveness
46% Popularity • 86% Danceability • 69% Energy • 5% Liveness
1% Instrumentalness • 90% Positiveness
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Karunya
Ammayi Kitiki Pakkana
122 bpm • E Maj • 03:35 • -11.5db
36% Popularity • 88% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
36% Popularity • 88% Danceability • 54% Energy • 11% Liveness
0% Instrumentalness • 87% Positiveness
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Ranjith Govind
Jabilli Nuvve
120 bpm • A# min • 03:46 • -8.89db
42% Popularity • 84% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
42% Popularity • 84% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Clinton
Smiyai
120 bpm • F# Maj • 05:09 • -13.79db
35% Popularity • 87% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
35% Popularity • 87% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 65% Positiveness
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Mickey J. Meyer
Thanemando
120 bpm • A Maj • 04:14 • -8db
51% Popularity • 75% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
51% Popularity • 75% Danceability • 50% Energy • 17% Liveness
0% Instrumentalness • 79% Positiveness
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Srinivas
Priya
122 bpm • F min • 05:32 • -6db
55% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
55% Popularity • 68% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 83% Positiveness
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Sooraj Santhosh
Labbar Bomma
122 bpm • D min • 04:33 • -5.12db
32% Popularity • 90% Danceability • 88% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
32% Popularity • 90% Danceability • 88% Energy • 4% Liveness
1% Instrumentalness • 96% Positiveness
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Hariharan
Aa Vaipunna Ee Vaipunna Ye Vaipunna
120 bpm • D min • 04:10 • -7db
22% Popularity • 84% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
22% Popularity • 84% Danceability • 84% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Deepu
Naa Chore
120 bpm • C# Maj • 04:53 • -8.2db
44% Popularity • 79% Danceability • 96% Energy • 18% Liveness
2% Instrumentalness • 79% Positiveness
44% Popularity • 79% Danceability • 96% Energy • 18% Liveness
2% Instrumentalness • 79% Positiveness
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Keerthi Sagathia
Panchirey
120 bpm • C Maj • 04:54 • -8db
44% Popularity • 71% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
44% Popularity • 71% Danceability • 69% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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KK
Le Le Lele
120 bpm • C Maj • 05:53 • -8db
44% Popularity • 91% Danceability • 83% Energy • 5% Liveness
1% Instrumentalness • 62% Positiveness
44% Popularity • 91% Danceability • 83% Energy • 5% Liveness
1% Instrumentalness • 62% Positiveness
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Kalyani Malik
Chantaina Bujjaina
120 bpm • B min • 05:27 • -8.14db
41% Popularity • 84% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 84% Danceability • 80% Energy • 5% Liveness
0% Instrumentalness • 57% Positiveness
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Udit Narayan
Emaindhi Eevela
120 bpm • G min • 05:19 • -5.62db
58% Popularity • 80% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
58% Popularity • 80% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Hariharan
Vastha Nee Venuka
120 bpm • F min • 05:33 • -7db
56% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
56% Popularity • 76% Danceability • 75% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Mickey J. Meyer
Jarra Jarra
120 bpm • A# min • 03:01 • -9.59db
53% Popularity • 90% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
53% Popularity • 90% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 85% Positiveness
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Harish Raghavendra
Evare Nuvvu
120 bpm • A# Maj • 04:10 • -6.24db
60% Popularity • 81% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
60% Popularity • 81% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Ranjith, Sahithi
Gundello Yemundo
120 bpm • A# Maj • 05:29 • -7.89db
33% Popularity • 73% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 73% Danceability • 69% Energy • 9% Liveness
0% Instrumentalness • 8% Positiveness
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Yuvan Shankar Raja
Yedho
120 bpm • C min • 03:33 • -10db
52% Popularity • 76% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
52% Popularity • 76% Danceability • 35% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Karunya
Vayyarala
120 bpm • G# min • 05:20 • -6db
53% Popularity • 80% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
53% Popularity • 80% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 86% Positiveness
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Mukesh
Dandiya India
120 bpm • C Maj • 04:41 • -4db
44% Popularity • 63% Danceability • 97% Energy • 6% Liveness
8% Instrumentalness • 83% Positiveness
44% Popularity • 63% Danceability • 97% Energy • 6% Liveness
8% Instrumentalness • 83% Positiveness
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S.P. Charan
Kaadhana Preme (Version 1)
123 bpm • F min • 06:54 • -7db
54% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
54% Popularity • 66% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Mangli
Brindavanam
119 bpm • A# min • 03:52 • -9db
57% Popularity • 82% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
57% Popularity • 82% Danceability • 64% Energy • 35% Liveness
0% Instrumentalness • 89% Positiveness
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KK
Dai Dai Dhamma
123 bpm • C min • 05:20 • -9db
40% Popularity • 86% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 86% Danceability • 72% Energy • 15% Liveness
0% Instrumentalness • 81% Positiveness
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Hari Haran, Sadhana Sargam
Sathamana Mannadile
119 bpm • D Maj • 05:37 • -10.76db
41% Popularity • 80% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
41% Popularity • 80% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Hemachandra Vedala
Gundello
124 bpm • A min • 04:01 • -4db
43% Popularity • 83% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
43% Popularity • 83% Danceability • 80% Energy • 9% Liveness
1% Instrumentalness • 79% Positiveness
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Karunya
Endhuko Pichi Pichi
124 bpm • E min • 04:31 • -6db
60% Popularity • 86% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
60% Popularity • 86% Danceability • 85% Energy • 20% Liveness
0% Instrumentalness • 65% Positiveness
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Kushi Murali
Kaatuka Kallu
124 bpm • D Maj • 03:58 • -3db
45% Popularity • 84% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 84% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 85% Positiveness
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Vishnu Vijay
Nenjakame
124 bpm • C Maj • 05:25 • -11.07db
58% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
58% Popularity • 65% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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KK
Inte Inthinte
124 bpm • D Maj • 05:16 • -9db
45% Popularity • 87% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
45% Popularity • 87% Danceability • 85% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Vijay Yesudas
Radhamma Radhamma
118 bpm • G min • 04:17 • -8.24db
5% Popularity • 70% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
5% Popularity • 70% Danceability • 73% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Mani Sharma
Sunday Monday
118 bpm • C Maj • 04:39 • -7.11db
37% Popularity • 85% Danceability • 61% Energy • 7% Liveness
15% Instrumentalness • 83% Positiveness
37% Popularity • 85% Danceability • 61% Energy • 7% Liveness
15% Instrumentalness • 83% Positiveness
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Karunya
Pillani Choosthey
124 bpm • G Maj • 04:04 • -4db
32% Popularity • 86% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
32% Popularity • 86% Danceability • 90% Energy • 6% Liveness
0% Instrumentalness • 81% Positiveness
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Sagar
Jaaruko
118 bpm • G Maj • 04:21 • -5db
45% Popularity • 84% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
45% Popularity • 84% Danceability • 91% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Thaman S
Vaishali Vaishali
125 bpm • A# min • 04:20 • -9db
36% Popularity • 83% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
36% Popularity • 83% Danceability • 73% Energy • 16% Liveness
0% Instrumentalness • 96% Positiveness
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KK
Osari Preminchaka
118 bpm • E min • 03:47 • -8.4db
43% Popularity • 68% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 66% Positiveness
43% Popularity • 68% Danceability • 72% Energy • 41% Liveness
0% Instrumentalness • 66% Positiveness
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Kalyani Malik
Ganga AC
125 bpm • F min • 05:21 • -8.55db
37% Popularity • 74% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
37% Popularity • 74% Danceability • 78% Energy • 16% Liveness
0% Instrumentalness • 71% Positiveness
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Chakri
Oke Oka Mata
125 bpm • C# min • 05:29 • -7.33db
42% Popularity • 68% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
42% Popularity • 68% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Mani Sharma
Chik Buk Pori
117 bpm • A# min • 05:09 • -7.65db
38% Popularity • 79% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
38% Popularity • 79% Danceability • 87% Energy • 9% Liveness
0% Instrumentalness • 71% Positiveness
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Dhanunjay Seepana
Yelo Yedarilo Vaana
126 bpm • F Maj • 04:03 • -7.59db
37% Popularity • 78% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
37% Popularity • 78% Danceability • 65% Energy • 15% Liveness
0% Instrumentalness • 79% Positiveness
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Shankar Mahadevan, Shreya Ghoshal
Dhinaku Dhin Jiya
117 bpm • F# Maj • 04:44 • -9.5db
40% Popularity • 82% Danceability • 67% Energy • 6% Liveness
7% Instrumentalness • 96% Positiveness
40% Popularity • 82% Danceability • 67% Energy • 6% Liveness
7% Instrumentalness • 96% Positiveness
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Sagar
O Manmadhuda
126 bpm • C Maj • 04:43 • -5db
41% Popularity • 85% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
41% Popularity • 85% Danceability • 59% Energy • 7% Liveness
0% Instrumentalness • 66% Positiveness
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Raghu Dixit
Jaago
126 bpm • C Maj • 04:11 • -4.64db
44% Popularity • 79% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
44% Popularity • 79% Danceability • 72% Energy • 22% Liveness
0% Instrumentalness • 79% Positiveness
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Priya Hemesh
Bad Boyz
126 bpm • F min • 03:47 • -10.06db
53% Popularity • 78% Danceability • 96% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
53% Popularity • 78% Danceability • 96% Energy • 11% Liveness
20% Instrumentalness • 44% Positiveness
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Hemachandra Vedala
Yegiri Pove
126 bpm • D Maj • 05:02 • -7db
33% Popularity • 74% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
33% Popularity • 74% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 34% Positiveness
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Hari Haran, sujatha
Premante Yemitante
126 bpm • D min • 05:03 • -6db
50% Popularity • 75% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
50% Popularity • 75% Danceability • 93% Energy • 11% Liveness
0% Instrumentalness • 50% Positiveness
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Deepu
Naakosam
116 bpm • F min • 03:54 • -7.29db
46% Popularity • 86% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
46% Popularity • 86% Danceability • 69% Energy • 33% Liveness
0% Instrumentalness • 92% Positiveness
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KK
I Am Very Sorry
116 bpm • B min • 05:42 • -6.13db
45% Popularity • 84% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
45% Popularity • 84% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Mika Singh
Pilla Navalla Kadu
116 bpm • G# Maj • 04:47 • -9.32db
36% Popularity • 83% Danceability • 64% Energy • 26% Liveness
3% Instrumentalness • 85% Positiveness
36% Popularity • 83% Danceability • 64% Energy • 26% Liveness
3% Instrumentalness • 85% Positiveness
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Ranjith Govind
Chandamama
127 bpm • F min • 05:26 • -7.62db
40% Popularity • 88% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 88% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 72% Positiveness
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Shankar-Ehsaan-Loy
Unnai Kaanadhu Naan
127 bpm • G Maj • 05:37 • -7.63db
51% Popularity • 50% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
51% Popularity • 50% Danceability • 64% Energy • 23% Liveness
0% Instrumentalness • 63% Positiveness
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Shankar Mahadevan
Chandrullo Unde
115 bpm • D Maj • 04:15 • -8.46db
56% Popularity • 81% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
56% Popularity • 81% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
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Deepu
Satyam Yemito
115 bpm • G min • 04:49 • -8.07db
45% Popularity • 58% Danceability • 67% Energy • 21% Liveness
3% Instrumentalness • 14% Positiveness
45% Popularity • 58% Danceability • 67% Energy • 21% Liveness
3% Instrumentalness • 14% Positiveness
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Revanth, Chitra
Andam Hindolam - Remix
115 bpm • A Maj • 04:22 • -4db
33% Popularity • 85% Danceability • 91% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
33% Popularity • 85% Danceability • 91% Energy • 16% Liveness
1% Instrumentalness • 75% Positiveness
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M.M.Keeravani, Sunitha
Jum Jum Maya
115 bpm • F Maj • 04:38 • -8.13db
46% Popularity • 86% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
46% Popularity • 86% Danceability • 68% Energy • 18% Liveness
0% Instrumentalness • 87% Positiveness
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Deva
Chinna Chinna Kiliye
115 bpm • C min • 05:33 • -11db
47% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
47% Popularity • 72% Danceability • 74% Energy • 6% Liveness
0% Instrumentalness • 73% Positiveness
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Divya Kumar, M M Mansi
Rayyi Rayyi Mantu
128 bpm • A min • 04:06 • -6.31db
35% Popularity • 79% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
35% Popularity • 79% Danceability • 62% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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M. M. Keeravani
Vaastu Bagunde
115 bpm • F min • 04:29 • -7db
46% Popularity • 90% Danceability • 84% Energy • 7% Liveness
5% Instrumentalness • 96% Positiveness
46% Popularity • 90% Danceability • 84% Energy • 7% Liveness
5% Instrumentalness • 96% Positiveness
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Mamta Mohandas
Muppy Aaru
128 bpm • C Maj • 05:50 • -7.73db
49% Popularity • 88% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
49% Popularity • 88% Danceability • 86% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
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Mallikarjun
Pari Poke Pitta
128 bpm • D Maj • 03:37 • -7db
49% Popularity • 96% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
49% Popularity • 96% Danceability • 78% Energy • 25% Liveness
0% Instrumentalness • 58% Positiveness
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Hemachandra Vedala
Oka Padam
128 bpm • A min • 04:33 • -6.28db
43% Popularity • 74% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
43% Popularity • 74% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 89% Positiveness
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Deva
Engengey
115 bpm • C# Maj • 05:51 • -12.92db
30% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
30% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 49% Positiveness
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Anurag Kulkarni
Mira Mira Meesam
128 bpm • G min • 04:12 • -6.93db
38% Popularity • 74% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
38% Popularity • 74% Danceability • 90% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Hiphop Tamizha
Indru Netru Naalai
128 bpm • C min • 03:05 • -5.38db
61% Popularity • 54% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
61% Popularity • 54% Danceability • 59% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Shankar Mahadevan
Manmadha Raja
128 bpm • B min • 04:49 • -7db
45% Popularity • 63% Danceability • 94% Energy • 58% Liveness
0% Instrumentalness • 61% Positiveness
45% Popularity • 63% Danceability • 94% Energy • 58% Liveness
0% Instrumentalness • 61% Positiveness
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Udit Narayan
Ra Ra Rajakumara
114 bpm • G min • 05:33 • -6.7db
45% Popularity • 81% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
45% Popularity • 81% Danceability • 85% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Hemachandra Vedala
Baadshah
114 bpm • G# Maj • 03:27 • -7db
46% Popularity • 76% Danceability • 97% Energy • 8% Liveness
2% Instrumentalness • 39% Positiveness
46% Popularity • 76% Danceability • 97% Energy • 8% Liveness
2% Instrumentalness • 39% Positiveness
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Prasanna.R
Mudhal Mazhai
114 bpm • A# min • 05:43 • -7.83db
54% Popularity • 80% Danceability • 51% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
54% Popularity • 80% Danceability • 51% Energy • 7% Liveness
1% Instrumentalness • 58% Positiveness
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M. M. Keeravani
A Vachi B Pai
114 bpm • B Maj • 04:43 • -7.21db
53% Popularity • 81% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
53% Popularity • 81% Danceability • 86% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
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Deva
November Madham
114 bpm • C Maj • 06:02 • -9db
27% Popularity • 75% Danceability • 69% Energy • 17% Liveness
2% Instrumentalness • 56% Positiveness
27% Popularity • 75% Danceability • 69% Energy • 17% Liveness
2% Instrumentalness • 56% Positiveness
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Ranjith Govind
Chamka Chamka
114 bpm • C# Maj • 05:07 • -6.35db
54% Popularity • 83% Danceability • 81% Energy • 33% Liveness
1% Instrumentalness • 50% Positiveness
54% Popularity • 83% Danceability • 81% Energy • 33% Liveness
1% Instrumentalness • 50% Positiveness
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Sujatha, Yadu Bala Krishna
Konta Kalam
129 bpm • C Maj • 04:25 • -8.55db
29% Popularity • 69% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
29% Popularity • 69% Danceability • 66% Energy • 44% Liveness
0% Instrumentalness • 50% Positiveness
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Raghu Kunche
Raaye Raaye
129 bpm • A# min • 04:18 • -8db
39% Popularity • 91% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
39% Popularity • 91% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 91% Positiveness
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KK
Evvarineppudu
114 bpm • B Maj • 01:27 • -6.49db
48% Popularity • 63% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
48% Popularity • 63% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 58% Positiveness
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Karthik, Suchitra
Champakamala
113 bpm • F# Maj • 04:47 • -9.87db
43% Popularity • 83% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
43% Popularity • 83% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 86% Positiveness
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Mani Sharma
Bhale Bhale Banjara
113 bpm • D min • 04:19 • -4db
48% Popularity • 80% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
48% Popularity • 80% Danceability • 85% Energy • 19% Liveness
0% Instrumentalness • 92% Positiveness
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Simha
Naughty Girl
129 bpm • C min • 04:08 • -7db
46% Popularity • 86% Danceability • 92% Energy • 11% Liveness
27% Instrumentalness • 94% Positiveness
46% Popularity • 86% Danceability • 92% Energy • 11% Liveness
27% Instrumentalness • 94% Positiveness
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Udit Narayan
Gichchi Gichchi
113 bpm • G Maj • 04:48 • -8.66db
46% Popularity • 83% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
46% Popularity • 83% Danceability • 70% Energy • 21% Liveness
0% Instrumentalness • 77% Positiveness
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Deva
Oh Nenje Nenje
113 bpm • C# Maj • 05:57 • -8.55db
45% Popularity • 92% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
45% Popularity • 92% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 78% Positiveness
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Jeans Srinivas
Bommanu Geesthey
113 bpm • D Maj • 03:54 • -8.22db
60% Popularity • 78% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
60% Popularity • 78% Danceability • 58% Energy • 14% Liveness
0% Instrumentalness • 74% Positiveness
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Alyssa Mendonsa
Baby Won't You Tell Me
130 bpm • F# min • 04:22 • -8.23db
43% Popularity • 64% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
43% Popularity • 64% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 37% Positiveness
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Sri Krishna
Aadinchi Ashta Chamma
130 bpm • C Maj • 03:43 • -11db
50% Popularity • 78% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
50% Popularity • 78% Danceability • 41% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Divya Kumar
Yevandoi Nani Garu
130 bpm • G Maj • 03:24 • -6.22db
54% Popularity • 87% Danceability • 83% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
54% Popularity • 87% Danceability • 83% Energy • 9% Liveness
3% Instrumentalness • 69% Positiveness
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Mallikarjun
Andala Chukkala
130 bpm • G min • 04:41 • -9db
41% Popularity • 89% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
41% Popularity • 89% Danceability • 55% Energy • 12% Liveness
0% Instrumentalness • 89% Positiveness
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Deva
Roja Kaathu
130 bpm • A Maj • 05:15 • -7.75db
39% Popularity • 54% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
39% Popularity • 54% Danceability • 81% Energy • 6% Liveness
0% Instrumentalness • 76% Positiveness
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Yuvan Shankar Raja
Neekosam Oka
130 bpm • F min • 03:16 • -5.35db
41% Popularity • 68% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
41% Popularity • 68% Danceability • 83% Energy • 14% Liveness
0% Instrumentalness • 49% Positiveness
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Hari Haran, Saindhavi
Sutiga Choodaku
130 bpm • F min • 05:03 • -10db
47% Popularity • 73% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
47% Popularity • 73% Danceability • 64% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Naresh Iyer
Mallela Vaana
130 bpm • C# min • 04:03 • -6.92db
35% Popularity • 82% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 82% Danceability • 74% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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G. V. Prakash
Pranama
130 bpm • A min • 03:27 • -6db
52% Popularity • 71% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
52% Popularity • 71% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 67% Positiveness
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Rahul Nambiar
Maro Maro
130 bpm • A# Maj • 04:41 • -6.64db
49% Popularity • 79% Danceability • 87% Energy • 8% Liveness
57% Instrumentalness • 50% Positiveness
49% Popularity • 79% Danceability • 87% Energy • 8% Liveness
57% Instrumentalness • 50% Positiveness
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Karunya
Yamaga Unde
130 bpm • C# Maj • 04:20 • -5db
37% Popularity • 86% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 86% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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KK
Pataku Pranam
130 bpm • C min • 06:10 • -8db
47% Popularity • 90% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
47% Popularity • 90% Danceability • 57% Energy • 7% Liveness
0% Instrumentalness • 94% Positiveness
