Songs like Bhimachya Pathi Sanga by Prashant More
Based on a tempo of (+/- 10%) and a similar genre
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Prashant More
Bhimachya Pathi Sanga
164 bpm • F Maj • 05:42 • -3.57db
0% Popularity • 56% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
0% Popularity • 56% Danceability • 82% Energy • 5% Liveness
0% Instrumentalness • 92% Positiveness
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Minakshi Raut
Pani Puri Rani Pani Puri
164 bpm • G Maj • 04:35 • -3.34db
15% Popularity • 36% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
15% Popularity • 36% Danceability • 90% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Sadhana Sargam
Gajanan Maharaj Aarti
165 bpm • D# Maj • 04:44 • -4.05db
16% Popularity • 64% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
16% Popularity • 64% Danceability • 61% Energy • 9% Liveness
0% Instrumentalness • 63% Positiveness
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Pramod
Ambilikkalachoodum Thampuraatti
165 bpm • C min • 07:35 • -6.79db
10% Popularity • 64% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
10% Popularity • 64% Danceability • 81% Energy • 30% Liveness
0% Instrumentalness • 92% Positiveness
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Jagdish Sandhanshiv
Maay Aambabai Ni Bailgadi
165 bpm • E Maj • 04:09 • -5.53db
18% Popularity • 56% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
18% Popularity • 56% Danceability • 76% Energy • 23% Liveness
0% Instrumentalness • 60% Positiveness
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Mona Sen
Hardi
165 bpm • F min • 03:44 • -4.04db
8% Popularity • 58% Danceability • 83% Energy • 17% Liveness
2% Instrumentalness • 95% Positiveness
8% Popularity • 58% Danceability • 83% Energy • 17% Liveness
2% Instrumentalness • 95% Positiveness
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Fauji Lalit Mohan Joshi
Myar Dajyulae - Kumauni
163 bpm • F Maj • 05:17 • 0.21db
9% Popularity • 56% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
9% Popularity • 56% Danceability • 94% Energy • 29% Liveness
0% Instrumentalness • 90% Positiveness
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Tijan Patel
Nai Chutay Maya Dor
162 bpm • E Maj • 06:02 • -3.1db
7% Popularity • 53% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
7% Popularity • 53% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 75% Positiveness
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Shashi Shekhar Sharma
Koi Samjha Nahi
167 bpm • D Maj • 04:09 • -8.45db
8% Popularity • 62% Danceability • 63% Energy • 64% Liveness
0% Instrumentalness • 72% Positiveness
8% Popularity • 62% Danceability • 63% Energy • 64% Liveness
0% Instrumentalness • 72% Positiveness
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K. S. Chithra
Rama Raghava
162 bpm • F Maj • 04:31 • -8.89db
11% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 65% Danceability • 46% Energy • 13% Liveness
0% Instrumentalness • 54% Positiveness
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Jaydeep Vaidya
Manmana
161 bpm • G# Maj • 06:13 • -8.39db
7% Popularity • 47% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
7% Popularity • 47% Danceability • 61% Energy • 26% Liveness
0% Instrumentalness • 55% Positiveness
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Seema Mishra
Meri Pyari Saheli
168 bpm • F Maj • 04:42 • -11.34db
15% Popularity • 45% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
15% Popularity • 45% Danceability • 55% Energy • 23% Liveness
0% Instrumentalness • 94% Positiveness
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Sunil Soni
Pyaar Hoge Re
168 bpm • F# Maj • 04:48 • -2.98db
15% Popularity • 39% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 39% Danceability • 72% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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STEPHAN TUDU
Dhire Dhire
168 bpm • D Maj • 06:00 • -12.93db
12% Popularity • 58% Danceability • 61% Energy • 19% Liveness
1% Instrumentalness • 33% Positiveness
12% Popularity • 58% Danceability • 61% Energy • 19% Liveness
1% Instrumentalness • 33% Positiveness
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Navin Sahu
Dil Ma Tor Maya
160 bpm • G# Maj • 04:46 • -2.66db
16% Popularity • 49% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
16% Popularity • 49% Danceability • 94% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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Mantri Marandi
Hissi Cere Leka
168 bpm • C Maj • 05:46 • -7.64db
7% Popularity • 54% Danceability • 69% Energy • 51% Liveness
0% Instrumentalness • 92% Positiveness
7% Popularity • 54% Danceability • 69% Energy • 51% Liveness
0% Instrumentalness • 92% Positiveness
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Dipak Kasbe
Ye Sajani Ye Sajani
160 bpm • A# min • 03:39 • -6.05db
11% Popularity • 23% Danceability • 95% Energy • 32% Liveness
1% Instrumentalness • 81% Positiveness
11% Popularity • 23% Danceability • 95% Energy • 32% Liveness
1% Instrumentalness • 81% Positiveness
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Prahlad Mehra
Jhumkiyali
159 bpm • B Maj • 07:00 • -4.48db
9% Popularity • 64% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 97% Positiveness
9% Popularity • 64% Danceability • 88% Energy • 52% Liveness
0% Instrumentalness • 97% Positiveness
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Sunil Soni
Mehandi Racha Ke Aagew
170 bpm • G min • 03:55 • -2.73db
20% Popularity • 45% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 45% Danceability • 86% Energy • 39% Liveness
0% Instrumentalness • 86% Positiveness
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Manglesh Dangwal
Gailya Mera Gailya Re
159 bpm • A min • 07:38 • -4.06db
12% Popularity • 43% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
12% Popularity • 43% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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HARGOVIND KOSHLE
Ye Fulbatiya
170 bpm • F# min • 04:26 • -2.5db
10% Popularity • 30% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
10% Popularity • 30% Danceability • 92% Energy • 19% Liveness
0% Instrumentalness • 62% Positiveness
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Gani
Phagan Aayo Re
170 bpm • C# Maj • 04:39 • -5.91db
13% Popularity • 59% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
13% Popularity • 59% Danceability • 60% Energy • 14% Liveness
0% Instrumentalness • 91% Positiveness
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Alka Chandrakar
Samdhi Ke Thothna
170 bpm • C# min • 03:17 • -3.94db
7% Popularity • 52% Danceability • 92% Energy • 55% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 52% Danceability • 92% Energy • 55% Liveness
0% Instrumentalness • 96% Positiveness
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Adarsh Shinde
Raja Tu
170 bpm • A# min • 04:05 • -10.48db
15% Popularity • 50% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
15% Popularity • 50% Danceability • 48% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Upasana Mehta
Pakad Lo Baanh Raghurai
170 bpm • G# min • 07:47 • -4.19db
10% Popularity • 52% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
10% Popularity • 52% Danceability • 50% Energy • 15% Liveness
0% Instrumentalness • 36% Positiveness
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Jagdish Sandhanshiv
Mi Hosu Tuna Karabhari
170 bpm • G min • 04:35 • -9.92db
15% Popularity • 53% Danceability • 71% Energy • 15% Liveness
1% Instrumentalness • 72% Positiveness
15% Popularity • 53% Danceability • 71% Energy • 15% Liveness
1% Instrumentalness • 72% Positiveness
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Dani Verma
Laali Laali saree ke
170 bpm • F# min • 05:13 • -6.17db
15% Popularity • 48% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
15% Popularity • 48% Danceability • 79% Energy • 24% Liveness
0% Instrumentalness • 63% Positiveness
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Dukhi Baskey
Aaam Jhaamar Paunjan
170 bpm • G Maj • 06:03 • -3.05db
8% Popularity • 64% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 64% Danceability • 91% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Raaza Beegum
Kannondoru
170 bpm • F Maj • 06:27 • -8.49db
18% Popularity • 64% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
18% Popularity • 64% Danceability • 56% Energy • 19% Liveness
0% Instrumentalness • 96% Positiveness
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Amol Bavdekar
Tri Netra Dhari Kailasha Vari
170 bpm • D# min • 03:06 • -8.04db
8% Popularity • 66% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
8% Popularity • 66% Danceability • 46% Energy • 23% Liveness
0% Instrumentalness • 53% Positiveness
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Arzoo Bano
Haj Ka Mahina Aa Gaya
157 bpm • C Maj • 06:36 • -8.69db
11% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 65% Danceability • 58% Energy • 34% Liveness
0% Instrumentalness • 94% Positiveness
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Jamunesh Miri
Kar Dare Halla O - Chhattisgarhi Geet
171 bpm • F# min • 05:27 • -3.8db
11% Popularity • 55% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
11% Popularity • 55% Danceability • 90% Energy • 24% Liveness
0% Instrumentalness • 72% Positiveness
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Somastic
Tu Dur Ka
157 bpm • F# Maj • 01:23 • -15.19db
22% Popularity • 39% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 39% Danceability • 13% Energy • 12% Liveness
0% Instrumentalness • 20% Positiveness
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Alka Chandrakar
Aina La Dekhenv Ta
172 bpm • G Maj • 05:01 • -2.98db
18% Popularity • 60% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
18% Popularity • 60% Danceability • 82% Energy • 30% Liveness
0% Instrumentalness • 82% Positiveness
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RAMESH hOSANNA MINISTRIES
Viluvainadhi Vaatsalyapoornuda
172 bpm • A min • 07:37 • -7.3db
19% Popularity • 66% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
19% Popularity • 66% Danceability • 70% Energy • 6% Liveness
1% Instrumentalness • 91% Positiveness
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Meet Tripathi
Kabhi Ram Banke Kabhi Shyam Banke
174 bpm • A# min • 06:32 • -6.83db
12% Popularity • 54% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 80% Positiveness
12% Popularity • 54% Danceability • 69% Energy • 42% Liveness
0% Instrumentalness • 80% Positiveness
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Mandar Apte
Gajavadana
174 bpm • C Maj • 04:41 • -10.57db
10% Popularity • 45% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
10% Popularity • 45% Danceability • 53% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Pammi KD
Shyama Aan Baso Vrindavan Me
172 bpm • G Maj • 06:08 • -5.99db
7% Popularity • 59% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 59% Danceability • 70% Energy • 18% Liveness
0% Instrumentalness • 66% Positiveness
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Jyoti Tiwari
Meri Maiya Ki Cunari Kamal Ki Hai
174 bpm • F# Maj • 05:36 • -2.43db
9% Popularity • 60% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
9% Popularity • 60% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 80% Positiveness
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Altaf Raja
Zara Dhire Dhire Aa
174 bpm • E min • 05:42 • -11.46db
8% Popularity • 69% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
8% Popularity • 69% Danceability • 68% Energy • 37% Liveness
0% Instrumentalness • 73% Positiveness
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Prahlad Mehra
O Hito Bot Lagunu
154 bpm • C Maj • 05:51 • -5.01db
10% Popularity • 64% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
10% Popularity • 64% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 79% Positiveness
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Laxmi Narayan Pandey
Mor Dil Ma Girake
154 bpm • F min • 05:26 • -2.56db
17% Popularity • 48% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
17% Popularity • 48% Danceability • 78% Energy • 9% Liveness
0% Instrumentalness • 88% Positiveness
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Meet Tripathi
Shree Ramchandra Kripalu Bhajman
176 bpm • A# Maj • 03:51 • -7.21db
12% Popularity • 64% Danceability • 52% Energy • 43% Liveness
0% Instrumentalness • 63% Positiveness
12% Popularity • 64% Danceability • 52% Energy • 43% Liveness
0% Instrumentalness • 63% Positiveness
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Deepak Joshi
Jaag Re
153 bpm • C# Maj • 02:37 • -6.95db
10% Popularity • 60% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 60% Danceability • 60% Energy • 27% Liveness
0% Instrumentalness • 35% Positiveness
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Babu More
Sapan Ma Uni Tuni Jawani
176 bpm • A# min • 04:54 • -13.02db
16% Popularity • 61% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
16% Popularity • 61% Danceability • 63% Energy • 23% Liveness
0% Instrumentalness • 65% Positiveness
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Mandar Apte
Man Dhavtaya Chandrabhage Kathi
176 bpm • C# Maj • 03:56 • -5.81db
9% Popularity • 33% Danceability • 58% Energy • 35% Liveness
2% Instrumentalness • 55% Positiveness
9% Popularity • 33% Danceability • 58% Energy • 35% Liveness
2% Instrumentalness • 55% Positiveness
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Prahlad Mehra
O Hito Bot Lagaya
154 bpm • C Maj • 06:45 • -4.56db
10% Popularity • 65% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 80% Positiveness
10% Popularity • 65% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 80% Positiveness
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Laxmi Bora
Hit Kamla
152 bpm • C# Maj • 07:27 • -7.31db
9% Popularity • 69% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
9% Popularity • 69% Danceability • 69% Energy • 34% Liveness
0% Instrumentalness • 88% Positiveness
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Sadhana Sargam
Jab Yaad Tumhari Aati Hai
152 bpm • C# Maj • 05:48 • -7.78db
8% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
8% Popularity • 51% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 97% Positiveness
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Manoj Mishra
Ayiel Jhareliya Jhulla Me
152 bpm • B min • 04:12 • -2.1db
10% Popularity • 56% Danceability • 96% Energy • 45% Liveness
0% Instrumentalness • 93% Positiveness
10% Popularity • 56% Danceability • 96% Energy • 45% Liveness
0% Instrumentalness • 93% Positiveness
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Jahnvi Shrimankar
Ek Radha Ek Meera
152 bpm • A min • 05:07 • -8.57db
17% Popularity • 45% Danceability • 48% Energy • 11% Liveness
14% Instrumentalness • 18% Positiveness
17% Popularity • 45% Danceability • 48% Energy • 11% Liveness
14% Instrumentalness • 18% Positiveness
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Sunil Soni
Foot Jahi Dhay Dhay
152 bpm • G Maj • 04:36 • -0.91db
8% Popularity • 64% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
8% Popularity • 64% Danceability • 97% Energy • 20% Liveness
0% Instrumentalness • 71% Positiveness
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Virendra Rajput
Surma Syali
151 bpm • A# min • 06:39 • -8.11db
7% Popularity • 60% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 60% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Gurujeet Singh
Om Namah Shivaya
178 bpm • D min • 05:48 • -12.12db
13% Popularity • 26% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 26% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Prashant More
Chandanachya Jina
179 bpm • G# Maj • 04:36 • -4.78db
0% Popularity • 42% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
0% Popularity • 42% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 54% Positiveness
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Prahlad Mehra
Eja Mera Danpura
150 bpm • G Maj • 05:25 • -7.47db
8% Popularity • 31% Danceability • 46% Energy • 52% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 31% Danceability • 46% Energy • 52% Liveness
0% Instrumentalness • 42% Positiveness
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Sohini Mishra
Prem Se Bolo Pyare Radhe Krishna
150 bpm • A Maj • 03:26 • -11.33db
11% Popularity • 73% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
11% Popularity • 73% Danceability • 37% Energy • 18% Liveness
0% Instrumentalness • 78% Positiveness
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Gayatri Shelar
Kanha Pichali Mazi Bangdi (Remix) 4
150 bpm • A# min • 04:08 • -10.01db
24% Popularity • 52% Danceability • 93% Energy • 12% Liveness
7% Instrumentalness • 88% Positiveness
24% Popularity • 52% Danceability • 93% Energy • 12% Liveness
7% Instrumentalness • 88% Positiveness
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Suresh Wadkar
Maruti Stotra
150 bpm • C# min • 04:22 • -7.8db
10% Popularity • 53% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
10% Popularity • 53% Danceability • 68% Energy • 34% Liveness
0% Instrumentalness • 32% Positiveness
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Sahab Singh Ramola
Uttarakhand Pyaaro
150 bpm • A# min • 06:36 • -6.22db
12% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
12% Popularity • 71% Danceability • 63% Energy • 6% Liveness
0% Instrumentalness • 92% Positiveness
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Amol Bavdekar
Kadhi Ghatavar Nadit
150 bpm • D Maj • 04:50 • -7.8db
7% Popularity • 71% Danceability • 68% Energy • 86% Liveness
0% Instrumentalness • 96% Positiveness
7% Popularity • 71% Danceability • 68% Energy • 86% Liveness
0% Instrumentalness • 96% Positiveness
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Prakash Awasthi
Phul Bagiya Ma
150 bpm • G# Maj • 03:05 • -8.64db
11% Popularity • 43% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
11% Popularity • 43% Danceability • 66% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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NAZIM ALI
Ambey Maa Ka Dular Mil Gaya
150 bpm • B min • 06:00 • -7.22db
12% Popularity • 62% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
12% Popularity • 62% Danceability • 70% Energy • 29% Liveness
0% Instrumentalness • 85% Positiveness
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Anuj R.L.
Mala Prem Jhal
150 bpm • A min • 03:46 • -7.23db
10% Popularity • 58% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
10% Popularity • 58% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 73% Positiveness
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Pramod
Akkaanum Mamala
150 bpm • B Maj • 05:41 • -7.14db
8% Popularity • 62% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
8% Popularity • 62% Danceability • 64% Energy • 37% Liveness
0% Instrumentalness • 80% Positiveness
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K.T Rau
Maiya Sawar Hai Khadi
180 bpm • D# min • 04:00 • -10.66db
11% Popularity • 43% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
11% Popularity • 43% Danceability • 70% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Venkat Rao
Sewa Sewa Parsapen
180 bpm • G# min • 06:18 • -2.93db
19% Popularity • 39% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
19% Popularity • 39% Danceability • 92% Energy • 18% Liveness
0% Instrumentalness • 76% Positiveness
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Neha Rajpal
Gauri Ganpati San Aalaay
180 bpm • C# min • 04:33 • -6.74db
8% Popularity • 64% Danceability • 66% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
8% Popularity • 64% Danceability • 66% Energy • 2% Liveness
0% Instrumentalness • 96% Positiveness
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NAZIM ALI
Lambodaray Vakratundaya
150 bpm • G# Maj • 05:29 • -6.26db
8% Popularity • 59% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
8% Popularity • 59% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 52% Positiveness
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Priyasi
Ram Stuti (Shri Ramchandra)
180 bpm • C# Maj • 03:14 • -5.83db
11% Popularity • 56% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 56% Danceability • 70% Energy • 19% Liveness
0% Instrumentalness • 54% Positiveness
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Avadhoot Gupte
Patras Karan Ki
149 bpm • C# Maj • 07:02 • -11.93db
9% Popularity • 39% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
9% Popularity • 39% Danceability • 23% Energy • 13% Liveness
0% Instrumentalness • 6% Positiveness
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Pralahad Shinde
Darshan De Re Bhaghvanta
149 bpm • E min • 02:39 • -7.37db
19% Popularity • 57% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
19% Popularity • 57% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 43% Positiveness
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Manoj Mishra
Krishna Bhajan - Mero Radha Raman Girdha...
148 bpm • B min • 06:54 • -5.32db
13% Popularity • 40% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
13% Popularity • 40% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Raaza Beegum
Priyamullavale
148 bpm • G# min • 05:41 • -12.83db
14% Popularity • 34% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
14% Popularity • 34% Danceability • 27% Energy • 22% Liveness
0% Instrumentalness • 22% Positiveness
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Alka Chandrakar
Bhauji Bihaye Bane Chuk Le
148 bpm • C# min • 04:28 • -1.52db
10% Popularity • 69% Danceability • 93% Energy • 53% Liveness
0% Instrumentalness • 85% Positiveness
10% Popularity • 69% Danceability • 93% Energy • 53% Liveness
0% Instrumentalness • 85% Positiveness
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Sunil Soni
Kisam Kisam Ke Nasha
148 bpm • D Maj • 05:30 • -2.73db
18% Popularity • 65% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
18% Popularity • 65% Danceability • 95% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Vishnu
Ae Zindagi Rahi
183 bpm • G# Maj • 04:01 • -6.2db
11% Popularity • 61% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
11% Popularity • 61% Danceability • 65% Energy • 20% Liveness
0% Instrumentalness • 94% Positiveness
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Ram Shankar
Kya Khata Thi Kyon
146 bpm • D# Maj • 05:41 • -9.27db
13% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
13% Popularity • 66% Danceability • 45% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Bhaiya More
Bahin Ni Hayad
184 bpm • G Maj • 04:20 • -5.86db
0% Popularity • 61% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
0% Popularity • 61% Danceability • 90% Energy • 19% Liveness
0% Instrumentalness • 61% Positiveness
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Vinod Rathod
Duniya Chale Na Shree Ram Ke Bina - Hind...
146 bpm • G min • 06:23 • -2.96db
8% Popularity • 71% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
8% Popularity • 71% Danceability • 88% Energy • 48% Liveness
0% Instrumentalness • 88% Positiveness
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Nilesh Patil
Ghotabahar Pani
146 bpm • G# Maj • 03:15 • -10.29db
8% Popularity • 58% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
8% Popularity • 58% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 41% Positiveness
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Sunil Soni
Rakhiya Bari
146 bpm • C# Maj • 04:35 • -3.75db
14% Popularity • 70% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 70% Danceability • 96% Energy • 26% Liveness
0% Instrumentalness • 79% Positiveness
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Aditi Chakraborty
Sokhi Tora Prem Koriyo Na
146 bpm • C Maj • 03:13 • -6.38db
25% Popularity • 87% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
25% Popularity • 87% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 57% Positiveness
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Alka Chandrakar
Mundari Re Mundari
186 bpm • G Maj • 04:02 • -2.29db
15% Popularity • 57% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
15% Popularity • 57% Danceability • 90% Energy • 16% Liveness
0% Instrumentalness • 83% Positiveness
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Zubeen Garg
Akakhore Pora
145 bpm • F# Maj • 03:00 • -5.92db
17% Popularity • 48% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
17% Popularity • 48% Danceability • 54% Energy • 30% Liveness
0% Instrumentalness • 71% Positiveness
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Anupama Mishra
Ae Turi Rai Tai
144 bpm • D# min • 06:01 • -3.86db
13% Popularity • 70% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
13% Popularity • 70% Danceability • 91% Energy • 7% Liveness
0% Instrumentalness • 65% Positiveness
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Shahir Ramanand Ugale
Madanmanjiri
144 bpm • F# min • 03:25 • -5.53db
8% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
8% Popularity • 66% Danceability • 80% Energy • 8% Liveness
0% Instrumentalness • 84% Positiveness
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Tijan Patel
Sanan Na Lage Re Gory-
144 bpm • E Maj • 05:23 • -4.31db
7% Popularity • 62% Danceability • 73% Energy • 60% Liveness
0% Instrumentalness • 66% Positiveness
7% Popularity • 62% Danceability • 73% Energy • 60% Liveness
0% Instrumentalness • 66% Positiveness
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Aarohi Gangurde
Ganpati Bappa Majha Aala
144 bpm • C# Maj • 03:27 • -7.24db
11% Popularity • 66% Danceability • 49% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
11% Popularity • 66% Danceability • 49% Energy • 39% Liveness
0% Instrumentalness • 54% Positiveness
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Ajay Naik
Swapnatli Tu Pari
144 bpm • A# min • 06:38 • -7.81db
7% Popularity • 60% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
7% Popularity • 60% Danceability • 65% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Rakesh Kala
Ram Ke Naam Ka Jaap
144 bpm • F min • 06:11 • -6.67db
9% Popularity • 60% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
9% Popularity • 60% Danceability • 62% Energy • 17% Liveness
0% Instrumentalness • 86% Positiveness
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Capsule Musician
Thiruvavani Raavu | Onam Song
144 bpm • F Maj • 02:08 • -10.75db
10% Popularity • 64% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
10% Popularity • 64% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Rajesh Lohia
Gori Kab Tak Nain Churayegi
144 bpm • A# min • 05:32 • -2.98db
8% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
8% Popularity • 71% Danceability • 80% Energy • 6% Liveness
0% Instrumentalness • 90% Positiveness
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Santvani Trivedi
Krishna Janmashtami Song
144 bpm • F Maj • 03:15 • -7.84db
10% Popularity • 53% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 53% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 35% Positiveness
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Supriya
Jai Ganesh Jai Ganesh Deva
144 bpm • G# Maj • 04:14 • -7.4db
13% Popularity • 63% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
13% Popularity • 63% Danceability • 50% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Sikandar Khan
Mehmaan
143 bpm • A# Maj • 04:26 • -7.74db
11% Popularity • 62% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
11% Popularity • 62% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Zubeen Garg
Hunisane Naai Huna
143 bpm • C# Maj • 03:27 • -7.96db
15% Popularity • 49% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
15% Popularity • 49% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Aishwarya Majmudar
Chundaldi
142 bpm • A Maj • 03:28 • -5.87db
9% Popularity • 58% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
9% Popularity • 58% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
