Songs like Bibliography by Gizel Jiménez
Based on a tempo of (+/- 10%) and a similar genre
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Jose Llana
Go with the Flow
124 bpm • A min • 03:44 • -8.54db
27% Popularity • 65% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
27% Popularity • 65% Danceability • 76% Energy • 20% Liveness
0% Instrumentalness • 79% Positiveness
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Original Broadway Cast of Sing Street
Girls
124 bpm • D Maj • 02:57 • -8db
20% Popularity • 85% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
20% Popularity • 85% Danceability • 62% Energy • 5% Liveness
0% Instrumentalness • 86% Positiveness
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Gizel Jiménez
Bibliography
124 bpm • A# Maj • 02:30 • -6.27db
4% Popularity • 79% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
4% Popularity • 79% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 55% Positiveness
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Original Broadway Cast of Shucked
Corn
124 bpm • C# min • 06:45 • -6.56db
33% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
33% Popularity • 60% Danceability • 61% Energy • 6% Liveness
0% Instrumentalness • 47% Positiveness
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Wonu Ogunfowora
Idk
124 bpm • C# Maj • 03:03 • -8.02db
19% Popularity • 81% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
19% Popularity • 81% Danceability • 40% Energy • 4% Liveness
0% Instrumentalness • 74% Positiveness
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Lauren Lopez
Granger Danger (Live)
124 bpm • F# Maj • 04:15 • -6.04db
27% Popularity • 33% Danceability • 74% Energy • 94% Liveness
0% Instrumentalness • 44% Positiveness
27% Popularity • 33% Danceability • 74% Energy • 94% Liveness
0% Instrumentalness • 44% Positiveness
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George Salazar
Song of the Brown Buffalo
124 bpm • D Maj • 03:26 • -9db
20% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
20% Popularity • 66% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 62% Positiveness
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Ben Fankhauser
In Pieces
124 bpm • F Maj • 04:20 • -11.43db
28% Popularity • 40% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
28% Popularity • 40% Danceability • 25% Energy • 6% Liveness
0% Instrumentalness • 41% Positiveness
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Zachary Levi
She Loves Me
124 bpm • G# Maj • 02:50 • -8.24db
32% Popularity • 53% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
32% Popularity • 53% Danceability • 48% Energy • 4% Liveness
0% Instrumentalness • 45% Positiveness
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Barlow & Bear
The Ruse
123 bpm • F min • 02:59 • -8.97db
38% Popularity • 39% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
38% Popularity • 39% Danceability • 46% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Andrew Keenan-Bolger
Santa Fe (Prologue)
125 bpm • C Maj • 03:05 • -14.05db
45% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 46% Danceability • 16% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Hudson Loverro
I Like It
125 bpm • G# Maj • 02:33 • -3db
20% Popularity • 64% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
20% Popularity • 64% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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Chris McCarrell
Killer Quest!
123 bpm • A Maj • 03:05 • -6.21db
40% Popularity • 74% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
40% Popularity • 74% Danceability • 55% Energy • 20% Liveness
0% Instrumentalness • 58% Positiveness
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CollegeHumor's Dropout
Business School - Extended
125 bpm • A Maj • 01:20 • -16db
24% Popularity • 61% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
24% Popularity • 61% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Casey Likes
No Friends
125 bpm • F Maj • 04:45 • -6.23db
26% Popularity • 51% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
26% Popularity • 51% Danceability • 42% Energy • 13% Liveness
0% Instrumentalness • 11% Positiveness
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Krystina Alabado
The Story of The Phantom
126 bpm • C# min • 05:13 • -8.83db
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
45% Popularity • 80% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 20% Positiveness
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Emma Hunton
Oh, Biology
122 bpm • F# Maj • 03:40 • -4.57db
31% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
31% Popularity • 64% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Christopher Fitzgerald
I Love You Like a Table
126 bpm • G# Maj • 01:56 • -5.46db
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
46% Popularity • 74% Danceability • 64% Energy • 12% Liveness
0% Instrumentalness • 81% Positiveness
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Andrew Kober
Fell in Love with Crazy
122 bpm • F# Maj • 02:54 • -9.61db
15% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
15% Popularity • 71% Danceability • 60% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Jenny Rose Baker
Skype Tomorrow
122 bpm • A Maj • 03:58 • -11.24db
19% Popularity • 74% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 74% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Antonio Cipriano
Tomorrow Begins Today
122 bpm • D# Maj • 04:21 • -8.84db
15% Popularity • 33% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
15% Popularity • 33% Danceability • 41% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Liam Tamne
The Plagues
121 bpm • G min • 06:14 • -8.66db
36% Popularity • 40% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
36% Popularity • 40% Danceability • 39% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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Original Broadway Cast of Sing Street
Just Can't Get Enough
127 bpm • C Maj • 02:54 • -10.47db
13% Popularity • 78% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
13% Popularity • 78% Danceability • 65% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Barlow & Bear
Tis the Season
127 bpm • C# Maj • 05:18 • -8.22db
39% Popularity • 56% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
39% Popularity • 56% Danceability • 52% Energy • 21% Liveness
0% Instrumentalness • 45% Positiveness
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Mallory Bechtel
Hiding In Your Hands - Bonus Track
121 bpm • C# Maj • 04:07 • -6.07db
33% Popularity • 79% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
33% Popularity • 79% Danceability • 33% Energy • 5% Liveness
0% Instrumentalness • 33% Positiveness
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Wonu Ogunfowora
Finale
122 bpm • C min • 03:09 • -4.63db
16% Popularity • 55% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
16% Popularity • 55% Danceability • 72% Energy • 6% Liveness
0% Instrumentalness • 46% Positiveness
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Krystina Alabado
The Mad Ones
121 bpm • D Maj • 06:58 • -5.77db
27% Popularity • 50% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 50% Danceability • 50% Energy • 18% Liveness
0% Instrumentalness • 35% Positiveness
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The Cast of Schmigadoon!
Lovers' Spat
127 bpm • G Maj • 03:40 • -8.25db
22% Popularity • 65% Danceability • 46% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
22% Popularity • 65% Danceability • 46% Energy • 56% Liveness
0% Instrumentalness • 70% Positiveness
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Write Out Loud
Pity Party
128 bpm • E Maj • 04:18 • -6.98db
13% Popularity • 56% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
13% Popularity • 56% Danceability • 55% Energy • 22% Liveness
0% Instrumentalness • 43% Positiveness
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George Salazar
Michael in the Bathroom
120 bpm • E Maj • 05:07 • -6.9db
40% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
40% Popularity • 65% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Crazy Ex-Girlfriend Cast
Anti-Depressants Are So Not A Big Deal
128 bpm • B min • 03:24 • -4.59db
31% Popularity • 74% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
31% Popularity • 74% Danceability • 69% Energy • 12% Liveness
0% Instrumentalness • 63% Positiveness
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Laura Zakrin
Worst Team Ever
127 bpm • G# Maj • 04:15 • -7db
19% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
19% Popularity • 75% Danceability • 44% Energy • 24% Liveness
0% Instrumentalness • 54% Positiveness
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Melissa Barrera
It Won't Be Long Now
128 bpm • D Maj • 03:38 • -8.56db
46% Popularity • 67% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
46% Popularity • 67% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 19% Positiveness
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Daphne Rubin-Vega
Baggage
120 bpm • B Maj • 04:00 • -7.24db
7% Popularity • 43% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
7% Popularity • 43% Danceability • 56% Energy • 6% Liveness
0% Instrumentalness • 26% Positiveness
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Ethan Slater
Hero is My Middle Name
128 bpm • F# Maj • 03:15 • -5.53db
38% Popularity • 75% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
38% Popularity • 75% Danceability • 81% Energy • 5% Liveness
0% Instrumentalness • 67% Positiveness
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Griffin Matthews
Fall
120 bpm • A# Maj • 03:12 • -7.1db
7% Popularity • 56% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
7% Popularity • 56% Danceability • 61% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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Tracie Thoms
Tango: Maureen
128 bpm • G Maj • 03:55 • -4.99db
47% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
47% Popularity • 80% Danceability • 62% Energy • 15% Liveness
0% Instrumentalness • 75% Positiveness
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Kelsey Grammer
Play - Original Broadway Cast Recording
128 bpm • D Maj • 04:33 • -7.24db
29% Popularity • 76% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 73% Positiveness
29% Popularity • 76% Danceability • 64% Energy • 73% Liveness
0% Instrumentalness • 73% Positiveness
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Jaquel Spivey
Inner White Girl
120 bpm • G# min • 03:33 • -7db
29% Popularity • 62% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
29% Popularity • 62% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Olly Dobson
The Power of Love
120 bpm • C Maj • 03:21 • -7db
35% Popularity • 75% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
35% Popularity • 75% Danceability • 68% Energy • 16% Liveness
0% Instrumentalness • 72% Positiveness
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Veronica Jackson
Out Of My Dreams - bonus track
120 bpm • C# Maj • 03:25 • -5.29db
32% Popularity • 70% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
32% Popularity • 70% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 65% Positiveness
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Larry Owens
Inner White Girl
120 bpm • G# min • 03:32 • -5db
15% Popularity • 66% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
15% Popularity • 66% Danceability • 74% Energy • 15% Liveness
0% Instrumentalness • 78% Positiveness
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Central Park Cast
W(h)itch Way
120 bpm • C Maj • 02:47 • -8.21db
23% Popularity • 83% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
23% Popularity • 83% Danceability • 58% Energy • 40% Liveness
0% Instrumentalness • 55% Positiveness
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Gizel Jiménez
Now I'm Here
120 bpm • G# Maj • 03:09 • -6.48db
6% Popularity • 57% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
6% Popularity • 57% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Cecily Strong
Va-Gi-Na
120 bpm • A# Maj • 01:18 • -10.35db
20% Popularity • 84% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
20% Popularity • 84% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 90% Positiveness
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Original Cast of Starship
Kick It Up A Notch
120 bpm • B min • 06:57 • -10db
34% Popularity • 60% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 60% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 36% Positiveness
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Andrew Garfield
Why
120 bpm • C# Maj • 05:22 • -15.17db
45% Popularity • 53% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
45% Popularity • 53% Danceability • 6% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Jeremy Jordan
No Turning Back Now
119 bpm • D# Maj • 04:14 • -8db
19% Popularity • 46% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
19% Popularity • 46% Danceability • 51% Energy • 12% Liveness
0% Instrumentalness • 37% Positiveness
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Phillipa Soo
The Lusty Month of May
119 bpm • D Maj • 04:49 • -9.06db
34% Popularity • 55% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 51% Positiveness
34% Popularity • 55% Danceability • 42% Energy • 60% Liveness
0% Instrumentalness • 51% Positiveness
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Alice By Heart Original Cast Recording Company
Down the Hole
129 bpm • A Maj • 03:41 • -8db
24% Popularity • 61% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
24% Popularity • 61% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 50% Positiveness
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SIX
No Way
119 bpm • F min • 04:01 • -6.5db
61% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 63% Danceability • 71% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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Christopher Sieber
Love Thy Neighbor
119 bpm • G Maj • 04:19 • -5.24db
37% Popularity • 56% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
37% Popularity • 56% Danceability • 81% Energy • 4% Liveness
0% Instrumentalness • 69% Positiveness
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Andrew Rannells
Love Thy Neighbor
119 bpm • G Maj • 04:31 • -5.88db
47% Popularity • 48% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
47% Popularity • 48% Danceability • 88% Energy • 28% Liveness
0% Instrumentalness • 59% Positiveness
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Gizel Jiménez
Epilogue
129 bpm • D Maj • 01:34 • -9.41db
1% Popularity • 55% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
1% Popularity • 55% Danceability • 52% Energy • 22% Liveness
0% Instrumentalness • 4% Positiveness
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Rob Rokicki
Try - Bonus Track
130 bpm • D Maj • 03:36 • -6db
39% Popularity • 41% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
39% Popularity • 41% Danceability • 63% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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Jeremy Jordan
Live Again
130 bpm • B min • 02:49 • -7.44db
26% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
26% Popularity • 66% Danceability • 65% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Eric Michael Krop
Michigan
130 bpm • C Maj • 03:04 • -7.42db
11% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 68% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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Caitlin Kinnunen
You Happened
130 bpm • C Maj • 03:14 • -5.7db
31% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
31% Popularity • 79% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 89% Positiveness
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Nick Blaemire
The Truth Is a Lie
130 bpm • F Maj • 04:48 • -7.13db
10% Popularity • 60% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
10% Popularity • 60% Danceability • 70% Energy • 5% Liveness
0% Instrumentalness • 51% Positiveness
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Will Roland
Loser Geek Whatever
130 bpm • G min • 05:58 • -8db
33% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
33% Popularity • 52% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Carrie Compere
D.O.A.
118 bpm • G# Maj • 03:13 • -4.72db
40% Popularity • 74% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
40% Popularity • 74% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 54% Positiveness
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The Cast of Schmigadoon!
Cross That Bridge
118 bpm • E Maj • 02:37 • -7db
24% Popularity • 79% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
24% Popularity • 79% Danceability • 47% Energy • 24% Liveness
0% Instrumentalness • 69% Positiveness
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Brian D'Arcy James
Make Me Happy
118 bpm • G Maj • 04:14 • -6db
27% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
27% Popularity • 56% Danceability • 62% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Patina Miller
Glory
118 bpm • G# Maj • 05:54 • -8db
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
34% Popularity • 52% Danceability • 43% Energy • 21% Liveness
0% Instrumentalness • 49% Positiveness
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George Salazar
The Answer
117 bpm • D Maj • 04:54 • -16db
21% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
21% Popularity • 54% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Bring It On: The Musical - Original Broadway Cast
Cross The Line
132 bpm • G Maj • 03:46 • -4db
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 61% Danceability • 90% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Andy Karl
Nobody Cares
132 bpm • G Maj • 05:13 • -5.32db
32% Popularity • 48% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
32% Popularity • 48% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 62% Positiveness
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Chris McCarrell
Drive
116 bpm • E Maj • 04:34 • -7.05db
43% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
43% Popularity • 68% Danceability • 64% Energy • 32% Liveness
0% Instrumentalness • 58% Positiveness
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Krystina Alabado
Goosebumps
132 bpm • G Maj • 03:55 • -9.41db
31% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
31% Popularity • 74% Danceability • 42% Energy • 4% Liveness
0% Instrumentalness • 36% Positiveness
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Rachel Bloom
West Covina - Reprise
132 bpm • B Maj • 01:14 • -10.84db
27% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 50% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Andrew Keenan-Bolger
Partner in Crime
116 bpm • D Maj • 04:27 • -8.46db
36% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
36% Popularity • 75% Danceability • 50% Energy • 48% Liveness
0% Instrumentalness • 78% Positiveness
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Ethan Slater
(I Guess I) Miss You
116 bpm • A# Maj • 03:41 • -9.57db
35% Popularity • 47% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
35% Popularity • 47% Danceability • 25% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Andrea Martin
No Time at All
133 bpm • A min • 05:54 • -8db
33% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
33% Popularity • 51% Danceability • 40% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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Crazy Ex-Girlfriend Cast
Hello, Nice To Meet You
133 bpm • A Maj • 02:33 • -7db
27% Popularity • 93% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 93% Danceability • 57% Energy • 6% Liveness
0% Instrumentalness • 61% Positiveness
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Sydney Parra
Shut up and Cheer
133 bpm • C Maj • 02:59 • -7db
20% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 68% Danceability • 56% Energy • 13% Liveness
0% Instrumentalness • 42% Positiveness
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Joey Contreras
Great, Cool
116 bpm • F Maj • 03:22 • -11db
16% Popularity • 52% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
16% Popularity • 52% Danceability • 31% Energy • 19% Liveness
0% Instrumentalness • 39% Positiveness
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Andrew Barth Feldman
Archie's All-American
133 bpm • B Maj • 03:54 • -5.4db
11% Popularity • 64% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
11% Popularity • 64% Danceability • 88% Energy • 18% Liveness
0% Instrumentalness • 83% Positiveness
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Krysta Rodriguez
Crazier Than You
115 bpm • E min • 02:51 • -7.45db
46% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
46% Popularity • 58% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 64% Positiveness
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Peter Friedman
Cecily Smith
134 bpm • D Maj • 04:33 • -8.98db
27% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
27% Popularity • 57% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 19% Positiveness
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Ansel Elgort
Maria
115 bpm • G# Maj • 03:05 • -17.92db
46% Popularity • 28% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
46% Popularity • 28% Danceability • 9% Energy • 14% Liveness
0% Instrumentalness • 13% Positiveness
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Stephanie Hsu
A Guy That I'd Kinda Be Into
134 bpm • G# Maj • 02:44 • -7db
27% Popularity • 52% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 52% Danceability • 55% Energy • 29% Liveness
0% Instrumentalness • 54% Positiveness
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Rob McClure
I Love Betsy - Honeymoon In Vegas Broadw...
115 bpm • D Maj • 04:06 • -7.14db
30% Popularity • 49% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
30% Popularity • 49% Danceability • 62% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Derek Klena
My Petersburg
134 bpm • A Maj • 02:30 • -9db
48% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
48% Popularity • 56% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 67% Positiveness
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Tituss Burgess
Famous as Hell
115 bpm • C min • 03:26 • -6.34db
24% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
24% Popularity • 62% Danceability • 83% Energy • 9% Liveness
0% Instrumentalness • 49% Positiveness
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The Guy Who Didn't Like Musicals Cast
La Dee Dah Dah Day
115 bpm • D Maj • 03:17 • -6.23db
42% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
42% Popularity • 70% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 73% Positiveness
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Olly Dobson
It's Only a Matter of Time
134 bpm • C# Maj • 03:02 • -6.15db
40% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
40% Popularity • 62% Danceability • 82% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Laura Osnes
How 'Bout a Dance?
134 bpm • G# Maj • 02:54 • -11.41db
38% Popularity • 34% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
38% Popularity • 34% Danceability • 19% Energy • 6% Liveness
0% Instrumentalness • 10% Positiveness
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Anna Kendrick
A Summer in Ohio
134 bpm • C min • 04:05 • -7.32db
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
40% Popularity • 62% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Barlow & Bear
Balancing the Scales
134 bpm • A# Maj • 02:22 • -8db
36% Popularity • 42% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 42% Danceability • 27% Energy • 18% Liveness
0% Instrumentalness • 32% Positiveness
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Joriah Kwamé
Before We Go
115 bpm • F Maj • 03:17 • -7.38db
14% Popularity • 59% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
14% Popularity • 59% Danceability • 50% Energy • 25% Liveness
0% Instrumentalness • 79% Positiveness
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Andrew Garfield
Johnny Can't Decide
115 bpm • G# Maj • 03:30 • -7.46db
48% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
48% Popularity • 50% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 24% Positiveness
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Leslie Odom Jr.
Washington on Your Side
134 bpm • A# Maj • 03:01 • -10.22db
63% Popularity • 88% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
63% Popularity • 88% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 42% Positiveness
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StarKid
Granger Danger
134 bpm • C# Maj • 03:30 • -7db
32% Popularity • 50% Danceability • 71% Energy • 82% Liveness
0% Instrumentalness • 47% Positiveness
32% Popularity • 50% Danceability • 71% Energy • 82% Liveness
0% Instrumentalness • 47% Positiveness
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Hugh Jackman
Ya Got Trouble
114 bpm • G# Maj • 04:05 • -11.49db
27% Popularity • 61% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
27% Popularity • 61% Danceability • 66% Energy • 33% Liveness
0% Instrumentalness • 54% Positiveness
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SIX
Heart of Stone - Alternates Version
114 bpm • E Maj • 05:22 • -10db
40% Popularity • 47% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
40% Popularity • 47% Danceability • 26% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Patti Murin
What Do You Know About Love?
114 bpm • A# Maj • 04:26 • -6.79db
18% Popularity • 71% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
18% Popularity • 71% Danceability • 49% Energy • 30% Liveness
0% Instrumentalness • 57% Positiveness
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Adam Chanler-Berat
More Than Just a Friend
114 bpm • D Maj • 02:04 • -6.76db
14% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
14% Popularity • 56% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 47% Positiveness
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Andrew Barth Feldman
Me and Mr. Popularity
114 bpm • F Maj • 04:02 • -8db
30% Popularity • 48% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
30% Popularity • 48% Danceability • 48% Energy • 7% Liveness
0% Instrumentalness • 61% Positiveness
