Songs like Bien Vivre by Amelie Bernard
Based on a tempo of (+/- 10%) and a similar genre
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Rue de la Chapelle
Jus d'Orange - Piano and Flute
136 bpm • A min • 02:12 • -12.64db
17% Popularity • 28% Danceability • 29% Energy • 19% Liveness
88% Instrumentalness • 7% Positiveness
17% Popularity • 28% Danceability • 29% Energy • 19% Liveness
88% Instrumentalness • 7% Positiveness
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Thomas Lloyd Parker
Mellow Ambience
136 bpm • G# Maj • 01:36 • -27db
22% Popularity • 39% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
22% Popularity • 39% Danceability • 2% Energy • 11% Liveness
86% Instrumentalness • 11% Positiveness
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Colin Hall
A Swan Floating on the Lake
136 bpm • C Maj • 03:16 • -19.64db
20% Popularity • 16% Danceability • 12% Energy • 19% Liveness
94% Instrumentalness • 6% Positiveness
20% Popularity • 16% Danceability • 12% Energy • 19% Liveness
94% Instrumentalness • 6% Positiveness
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Mathew Holmes
Dancing in my Soul - Piano and Flute
136 bpm • G# Maj • 02:48 • -16.29db
15% Popularity • 25% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
15% Popularity • 25% Danceability • 17% Energy • 9% Liveness
90% Instrumentalness • 4% Positiveness
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Leading
Haven Retreat
136 bpm • G Maj • 01:50 • -28.38db
20% Popularity • 48% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
20% Popularity • 48% Danceability • 5% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
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Ashok Balaji
Touch the Star - Relaxing Version
136 bpm • C Maj • 02:44 • -15.05db
21% Popularity • 32% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
21% Popularity • 32% Danceability • 12% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Omegha
Cold Water - Piano and Flute
136 bpm • F min • 02:50 • -15.64db
12% Popularity • 22% Danceability • 18% Energy • 6% Liveness
92% Instrumentalness • 14% Positiveness
12% Popularity • 22% Danceability • 18% Energy • 6% Liveness
92% Instrumentalness • 14% Positiveness
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Amelie Bernard
Bien Vivre
136 bpm • E min • 02:16 • -24.95db
26% Popularity • 59% Danceability • 0% Energy • 14% Liveness
93% Instrumentalness • 48% Positiveness
26% Popularity • 59% Danceability • 0% Energy • 14% Liveness
93% Instrumentalness • 48% Positiveness
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Colin Hall
Zen Stones
136 bpm • F min • 03:07 • -19.72db
20% Popularity • 23% Danceability • 8% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
20% Popularity • 23% Danceability • 8% Energy • 8% Liveness
91% Instrumentalness • 7% Positiveness
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Henry Barrie
Vanilla
137 bpm • A min • 02:12 • -21.46db
11% Popularity • 27% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
11% Popularity • 27% Danceability • 14% Energy • 10% Liveness
93% Instrumentalness • 6% Positiveness
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Edwin Miller
I Know the Reason
137 bpm • D# min • 02:48 • -25.3db
15% Popularity • 42% Danceability • 6% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
15% Popularity • 42% Danceability • 6% Energy • 14% Liveness
96% Instrumentalness • 14% Positiveness
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Ashok Balaji
Inevitable Shadow
135 bpm • A Maj • 01:53 • -23.28db
32% Popularity • 24% Danceability • 7% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
32% Popularity • 24% Danceability • 7% Energy • 11% Liveness
83% Instrumentalness • 18% Positiveness
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Semaphore
Ocean Dreaming
135 bpm • G Maj • 02:51 • -28.65db
33% Popularity • 16% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
33% Popularity • 16% Danceability • 8% Energy • 8% Liveness
93% Instrumentalness • 4% Positiveness
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Camilla Lindberg
Infinity Sea
137 bpm • D# min • 01:53 • -25.05db
30% Popularity • 59% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
30% Popularity • 59% Danceability • 0% Energy • 11% Liveness
94% Instrumentalness • 24% Positiveness
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Colin Hall
Foggy Dawn
135 bpm • D# min • 02:51 • -19.65db
23% Popularity • 20% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
23% Popularity • 20% Danceability • 11% Energy • 10% Liveness
90% Instrumentalness • 9% Positiveness
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Josh Freeman
One Cosy Day
135 bpm • C min • 01:55 • -23.61db
21% Popularity • 42% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
21% Popularity • 42% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Cosmo Reyes
Frequencies Experience
137 bpm • A# Maj • 01:38 • -23db
26% Popularity • 15% Danceability • 2% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
26% Popularity • 15% Danceability • 2% Energy • 12% Liveness
43% Instrumentalness • 4% Positiveness
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Amelie Bernard
You me Now - unwind
137 bpm • G Maj • 01:33 • -30.09db
26% Popularity • 16% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
26% Popularity • 16% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Charlotte Gudrun
Shine
135 bpm • A min • 01:00 • -25.25db
29% Popularity • 40% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
29% Popularity • 40% Danceability • 3% Energy • 10% Liveness
87% Instrumentalness • 25% Positiveness
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Aarnout Ago
Happiness Comes in Waves
137 bpm • B Maj • 02:04 • -26.64db
29% Popularity • 22% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
29% Popularity • 22% Danceability • 3% Energy • 11% Liveness
89% Instrumentalness • 9% Positiveness
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Adam Owen
Idyllic Village
135 bpm • G min • 02:08 • -26.38db
28% Popularity • 56% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
28% Popularity • 56% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 36% Positiveness
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Charlie Ward
Feel Good - Atmosphere Version
135 bpm • D# min • 03:29 • -23.49db
13% Popularity • 31% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
13% Popularity • 31% Danceability • 4% Energy • 11% Liveness
93% Instrumentalness • 15% Positiveness
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Ashok Balaji
Surreal Night - Relaxing Version
134 bpm • A min • 02:34 • -14.74db
24% Popularity • 26% Danceability • 16% Energy • 9% Liveness
32% Instrumentalness • 16% Positiveness
24% Popularity • 26% Danceability • 16% Energy • 9% Liveness
32% Instrumentalness • 16% Positiveness
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Amelie Bernard
La Nuit
135 bpm • G min • 02:01 • -25.89db
0% Popularity • 44% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 28% Positiveness
0% Popularity • 44% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 28% Positiveness
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Point Out
Lost in London - Piano and Flute
135 bpm • G min • 02:00 • -15db
12% Popularity • 26% Danceability • 31% Energy • 27% Liveness
92% Instrumentalness • 4% Positiveness
12% Popularity • 26% Danceability • 31% Energy • 27% Liveness
92% Instrumentalness • 4% Positiveness
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Easton Parker
Two in the Moon
138 bpm • D Maj • 01:30 • -34.07db
31% Popularity • 19% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
31% Popularity • 19% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 7% Positiveness
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From Time to Time
When you Call my Name - Piano and Flute
134 bpm • A min • 03:10 • -16.3db
11% Popularity • 30% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
11% Popularity • 30% Danceability • 21% Energy • 10% Liveness
93% Instrumentalness • 9% Positiveness
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Simon Fletcher
Sand Dunes of the Sahara
134 bpm • D min • 01:10 • -22.71db
21% Popularity • 26% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
21% Popularity • 26% Danceability • 2% Energy • 10% Liveness
96% Instrumentalness • 8% Positiveness
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Alex Bergman
Disappear
138 bpm • A min • 02:10 • -22.64db
24% Popularity • 33% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
24% Popularity • 33% Danceability • 5% Energy • 8% Liveness
90% Instrumentalness • 10% Positiveness
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Little Symphony
Atlantic
138 bpm • D Maj • 03:36 • -26.44db
19% Popularity • 15% Danceability • 3% Energy • 29% Liveness
97% Instrumentalness • 4% Positiveness
19% Popularity • 15% Danceability • 3% Energy • 29% Liveness
97% Instrumentalness • 4% Positiveness
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Rue de la Chapelle
Midnight Blue - Piano and Flute
134 bpm • A Maj • 02:24 • -18.33db
24% Popularity • 23% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
24% Popularity • 23% Danceability • 14% Energy • 9% Liveness
89% Instrumentalness • 14% Positiveness
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Erik Holm
From Heart to Soul
133 bpm • E min • 02:25 • -19.55db
23% Popularity • 70% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
23% Popularity • 70% Danceability • 25% Energy • 11% Liveness
95% Instrumentalness • 46% Positiveness
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Page of Free
Let me Go - Piano and Flute
134 bpm • E min • 02:42 • -17db
10% Popularity • 20% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
10% Popularity • 20% Danceability • 20% Energy • 9% Liveness
89% Instrumentalness • 5% Positiveness
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Sophie Weber
Magical Enchanted
133 bpm • D# Maj • 02:10 • -26.81db
29% Popularity • 52% Danceability • 1% Energy • 18% Liveness
91% Instrumentalness • 39% Positiveness
29% Popularity • 52% Danceability • 1% Energy • 18% Liveness
91% Instrumentalness • 39% Positiveness
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Scott Lee Baker
I Promise You - Piano and Flute
133 bpm • G# Maj • 02:31 • -14.78db
11% Popularity • 22% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
11% Popularity • 22% Danceability • 23% Energy • 12% Liveness
94% Instrumentalness • 4% Positiveness
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Complete Rest
Dream for me
140 bpm • D Maj • 02:32 • -37.36db
32% Popularity • 14% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 7% Positiveness
32% Popularity • 14% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 7% Positiveness
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Amelie Bernard
Le Bois des Mures
132 bpm • B min • 01:51 • -24.22db
26% Popularity • 47% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
26% Popularity • 47% Danceability • 6% Energy • 10% Liveness
92% Instrumentalness • 15% Positiveness
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Property of Owners
Round and Around - Piano and Flute
132 bpm • G Maj • 02:45 • -16.95db
11% Popularity • 24% Danceability • 16% Energy • 42% Liveness
94% Instrumentalness • 14% Positiveness
11% Popularity • 24% Danceability • 16% Energy • 42% Liveness
94% Instrumentalness • 14% Positiveness
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Jeevesh
Deep Space
140 bpm • A min • 01:19 • -25.35db
35% Popularity • 22% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
35% Popularity • 22% Danceability • 4% Energy • 11% Liveness
91% Instrumentalness • 10% Positiveness
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Percy Norton
Spring Mornings
140 bpm • F Maj • 01:49 • -30.69db
36% Popularity • 21% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
36% Popularity • 21% Danceability • 2% Energy • 11% Liveness
90% Instrumentalness • 4% Positiveness
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Colin Hall
Focusing - Piano and Flute
132 bpm • C Maj • 01:19 • -23.71db
44% Popularity • 20% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 20% Danceability • 13% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Clark Hamilton
New Sunrise
140 bpm • G# Maj • 01:18 • -18.63db
27% Popularity • 14% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
27% Popularity • 14% Danceability • 13% Energy • 9% Liveness
95% Instrumentalness • 3% Positiveness
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Amelie Bernard
China Blue
132 bpm • E min • 02:11 • -22.22db
18% Popularity • 48% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
18% Popularity • 48% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 25% Positiveness
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Senses Link
Le Jardin de Celine
140 bpm • A Maj • 01:18 • -25.37db
38% Popularity • 22% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
38% Popularity • 22% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 11% Positiveness
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Simon & Harris
How Will I Know - Piano and Flute
131 bpm • D Maj • 03:42 • -18.74db
13% Popularity • 24% Danceability • 12% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
13% Popularity • 24% Danceability • 12% Energy • 12% Liveness
85% Instrumentalness • 14% Positiveness
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Mathis De Jong
Calm Night
141 bpm • F# min • 01:51 • -28.8db
36% Popularity • 14% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 9% Positiveness
36% Popularity • 14% Danceability • 1% Energy • 11% Liveness
85% Instrumentalness • 9% Positiveness
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Harry Evans
Tao
131 bpm • D# Maj • 02:10 • -26.18db
15% Popularity • 55% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 30% Positiveness
15% Popularity • 55% Danceability • 1% Energy • 9% Liveness
90% Instrumentalness • 30% Positiveness
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Eleonore Baumann
Frangipani
130 bpm • C Maj • 02:08 • -25.02db
13% Popularity • 50% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
13% Popularity • 50% Danceability • 7% Energy • 11% Liveness
93% Instrumentalness • 24% Positiveness
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Percy Norton
Silent Rhythm
142 bpm • A Maj • 01:34 • -25.44db
37% Popularity • 19% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
37% Popularity • 19% Danceability • 4% Energy • 11% Liveness
86% Instrumentalness • 13% Positiveness
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Senses Link
Peace Out
141 bpm • D Maj • 01:32 • -29.14db
31% Popularity • 23% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
31% Popularity • 23% Danceability • 2% Energy • 10% Liveness
88% Instrumentalness • 4% Positiveness
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Toni Verde
Impressions of illusions
130 bpm • C# Maj • 01:35 • -24.23db
33% Popularity • 50% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
33% Popularity • 50% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Daniel Oppel
You Are Sinking In My Heart
130 bpm • F# Maj • 01:51 • -27.28db
17% Popularity • 52% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 42% Positiveness
17% Popularity • 52% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 42% Positiveness
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Alex Bergman
Reading the Book - Piano Version
143 bpm • C min • 01:44 • -24.76db
17% Popularity • 44% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 44% Positiveness
17% Popularity • 44% Danceability • 4% Energy • 12% Liveness
95% Instrumentalness • 44% Positiveness
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Colin Hall
Calm Seas - Piano and Flute
129 bpm • C Maj • 01:15 • -27.34db
40% Popularity • 22% Danceability • 2% Energy • 16% Liveness
85% Instrumentalness • 18% Positiveness
40% Popularity • 22% Danceability • 2% Energy • 16% Liveness
85% Instrumentalness • 18% Positiveness
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Edwin Miller
Red Hearts
129 bpm • G# Maj • 02:26 • -24.97db
18% Popularity • 33% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
18% Popularity • 33% Danceability • 10% Energy • 12% Liveness
94% Instrumentalness • 14% Positiveness
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Hank Lee
Forgotten Me
143 bpm • D# min • 02:32 • -22.84db
31% Popularity • 16% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
31% Popularity • 16% Danceability • 4% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Nature Goddess
Giant Steps
144 bpm • G# Maj • 02:26 • -24.23db
9% Popularity • 17% Danceability • 7% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
9% Popularity • 17% Danceability • 7% Energy • 9% Liveness
60% Instrumentalness • 8% Positiveness
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Leading
Serenity
128 bpm • E min • 01:10 • -27.86db
21% Popularity • 57% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 59% Positiveness
21% Popularity • 57% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 59% Positiveness
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Alex Bergman
Jasmine
130 bpm • G min • 02:38 • -27.83db
19% Popularity • 42% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
19% Popularity • 42% Danceability • 3% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Wind Makers
Wind Makers
146 bpm • G# Maj • 02:04 • -27.99db
21% Popularity • 13% Danceability • 6% Energy • 11% Liveness
100% Instrumentalness • 4% Positiveness
21% Popularity • 13% Danceability • 6% Energy • 11% Liveness
100% Instrumentalness • 4% Positiveness
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Cosmic Space Traveler
Perfect Aperture
126 bpm • E min • 01:58 • -23.19db
25% Popularity • 19% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
25% Popularity • 19% Danceability • 7% Energy • 10% Liveness
97% Instrumentalness • 8% Positiveness
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Grant Hunt
Morning Will Dew
125 bpm • D# Maj • 02:06 • -26.29db
20% Popularity • 39% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
20% Popularity • 39% Danceability • 0% Energy • 11% Liveness
90% Instrumentalness • 19% Positiveness
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Edwin Miller
Shape of my Heart - Atmosphere Version
126 bpm • A min • 02:18 • -21.56db
26% Popularity • 28% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
26% Popularity • 28% Danceability • 4% Energy • 9% Liveness
96% Instrumentalness • 5% Positiveness
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Percy Norton
I've Laughed and Cried
125 bpm • B min • 02:21 • -22.72db
27% Popularity • 25% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
27% Popularity • 25% Danceability • 21% Energy • 10% Liveness
91% Instrumentalness • 3% Positiveness
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Cosmo Reyes
Calming Drops - Part 3
125 bpm • D# Maj • 01:10 • -25.34db
28% Popularity • 17% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
28% Popularity • 17% Danceability • 3% Energy • 10% Liveness
96% Instrumentalness • 4% Positiveness
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Picotee
Easy Wings
150 bpm • A Maj • 01:33 • -23.23db
31% Popularity • 15% Danceability • 8% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
31% Popularity • 15% Danceability • 8% Energy • 7% Liveness
85% Instrumentalness • 4% Positiveness
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Entrainment
528 Hz Chakra Healing frequency
123 bpm • C Maj • 02:13 • -39.76db
44% Popularity • 26% Danceability • 0% Energy • 10% Liveness
75% Instrumentalness • 8% Positiveness
44% Popularity • 26% Danceability • 0% Energy • 10% Liveness
75% Instrumentalness • 8% Positiveness
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Nobly
The Time Has Come Again for Calming - 43...
122 bpm • E min • 02:20 • -26.02db
26% Popularity • 40% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
26% Popularity • 40% Danceability • 1% Energy • 11% Liveness
95% Instrumentalness • 9% Positiveness
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Colin Hall
Inner Peace - Piano and Flute
121 bpm • A min • 01:03 • -27db
43% Popularity • 18% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
43% Popularity • 18% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 4% Positiveness
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Jeevesh
Forest on the other bank
120 bpm • A# min • 03:18 • -22.73db
18% Popularity • 18% Danceability • 12% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
18% Popularity • 18% Danceability • 12% Energy • 12% Liveness
97% Instrumentalness • 4% Positiveness
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MusicoterapiaTeam
Flujo De Yoga Profundo En Las Relajantes...
120 bpm • G# min • 02:00 • -20.3db
30% Popularity • 17% Danceability • 26% Energy • 13% Liveness
95% Instrumentalness • 3% Positiveness
30% Popularity • 17% Danceability • 26% Energy • 13% Liveness
95% Instrumentalness • 3% Positiveness
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Adam Owen
Where's My Love
120 bpm • A min • 02:39 • -22.91db
27% Popularity • 32% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
27% Popularity • 32% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 19% Positiveness
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Amelie Bernard
Love You to the Moon
120 bpm • A# Maj • 02:27 • -19.5db
0% Popularity • 73% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
0% Popularity • 73% Danceability • 13% Energy • 11% Liveness
90% Instrumentalness • 30% Positiveness
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Antonio Verde
Beautiful Sunshine
120 bpm • D Maj • 02:22 • -23.77db
2% Popularity • 68% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 26% Positiveness
2% Popularity • 68% Danceability • 5% Energy • 9% Liveness
88% Instrumentalness • 26% Positiveness
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Calvin Parker
Where and When
120 bpm • G min • 01:36 • -24.89db
17% Popularity • 62% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
17% Popularity • 62% Danceability • 22% Energy • 11% Liveness
96% Instrumentalness • 16% Positiveness
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Kelly Lerner
Love you to the Moon - Piano And Violin
120 bpm • D min • 02:26 • -11.37db
2% Popularity • 29% Danceability • 25% Energy • 12% Liveness
22% Instrumentalness • 14% Positiveness
2% Popularity • 29% Danceability • 25% Energy • 12% Liveness
22% Instrumentalness • 14% Positiveness
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Finn Hansen
Clouds in the Sky
120 bpm • B min • 01:30 • -25.58db
34% Popularity • 47% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
34% Popularity • 47% Danceability • 4% Energy • 10% Liveness
91% Instrumentalness • 12% Positiveness
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Moritz Hofer
Orange Rain
120 bpm • E min • 01:56 • -20.32db
13% Popularity • 78% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 35% Positiveness
13% Popularity • 78% Danceability • 4% Energy • 10% Liveness
86% Instrumentalness • 35% Positiveness
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Cosmo Reyes
Silence the Mind
118 bpm • A min • 02:18 • -25.27db
33% Popularity • 22% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
33% Popularity • 22% Danceability • 12% Energy • 9% Liveness
86% Instrumentalness • 17% Positiveness
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Leonard Cook
Falling to Far
119 bpm • F# Maj • 01:31 • -31db
20% Popularity • 47% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 49% Positiveness
20% Popularity • 47% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 49% Positiveness
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Thomas Lloyd Parker
Path in the Woods
117 bpm • A min • 03:11 • -24.09db
16% Popularity • 51% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
16% Popularity • 51% Danceability • 5% Energy • 10% Liveness
89% Instrumentalness • 12% Positiveness
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Brandon Blake
Physics
117 bpm • D Maj • 01:31 • -29.72db
32% Popularity • 22% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
32% Popularity • 22% Danceability • 2% Energy • 10% Liveness
89% Instrumentalness • 4% Positiveness
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Adrew Visser
Sweet Dreams
116 bpm • A min • 02:00 • -29db
31% Popularity • 42% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
31% Popularity • 42% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 34% Positiveness
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Leading
Entspannend
116 bpm • C Maj • 02:50 • -28db
12% Popularity • 49% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
12% Popularity • 49% Danceability • 10% Energy • 8% Liveness
94% Instrumentalness • 24% Positiveness
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Matt Van Dyk
Gets Real
160 bpm • F min • 01:02 • -20.39db
15% Popularity • 59% Danceability • 6% Energy • 12% Liveness
83% Instrumentalness • 40% Positiveness
15% Popularity • 59% Danceability • 6% Energy • 12% Liveness
83% Instrumentalness • 40% Positiveness
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Camilla Lindberg
The Air of Paris
160 bpm • D# Maj • 01:48 • -25.69db
17% Popularity • 51% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
17% Popularity • 51% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 20% Positiveness
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Felipe Suarez
Consciousness
160 bpm • G Maj • 01:54 • -16.7db
18% Popularity • 52% Danceability • 10% Energy • 16% Liveness
86% Instrumentalness • 21% Positiveness
18% Popularity • 52% Danceability • 10% Energy • 16% Liveness
86% Instrumentalness • 21% Positiveness
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Barth Dreux
I'm Coming Home
160 bpm • F# Maj • 02:00 • -17.21db
12% Popularity • 49% Danceability • 14% Energy • 21% Liveness
94% Instrumentalness • 9% Positiveness
12% Popularity • 49% Danceability • 14% Energy • 21% Liveness
94% Instrumentalness • 9% Positiveness
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Metonymy
Under the Rainbow
160 bpm • G Maj • 02:33 • -23.04db
12% Popularity • 48% Danceability • 34% Energy • 19% Liveness
93% Instrumentalness • 54% Positiveness
12% Popularity • 48% Danceability • 34% Energy • 19% Liveness
93% Instrumentalness • 54% Positiveness
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Rich Levin
Amazement
160 bpm • D min • 02:32 • -23.15db
7% Popularity • 56% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 25% Positiveness
7% Popularity • 56% Danceability • 6% Energy • 8% Liveness
95% Instrumentalness • 25% Positiveness
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Amanda Gaveston
Mesmerise
160 bpm • A Maj • 01:08 • -27.06db
32% Popularity • 52% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
32% Popularity • 52% Danceability • 3% Energy • 11% Liveness
82% Instrumentalness • 20% Positiveness
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Camilla Lindberg
Full of Dreams
160 bpm • C# Maj • 02:28 • -20.91db
19% Popularity • 65% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 29% Positiveness
19% Popularity • 65% Danceability • 9% Energy • 11% Liveness
96% Instrumentalness • 29% Positiveness
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Daniel Oppel
Make You Happy
160 bpm • A min • 01:19 • -19.43db
25% Popularity • 55% Danceability • 12% Energy • 9% Liveness
81% Instrumentalness • 28% Positiveness
25% Popularity • 55% Danceability • 12% Energy • 9% Liveness
81% Instrumentalness • 28% Positiveness
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Barth Dreux
Feel like It
160 bpm • A min • 02:17 • -17.04db
23% Popularity • 56% Danceability • 11% Energy • 12% Liveness
77% Instrumentalness • 23% Positiveness
23% Popularity • 56% Danceability • 11% Energy • 12% Liveness
77% Instrumentalness • 23% Positiveness
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Sidney Clark
Cuddle
160 bpm • A min • 01:52 • -24.95db
10% Popularity • 36% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
10% Popularity • 36% Danceability • 24% Energy • 11% Liveness
92% Instrumentalness • 26% Positiveness
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Ace Chase
Stress Free Zone
161 bpm • E min • 01:53 • -28db
33% Popularity • 27% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
33% Popularity • 27% Danceability • 0% Energy • 8% Liveness
91% Instrumentalness • 16% Positiveness
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Cosmo Reyes
Calming Drops - Part 1
161 bpm • C Maj • 01:10 • -36.75db
39% Popularity • 10% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
39% Popularity • 10% Danceability • 1% Energy • 10% Liveness
98% Instrumentalness • 3% Positiveness
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Ashok Balaji
Sun Coming Through
169 bpm • A min • 02:04 • -21.78db
23% Popularity • 11% Danceability • 20% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
23% Popularity • 11% Danceability • 20% Energy • 12% Liveness
98% Instrumentalness • 3% Positiveness
