Songs like Big Bad Bass by Julian Jordan
Based on a tempo of (+/- 10%) and a similar genre
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ZOOTAH
Finish Line
126 bpm • A Maj • 02:38 • -7db
25% Popularity • 71% Danceability • 86% Energy • 10% Liveness
29% Instrumentalness • 21% Positiveness
25% Popularity • 71% Danceability • 86% Energy • 10% Liveness
29% Instrumentalness • 21% Positiveness
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Julian Jordan
Sound Of The Bass
126 bpm • A# min • 03:17 • -5.2db
27% Popularity • 75% Danceability • 79% Energy • 11% Liveness
84% Instrumentalness • 8% Positiveness
27% Popularity • 75% Danceability • 79% Energy • 11% Liveness
84% Instrumentalness • 8% Positiveness
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Crime Zcene
Lights Out
126 bpm • C# Maj • 03:11 • -3.48db
12% Popularity • 76% Danceability • 94% Energy • 41% Liveness
44% Instrumentalness • 52% Positiveness
12% Popularity • 76% Danceability • 94% Energy • 41% Liveness
44% Instrumentalness • 52% Positiveness
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RAVLAV
Dirty Bass Dancer
126 bpm • C Maj • 03:14 • -6.72db
8% Popularity • 69% Danceability • 91% Energy • 23% Liveness
74% Instrumentalness • 69% Positiveness
8% Popularity • 69% Danceability • 91% Energy • 23% Liveness
74% Instrumentalness • 69% Positiveness
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Whats Gud
Slow Down
126 bpm • F# min • 02:22 • -4db
8% Popularity • 78% Danceability • 80% Energy • 38% Liveness
76% Instrumentalness • 41% Positiveness
8% Popularity • 78% Danceability • 80% Energy • 38% Liveness
76% Instrumentalness • 41% Positiveness
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Seth Hills
Calling Out
126 bpm • C# Maj • 02:26 • -8.05db
36% Popularity • 72% Danceability • 71% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
36% Popularity • 72% Danceability • 71% Energy • 9% Liveness
1% Instrumentalness • 42% Positiveness
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NEVERGLOW
Homesick
126 bpm • C# min • 02:41 • -7db
8% Popularity • 68% Danceability • 68% Energy • 10% Liveness
66% Instrumentalness • 6% Positiveness
8% Popularity • 68% Danceability • 68% Energy • 10% Liveness
66% Instrumentalness • 6% Positiveness
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Julian Jordan
Drop The Top
126 bpm • C# min • 02:45 • -4db
23% Popularity • 85% Danceability • 96% Energy • 12% Liveness
53% Instrumentalness • 25% Positiveness
23% Popularity • 85% Danceability • 96% Energy • 12% Liveness
53% Instrumentalness • 25% Positiveness
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Yves V
Reflect
126 bpm • F min • 03:12 • -7db
20% Popularity • 52% Danceability • 73% Energy • 16% Liveness
24% Instrumentalness • 6% Positiveness
20% Popularity • 52% Danceability • 73% Energy • 16% Liveness
24% Instrumentalness • 6% Positiveness
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PBH & JACK
Future Sound
126 bpm • C# Maj • 02:55 • -4db
20% Popularity • 60% Danceability • 99% Energy • 7% Liveness
70% Instrumentalness • 59% Positiveness
20% Popularity • 60% Danceability • 99% Energy • 7% Liveness
70% Instrumentalness • 59% Positiveness
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MelyJones
Don't Need You
126 bpm • F min • 02:58 • -4.15db
11% Popularity • 60% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 60% Danceability • 91% Energy • 30% Liveness
0% Instrumentalness • 62% Positiveness
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AFISHAL
Hold Me Close
126 bpm • F min • 02:50 • -5db
14% Popularity • 63% Danceability • 94% Energy • 38% Liveness
73% Instrumentalness • 13% Positiveness
14% Popularity • 63% Danceability • 94% Energy • 38% Liveness
73% Instrumentalness • 13% Positiveness
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Ytram
Fire
126 bpm • G# Maj • 02:43 • -5.95db
52% Popularity • 58% Danceability • 86% Energy • 12% Liveness
43% Instrumentalness • 7% Positiveness
52% Popularity • 58% Danceability • 86% Energy • 12% Liveness
43% Instrumentalness • 7% Positiveness
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Julian Jordan
Big Bad Bass
126 bpm • B min • 03:25 • -5.47db
22% Popularity • 78% Danceability • 87% Energy • 8% Liveness
83% Instrumentalness • 50% Positiveness
22% Popularity • 78% Danceability • 87% Energy • 8% Liveness
83% Instrumentalness • 50% Positiveness
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Jasted
Destroy This House
126 bpm • B min • 02:31 • -4.07db
16% Popularity • 64% Danceability • 93% Energy • 23% Liveness
1% Instrumentalness • 34% Positiveness
16% Popularity • 64% Danceability • 93% Energy • 23% Liveness
1% Instrumentalness • 34% Positiveness
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Martin Garrix
Reboot
126 bpm • F# Maj • 02:43 • -7db
41% Popularity • 74% Danceability • 52% Energy • 38% Liveness
84% Instrumentalness • 49% Positiveness
41% Popularity • 74% Danceability • 52% Energy • 38% Liveness
84% Instrumentalness • 49% Positiveness
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Quintino
F Soft Shit
126 bpm • E Maj • 02:29 • -7.99db
27% Popularity • 85% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
27% Popularity • 85% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 83% Positiveness
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Boges
Unemotional
126 bpm • C Maj • 02:26 • -6.13db
10% Popularity • 74% Danceability • 76% Energy • 13% Liveness
56% Instrumentalness • 42% Positiveness
10% Popularity • 74% Danceability • 76% Energy • 13% Liveness
56% Instrumentalness • 42% Positiveness
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ZOOTAH
Bring It Back
126 bpm • C Maj • 02:53 • -7.64db
23% Popularity • 80% Danceability • 96% Energy • 16% Liveness
73% Instrumentalness • 62% Positiveness
23% Popularity • 80% Danceability • 96% Energy • 16% Liveness
73% Instrumentalness • 62% Positiveness
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Julian Jordan
DuDuDu
126 bpm • C# min • 03:20 • -4.52db
20% Popularity • 75% Danceability • 97% Energy • 16% Liveness
79% Instrumentalness • 7% Positiveness
20% Popularity • 75% Danceability • 97% Energy • 16% Liveness
79% Instrumentalness • 7% Positiveness
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Zerb
Like 2 Party - Marc Benjamin Edit
126 bpm • C# Maj • 02:22 • -3db
26% Popularity • 67% Danceability • 96% Energy • 31% Liveness
57% Instrumentalness • 30% Positiveness
26% Popularity • 67% Danceability • 96% Energy • 31% Liveness
57% Instrumentalness • 30% Positiveness
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Blinders
Pressure (Wanna Feel Good)
126 bpm • D Maj • 03:48 • -4.32db
17% Popularity • 76% Danceability • 94% Energy • 15% Liveness
14% Instrumentalness • 31% Positiveness
17% Popularity • 76% Danceability • 94% Energy • 15% Liveness
14% Instrumentalness • 31% Positiveness
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Cheyenne Giles
Non Stop
126 bpm • E Maj • 02:36 • -4db
23% Popularity • 71% Danceability • 88% Energy • 36% Liveness
1% Instrumentalness • 37% Positiveness
23% Popularity • 71% Danceability • 88% Energy • 36% Liveness
1% Instrumentalness • 37% Positiveness
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Victor Tellagio
Johnny Relax
126 bpm • C# Maj • 02:49 • -3.31db
17% Popularity • 80% Danceability • 95% Energy • 34% Liveness
92% Instrumentalness • 70% Positiveness
17% Popularity • 80% Danceability • 95% Energy • 34% Liveness
92% Instrumentalness • 70% Positiveness
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Tim Hox
Thymus
126 bpm • A# min • 03:21 • -5.67db
17% Popularity • 70% Danceability • 85% Energy • 10% Liveness
20% Instrumentalness • 20% Positiveness
17% Popularity • 70% Danceability • 85% Energy • 10% Liveness
20% Instrumentalness • 20% Positiveness
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ZOOTAH
The Vibe
126 bpm • C Maj • 02:05 • -4.34db
24% Popularity • 84% Danceability • 99% Energy • 15% Liveness
42% Instrumentalness • 55% Positiveness
24% Popularity • 84% Danceability • 99% Energy • 15% Liveness
42% Instrumentalness • 55% Positiveness
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NLW
123
126 bpm • D Maj • 03:33 • -5.29db
27% Popularity • 68% Danceability • 94% Energy • 8% Liveness
20% Instrumentalness • 37% Positiveness
27% Popularity • 68% Danceability • 94% Energy • 8% Liveness
20% Instrumentalness • 37% Positiveness
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OOTORO
Breaking Away
126 bpm • A# min • 03:52 • -7.06db
7% Popularity • 79% Danceability • 78% Energy • 6% Liveness
87% Instrumentalness • 51% Positiveness
7% Popularity • 79% Danceability • 78% Energy • 6% Liveness
87% Instrumentalness • 51% Positiveness
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Vaigandt
Bass on the Floor
126 bpm • C Maj • 02:39 • -3.5db
12% Popularity • 80% Danceability • 76% Energy • 34% Liveness
12% Instrumentalness • 47% Positiveness
12% Popularity • 80% Danceability • 76% Energy • 34% Liveness
12% Instrumentalness • 47% Positiveness
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Mike Williams
Face Up To The Sun
126 bpm • G Maj • 03:14 • -4.06db
40% Popularity • 65% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 65% Danceability • 91% Energy • 5% Liveness
0% Instrumentalness • 60% Positiveness
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Deekey
Bugatti
126 bpm • F# min • 02:23 • -5.2db
18% Popularity • 60% Danceability • 94% Energy • 19% Liveness
16% Instrumentalness • 24% Positiveness
18% Popularity • 60% Danceability • 94% Energy • 19% Liveness
16% Instrumentalness • 24% Positiveness
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Carta
Sun Goes Down
126 bpm • C# Maj • 03:15 • -2.96db
15% Popularity • 82% Danceability • 96% Energy • 34% Liveness
65% Instrumentalness • 51% Positiveness
15% Popularity • 82% Danceability • 96% Energy • 34% Liveness
65% Instrumentalness • 51% Positiveness
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THYKIER
Miss
126 bpm • C# Maj • 03:14 • -4.53db
13% Popularity • 80% Danceability • 82% Energy • 12% Liveness
66% Instrumentalness • 41% Positiveness
13% Popularity • 80% Danceability • 82% Energy • 12% Liveness
66% Instrumentalness • 41% Positiveness
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Selva
Back To You
126 bpm • C Maj • 02:41 • -7.21db
19% Popularity • 73% Danceability • 65% Energy • 47% Liveness
0% Instrumentalness • 36% Positiveness
19% Popularity • 73% Danceability • 65% Energy • 47% Liveness
0% Instrumentalness • 36% Positiveness
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CID
Night Service Only
126 bpm • B min • 03:03 • -5.26db
22% Popularity • 68% Danceability • 82% Energy • 34% Liveness
10% Instrumentalness • 53% Positiveness
22% Popularity • 68% Danceability • 82% Energy • 34% Liveness
10% Instrumentalness • 53% Positiveness
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Martin Garrix
Limitless
126 bpm • C# Maj • 02:26 • -5db
46% Popularity • 60% Danceability • 83% Energy • 7% Liveness
73% Instrumentalness • 31% Positiveness
46% Popularity • 60% Danceability • 83% Energy • 7% Liveness
73% Instrumentalness • 31% Positiveness
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Seth Hills
Void
126 bpm • C# Maj • 02:28 • -5.24db
18% Popularity • 69% Danceability • 81% Energy • 6% Liveness
50% Instrumentalness • 38% Positiveness
18% Popularity • 69% Danceability • 81% Energy • 6% Liveness
50% Instrumentalness • 38% Positiveness
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Mike Cervello
Outlast
126 bpm • C Maj • 02:51 • -6db
8% Popularity • 74% Danceability • 83% Energy • 31% Liveness
60% Instrumentalness • 26% Positiveness
8% Popularity • 74% Danceability • 83% Energy • 31% Liveness
60% Instrumentalness • 26% Positiveness
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Jonas Aden
My Love Is Gone
126 bpm • A min • 02:35 • -4.44db
28% Popularity • 70% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
28% Popularity • 70% Danceability • 80% Energy • 21% Liveness
0% Instrumentalness • 60% Positiveness
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Adrian Fyrla
Questions
126 bpm • A Maj • 02:36 • -5.61db
14% Popularity • 74% Danceability • 95% Energy • 19% Liveness
53% Instrumentalness • 33% Positiveness
14% Popularity • 74% Danceability • 95% Energy • 19% Liveness
53% Instrumentalness • 33% Positiveness
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Julian Jordan
Out Of My Mind
126 bpm • C# min • 03:00 • -4.52db
23% Popularity • 70% Danceability • 92% Energy • 36% Liveness
86% Instrumentalness • 4% Positiveness
23% Popularity • 70% Danceability • 92% Energy • 36% Liveness
86% Instrumentalness • 4% Positiveness
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AMADRAMA
The Heist
126 bpm • G# Maj • 02:34 • -5.46db
20% Popularity • 88% Danceability • 74% Energy • 6% Liveness
84% Instrumentalness • 83% Positiveness
20% Popularity • 88% Danceability • 74% Energy • 6% Liveness
84% Instrumentalness • 83% Positiveness
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Seth Hills
Eclipse
126 bpm • E min • 02:52 • -5.76db
31% Popularity • 57% Danceability • 95% Energy • 35% Liveness
63% Instrumentalness • 55% Positiveness
31% Popularity • 57% Danceability • 95% Energy • 35% Liveness
63% Instrumentalness • 55% Positiveness
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Tom & Jame
New World Sound
126 bpm • C# Maj • 02:20 • -5.22db
22% Popularity • 67% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
22% Popularity • 67% Danceability • 90% Energy • 40% Liveness
0% Instrumentalness • 68% Positiveness
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Qlank
Lit
126 bpm • F# min • 03:52 • -4.07db
23% Popularity • 86% Danceability • 80% Energy • 8% Liveness
86% Instrumentalness • 34% Positiveness
23% Popularity • 86% Danceability • 80% Energy • 8% Liveness
86% Instrumentalness • 34% Positiveness
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Cheyenne Giles
Blow The Whistle
126 bpm • B min • 04:05 • -4.34db
14% Popularity • 82% Danceability • 87% Energy • 17% Liveness
24% Instrumentalness • 19% Positiveness
14% Popularity • 82% Danceability • 87% Energy • 17% Liveness
24% Instrumentalness • 19% Positiveness
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Julian Jordan
Facts - Extended Mix
126 bpm • A Maj • 02:56 • -5.08db
11% Popularity • 72% Danceability • 93% Energy • 9% Liveness
67% Instrumentalness • 29% Positiveness
11% Popularity • 72% Danceability • 93% Energy • 9% Liveness
67% Instrumentalness • 29% Positiveness
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Tim Hox
Amare (easy to love you)
126 bpm • D# min • 03:37 • -5.67db
10% Popularity • 67% Danceability • 87% Energy • 6% Liveness
56% Instrumentalness • 26% Positiveness
10% Popularity • 67% Danceability • 87% Energy • 6% Liveness
56% Instrumentalness • 26% Positiveness
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Jonas Aden
Late At Night - Zave Remix
126 bpm • C# Maj • 03:15 • -2.53db
11% Popularity • 71% Danceability • 95% Energy • 38% Liveness
26% Instrumentalness • 44% Positiveness
11% Popularity • 71% Danceability • 95% Energy • 38% Liveness
26% Instrumentalness • 44% Positiveness
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Tony Junior
Stamina
126 bpm • D Maj • 03:26 • -4.68db
23% Popularity • 75% Danceability • 93% Energy • 36% Liveness
7% Instrumentalness • 45% Positiveness
23% Popularity • 75% Danceability • 93% Energy • 36% Liveness
7% Instrumentalness • 45% Positiveness
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Matroda
That Beat
126 bpm • F# Maj • 02:29 • -3.04db
11% Popularity • 76% Danceability • 95% Energy • 11% Liveness
57% Instrumentalness • 43% Positiveness
11% Popularity • 76% Danceability • 95% Energy • 11% Liveness
57% Instrumentalness • 43% Positiveness
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SWACQ
Mindfuck
126 bpm • C# Maj • 02:53 • -4.83db
20% Popularity • 82% Danceability • 71% Energy • 10% Liveness
38% Instrumentalness • 22% Positiveness
20% Popularity • 82% Danceability • 71% Energy • 10% Liveness
38% Instrumentalness • 22% Positiveness
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Julian Jordan
Facts
126 bpm • E Maj • 02:16 • -4.45db
21% Popularity • 70% Danceability • 92% Energy • 8% Liveness
56% Instrumentalness • 25% Positiveness
21% Popularity • 70% Danceability • 92% Energy • 8% Liveness
56% Instrumentalness • 25% Positiveness
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Brais
Run
126 bpm • D Maj • 02:22 • -3.44db
17% Popularity • 72% Danceability • 95% Energy • 19% Liveness
87% Instrumentalness • 8% Positiveness
17% Popularity • 72% Danceability • 95% Energy • 19% Liveness
87% Instrumentalness • 8% Positiveness
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Seth Hills
Rebound
126 bpm • C# min • 02:21 • -6.7db
14% Popularity • 70% Danceability • 92% Energy • 38% Liveness
80% Instrumentalness • 24% Positiveness
14% Popularity • 70% Danceability • 92% Energy • 38% Liveness
80% Instrumentalness • 24% Positiveness
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Tim Hox
Sisto (I make ‘em go)
126 bpm • B Maj • 03:35 • -4.38db
13% Popularity • 61% Danceability • 97% Energy • 43% Liveness
70% Instrumentalness • 30% Positiveness
13% Popularity • 61% Danceability • 97% Energy • 43% Liveness
70% Instrumentalness • 30% Positiveness
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Milan Tavares
Destiny
126 bpm • C# Maj • 02:26 • -6.3db
36% Popularity • 66% Danceability • 80% Energy • 30% Liveness
28% Instrumentalness • 19% Positiveness
36% Popularity • 66% Danceability • 80% Energy • 30% Liveness
28% Instrumentalness • 19% Positiveness
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Dastic
Closer
126 bpm • C# Maj • 02:52 • -4.25db
17% Popularity • 70% Danceability • 80% Energy • 8% Liveness
24% Instrumentalness • 23% Positiveness
17% Popularity • 70% Danceability • 80% Energy • 8% Liveness
24% Instrumentalness • 23% Positiveness
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Julian Jordan
Bassline
126 bpm • A Maj • 02:40 • -3.15db
24% Popularity • 75% Danceability • 97% Energy • 26% Liveness
76% Instrumentalness • 21% Positiveness
24% Popularity • 75% Danceability • 97% Energy • 26% Liveness
76% Instrumentalness • 21% Positiveness
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NEVERGLOW
The Mothership
126 bpm • C# Maj • 02:34 • -7.75db
26% Popularity • 80% Danceability • 68% Energy • 39% Liveness
34% Instrumentalness • 28% Positiveness
26% Popularity • 80% Danceability • 68% Energy • 39% Liveness
34% Instrumentalness • 28% Positiveness
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Alenn
Sneakers
126 bpm • G Maj • 03:45 • -7.63db
10% Popularity • 73% Danceability • 87% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
10% Popularity • 73% Danceability • 87% Energy • 11% Liveness
78% Instrumentalness • 20% Positiveness
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Julian Calor
Silence
126 bpm • A# min • 02:49 • -6.68db
38% Popularity • 75% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
38% Popularity • 75% Danceability • 73% Energy • 8% Liveness
0% Instrumentalness • 47% Positiveness
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Siberian Express
GonDem
126 bpm • A# min • 03:18 • -1.64db
12% Popularity • 65% Danceability • 100% Energy • 22% Liveness
86% Instrumentalness • 53% Positiveness
12% Popularity • 65% Danceability • 100% Energy • 22% Liveness
86% Instrumentalness • 53% Positiveness
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Daijo
Keeping It
126 bpm • C Maj • 02:22 • -3.11db
9% Popularity • 69% Danceability • 98% Energy • 12% Liveness
35% Instrumentalness • 63% Positiveness
9% Popularity • 69% Danceability • 98% Energy • 12% Liveness
35% Instrumentalness • 63% Positiveness
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Julian Jordan
Sound Of The Bass - Extended Mix
126 bpm • A# min • 03:45 • -5.2db
7% Popularity • 76% Danceability • 80% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
7% Popularity • 76% Danceability • 80% Energy • 10% Liveness
81% Instrumentalness • 7% Positiveness
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Tom & Jame
Alright Don't Stop
126 bpm • C# Maj • 02:52 • -4.54db
26% Popularity • 81% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
26% Popularity • 81% Danceability • 84% Energy • 14% Liveness
1% Instrumentalness • 63% Positiveness
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VIVID
Feel The Rush
126 bpm • F Maj • 02:29 • -4.84db
9% Popularity • 61% Danceability • 95% Energy • 16% Liveness
57% Instrumentalness • 9% Positiveness
9% Popularity • 61% Danceability • 95% Energy • 16% Liveness
57% Instrumentalness • 9% Positiveness
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Jordan Oliver
Up & Down
126 bpm • C# Maj • 02:10 • -3.93db
18% Popularity • 77% Danceability • 89% Energy • 32% Liveness
69% Instrumentalness • 17% Positiveness
18% Popularity • 77% Danceability • 89% Energy • 32% Liveness
69% Instrumentalness • 17% Positiveness
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Blinders
Prayer
126 bpm • G Maj • 04:23 • -5.05db
32% Popularity • 62% Danceability • 91% Energy • 9% Liveness
65% Instrumentalness • 27% Positiveness
32% Popularity • 62% Danceability • 91% Energy • 9% Liveness
65% Instrumentalness • 27% Positiveness
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Lodgerz
Coming Back
126 bpm • C# Maj • 02:09 • -7.32db
35% Popularity • 93% Danceability • 79% Energy • 34% Liveness
80% Instrumentalness • 48% Positiveness
35% Popularity • 93% Danceability • 79% Energy • 34% Liveness
80% Instrumentalness • 48% Positiveness
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Julian Jordan
Noise
126 bpm • G# Maj • 02:39 • -5.13db
21% Popularity • 67% Danceability • 99% Energy • 39% Liveness
84% Instrumentalness • 19% Positiveness
21% Popularity • 67% Danceability • 99% Energy • 39% Liveness
84% Instrumentalness • 19% Positiveness
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Siberian Express
Move to the Sound
126 bpm • A Maj • 03:25 • -2.19db
11% Popularity • 80% Danceability • 92% Energy • 9% Liveness
20% Instrumentalness • 65% Positiveness
11% Popularity • 80% Danceability • 92% Energy • 9% Liveness
20% Instrumentalness • 65% Positiveness
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Vol2Cat
Shamara
126 bpm • A# min • 02:22 • -4.13db
21% Popularity • 82% Danceability • 91% Energy • 38% Liveness
7% Instrumentalness • 87% Positiveness
21% Popularity • 82% Danceability • 91% Energy • 38% Liveness
7% Instrumentalness • 87% Positiveness
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NO SIGNE
High
126 bpm • C# Maj • 02:22 • -5.92db
19% Popularity • 64% Danceability • 88% Energy • 7% Liveness
30% Instrumentalness • 40% Positiveness
19% Popularity • 64% Danceability • 88% Energy • 7% Liveness
30% Instrumentalness • 40% Positiveness
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Seth Hills
RUSH
126 bpm • F# min • 02:23 • -6.37db
26% Popularity • 63% Danceability • 88% Energy • 25% Liveness
15% Instrumentalness • 23% Positiveness
26% Popularity • 63% Danceability • 88% Energy • 25% Liveness
15% Instrumentalness • 23% Positiveness
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Blinders
Right Behind - Extended Mix
126 bpm • B min • 03:39 • -3.97db
10% Popularity • 83% Danceability • 92% Energy • 3% Liveness
35% Instrumentalness • 65% Positiveness
10% Popularity • 83% Danceability • 92% Energy • 3% Liveness
35% Instrumentalness • 65% Positiveness
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Julian Jordan
Big Bad Bass - Extended Mix
126 bpm • B min • 03:47 • -5.29db
7% Popularity • 82% Danceability • 88% Energy • 9% Liveness
84% Instrumentalness • 51% Positiveness
7% Popularity • 82% Danceability • 88% Energy • 9% Liveness
84% Instrumentalness • 51% Positiveness
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Valentino Khan
Blackmail
126 bpm • G# Maj • 03:24 • -2.85db
30% Popularity • 87% Danceability • 82% Energy • 7% Liveness
85% Instrumentalness • 16% Positiveness
30% Popularity • 87% Danceability • 82% Energy • 7% Liveness
85% Instrumentalness • 16% Positiveness
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Oliver Heldens
The G.O.A.T.
126 bpm • C# Maj • 03:21 • -6.71db
45% Popularity • 68% Danceability • 92% Energy • 46% Liveness
89% Instrumentalness • 36% Positiveness
45% Popularity • 68% Danceability • 92% Energy • 46% Liveness
89% Instrumentalness • 36% Positiveness
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Cheyenne Giles
DVNCEFLOOR
126 bpm • A# min • 02:32 • -4db
31% Popularity • 83% Danceability • 93% Energy • 5% Liveness
1% Instrumentalness • 48% Positiveness
31% Popularity • 83% Danceability • 93% Energy • 5% Liveness
1% Instrumentalness • 48% Positiveness
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PROMI5E
Stay the Night
126 bpm • D Maj • 02:22 • -3.08db
15% Popularity • 70% Danceability • 98% Energy • 35% Liveness
79% Instrumentalness • 32% Positiveness
15% Popularity • 70% Danceability • 98% Energy • 35% Liveness
79% Instrumentalness • 32% Positiveness
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Blinders
Body Burner
126 bpm • C# Maj • 03:02 • -3.55db
8% Popularity • 77% Danceability • 86% Energy • 9% Liveness
42% Instrumentalness • 48% Positiveness
8% Popularity • 77% Danceability • 86% Energy • 9% Liveness
42% Instrumentalness • 48% Positiveness
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Martin Garrix
Biochemical
126 bpm • A# min • 02:43 • -4.21db
64% Popularity • 70% Danceability • 95% Energy • 21% Liveness
75% Instrumentalness • 14% Positiveness
64% Popularity • 70% Danceability • 95% Energy • 21% Liveness
75% Instrumentalness • 14% Positiveness
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Alleko
Funk Rhythms - Original Mix
126 bpm • A min • 02:36 • -5.72db
19% Popularity • 80% Danceability • 80% Energy • 8% Liveness
65% Instrumentalness • 74% Positiveness
19% Popularity • 80% Danceability • 80% Energy • 8% Liveness
65% Instrumentalness • 74% Positiveness
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Julian Jordan
Next Level
126 bpm • G# Maj • 02:32 • -4.06db
28% Popularity • 62% Danceability • 94% Energy • 10% Liveness
89% Instrumentalness • 26% Positiveness
28% Popularity • 62% Danceability • 94% Energy • 10% Liveness
89% Instrumentalness • 26% Positiveness
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Jaycen A'mour
Bring It To Me
126 bpm • C# Maj • 03:52 • -2.89db
16% Popularity • 66% Danceability • 96% Energy • 49% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 66% Danceability • 96% Energy • 49% Liveness
0% Instrumentalness • 43% Positiveness
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PROMI5E
How I Do It
126 bpm • G Maj • 02:35 • -3.95db
26% Popularity • 70% Danceability • 95% Energy • 16% Liveness
2% Instrumentalness • 38% Positiveness
26% Popularity • 70% Danceability • 95% Energy • 16% Liveness
2% Instrumentalness • 38% Positiveness
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DJ Kuba
Feel The Vibe - Keanu Silva Remix
126 bpm • A Maj • 02:38 • -4.65db
36% Popularity • 74% Danceability • 84% Energy • 12% Liveness
69% Instrumentalness • 56% Positiveness
36% Popularity • 74% Danceability • 84% Energy • 12% Liveness
69% Instrumentalness • 56% Positiveness
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Blinders
Right Behind
126 bpm • F# Maj • 03:00 • -4.02db
29% Popularity • 82% Danceability • 88% Energy • 23% Liveness
10% Instrumentalness • 68% Positiveness
29% Popularity • 82% Danceability • 88% Energy • 23% Liveness
10% Instrumentalness • 68% Positiveness
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CMC$
X's - Seth Hills Remix
126 bpm • D Maj • 02:53 • -6.04db
14% Popularity • 67% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
14% Popularity • 67% Danceability • 88% Energy • 37% Liveness
0% Instrumentalness • 14% Positiveness
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Julian Jordan
Oldskool
126 bpm • A# min • 02:41 • -4.97db
40% Popularity • 66% Danceability • 98% Energy • 18% Liveness
69% Instrumentalness • 7% Positiveness
40% Popularity • 66% Danceability • 98% Energy • 18% Liveness
69% Instrumentalness • 7% Positiveness
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Alva Gracia
This Whole Time
126 bpm • F# Maj • 03:25 • -3.64db
11% Popularity • 86% Danceability • 85% Energy • 14% Liveness
1% Instrumentalness • 45% Positiveness
11% Popularity • 86% Danceability • 85% Energy • 14% Liveness
1% Instrumentalness • 45% Positiveness
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Asketa & Natan Chaim
History - Bancali Remix
126 bpm • F# min • 02:50 • -4.88db
18% Popularity • 62% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
18% Popularity • 62% Danceability • 79% Energy • 8% Liveness
0% Instrumentalness • 8% Positiveness
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Bancali
About You
126 bpm • G min • 02:41 • -4.74db
27% Popularity • 65% Danceability • 89% Energy • 26% Liveness
2% Instrumentalness • 26% Positiveness
27% Popularity • 65% Danceability • 89% Energy • 26% Liveness
2% Instrumentalness • 26% Positiveness
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Aspyer
Aurora
126 bpm • E min • 03:18 • -6.21db
23% Popularity • 56% Danceability • 91% Energy • 23% Liveness
2% Instrumentalness • 23% Positiveness
23% Popularity • 56% Danceability • 91% Energy • 23% Liveness
2% Instrumentalness • 23% Positiveness
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Cheyenne Giles
Don't Wanna
126 bpm • B min • 03:39 • -3.89db
10% Popularity • 69% Danceability • 93% Energy • 14% Liveness
4% Instrumentalness • 22% Positiveness
10% Popularity • 69% Danceability • 93% Energy • 14% Liveness
4% Instrumentalness • 22% Positiveness
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Julian Jordan
DuDuDu - Extended Mix
126 bpm • C# min • 03:45 • -4.88db
4% Popularity • 75% Danceability • 95% Energy • 9% Liveness
69% Instrumentalness • 14% Positiveness
4% Popularity • 75% Danceability • 95% Energy • 9% Liveness
69% Instrumentalness • 14% Positiveness
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Jake & Alvar
Miles
126 bpm • F# min • 03:09 • -5.07db
10% Popularity • 58% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
10% Popularity • 58% Danceability • 92% Energy • 38% Liveness
0% Instrumentalness • 20% Positiveness
