Songs like Big Dreams and the Headlines by Simone White
Based on a tempo of (+/- 10%) and a similar genre
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Lhasa De Sela
Where Do You Go
154 bpm • G min • 04:28 • -13.78db
25% Popularity • 32% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 32% Danceability • 19% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Brooke Bentham
I'll See You in a While
156 bpm • E min • 03:29 • -11.79db
29% Popularity • 25% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
29% Popularity • 25% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Raoul Vignal
Mine
156 bpm • C min • 02:32 • -12.11db
36% Popularity • 39% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
36% Popularity • 39% Danceability • 50% Energy • 11% Liveness
89% Instrumentalness • 36% Positiveness
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Gus Black
Love Is A Stranger
157 bpm • C Maj • 04:33 • -15.2db
31% Popularity • 44% Danceability • 20% Energy • 14% Liveness
50% Instrumentalness • 4% Positiveness
31% Popularity • 44% Danceability • 20% Energy • 14% Liveness
50% Instrumentalness • 4% Positiveness
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EmilÃana Torrini
Autumn Sun
157 bpm • F# min • 04:11 • -14.76db
30% Popularity • 56% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
30% Popularity • 56% Danceability • 11% Energy • 11% Liveness
1% Instrumentalness • 14% Positiveness
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Dark Dark Dark
Bright Bright Bright
159 bpm • A min • 04:30 • -14db
23% Popularity • 24% Danceability • 17% Energy • 10% Liveness
43% Instrumentalness • 6% Positiveness
23% Popularity • 24% Danceability • 17% Energy • 10% Liveness
43% Instrumentalness • 6% Positiveness
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Constance Amiot
Blue Green Tomorrows
151 bpm • G# Maj • 02:43 • -14.58db
43% Popularity • 62% Danceability • 33% Energy • 12% Liveness
4% Instrumentalness • 51% Positiveness
43% Popularity • 62% Danceability • 33% Energy • 12% Liveness
4% Instrumentalness • 51% Positiveness
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Kwoon
I Lived On The Moon (Acoustic Version)
151 bpm • D min • 04:35 • -16db
30% Popularity • 29% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 8% Positiveness
30% Popularity • 29% Danceability • 14% Energy • 8% Liveness
7% Instrumentalness • 8% Positiveness
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The Be Good Tanyas
Little Black Bear
150 bpm • B Maj • 02:28 • -17.81db
45% Popularity • 49% Danceability • 16% Energy • 11% Liveness
16% Instrumentalness • 34% Positiveness
45% Popularity • 49% Danceability • 16% Energy • 11% Liveness
16% Instrumentalness • 34% Positiveness
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Angela Rector
Preacher's Daughter
160 bpm • D min • 04:17 • -9.42db
14% Popularity • 48% Danceability • 38% Energy • 10% Liveness
12% Instrumentalness • 17% Positiveness
14% Popularity • 48% Danceability • 38% Energy • 10% Liveness
12% Instrumentalness • 17% Positiveness
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Bleucamille
Nature's daughters
150 bpm • E Maj • 04:42 • -10.24db
6% Popularity • 51% Danceability • 33% Energy • 19% Liveness
3% Instrumentalness • 33% Positiveness
6% Popularity • 51% Danceability • 33% Energy • 19% Liveness
3% Instrumentalness • 33% Positiveness
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The Irrepressibles
To Be
149 bpm • A Maj • 05:22 • -16.22db
26% Popularity • 42% Danceability • 13% Energy • 11% Liveness
30% Instrumentalness • 20% Positiveness
26% Popularity • 42% Danceability • 13% Energy • 11% Liveness
30% Instrumentalness • 20% Positiveness
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Simone White
Victoria Anne
149 bpm • C Maj • 02:56 • -17.11db
6% Popularity • 36% Danceability • 23% Energy • 15% Liveness
35% Instrumentalness • 34% Positiveness
6% Popularity • 36% Danceability • 23% Energy • 15% Liveness
35% Instrumentalness • 34% Positiveness
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Basia Bulat
Already Forgiven
160 bpm • E Maj • 03:19 • -9.14db
32% Popularity • 27% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
32% Popularity • 27% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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l i l a
great drama (solo)
149 bpm • E min • 05:13 • -15.55db
12% Popularity • 27% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
12% Popularity • 27% Danceability • 8% Energy • 11% Liveness
1% Instrumentalness • 8% Positiveness
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EmilÃana Torrini
Nothing Brings Me Down
149 bpm • G Maj • 03:55 • -15.69db
28% Popularity • 45% Danceability • 9% Energy • 11% Liveness
16% Instrumentalness • 11% Positiveness
28% Popularity • 45% Danceability • 9% Energy • 11% Liveness
16% Instrumentalness • 11% Positiveness
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Alexandra Savior
But You - Acoustic
148 bpm • E min • 03:05 • -15.18db
31% Popularity • 22% Danceability • 12% Energy • 16% Liveness
4% Instrumentalness • 20% Positiveness
31% Popularity • 22% Danceability • 12% Energy • 16% Liveness
4% Instrumentalness • 20% Positiveness
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Rachel Sermanni
Come to You
148 bpm • A Maj • 03:41 • -13.61db
9% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
9% Popularity • 36% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Sarah Jaffe
Two Intangibles Can't Be Had
163 bpm • F min • 03:32 • -19.75db
16% Popularity • 63% Danceability • 16% Energy • 11% Liveness
6% Instrumentalness • 58% Positiveness
16% Popularity • 63% Danceability • 16% Energy • 11% Liveness
6% Instrumentalness • 58% Positiveness
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Emily Wells
Misconceptions on Forever
147 bpm • F# min • 04:07 • -11.79db
13% Popularity • 51% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
13% Popularity • 51% Danceability • 31% Energy • 10% Liveness
1% Instrumentalness • 28% Positiveness
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Liz Durrett
Not Running
163 bpm • F Maj • 04:43 • -14.68db
7% Popularity • 50% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
7% Popularity • 50% Danceability • 5% Energy • 10% Liveness
0% Instrumentalness • 11% Positiveness
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EmilÃana Torrini
Birds
149 bpm • C Maj • 06:23 • -12db
34% Popularity • 57% Danceability • 39% Energy • 10% Liveness
22% Instrumentalness • 8% Positiveness
34% Popularity • 57% Danceability • 39% Energy • 10% Liveness
22% Instrumentalness • 8% Positiveness
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Fol Chen
I Walked
164 bpm • A Maj • 02:48 • -8.29db
1% Popularity • 59% Danceability • 65% Energy • 6% Liveness
12% Instrumentalness • 86% Positiveness
1% Popularity • 59% Danceability • 65% Energy • 6% Liveness
12% Instrumentalness • 86% Positiveness
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Emily Jane White
The Law
164 bpm • G min • 03:53 • -15.83db
5% Popularity • 36% Danceability • 26% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
5% Popularity • 36% Danceability • 26% Energy • 10% Liveness
7% Instrumentalness • 38% Positiveness
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Rosemary & Garlic
Television
146 bpm • A Maj • 03:00 • -14.73db
22% Popularity • 47% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
22% Popularity • 47% Danceability • 24% Energy • 9% Liveness
1% Instrumentalness • 38% Positiveness
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Clara de Gail
Singsong Dream
165 bpm • C Maj • 03:24 • -17.14db
10% Popularity • 41% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 69% Positiveness
10% Popularity • 41% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 69% Positiveness
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Luluc
Without A Face
145 bpm • D Maj • 03:44 • -13.99db
11% Popularity • 53% Danceability • 40% Energy • 16% Liveness
43% Instrumentalness • 34% Positiveness
11% Popularity • 53% Danceability • 40% Energy • 16% Liveness
43% Instrumentalness • 34% Positiveness
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This Is The Kit
Our Socks Forever More
166 bpm • C Maj • 03:52 • -15db
38% Popularity • 38% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
38% Popularity • 38% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 9% Positiveness
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Douglas Dare
Heartstrings
166 bpm • B min • 03:58 • -14.74db
13% Popularity • 19% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
13% Popularity • 19% Danceability • 7% Energy • 9% Liveness
0% Instrumentalness • 7% Positiveness
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Emily Jane White
Dew
164 bpm • G min • 03:24 • -14.62db
18% Popularity • 33% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
18% Popularity • 33% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Ciaran Lavery
Flow
144 bpm • B min • 01:54 • -15.48db
26% Popularity • 50% Danceability • 36% Energy • 11% Liveness
10% Instrumentalness • 25% Positiveness
26% Popularity • 50% Danceability • 36% Energy • 11% Liveness
10% Instrumentalness • 25% Positiveness
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Michelle Gurevich
Love from a Distance
144 bpm • C min • 02:51 • -16.21db
45% Popularity • 74% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 62% Positiveness
45% Popularity • 74% Danceability • 29% Energy • 11% Liveness
3% Instrumentalness • 62% Positiveness
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Luna Delirious
Valentine
168 bpm • E min • 02:10 • -9.68db
32% Popularity • 36% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
32% Popularity • 36% Danceability • 23% Energy • 17% Liveness
0% Instrumentalness • 36% Positiveness
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Nadine Shah
Dreary Town
169 bpm • C# Maj • 04:32 • -10.17db
33% Popularity • 30% Danceability • 35% Energy • 11% Liveness
39% Instrumentalness • 15% Positiveness
33% Popularity • 30% Danceability • 35% Energy • 11% Liveness
39% Instrumentalness • 15% Positiveness
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MarÃ
Endless Beaches
142 bpm • G# Maj • 03:37 • -15.1db
12% Popularity • 54% Danceability • 29% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
12% Popularity • 54% Danceability • 29% Energy • 9% Liveness
10% Instrumentalness • 50% Positiveness
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EmilÃana Torrini
Serenade
142 bpm • D Maj • 03:37 • -20db
33% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
33% Popularity • 36% Danceability • 10% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Kassem Mosse
In the Water Where the City Ends
142 bpm • F Maj • 05:14 • -18.03db
2% Popularity • 35% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
2% Popularity • 35% Danceability • 15% Energy • 8% Liveness
89% Instrumentalness • 12% Positiveness
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Simone White
This Is All You Felt
170 bpm • A min • 03:12 • -13.04db
23% Popularity • 49% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 47% Positiveness
23% Popularity • 49% Danceability • 47% Energy • 54% Liveness
0% Instrumentalness • 47% Positiveness
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Laura Gibson
Curs in the Weeds
170 bpm • G min • 03:17 • -16.89db
19% Popularity • 42% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
19% Popularity • 42% Danceability • 5% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Josienne Clarke
Something Familiar
141 bpm • B Maj • 02:25 • -15db
8% Popularity • 53% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 15% Positiveness
8% Popularity • 53% Danceability • 15% Energy • 10% Liveness
5% Instrumentalness • 15% Positiveness
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Tiny Ruins
Priest with Balloons
141 bpm • D Maj • 04:05 • -15.6db
21% Popularity • 45% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
21% Popularity • 45% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 25% Positiveness
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EmilÃana Torrini
Thinking Out Loud
141 bpm • C min • 03:21 • -18.26db
23% Popularity • 45% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
23% Popularity • 45% Danceability • 8% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Michele Bonivento
Timeless
140 bpm • C# Maj • 04:43 • -10.19db
9% Popularity • 44% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
9% Popularity • 44% Danceability • 36% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Simone White
Catch the Wind
141 bpm • F# Maj • 03:01 • -18.84db
3% Popularity • 36% Danceability • 11% Energy • 17% Liveness
45% Instrumentalness • 18% Positiveness
3% Popularity • 36% Danceability • 11% Energy • 17% Liveness
45% Instrumentalness • 18% Positiveness
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Camille O'Sullivan
True Love Waits
140 bpm • A min • 05:39 • -19.98db
32% Popularity • 53% Danceability • 29% Energy • 11% Liveness
77% Instrumentalness • 6% Positiveness
32% Popularity • 53% Danceability • 29% Energy • 11% Liveness
77% Instrumentalness • 6% Positiveness
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Scott Matthews
Myself Again
172 bpm • G# Maj • 05:15 • -21db
24% Popularity • 19% Danceability • 6% Energy • 8% Liveness
25% Instrumentalness • 6% Positiveness
24% Popularity • 19% Danceability • 6% Energy • 8% Liveness
25% Instrumentalness • 6% Positiveness
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This Is The Kit
Birchwood Beaker
139 bpm • G# min • 03:42 • -15db
35% Popularity • 50% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
35% Popularity • 50% Danceability • 15% Energy • 11% Liveness
0% Instrumentalness • 16% Positiveness
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EmilÃana Torrini
Bleeder
141 bpm • B Maj • 04:50 • -19.17db
22% Popularity • 26% Danceability • 7% Energy • 11% Liveness
35% Instrumentalness • 9% Positiveness
22% Popularity • 26% Danceability • 7% Energy • 11% Liveness
35% Instrumentalness • 9% Positiveness
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Tiny Ruins
Bird in the Thyme
172 bpm • A# min • 03:49 • -19.4db
36% Popularity • 38% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
36% Popularity • 38% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Josienne Clarke
Words Were Never The Answer
173 bpm • E Maj • 01:44 • -12db
17% Popularity • 53% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
17% Popularity • 53% Danceability • 9% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Soko
I've Been Alone Too Long
139 bpm • F# Maj • 04:44 • -14.81db
25% Popularity • 41% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
25% Popularity • 41% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Lady & Bird
Blue Skies
174 bpm • B min • 04:11 • -11.92db
21% Popularity • 45% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
21% Popularity • 45% Danceability • 52% Energy • 9% Liveness
2% Instrumentalness • 36% Positiveness
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Anna Leone
Once
138 bpm • A Maj • 03:25 • -13db
39% Popularity • 35% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
39% Popularity • 35% Danceability • 24% Energy • 11% Liveness
4% Instrumentalness • 10% Positiveness
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EmilÃana Torrini
At Least It Was
140 bpm • D Maj • 04:18 • -17.91db
23% Popularity • 52% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
23% Popularity • 52% Danceability • 7% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Maru Maru
The Conversation
138 bpm • G min • 03:20 • -13.4db
25% Popularity • 55% Danceability • 24% Energy • 12% Liveness
21% Instrumentalness • 21% Positiveness
25% Popularity • 55% Danceability • 24% Energy • 12% Liveness
21% Instrumentalness • 21% Positiveness
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Dadafon
I Wish To Weep
175 bpm • D min • 01:35 • -13.97db
13% Popularity • 29% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
13% Popularity • 29% Danceability • 9% Energy • 22% Liveness
0% Instrumentalness • 32% Positiveness
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Oren Lavie
Sonata Sentimental #2: Bedroom Crimes
137 bpm • G min • 02:57 • -12.38db
18% Popularity • 36% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
18% Popularity • 36% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Anna Calvi
Strange Weather
137 bpm • A# min • 05:34 • -9.57db
44% Popularity • 28% Danceability • 33% Energy • 16% Liveness
4% Instrumentalness • 4% Positiveness
44% Popularity • 28% Danceability • 33% Energy • 16% Liveness
4% Instrumentalness • 4% Positiveness
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Anna Leone
Still I Wait
138 bpm • G Maj • 03:49 • -13.98db
44% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
44% Popularity • 56% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 27% Positiveness
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Tom McRae
Nothing on the Dry Land
176 bpm • F Maj • 04:42 • -12.76db
9% Popularity • 33% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
9% Popularity • 33% Danceability • 7% Energy • 15% Liveness
0% Instrumentalness • 31% Positiveness
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Lhasa De Sela
My Name
176 bpm • E min • 04:17 • -13.63db
29% Popularity • 41% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
29% Popularity • 41% Danceability • 22% Energy • 10% Liveness
0% Instrumentalness • 21% Positiveness
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Emily Jane White
Frozen Garden
176 bpm • G Maj • 03:56 • -14db
37% Popularity • 38% Danceability • 41% Energy • 38% Liveness
72% Instrumentalness • 4% Positiveness
37% Popularity • 38% Danceability • 41% Energy • 38% Liveness
72% Instrumentalness • 4% Positiveness
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Ten Fé
Nothing Breaks Like A Heart
136 bpm • C min • 03:16 • -16.97db
40% Popularity • 42% Danceability • 14% Energy • 9% Liveness
66% Instrumentalness • 34% Positiveness
40% Popularity • 42% Danceability • 14% Energy • 9% Liveness
66% Instrumentalness • 34% Positiveness
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Tiny Vipers
Tiger Mountain
136 bpm • A Maj • 06:22 • -19.96db
30% Popularity • 33% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
30% Popularity • 33% Danceability • 4% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
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Soko
Treat Your Woman Right
136 bpm • A min • 04:19 • -17.26db
25% Popularity • 48% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
25% Popularity • 48% Danceability • 13% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Laura Marling
Night After Night
136 bpm • D min • 05:08 • -21.77db
34% Popularity • 52% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
34% Popularity • 52% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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Catbug
Kingfisher
136 bpm • C Maj • 02:31 • -16.42db
11% Popularity • 62% Danceability • 14% Energy • 11% Liveness
12% Instrumentalness • 70% Positiveness
11% Popularity • 62% Danceability • 14% Energy • 11% Liveness
12% Instrumentalness • 70% Positiveness
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Emily Jane White
Behind the Glass
136 bpm • C Maj • 03:31 • -11.38db
18% Popularity • 27% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
18% Popularity • 27% Danceability • 48% Energy • 10% Liveness
1% Instrumentalness • 9% Positiveness
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Vienna Teng
Blue Caravan
136 bpm • F# min • 03:54 • -13.75db
26% Popularity • 44% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 14% Positiveness
26% Popularity • 44% Danceability • 18% Energy • 10% Liveness
80% Instrumentalness • 14% Positiveness
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Odetta Hartman
Tap Tap
177 bpm • A min • 03:27 • -19.65db
18% Popularity • 30% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
18% Popularity • 30% Danceability • 12% Energy • 15% Liveness
0% Instrumentalness • 5% Positiveness
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FAY
In The Dark
136 bpm • C# Maj • 02:17 • -11.16db
24% Popularity • 71% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
24% Popularity • 71% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Light of Faith
Trust in You
136 bpm • C Maj • 04:10 • -9.61db
22% Popularity • 53% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 53% Danceability • 26% Energy • 11% Liveness
0% Instrumentalness • 21% Positiveness
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Sandrayati
Song for Berta
135 bpm • F# Maj • 03:18 • -17db
36% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
36% Popularity • 50% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 10% Positiveness
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Alice Phoebe Lou
Society
135 bpm • D# Maj • 03:53 • -10.42db
36% Popularity • 49% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
36% Popularity • 49% Danceability • 30% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
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Lhasa De Sela
I'm Going In
135 bpm • C min • 06:39 • -14.68db
28% Popularity • 57% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
28% Popularity • 57% Danceability • 1% Energy • 14% Liveness
0% Instrumentalness • 24% Positiveness
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J. Ralph
Manta Ray
135 bpm • D# min • 05:18 • -18.82db
35% Popularity • 26% Danceability • 5% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
35% Popularity • 26% Danceability • 5% Energy • 9% Liveness
4% Instrumentalness • 5% Positiveness
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Emily Wells
Ruthie
135 bpm • G# min • 03:38 • -20.21db
10% Popularity • 30% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
10% Popularity • 30% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 9% Positiveness
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EmilÃana Torrini
If You Go Away
134 bpm • G# min • 04:36 • -9.58db
21% Popularity • 48% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
21% Popularity • 48% Danceability • 41% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
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Kat Frankie
Born Clever
179 bpm • A min • 02:17 • -12.17db
23% Popularity • 25% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
23% Popularity • 25% Danceability • 13% Energy • 20% Liveness
0% Instrumentalness • 7% Positiveness
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My Brightest Diamond
We Were Sparkling
179 bpm • G min • 02:43 • -16.88db
22% Popularity • 26% Danceability • 20% Energy • 11% Liveness
53% Instrumentalness • 14% Positiveness
22% Popularity • 26% Danceability • 20% Energy • 11% Liveness
53% Instrumentalness • 14% Positiveness
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The Bony King of Nowhere
Now That I Know
134 bpm • F min • 01:41 • -21db
34% Popularity • 54% Danceability • 14% Energy • 11% Liveness
27% Instrumentalness • 32% Positiveness
34% Popularity • 54% Danceability • 14% Energy • 11% Liveness
27% Instrumentalness • 32% Positiveness
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Jaymay
Necklace I
134 bpm • F Maj • 01:11 • -12.59db
14% Popularity • 87% Danceability • 37% Energy • 6% Liveness
56% Instrumentalness • 60% Positiveness
14% Popularity • 87% Danceability • 37% Energy • 6% Liveness
56% Instrumentalness • 60% Positiveness
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Nina White
Sleep Radio
179 bpm • F Maj • 02:22 • -9.32db
8% Popularity • 45% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
8% Popularity • 45% Danceability • 18% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Michelle Gurevich
Exciting Times
179 bpm • F min • 03:11 • -12.6db
28% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
28% Popularity • 39% Danceability • 25% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
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Sarah Jaffe
Luv
179 bpm • C min • 02:46 • -21.32db
13% Popularity • 38% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 38% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 36% Positiveness
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Simone White
Hey, That's No Way to Say Goodbye
180 bpm • C# min • 02:10 • -15.56db
5% Popularity • 37% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
5% Popularity • 37% Danceability • 11% Energy • 10% Liveness
0% Instrumentalness • 53% Positiveness
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Katy Pinke
Traveler
134 bpm • E min • 02:38 • -12.45db
3% Popularity • 70% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
3% Popularity • 70% Danceability • 40% Energy • 19% Liveness
0% Instrumentalness • 56% Positiveness
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Sóley
While I Sleep (Scary Adventures)
180 bpm • A# Maj • 02:04 • -25.27db
14% Popularity • 32% Danceability • 1% Energy • 28% Liveness
8% Instrumentalness • 19% Positiveness
14% Popularity • 32% Danceability • 1% Energy • 28% Liveness
8% Instrumentalness • 19% Positiveness
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Lian Ray
Rose (Preface)
133 bpm • C min • 01:26 • -15.35db
21% Popularity • 49% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
21% Popularity • 49% Danceability • 10% Energy • 8% Liveness
0% Instrumentalness • 28% Positiveness
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Emily Jane White
The Black Oak
180 bpm • C Maj • 03:04 • -13.9db
13% Popularity • 32% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
13% Popularity • 32% Danceability • 21% Energy • 11% Liveness
2% Instrumentalness • 20% Positiveness
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Rachel Sermanni
Everything Changes
133 bpm • G Maj • 03:26 • -20.36db
28% Popularity • 47% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
28% Popularity • 47% Danceability • 6% Energy • 8% Liveness
0% Instrumentalness • 20% Positiveness
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EmilÃana Torrini
Honeymoon Child
180 bpm • C# Maj • 03:09 • -18.84db
26% Popularity • 74% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
26% Popularity • 74% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Mirah
Nobody Has to Stay
180 bpm • E Maj • 02:46 • -17.91db
22% Popularity • 30% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
22% Popularity • 30% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Pitou
Lay This Woman
180 bpm • D min • 03:20 • -14.6db
8% Popularity • 27% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
8% Popularity • 27% Danceability • 10% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Lhasa De Sela
Bells
180 bpm • C min • 05:03 • -17.18db
26% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
26% Popularity • 34% Danceability • 10% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Saint Saviour
James
133 bpm • A# min • 03:52 • -13.29db
9% Popularity • 44% Danceability • 29% Energy • 37% Liveness
2% Instrumentalness • 4% Positiveness
9% Popularity • 44% Danceability • 29% Energy • 37% Liveness
2% Instrumentalness • 4% Positiveness
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Finley Oceanus
Shimmering Veils of the Milky Way
133 bpm • A Maj • 01:50 • -17.73db
16% Popularity • 57% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 57% Danceability • 3% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Camille Camille
Could you lend me your eyes
133 bpm • A min • 03:37 • -18.15db
9% Popularity • 46% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
9% Popularity • 46% Danceability • 15% Energy • 10% Liveness
4% Instrumentalness • 7% Positiveness
