Songs like Big In A Small Town by Jimmie Allen
Based on a tempo of (+/- 10%) and a similar genre
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LANCO
Greatest Love Story
148 bpm • A# Maj • 03:42 • -8.72db
68% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
68% Popularity • 67% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Riley Green
I Wish Grandpas Never Died
148 bpm • F# Maj • 04:10 • -5.72db
70% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
70% Popularity • 44% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Dylan Scott
Nothing To Do Town
148 bpm • D Maj • 03:05 • -5db
43% Popularity • 55% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
43% Popularity • 55% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 90% Positiveness
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Kip Moore
Last Shot
148 bpm • E Maj • 03:48 • -4.4db
53% Popularity • 49% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
53% Popularity • 49% Danceability • 86% Energy • 32% Liveness
0% Instrumentalness • 38% Positiveness
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Ryan Hurd
Diamonds or Twine
148 bpm • D Maj • 03:31 • -8.8db
46% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
46% Popularity • 62% Danceability • 57% Energy • 11% Liveness
0% Instrumentalness • 72% Positiveness
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Jameson Rodgers
Cold Beer Calling My Name
148 bpm • G Maj • 03:30 • -4db
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
65% Popularity • 58% Danceability • 86% Energy • 9% Liveness
0% Instrumentalness • 79% Positiveness
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Chris Young
Raised on Country
148 bpm • D Maj • 02:57 • -3.28db
49% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
49% Popularity • 58% Danceability • 81% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Jimmie Allen
Big In A Small Town
148 bpm • G Maj • 04:14 • -4.86db
31% Popularity • 60% Danceability • 74% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
31% Popularity • 60% Danceability • 74% Energy • 58% Liveness
0% Instrumentalness • 53% Positiveness
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Morgan Wallen
Still Goin Down
148 bpm • G Maj • 03:06 • -5db
69% Popularity • 58% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
69% Popularity • 58% Danceability • 75% Energy • 28% Liveness
0% Instrumentalness • 72% Positiveness
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Niko Moon
NO SAD SONGS
147 bpm • B Maj • 02:52 • -6db
51% Popularity • 75% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 75% Danceability • 79% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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Matt Stell
Everywhere But On
150 bpm • F# Maj • 03:12 • -3.97db
52% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
52% Popularity • 56% Danceability • 72% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Priscilla Block
Just About Over You
150 bpm • E Maj • 02:59 • -6db
56% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
56% Popularity • 50% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 52% Positiveness
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Chris Young
Music Note
150 bpm • D# Maj • 03:06 • -3.95db
24% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
24% Popularity • 50% Danceability • 73% Energy • 9% Liveness
0% Instrumentalness • 26% Positiveness
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Lady A
Champagne Night
150 bpm • E Maj • 03:05 • -2.8db
51% Popularity • 52% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
51% Popularity • 52% Danceability • 93% Energy • 17% Liveness
0% Instrumentalness • 94% Positiveness
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Chris Lane
Fill Them Boots
146 bpm • C# Maj • 02:42 • -5.12db
41% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
41% Popularity • 61% Danceability • 76% Energy • 29% Liveness
0% Instrumentalness • 77% Positiveness
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Morgan Wallen
Whiskey Glasses
150 bpm • F# Maj • 03:54 • -4.58db
81% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
81% Popularity • 61% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Dierks Bentley
Gone
150 bpm • F# Maj • 03:25 • -6db
57% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 52% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 47% Positiveness
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Diane Warren
You Kind Of Beautiful
146 bpm • A# Maj • 04:06 • -10.19db
6% Popularity • 54% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
6% Popularity • 54% Danceability • 45% Energy • 34% Liveness
0% Instrumentalness • 29% Positiveness
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Jimmie Allen
down home
146 bpm • A Maj • 03:22 • -3.62db
54% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
54% Popularity • 58% Danceability • 82% Energy • 18% Liveness
0% Instrumentalness • 61% Positiveness
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Elvie Shane
My Boy
146 bpm • A Maj • 03:23 • -5.33db
59% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
59% Popularity • 68% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Chris Lane
Big, Big Plans
150 bpm • G Maj • 03:07 • -6.09db
64% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
64% Popularity • 57% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 40% Positiveness
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Jake Owen
Up There Down Here
150 bpm • E Maj • 03:20 • -3.51db
57% Popularity • 52% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
57% Popularity • 52% Danceability • 90% Energy • 32% Liveness
0% Instrumentalness • 57% Positiveness
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Dierks Bentley
Beers On Me
146 bpm • E Maj • 02:54 • -4.25db
70% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
70% Popularity • 59% Danceability • 85% Energy • 53% Liveness
0% Instrumentalness • 73% Positiveness
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Florida Georgia Line
May We All
150 bpm • G Maj • 03:46 • -4.31db
70% Popularity • 51% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
70% Popularity • 51% Danceability • 92% Energy • 34% Liveness
0% Instrumentalness • 64% Positiveness
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Tyler Rich
11:11
146 bpm • A# Maj • 03:15 • -4.62db
40% Popularity • 52% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
40% Popularity • 52% Danceability • 76% Energy • 25% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Bryan
Most People Are Good
150 bpm • G# Maj • 03:41 • -6.17db
63% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 59% Danceability • 73% Energy • 15% Liveness
0% Instrumentalness • 58% Positiveness
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Chris Lane
For Her
150 bpm • F# Maj • 03:31 • -4db
49% Popularity • 49% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 49% Danceability • 90% Energy • 18% Liveness
0% Instrumentalness • 59% Positiveness
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Jake Owen
Homemade
146 bpm • F# Maj • 03:12 • -2.7db
61% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
61% Popularity • 51% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 57% Positiveness
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Chris Young
Who I Am With You
150 bpm • C Maj • 03:11 • -4.31db
57% Popularity • 47% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
57% Popularity • 47% Danceability • 70% Energy • 24% Liveness
0% Instrumentalness • 47% Positiveness
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Canaan Smith
Love You Like That
145 bpm • B Maj • 03:23 • -5db
58% Popularity • 56% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
58% Popularity • 56% Danceability • 77% Energy • 19% Liveness
0% Instrumentalness • 72% Positiveness
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Luke Combs
She Got the Best of Me
151 bpm • B Maj • 03:03 • -3.79db
82% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
82% Popularity • 53% Danceability • 91% Energy • 39% Liveness
0% Instrumentalness • 70% Positiveness
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Jimmie Allen
This Is Us
145 bpm • A Maj • 03:25 • -4.62db
46% Popularity • 56% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
46% Popularity • 56% Danceability • 87% Energy • 5% Liveness
0% Instrumentalness • 52% Positiveness
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Dan + Shay
From the Ground Up
152 bpm • A Maj • 04:13 • -5.97db
65% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
65% Popularity • 28% Danceability • 58% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Eli Young Band
Crazy Girl
151 bpm • E Maj • 03:20 • -3.84db
68% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
68% Popularity • 37% Danceability • 65% Energy • 27% Liveness
1% Instrumentalness • 26% Positiveness
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Gabby Barrett
Footprints On The Moon
152 bpm • G# min • 03:10 • -4.98db
45% Popularity • 51% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
45% Popularity • 51% Danceability • 75% Energy • 22% Liveness
0% Instrumentalness • 37% Positiveness
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Nate Smith
Under My Skin
152 bpm • G# Maj • 02:58 • -6db
61% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
61% Popularity • 61% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Thompson Square
Are You Gonna Kiss Me Or Not
152 bpm • G# Maj • 03:04 • -3.81db
65% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
65% Popularity • 48% Danceability • 70% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Jimmie Allen
Made For These
152 bpm • D# Maj • 03:45 • -6.16db
26% Popularity • 46% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
26% Popularity • 46% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Luke Combs
Forever After All
152 bpm • C Maj • 03:52 • -5.2db
77% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
77% Popularity • 49% Danceability • 65% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Old Dominion
Break Up with Him
152 bpm • G# Maj • 03:27 • -5db
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
62% Popularity • 62% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 56% Positiveness
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Jake Owen
Anywhere With You
152 bpm • F Maj • 03:29 • -2.55db
57% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
57% Popularity • 48% Danceability • 94% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Russell Dickerson
Love You Like I Used To
152 bpm • A# Maj • 03:06 • -5db
53% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
53% Popularity • 50% Danceability • 79% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Adam Doleac
Bigger Than Us
152 bpm • C# Maj • 03:21 • -3.46db
36% Popularity • 48% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
36% Popularity • 48% Danceability • 92% Energy • 26% Liveness
0% Instrumentalness • 50% Positiveness
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Jimmie Allen
Warrior (Slower Lower Sessions)
152 bpm • F# min • 03:30 • -6.57db
21% Popularity • 51% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
21% Popularity • 51% Danceability • 63% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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CHASE WRIGHT
Drive
144 bpm • A# min • 03:34 • -5db
46% Popularity • 60% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
46% Popularity • 60% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 76% Positiveness
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Justin Moore
You, Me, And Whiskey
144 bpm • C min • 03:07 • -4.35db
66% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
66% Popularity • 56% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 42% Positiveness
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Brett Eldredge
Wanna Be That Song
144 bpm • A Maj • 03:56 • -4.91db
58% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
58% Popularity • 52% Danceability • 69% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Matt Stell
That Ain't Me No More
152 bpm • C Maj • 03:11 • -3.65db
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
46% Popularity • 56% Danceability • 76% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Carly Pearce
Should’ve Known Better
144 bpm • C Maj • 03:01 • -6db
55% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
55% Popularity • 66% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Dierks Bentley
Somewhere On A Beach
144 bpm • G Maj • 03:17 • -6.56db
68% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
68% Popularity • 57% Danceability • 64% Energy • 8% Liveness
0% Instrumentalness • 44% Positiveness
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Kameron Marlowe
Steady Heart
144 bpm • F# Maj • 03:34 • -7db
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
56% Popularity • 52% Danceability • 48% Energy • 25% Liveness
0% Instrumentalness • 18% Positiveness
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Luke Combs
Cold As You
144 bpm • F# Maj • 03:06 • -4.96db
68% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
68% Popularity • 60% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Scotty McCreery
Damn Strait
144 bpm • E Maj • 03:50 • -6.15db
57% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
57% Popularity • 52% Danceability • 64% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Chris Lane
I Don't Know About You
144 bpm • C# Maj • 03:27 • -5.73db
62% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
62% Popularity • 59% Danceability • 81% Energy • 12% Liveness
0% Instrumentalness • 71% Positiveness
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Michael Ray
Kiss You in the Morning
152 bpm • B Maj • 03:01 • -3db
47% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
47% Popularity • 56% Danceability • 91% Energy • 32% Liveness
0% Instrumentalness • 86% Positiveness
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Luke Bryan
Drunk On You
144 bpm • A Maj • 03:33 • -4.4db
66% Popularity • 56% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
66% Popularity • 56% Danceability • 87% Energy • 17% Liveness
0% Instrumentalness • 47% Positiveness
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Kameron Marlowe
Giving You Up
144 bpm • G# Maj • 03:52 • -4db
60% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
60% Popularity • 55% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 79% Positiveness
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Dylan Scott
Can't Have Mine (Find You A Girl)
144 bpm • F Maj • 03:03 • -7db
69% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
69% Popularity • 66% Danceability • 50% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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HARDY
REDNECKER
144 bpm • G Maj • 03:21 • -5.47db
66% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
66% Popularity • 54% Danceability • 75% Energy • 10% Liveness
0% Instrumentalness • 51% Positiveness
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Tyler Rich
Better Than You’re Used To
144 bpm • A# Maj • 03:18 • -5db
49% Popularity • 59% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
49% Popularity • 59% Danceability • 82% Energy • 32% Liveness
0% Instrumentalness • 59% Positiveness
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Walker McGuire
Mysteries of the World
144 bpm • C# Maj • 03:38 • -4.77db
46% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
46% Popularity • 55% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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HIXTAPE
WD-40 4WD
144 bpm • D Maj • 03:16 • -4.34db
50% Popularity • 58% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
50% Popularity • 58% Danceability • 81% Energy • 32% Liveness
0% Instrumentalness • 77% Positiveness
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Luke Bryan
Play It Again
144 bpm • B Maj • 03:46 • -3.23db
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
76% Popularity • 51% Danceability • 89% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Luke Combs
Houston, We Got a Problem
144 bpm • A Maj • 03:11 • -5.06db
70% Popularity • 52% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
70% Popularity • 52% Danceability • 76% Energy • 40% Liveness
0% Instrumentalness • 49% Positiveness
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Michael Ray
Her World or Mine
144 bpm • E Maj • 03:28 • -7db
54% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
54% Popularity • 57% Danceability • 50% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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Kane Brown
Good as You
154 bpm • G# Maj • 03:12 • -6.05db
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
63% Popularity • 63% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Blake Shelton
Nobody But You (Duet with Gwen Stefani)
144 bpm • C Maj • 03:14 • -5.52db
65% Popularity • 46% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
65% Popularity • 46% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 23% Positiveness
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Cole Swindell
Ain't Worth the Whiskey
154 bpm • D Maj • 03:11 • -3.91db
60% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
60% Popularity • 43% Danceability • 74% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
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Scotty McCreery
Home in My Mind
154 bpm • F# Maj • 03:35 • -6.49db
40% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
40% Popularity • 51% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Florida Georgia Line
Anything Goes
154 bpm • C Maj • 03:38 • -3.79db
61% Popularity • 46% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
61% Popularity • 46% Danceability • 98% Energy • 19% Liveness
0% Instrumentalness • 76% Positiveness
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Chris Janson
Buy Me a Boat
154 bpm • D Maj • 02:59 • -6.66db
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
68% Popularity • 57% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 69% Positiveness
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Keith Urban
Cop Car
154 bpm • C# Maj • 04:16 • -6.32db
57% Popularity • 54% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
57% Popularity • 54% Danceability • 66% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Russell Dickerson
God Gave Me A Girl
142 bpm • G Maj • 03:07 • -5.05db
63% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
63% Popularity • 52% Danceability • 84% Energy • 8% Liveness
0% Instrumentalness • 37% Positiveness
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Dustin Lynch
Ridin’ Roads
142 bpm • A Maj • 03:25 • -4.26db
63% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
63% Popularity • 55% Danceability • 82% Energy • 14% Liveness
0% Instrumentalness • 59% Positiveness
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Lauren Alaina
Getting Over Him
154 bpm • G# Maj • 02:46 • -4.73db
48% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
48% Popularity • 56% Danceability • 85% Energy • 11% Liveness
0% Instrumentalness • 43% Positiveness
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Darius Rucker
For The First Time
142 bpm • F# Maj • 03:17 • -5db
57% Popularity • 55% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
57% Popularity • 55% Danceability • 80% Energy • 3% Liveness
0% Instrumentalness • 67% Positiveness
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Jimmie Allen
Underdogs
142 bpm • D Maj • 02:56 • -4.58db
26% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
26% Popularity • 64% Danceability • 79% Energy • 10% Liveness
0% Instrumentalness • 63% Positiveness
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Luke Combs
Nothing Like You
142 bpm • F Maj • 03:16 • -8db
58% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
58% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Keith Urban
Brown Eyes Baby
142 bpm • G# Maj • 03:44 • -6.99db
62% Popularity • 52% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
62% Popularity • 52% Danceability • 83% Energy • 6% Liveness
0% Instrumentalness • 58% Positiveness
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Michael Ray
Think a Little Less
142 bpm • A Maj • 02:56 • -4db
52% Popularity • 52% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
52% Popularity • 52% Danceability • 80% Energy • 33% Liveness
0% Instrumentalness • 53% Positiveness
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Ian Munsick
Long Haul
142 bpm • F# Maj • 03:51 • -7.85db
60% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
60% Popularity • 50% Danceability • 63% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Niko Moon
PARADISE TO ME
155 bpm • B min • 03:36 • -6.83db
56% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
56% Popularity • 76% Danceability • 62% Energy • 7% Liveness
0% Instrumentalness • 40% Positiveness
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Tim McGraw
7500 OBO
156 bpm • G Maj • 03:41 • -6.95db
59% Popularity • 53% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
59% Popularity • 53% Danceability • 72% Energy • 30% Liveness
0% Instrumentalness • 51% Positiveness
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Lee Brice
Rumor
141 bpm • A Maj • 03:18 • -6.86db
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
71% Popularity • 66% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Josh Turner
Hometown Girl
156 bpm • D# min • 03:35 • -5.47db
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
63% Popularity • 50% Danceability • 79% Energy • 14% Liveness
4% Instrumentalness • 44% Positiveness
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Luke Combs
Six Feet Apart
156 bpm • F# Maj • 03:19 • -5.89db
55% Popularity • 56% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
55% Popularity • 56% Danceability • 60% Energy • 12% Liveness
0% Instrumentalness • 45% Positiveness
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Austin Burke
Town Home
156 bpm • F Maj • 02:50 • -5.7db
43% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 63% Danceability • 68% Energy • 13% Liveness
0% Instrumentalness • 49% Positiveness
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Thomas Rhett
Slow Down Summer
156 bpm • B Maj • 03:37 • -5.64db
51% Popularity • 46% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
51% Popularity • 46% Danceability • 76% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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Jimmie Allen
Slower Lower (Slower Lower Sessions)
156 bpm • G min • 03:09 • -4.82db
21% Popularity • 52% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
21% Popularity • 52% Danceability • 82% Energy • 26% Liveness
0% Instrumentalness • 77% Positiveness
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Dalton Dover
Baby I Am
156 bpm • C# Maj • 02:54 • -6.41db
54% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
54% Popularity • 51% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 42% Positiveness
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Chris Young
Hangin' On
156 bpm • G# Maj • 03:05 • -4.77db
53% Popularity • 43% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 43% Danceability • 83% Energy • 12% Liveness
0% Instrumentalness • 60% Positiveness
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Scotty McCreery
Five More Minutes
156 bpm • G Maj • 04:01 • -4.93db
68% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
68% Popularity • 49% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Louis York
Teach Me a Song
156 bpm • G Maj • 03:33 • -6.41db
3% Popularity • 31% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
3% Popularity • 31% Danceability • 49% Energy • 23% Liveness
0% Instrumentalness • 35% Positiveness
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Jake Owen
Best Thing Since Backroads
156 bpm • G Maj • 03:07 • -3.8db
59% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
59% Popularity • 51% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 33% Positiveness
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Jimmie Allen
High Life
156 bpm • C Maj • 03:16 • -3.64db
17% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
17% Popularity • 53% Danceability • 83% Energy • 10% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Bandi
Man Enough Now
156 bpm • D Maj • 03:05 • -6.11db
47% Popularity • 59% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
47% Popularity • 59% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 51% Positiveness
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Lindsay Ell
wAnt me back
156 bpm • E Maj • 03:13 • -4.16db
43% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
43% Popularity • 54% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 67% Positiveness
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Jon Langston
Forever Girl
140 bpm • B Maj • 03:59 • -5.82db
52% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
52% Popularity • 58% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 32% Positiveness
