Songs like Big Ol' Heartache by Kylie Rae Harris
Based on a tempo of (+/- 10%) and a similar genre
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Riley Green
Different ‘Round Here - Acoustic
142 bpm • C# Maj • 02:43 • -6.11db
35% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
35% Popularity • 63% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 60% Positiveness
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Lauren Jenkins
Running Out Of Road
142 bpm • C Maj • 04:48 • -4.2db
13% Popularity • 55% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
13% Popularity • 55% Danceability • 66% Energy • 20% Liveness
0% Instrumentalness • 23% Positiveness
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Kenny Chesney
Guys Named Captain
142 bpm • E Maj • 04:02 • -10.27db
34% Popularity • 47% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
34% Popularity • 47% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 19% Positiveness
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Tori Forsyth
Johnny and June
142 bpm • G min • 02:58 • -9.7db
23% Popularity • 66% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
23% Popularity • 66% Danceability • 58% Energy • 16% Liveness
0% Instrumentalness • 50% Positiveness
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Taylor Hicks
Six Strings and Diamond Rings
142 bpm • B Maj • 03:41 • -7db
12% Popularity • 37% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
12% Popularity • 37% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 54% Positiveness
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Holly Tucker
Country Music Won't Let Me
142 bpm • G Maj • 03:10 • -7db
10% Popularity • 51% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
10% Popularity • 51% Danceability • 48% Energy • 31% Liveness
0% Instrumentalness • 39% Positiveness
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Faren Rachels
If It Ain't Fixed
142 bpm • F Maj • 03:27 • -6db
12% Popularity • 50% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
12% Popularity • 50% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 52% Positiveness
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Kylie Rae Harris
Big Ol' Heartache
142 bpm • A Maj • 03:20 • -5db
11% Popularity • 52% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
11% Popularity • 52% Danceability • 76% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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Sunny Sweeney
Grow Old with Me
142 bpm • A Maj • 03:22 • -9.2db
39% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
39% Popularity • 66% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 42% Positiveness
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Lauren Mascitti
All the Words He Never Said
142 bpm • G Maj • 03:41 • -5.76db
10% Popularity • 52% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
10% Popularity • 52% Danceability • 47% Energy • 22% Liveness
0% Instrumentalness • 42% Positiveness
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Holly Beth
Torn
142 bpm • D min • 04:05 • -4.89db
10% Popularity • 46% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
10% Popularity • 46% Danceability • 64% Energy • 11% Liveness
0% Instrumentalness • 17% Positiveness
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Lee Ann Womack
Either Way
142 bpm • A Maj • 03:37 • -8.45db
25% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
25% Popularity • 58% Danceability • 38% Energy • 11% Liveness
0% Instrumentalness • 27% Positiveness
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Triston Marez
Darlin' - Acoustic
143 bpm • B Maj • 04:10 • -10db
38% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
38% Popularity • 58% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 32% Positiveness
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Jenny Tolman
High Class White Trash
140 bpm • G Maj • 02:58 • -6db
11% Popularity • 57% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
11% Popularity • 57% Danceability • 63% Energy • 14% Liveness
0% Instrumentalness • 68% Positiveness
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Ashley Monroe
Daddy I Told You
141 bpm • D# Maj • 03:28 • -9.03db
14% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
14% Popularity • 63% Danceability • 45% Energy • 11% Liveness
0% Instrumentalness • 49% Positiveness
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![Jersey on the Wall - I'm Just Asking [Acoustic] cover art](https://i.scdn.co/image/ab67616d00001e0293e8837ee5a8fb31a55d69ba)
Tenille Townes
Jersey on the Wall - I'm Just Asking [Ac...
140 bpm • C Maj • 03:48 • -15.02db
25% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
25% Popularity • 50% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Payton Taylor
Whiskey on My Wings
140 bpm • A# Maj • 03:48 • -8.64db
11% Popularity • 48% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
11% Popularity • 48% Danceability • 44% Energy • 16% Liveness
0% Instrumentalness • 42% Positiveness
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Josh Grider
Pictures Do
144 bpm • A Maj • 04:08 • -7.48db
13% Popularity • 59% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
13% Popularity • 59% Danceability • 36% Energy • 9% Liveness
0% Instrumentalness • 37% Positiveness
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Jack Schneider
Remember to Dance
144 bpm • C# Maj • 02:59 • -11.41db
9% Popularity • 49% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
9% Popularity • 49% Danceability • 17% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Andy Velo
North Georgia Pines
144 bpm • D# Maj • 04:16 • -10.25db
10% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
10% Popularity • 44% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Clay Walker
Change
144 bpm • D Maj • 03:50 • -6db
12% Popularity • 51% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
12% Popularity • 51% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 31% Positiveness
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Muscadine Bloodline
Girl from Mississippi
144 bpm • F# Maj • 03:23 • -12.09db
25% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
25% Popularity • 58% Danceability • 32% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Brandy Clark
I'll Be the Sad Song
144 bpm • D Maj • 03:58 • -9.31db
19% Popularity • 49% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
19% Popularity • 49% Danceability • 34% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Jessi Alexander
I Should Probably Go Now
144 bpm • G# Maj • 03:38 • -10.15db
7% Popularity • 54% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
7% Popularity • 54% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 43% Positiveness
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Ashley McBryde
Sparrow
144 bpm • E Maj • 03:50 • -5.47db
35% Popularity • 52% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
35% Popularity • 52% Danceability • 68% Energy • 15% Liveness
0% Instrumentalness • 19% Positiveness
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Tracy Lawrence
Nothin' Burns Like You
144 bpm • G Maj • 04:09 • -4.72db
14% Popularity • 48% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
14% Popularity • 48% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 42% Positiveness
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Dillon Carmichael
Made to Be a Country Boy
140 bpm • D Maj • 03:30 • -6.93db
25% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
25% Popularity • 57% Danceability • 46% Energy • 10% Liveness
0% Instrumentalness • 45% Positiveness
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Shane McAnally
Say You Do
144 bpm • F# Maj • 03:27 • -11.14db
19% Popularity • 56% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
19% Popularity • 56% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Brad Paisley
My Miracle
140 bpm • E Maj • 04:10 • -6db
38% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
38% Popularity • 57% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Holly Tucker
The Finer Things
140 bpm • B Maj • 03:19 • -6.46db
10% Popularity • 60% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
10% Popularity • 60% Danceability • 54% Energy • 35% Liveness
0% Instrumentalness • 67% Positiveness
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Red Shahan
Someone Someday
140 bpm • B Maj • 03:17 • -5.39db
21% Popularity • 54% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
21% Popularity • 54% Danceability • 69% Energy • 19% Liveness
0% Instrumentalness • 43% Positiveness
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Gary Allan
Long Year
140 bpm • D Maj • 03:25 • -6.28db
19% Popularity • 42% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
19% Popularity • 42% Danceability • 65% Energy • 36% Liveness
0% Instrumentalness • 24% Positiveness
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Shenandoah
If Only
144 bpm • A Maj • 03:20 • -9.08db
15% Popularity • 66% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
15% Popularity • 66% Danceability • 51% Energy • 32% Liveness
0% Instrumentalness • 35% Positiveness
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Stoney LaRue
Us Time
144 bpm • A Maj • 03:53 • -6.67db
34% Popularity • 58% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
34% Popularity • 58% Danceability • 47% Energy • 36% Liveness
0% Instrumentalness • 34% Positiveness
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Hailey Whitters
People Like You
140 bpm • A# Maj • 03:04 • -7.5db
23% Popularity • 65% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
23% Popularity • 65% Danceability • 57% Energy • 28% Liveness
0% Instrumentalness • 36% Positiveness
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Bri Bagwell
Don't Call
144 bpm • D# Maj • 03:33 • -7.18db
7% Popularity • 55% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
7% Popularity • 55% Danceability • 59% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Joe Nichols
Real Things
140 bpm • C Maj • 03:08 • -8.08db
15% Popularity • 70% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
15% Popularity • 70% Danceability • 45% Energy • 13% Liveness
0% Instrumentalness • 47% Positiveness
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Gretchen Wilson
Mary Kay & Maybelline
140 bpm • C Maj • 04:03 • -9.19db
9% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
9% Popularity • 50% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 11% Positiveness
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Kylie Frey
Ain't Enough Beer
140 bpm • B Maj • 03:12 • -4.89db
18% Popularity • 52% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
18% Popularity • 52% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 35% Positiveness
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Stoney LaRue
Seven Spanish Angels
140 bpm • E Maj • 03:42 • -7.21db
26% Popularity • 59% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
26% Popularity • 59% Danceability • 51% Energy • 13% Liveness
0% Instrumentalness • 12% Positiveness
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Sundance Head
How I Want To Be
140 bpm • G Maj • 03:51 • -7db
22% Popularity • 56% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
22% Popularity • 56% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 41% Positiveness
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Thompson Square
Let's Do Something Stupid
140 bpm • F# Maj • 03:22 • -8.71db
20% Popularity • 66% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
20% Popularity • 66% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 33% Positiveness
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Sunny Sweeney
Bottle by My Bed
140 bpm • A# Maj • 03:36 • -9db
22% Popularity • 60% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
22% Popularity • 60% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 21% Positiveness
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Brooks & Dunn
You're Gonna Miss Me When I'm Gone - wit...
140 bpm • G Maj • 04:18 • -8db
41% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
41% Popularity • 57% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 6% Positiveness
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Jessi Alexander
Mine Would Be You
144 bpm • G Maj • 04:12 • -9.69db
21% Popularity • 48% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
21% Popularity • 48% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Adam Wakefield
Gods and Ghosts
140 bpm • G Maj • 02:55 • -8.78db
14% Popularity • 69% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
14% Popularity • 69% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 30% Positiveness
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Lee Brice
Rumor (Acoustic)
140 bpm • A Maj • 03:35 • -6db
27% Popularity • 61% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
27% Popularity • 61% Danceability • 66% Energy • 10% Liveness
0% Instrumentalness • 61% Positiveness
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Runaway June
Wild West
140 bpm • C Maj • 03:38 • -5.26db
38% Popularity • 46% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
38% Popularity • 46% Danceability • 59% Energy • 25% Liveness
0% Instrumentalness • 24% Positiveness
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Chris Kroeze
Four Letter Words
145 bpm • A Maj • 03:35 • -8.46db
14% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
14% Popularity • 60% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 50% Positiveness
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Sean McConnell
Rest My Head
139 bpm • F# min • 03:43 • -7.84db
16% Popularity • 62% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
16% Popularity • 62% Danceability • 49% Energy • 20% Liveness
0% Instrumentalness • 48% Positiveness
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Brandy Clark
Bad Car
145 bpm • A# Maj • 03:03 • -7.91db
20% Popularity • 64% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
20% Popularity • 64% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 51% Positiveness
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Kylie Rae Harris
Something Great in Store
145 bpm • G# Maj • 04:01 • -9.44db
0% Popularity • 58% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
0% Popularity • 58% Danceability • 37% Energy • 12% Liveness
0% Instrumentalness • 14% Positiveness
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Clete Bradley and the Mood
Hey Beth, This Is Rip
145 bpm • G Maj • 04:21 • -7.14db
11% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
11% Popularity • 60% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 39% Positiveness
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Stoney LaRue
Closer To You
139 bpm • A Maj • 03:09 • -6db
31% Popularity • 49% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
31% Popularity • 49% Danceability • 51% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Erin Enderlin
I Can Be Your Whiskey
139 bpm • D Maj • 03:59 • -7.12db
22% Popularity • 38% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
22% Popularity • 38% Danceability • 28% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Andrew Sevener
Me, My Old Man and Steely Dan
146 bpm • E Maj • 03:18 • -10.81db
20% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
20% Popularity • 52% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Jessi Alexander
Mama Drank
146 bpm • D Maj • 03:16 • -5.87db
19% Popularity • 65% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
19% Popularity • 65% Danceability • 52% Energy • 19% Liveness
0% Instrumentalness • 46% Positiveness
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Logan Brill
Giving Up
146 bpm • G Maj • 03:39 • -6.56db
13% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 54% Danceability • 53% Energy • 14% Liveness
0% Instrumentalness • 39% Positiveness
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Austin Jenckes
Fat Kid
146 bpm • F Maj • 04:00 • -6.88db
13% Popularity • 54% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 54% Danceability • 47% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Gary Kyle
Whiskey Dents
146 bpm • C Maj • 04:54 • -8db
14% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
14% Popularity • 59% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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The Texas Red Dirt Choir
Faith in the Water
146 bpm • A Maj • 04:15 • -5.26db
21% Popularity • 52% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
21% Popularity • 52% Danceability • 60% Energy • 34% Liveness
0% Instrumentalness • 49% Positiveness
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Hannah Dasher
The Tree
146 bpm • E min • 03:09 • -5.46db
21% Popularity • 55% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
21% Popularity • 55% Danceability • 87% Energy • 30% Liveness
0% Instrumentalness • 52% Positiveness
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Jared Hicks
Camdenton
146 bpm • G# Maj • 04:15 • -12.69db
13% Popularity • 41% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
13% Popularity • 41% Danceability • 35% Energy • 34% Liveness
0% Instrumentalness • 39% Positiveness
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Ashland Craft
Two Wildflowers And A Box Of Wine
146 bpm • A Maj • 02:57 • -3.6db
17% Popularity • 49% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
17% Popularity • 49% Danceability • 86% Energy • 31% Liveness
0% Instrumentalness • 52% Positiveness
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DERYL DODD
A Bitter End
138 bpm • A Maj • 03:38 • -8.09db
19% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
19% Popularity • 60% Danceability • 42% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Drake White
Luckiest Man
146 bpm • D Maj • 04:13 • -5.93db
30% Popularity • 65% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
30% Popularity • 65% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 82% Positiveness
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Adam Hood
Heart of a Queen
138 bpm • G Maj • 03:21 • -5.11db
9% Popularity • 70% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
9% Popularity • 70% Danceability • 61% Energy • 10% Liveness
0% Instrumentalness • 52% Positiveness
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Travis Denning
David Ashley Parker From Powder Springs ...
138 bpm • F Maj • 03:20 • -5.66db
34% Popularity • 67% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
34% Popularity • 67% Danceability • 74% Energy • 24% Liveness
0% Instrumentalness • 84% Positiveness
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Reckless Kelly
Forever Today
146 bpm • D Maj • 03:05 • -14.24db
27% Popularity • 57% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
27% Popularity • 57% Danceability • 25% Energy • 15% Liveness
0% Instrumentalness • 28% Positiveness
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Bri Bagwell
If You Were a Cowboy
138 bpm • B Maj • 03:23 • -5.63db
19% Popularity • 59% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
19% Popularity • 59% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Ashton Shepherd
This Heart Won't Break
138 bpm • B Maj • 03:26 • -4.61db
13% Popularity • 58% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
13% Popularity • 58% Danceability • 59% Energy • 10% Liveness
0% Instrumentalness • 36% Positiveness
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Kylie Rae Harris
I'd Rather Be Lonely
138 bpm • D# Maj • 04:26 • -6.71db
4% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
4% Popularity • 59% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Heather Morgan
A Hundred Miles
138 bpm • C# Maj • 04:00 • -10.08db
19% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
19% Popularity • 57% Danceability • 30% Energy • 12% Liveness
0% Instrumentalness • 10% Positiveness
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Josh Grider
Here's to Friends
138 bpm • A Maj • 03:23 • -5db
21% Popularity • 55% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
21% Popularity • 55% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Kalsey Kulyk
Damn You Love
138 bpm • C# Maj • 03:23 • -6.76db
16% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
16% Popularity • 60% Danceability • 54% Energy • 8% Liveness
0% Instrumentalness • 26% Positiveness
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Karen Waldrup
Sometimes He Does
138 bpm • A# Maj • 03:59 • -9.87db
15% Popularity • 42% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
15% Popularity • 42% Danceability • 33% Energy • 9% Liveness
0% Instrumentalness • 28% Positiveness
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Gwen Sebastian
Wing and a Feather
138 bpm • G Maj • 03:13 • -7.89db
15% Popularity • 41% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
15% Popularity • 41% Danceability • 39% Energy • 33% Liveness
0% Instrumentalness • 18% Positiveness
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Emily Ann Roberts
Someday Dream
147 bpm • C Maj • 02:56 • -3.96db
19% Popularity • 47% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
19% Popularity • 47% Danceability • 53% Energy • 13% Liveness
0% Instrumentalness • 35% Positiveness
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Madison Rodges
Don't Waste My Time
138 bpm • C Maj • 03:34 • -10.05db
16% Popularity • 46% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
16% Popularity • 46% Danceability • 34% Energy • 12% Liveness
0% Instrumentalness • 18% Positiveness
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Austin Jenckes
In My Head - Stripped
137 bpm • B Maj • 03:40 • -6.59db
29% Popularity • 58% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
29% Popularity • 58% Danceability • 44% Energy • 25% Liveness
0% Instrumentalness • 40% Positiveness
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Kylie Rae Harris
Missouri
148 bpm • C Maj • 03:59 • -5.45db
8% Popularity • 50% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
8% Popularity • 50% Danceability • 77% Energy • 12% Liveness
0% Instrumentalness • 23% Positiveness
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Ruthie Collins
Joshua Tree
148 bpm • B min • 04:11 • -7.21db
18% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
18% Popularity • 42% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Maggie Rose
Just Getting By
148 bpm • C Maj • 04:27 • -8.23db
10% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
10% Popularity • 53% Danceability • 55% Energy • 9% Liveness
0% Instrumentalness • 29% Positiveness
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Brandy Clark
Who You Thought I Was
148 bpm • B Maj • 03:09 • -8db
39% Popularity • 62% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 62% Danceability • 50% Energy • 22% Liveness
0% Instrumentalness • 72% Positiveness
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Joe Stamm
Lay Down
148 bpm • G# Maj • 03:38 • -6.82db
16% Popularity • 48% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
16% Popularity • 48% Danceability • 52% Energy • 18% Liveness
0% Instrumentalness • 34% Positiveness
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Olivia Ooms
California Country
148 bpm • F# min • 03:28 • -3.07db
9% Popularity • 58% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
9% Popularity • 58% Danceability • 69% Energy • 10% Liveness
0% Instrumentalness • 47% Positiveness
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John Anderson
I’m Still Hangin’ On
148 bpm • D Maj • 03:45 • -8.94db
21% Popularity • 40% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
21% Popularity • 40% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Kylie Frey
Too Bad
136 bpm • F# Maj • 03:32 • -6db
24% Popularity • 50% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
24% Popularity • 50% Danceability • 54% Energy • 13% Liveness
0% Instrumentalness • 24% Positiveness
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Radney Foster
Sycamore Creek
136 bpm • D Maj • 04:30 • -7db
22% Popularity • 64% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
22% Popularity • 64% Danceability • 43% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Bobby Wills
It Matters To Her
148 bpm • D# Maj • 03:18 • -6.11db
8% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
8% Popularity • 59% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Ruthie Collins
Get Drunk and Cry
136 bpm • E Maj • 03:34 • -6.85db
9% Popularity • 55% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
9% Popularity • 55% Danceability • 53% Energy • 25% Liveness
0% Instrumentalness • 37% Positiveness
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Eric Church
Jukebox And A Bar
148 bpm • D# Maj • 03:12 • -9.87db
39% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
39% Popularity • 61% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 55% Positiveness
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Jamie Lin Wilson
Roses by the Dozen
136 bpm • A min • 03:46 • -12.42db
13% Popularity • 66% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
13% Popularity • 66% Danceability • 39% Energy • 25% Liveness
0% Instrumentalness • 33% Positiveness
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Carlton Anderson
Keep Abilene Beautiful
136 bpm • D Maj • 04:00 • -6.3db
20% Popularity • 53% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
20% Popularity • 53% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 20% Positiveness
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Tenille Arts
Alabama
136 bpm • E Maj • 03:29 • -4.94db
24% Popularity • 66% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
24% Popularity • 66% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Ashland Craft
Kiss Me When You're Sober
136 bpm • B Maj • 04:49 • -6.39db
16% Popularity • 66% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
16% Popularity • 66% Danceability • 48% Energy • 14% Liveness
0% Instrumentalness • 33% Positiveness
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Jessica Mitchell
Maybe It's Me
136 bpm • F Maj • 04:00 • -7.64db
15% Popularity • 51% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
15% Popularity • 51% Danceability • 51% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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Holly Williams
The Highway - Radio Edit
136 bpm • C# Maj • 03:28 • -6.21db
12% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
12% Popularity • 53% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness