Songs like Big Red's Boogie Woogie by Herb Ellis
Based on a tempo of (+/- 10%) and a similar genre
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Tommy Flanagan Trio
Chelsea Bridge
111 bpm • F# Maj • 03:46 • -14.43db
40% Popularity • 49% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 35% Positiveness
40% Popularity • 49% Danceability • 32% Energy • 10% Liveness
95% Instrumentalness • 35% Positiveness
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The Art Farmer Quartet
Embraceable You
111 bpm • C Maj • 07:02 • -23.02db
34% Popularity • 53% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
34% Popularity • 53% Danceability • 4% Energy • 8% Liveness
88% Instrumentalness • 10% Positiveness
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Herb Ellis
Big Red's Boogie Woogie
111 bpm • G Maj • 05:38 • -13.3db
6% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
6% Popularity • 51% Danceability • 35% Energy • 10% Liveness
0% Instrumentalness • 67% Positiveness
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Thad Jones
Bossa Nova Ova
110 bpm • F min • 03:19 • -16.33db
36% Popularity • 58% Danceability • 29% Energy • 9% Liveness
82% Instrumentalness • 77% Positiveness
36% Popularity • 58% Danceability • 29% Energy • 9% Liveness
82% Instrumentalness • 77% Positiveness
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McCoy Tyner
Autumn Leaves
111 bpm • G min • 06:10 • -17.77db
33% Popularity • 60% Danceability • 25% Energy • 6% Liveness
43% Instrumentalness • 67% Positiveness
33% Popularity • 60% Danceability • 25% Energy • 6% Liveness
43% Instrumentalness • 67% Positiveness
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Mulgrew Miller
It Never Entered My Mind
110 bpm • D# Maj • 06:32 • -17.39db
46% Popularity • 45% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
46% Popularity • 45% Danceability • 22% Energy • 11% Liveness
91% Instrumentalness • 23% Positiveness
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Emily Remler
Inception
112 bpm • C min • 05:11 • -21.26db
18% Popularity • 52% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 57% Positiveness
18% Popularity • 52% Danceability • 24% Energy • 10% Liveness
85% Instrumentalness • 57% Positiveness
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Billy Taylor
Night And Day
112 bpm • G# Maj • 02:43 • -15.94db
38% Popularity • 73% Danceability • 27% Energy • 21% Liveness
90% Instrumentalness • 76% Positiveness
38% Popularity • 73% Danceability • 27% Energy • 21% Liveness
90% Instrumentalness • 76% Positiveness
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Herb Ellis
Sweetheart Blues
110 bpm • G min • 04:45 • -17.48db
0% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
0% Popularity • 53% Danceability • 29% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Charlie Parker Quartet
Hot Blues
110 bpm • C Maj • 02:22 • -12db
43% Popularity • 69% Danceability • 28% Energy • 25% Liveness
19% Instrumentalness • 74% Positiveness
43% Popularity • 69% Danceability • 28% Energy • 25% Liveness
19% Instrumentalness • 74% Positiveness
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Lee Morgan
Ill Wind
110 bpm • F Maj • 07:59 • -20.14db
29% Popularity • 58% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
29% Popularity • 58% Danceability • 10% Energy • 10% Liveness
1% Instrumentalness • 24% Positiveness
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Wynton Kelly Trio
The Fall Of Love
110 bpm • G# min • 02:05 • -18.89db
42% Popularity • 55% Danceability • 46% Energy • 16% Liveness
72% Instrumentalness • 95% Positiveness
42% Popularity • 55% Danceability • 46% Energy • 16% Liveness
72% Instrumentalness • 95% Positiveness
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Joe Henderson
La Mesha
112 bpm • B Maj • 09:08 • -11.04db
30% Popularity • 46% Danceability • 25% Energy • 9% Liveness
67% Instrumentalness • 5% Positiveness
30% Popularity • 46% Danceability • 25% Energy • 9% Liveness
67% Instrumentalness • 5% Positiveness
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Sonny Stitt Quartet
Taking A Chance On Love
112 bpm • F Maj • 02:32 • -8.34db
34% Popularity • 60% Danceability • 50% Energy • 37% Liveness
78% Instrumentalness • 80% Positiveness
34% Popularity • 60% Danceability • 50% Energy • 37% Liveness
78% Instrumentalness • 80% Positiveness
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Herb Ellis
Things Ain't What They Used to Be
112 bpm • F Maj • 04:40 • -16.63db
19% Popularity • 73% Danceability • 33% Energy • 22% Liveness
65% Instrumentalness • 44% Positiveness
19% Popularity • 73% Danceability • 33% Energy • 22% Liveness
65% Instrumentalness • 44% Positiveness
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Duke Robillard
Train To Texas
112 bpm • G# Maj • 07:22 • -17.01db
3% Popularity • 58% Danceability • 33% Energy • 26% Liveness
5% Instrumentalness • 86% Positiveness
3% Popularity • 58% Danceability • 33% Energy • 26% Liveness
5% Instrumentalness • 86% Positiveness
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Duke Jordan
Social Call
112 bpm • C# Maj • 06:08 • -14.2db
19% Popularity • 68% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
19% Popularity • 68% Danceability • 16% Energy • 10% Liveness
5% Instrumentalness • 42% Positiveness
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George Benson
Billie's Bounce - Bonus Track
110 bpm • C Maj • 06:14 • -14.19db
23% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
23% Popularity • 68% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 74% Positiveness
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Thad Jones
April In Paris - 2007 Remaster/Rudy Van ...
112 bpm • C Maj • 06:43 • -11.12db
47% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
47% Popularity • 51% Danceability • 22% Energy • 33% Liveness
30% Instrumentalness • 17% Positiveness
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Mal Waldron
Cat Walk
110 bpm • D min • 06:56 • -25.42db
16% Popularity • 55% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
16% Popularity • 55% Danceability • 3% Energy • 10% Liveness
91% Instrumentalness • 24% Positiveness
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Wes Montgomery Trio
Freddie Freeloader
113 bpm • F min • 05:14 • -24.55db
32% Popularity • 40% Danceability • 20% Energy • 11% Liveness
41% Instrumentalness • 52% Positiveness
32% Popularity • 40% Danceability • 20% Energy • 11% Liveness
41% Instrumentalness • 52% Positiveness
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Hampton Hawes Trio
What Is This Thing Called Love
113 bpm • C min • 04:44 • -20.71db
30% Popularity • 54% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
30% Popularity • 54% Danceability • 30% Energy • 8% Liveness
86% Instrumentalness • 36% Positiveness
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Herb Ellis
Sweetheart Blues
113 bpm • C Maj • 04:43 • -12.52db
14% Popularity • 54% Danceability • 37% Energy • 15% Liveness
6% Instrumentalness • 77% Positiveness
14% Popularity • 54% Danceability • 37% Energy • 15% Liveness
6% Instrumentalness • 77% Positiveness
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McCoy Tyner
Search For Peace
113 bpm • C Maj • 06:32 • -17db
46% Popularity • 46% Danceability • 22% Energy • 24% Liveness
81% Instrumentalness • 15% Positiveness
46% Popularity • 46% Danceability • 22% Energy • 24% Liveness
81% Instrumentalness • 15% Positiveness
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Duke Robillard
Just Squeeze Me
109 bpm • F Maj • 08:49 • -21.79db
3% Popularity • 68% Danceability • 11% Energy • 11% Liveness
63% Instrumentalness • 42% Positiveness
3% Popularity • 68% Danceability • 11% Energy • 11% Liveness
63% Instrumentalness • 42% Positiveness
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Joshua Redman
Body & Soul
113 bpm • A# min • 04:50 • -18.63db
40% Popularity • 50% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 32% Positiveness
40% Popularity • 50% Danceability • 10% Energy • 11% Liveness
44% Instrumentalness • 32% Positiveness
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Wes Montgomery Trio
Too Late Now
113 bpm • C Maj • 04:51 • -25.37db
39% Popularity • 38% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 10% Positiveness
39% Popularity • 38% Danceability • 7% Energy • 9% Liveness
48% Instrumentalness • 10% Positiveness
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Barry Harris Trio
Ornithology
113 bpm • D Maj • 03:31 • -12db
31% Popularity • 62% Danceability • 46% Energy • 13% Liveness
82% Instrumentalness • 56% Positiveness
31% Popularity • 62% Danceability • 46% Energy • 13% Liveness
82% Instrumentalness • 56% Positiveness
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Herb Ellis
Skip It
113 bpm • D# Maj • 08:11 • -11.26db
0% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
0% Popularity • 58% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Kenny Dorham
Old Folks
109 bpm • F min • 05:13 • -24.63db
30% Popularity • 57% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 48% Positiveness
30% Popularity • 57% Danceability • 8% Energy • 14% Liveness
91% Instrumentalness • 48% Positiveness
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Bill Charlap Trio
Make Me Rainbows
109 bpm • B min • 07:04 • -23db
39% Popularity • 64% Danceability • 13% Energy • 7% Liveness
86% Instrumentalness • 25% Positiveness
39% Popularity • 64% Danceability • 13% Energy • 7% Liveness
86% Instrumentalness • 25% Positiveness
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Buddy Rich
Nice Work If You Can Get It
113 bpm • G# Maj • 04:04 • -18.39db
28% Popularity • 80% Danceability • 23% Energy • 20% Liveness
28% Instrumentalness • 80% Positiveness
28% Popularity • 80% Danceability • 23% Energy • 20% Liveness
28% Instrumentalness • 80% Positiveness
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Ray Bryant Trio
Erewhon
109 bpm • C Maj • 03:04 • -23.06db
33% Popularity • 66% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 70% Positiveness
33% Popularity • 66% Danceability • 25% Energy • 9% Liveness
94% Instrumentalness • 70% Positiveness
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Betty Carter
I Could Write a Book
113 bpm • G Maj • 02:38 • -12.93db
43% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
43% Popularity • 55% Danceability • 22% Energy • 28% Liveness
0% Instrumentalness • 39% Positiveness
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Elmo Hope
It's A Lovely Day Today
109 bpm • C Maj • 02:47 • -13db
37% Popularity • 64% Danceability • 46% Energy • 10% Liveness
72% Instrumentalness • 92% Positiveness
37% Popularity • 64% Danceability • 46% Energy • 10% Liveness
72% Instrumentalness • 92% Positiveness
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Sonny Clark
Cool Struttin'
109 bpm • G min • 09:23 • -8db
48% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
48% Popularity • 58% Danceability • 48% Energy • 17% Liveness
0% Instrumentalness • 48% Positiveness
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Jimmy Bruno
Central Park West
113 bpm • C# min • 01:57 • -22.37db
31% Popularity • 34% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
31% Popularity • 34% Danceability • 6% Energy • 11% Liveness
90% Instrumentalness • 26% Positiveness
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Rahsaan Roland Kirk
It's A Grand Night For Swinging
109 bpm • F min • 03:09 • -17.98db
23% Popularity • 54% Danceability • 23% Energy • 18% Liveness
82% Instrumentalness • 58% Positiveness
23% Popularity • 54% Danceability • 23% Energy • 18% Liveness
82% Instrumentalness • 58% Positiveness
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Jimmy Giuffre
Two Kinds of Blues
109 bpm • G Maj • 05:17 • -26db
19% Popularity • 52% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 30% Positiveness
19% Popularity • 52% Danceability • 1% Energy • 14% Liveness
92% Instrumentalness • 30% Positiveness
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Lou Donaldson
Old Folks
114 bpm • D min • 06:20 • -12.5db
36% Popularity • 50% Danceability • 18% Energy • 22% Liveness
7% Instrumentalness • 29% Positiveness
36% Popularity • 50% Danceability • 18% Energy • 22% Liveness
7% Instrumentalness • 29% Positiveness
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Howard Roberts
Lover Man
114 bpm • D min • 04:27 • -15.47db
19% Popularity • 53% Danceability • 17% Energy • 17% Liveness
52% Instrumentalness • 31% Positiveness
19% Popularity • 53% Danceability • 17% Energy • 17% Liveness
52% Instrumentalness • 31% Positiveness
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Ray Bryant Trio
Django
114 bpm • F min • 05:02 • -20db
30% Popularity • 59% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
30% Popularity • 59% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 27% Positiveness
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Kenny Drew
Blues for Nica
108 bpm • F Maj • 05:28 • -16.16db
21% Popularity • 74% Danceability • 22% Energy • 29% Liveness
64% Instrumentalness • 39% Positiveness
21% Popularity • 74% Danceability • 22% Energy • 29% Liveness
64% Instrumentalness • 39% Positiveness
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Miles Davis Quintet
I Could Write A Book
114 bpm • D# Maj • 05:08 • -6db
35% Popularity • 62% Danceability • 60% Energy • 22% Liveness
1% Instrumentalness • 78% Positiveness
35% Popularity • 62% Danceability • 60% Energy • 22% Liveness
1% Instrumentalness • 78% Positiveness
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Emily Remler
Blues For Herb
108 bpm • A# Maj • 06:22 • -22.2db
22% Popularity • 45% Danceability • 25% Energy • 16% Liveness
16% Instrumentalness • 55% Positiveness
22% Popularity • 45% Danceability • 25% Energy • 16% Liveness
16% Instrumentalness • 55% Positiveness
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Elmo Hope Trio
I Remember You
114 bpm • G Maj • 02:46 • -16.23db
39% Popularity • 54% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 65% Positiveness
39% Popularity • 54% Danceability • 23% Energy • 9% Liveness
80% Instrumentalness • 65% Positiveness
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Wes Montgomery Trio
Whisper Not
114 bpm • G min • 04:36 • -26db
36% Popularity • 54% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
36% Popularity • 54% Danceability • 5% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Art Blakey & The Jazz Messengers
Like Someone In Love - Rudy Van Gelder E...
115 bpm • G# Maj • 08:04 • -12.24db
28% Popularity • 71% Danceability • 26% Energy • 11% Liveness
60% Instrumentalness • 36% Positiveness
28% Popularity • 71% Danceability • 26% Energy • 11% Liveness
60% Instrumentalness • 36% Positiveness
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Laurindo Almeida
The Color Of Her Hair - Digitally Remast...
108 bpm • C Maj • 01:59 • -15.47db
19% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
19% Popularity • 63% Danceability • 26% Energy • 10% Liveness
0% Instrumentalness • 72% Positiveness
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Wayne Shorter
Teru - Rudy Van Gelder Edition/2000 Digi...
107 bpm • G min • 06:12 • -20.73db
36% Popularity • 35% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
36% Popularity • 35% Danceability • 6% Energy • 12% Liveness
86% Instrumentalness • 16% Positiveness
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Howard Roberts
Relaxin' At Camarillo
107 bpm • F min • 05:46 • -13.6db
13% Popularity • 48% Danceability • 31% Energy • 13% Liveness
66% Instrumentalness • 61% Positiveness
13% Popularity • 48% Danceability • 31% Energy • 13% Liveness
66% Instrumentalness • 61% Positiveness
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Ross Tompkins
The Masquerade Is Over
107 bpm • G min • 04:48 • -16.22db
1% Popularity • 46% Danceability • 30% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
1% Popularity • 46% Danceability • 30% Energy • 11% Liveness
89% Instrumentalness • 58% Positiveness
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Wes Montgomery Trio
The End Of A Love Affair
115 bpm • C# Maj • 03:13 • -18db
45% Popularity • 48% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
45% Popularity • 48% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 55% Positiveness
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Gerry Mulligan Sextet
In The Wee Small Hours Of The Morning
115 bpm • G Maj • 05:39 • -24db
48% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
48% Popularity • 52% Danceability • 1% Energy • 11% Liveness
37% Instrumentalness • 17% Positiveness
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Hank Mobley
The Good Life - Remastered 2000/Rudy Van...
115 bpm • G# Maj • 05:08 • -15db
37% Popularity • 48% Danceability • 9% Energy • 11% Liveness
25% Instrumentalness • 24% Positiveness
37% Popularity • 48% Danceability • 9% Energy • 11% Liveness
25% Instrumentalness • 24% Positiveness
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Blue Mitchell
I Wish I Knew
107 bpm • G Maj • 04:26 • -14.98db
34% Popularity • 55% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 60% Positiveness
34% Popularity • 55% Danceability • 29% Energy • 18% Liveness
14% Instrumentalness • 60% Positiveness
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Howard Roberts
All The Things You Are
115 bpm • G# Maj • 02:42 • -13.23db
32% Popularity • 40% Danceability • 38% Energy • 10% Liveness
35% Instrumentalness • 68% Positiveness
32% Popularity • 40% Danceability • 38% Energy • 10% Liveness
35% Instrumentalness • 68% Positiveness
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Duke Robillard
Jivin' In Rhythm
115 bpm • G min • 05:16 • -17.89db
4% Popularity • 55% Danceability • 38% Energy • 33% Liveness
9% Instrumentalness • 74% Positiveness
4% Popularity • 55% Danceability • 38% Energy • 33% Liveness
9% Instrumentalness • 74% Positiveness
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Jackie McLean
Blues Function
107 bpm • D# Maj • 07:18 • -13.92db
13% Popularity • 59% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
13% Popularity • 59% Danceability • 31% Energy • 28% Liveness
0% Instrumentalness • 48% Positiveness
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Tommy Flanagan Trio
Born To Be Blue
115 bpm • D min • 04:21 • -22db
46% Popularity • 48% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 13% Positiveness
46% Popularity • 48% Danceability • 7% Energy • 16% Liveness
89% Instrumentalness • 13% Positiveness
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George Van Eps
I Didn't Know What Time It Was
115 bpm • G min • 02:36 • -28.03db
25% Popularity • 53% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 28% Positiveness
25% Popularity • 53% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 28% Positiveness
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Bobby Timmons Trio
So Tired
107 bpm • C# Maj • 06:24 • -21.01db
24% Popularity • 52% Danceability • 40% Energy • 88% Liveness
18% Instrumentalness • 80% Positiveness
24% Popularity • 52% Danceability • 40% Energy • 88% Liveness
18% Instrumentalness • 80% Positiveness
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The Montgomery Brothers
Groove Yard
115 bpm • A# min • 03:01 • -19.07db
46% Popularity • 59% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 54% Positiveness
46% Popularity • 59% Danceability • 22% Energy • 8% Liveness
56% Instrumentalness • 54% Positiveness
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Wynton Kelly Trio
It's All Right
116 bpm • C Maj • 02:50 • -16.06db
47% Popularity • 79% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
47% Popularity • 79% Danceability • 33% Energy • 7% Liveness
0% Instrumentalness • 80% Positiveness
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Hank Mobley
Split Feelin's - Remastered 1999/Rudy Va...
116 bpm • G min • 04:55 • -9db
35% Popularity • 58% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
35% Popularity • 58% Danceability • 62% Energy • 6% Liveness
0% Instrumentalness • 75% Positiveness
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Wayne Shorter
Virgo - Remastered 2004 / Rudy Van Gelde...
107 bpm • D min • 07:06 • -14.4db
46% Popularity • 45% Danceability • 13% Energy • 11% Liveness
44% Instrumentalness • 17% Positiveness
46% Popularity • 45% Danceability • 13% Energy • 11% Liveness
44% Instrumentalness • 17% Positiveness
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Benny Green
Summer Nights
107 bpm • A min • 05:00 • -32.69db
31% Popularity • 47% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 15% Positiveness
31% Popularity • 47% Danceability • 1% Energy • 7% Liveness
96% Instrumentalness • 15% Positiveness
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Bobby Timmons Trio
Samba Triste
116 bpm • G min • 03:19 • -16.82db
43% Popularity • 57% Danceability • 39% Energy • 14% Liveness
84% Instrumentalness • 58% Positiveness
43% Popularity • 57% Danceability • 39% Energy • 14% Liveness
84% Instrumentalness • 58% Positiveness
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Buddy Rich and His Sextet
Late Date
106 bpm • C# Maj • 05:12 • -16.48db
28% Popularity • 72% Danceability • 19% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
28% Popularity • 72% Danceability • 19% Energy • 9% Liveness
10% Instrumentalness • 41% Positiveness
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Lee Morgan
I'll Never Be The Same
116 bpm • D# Maj • 07:16 • -10.13db
30% Popularity • 56% Danceability • 35% Energy • 11% Liveness
77% Instrumentalness • 39% Positiveness
30% Popularity • 56% Danceability • 35% Energy • 11% Liveness
77% Instrumentalness • 39% Positiveness
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Duke Robillard
Easin' In
106 bpm • G min • 07:59 • -17.77db
7% Popularity • 60% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
7% Popularity • 60% Danceability • 24% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Herb Ellis
The Night Has A Thousand Eyes
106 bpm • C Maj • 06:12 • -20.86db
21% Popularity • 47% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 78% Positiveness
21% Popularity • 47% Danceability • 23% Energy • 11% Liveness
92% Instrumentalness • 78% Positiveness
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Lou Donaldson
Over The Rainbow
106 bpm • D# Maj • 07:11 • -20db
46% Popularity • 37% Danceability • 8% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
46% Popularity • 37% Danceability • 8% Energy • 8% Liveness
49% Instrumentalness • 8% Positiveness
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Miles Davis And Milt Jackson Quintet
Changes
116 bpm • C# Maj • 07:10 • -19.37db
40% Popularity • 55% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
40% Popularity • 55% Danceability • 12% Energy • 10% Liveness
1% Instrumentalness • 42% Positiveness
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Cedar Walton
Without A Song
106 bpm • G# Maj • 04:00 • -21.2db
44% Popularity • 45% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 42% Positiveness
44% Popularity • 45% Danceability • 14% Energy • 16% Liveness
92% Instrumentalness • 42% Positiveness
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Miles Davis Quintet
Ahmad's Blues
117 bpm • F# Maj • 07:24 • -14.05db
31% Popularity • 55% Danceability • 41% Energy • 17% Liveness
53% Instrumentalness • 46% Positiveness
31% Popularity • 55% Danceability • 41% Energy • 17% Liveness
53% Instrumentalness • 46% Positiveness
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Gerry Mulligan Quartet
Bernie's Tune
106 bpm • C min • 02:54 • -9.94db
45% Popularity • 59% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
45% Popularity • 59% Danceability • 38% Energy • 10% Liveness
80% Instrumentalness • 93% Positiveness
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The Art Farmer Quartet
Days of Wine and Roses
117 bpm • C min • 06:47 • -20.45db
13% Popularity • 51% Danceability • 8% Energy • 16% Liveness
53% Instrumentalness • 26% Positiveness
13% Popularity • 51% Danceability • 8% Energy • 16% Liveness
53% Instrumentalness • 26% Positiveness
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Curtis Fuller
A Lovely Way To Spend An Evening
117 bpm • F Maj • 06:53 • -16db
40% Popularity • 57% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
40% Popularity • 57% Danceability • 15% Energy • 12% Liveness
85% Instrumentalness • 39% Positiveness
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Hank Mobley
I Should Care
106 bpm • F min • 07:42 • -12.89db
39% Popularity • 62% Danceability • 14% Energy • 18% Liveness
7% Instrumentalness • 26% Positiveness
39% Popularity • 62% Danceability • 14% Energy • 18% Liveness
7% Instrumentalness • 26% Positiveness
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Johnny Griffin
These Foolish Things - Remastered 2006/R...
105 bpm • D# Maj • 05:09 • -9.39db
32% Popularity • 61% Danceability • 31% Energy • 12% Liveness
24% Instrumentalness • 38% Positiveness
32% Popularity • 61% Danceability • 31% Energy • 12% Liveness
24% Instrumentalness • 38% Positiveness
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George Shearing Trio
Makin' Whoopee
117 bpm • G# Maj • 04:00 • -20.14db
37% Popularity • 79% Danceability • 24% Energy • 14% Liveness
67% Instrumentalness • 51% Positiveness
37% Popularity • 79% Danceability • 24% Energy • 14% Liveness
67% Instrumentalness • 51% Positiveness
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Blue Mitchell
I'll Close My Eyes
105 bpm • F Maj • 05:53 • -13.08db
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
41% Popularity • 51% Danceability • 42% Energy • 8% Liveness
0% Instrumentalness • 57% Positiveness
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Art Blakey
Ne Chuchote Pas - BOF "Des Femmes Dispar...
105 bpm • C min • 01:25 • -16.72db
40% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
40% Popularity • 30% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 18% Positiveness
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Phineas Newborn Jr.
Oleo
105 bpm • G# Maj • 03:03 • -18.24db
34% Popularity • 47% Danceability • 37% Energy • 24% Liveness
28% Instrumentalness • 87% Positiveness
34% Popularity • 47% Danceability • 37% Energy • 24% Liveness
28% Instrumentalness • 87% Positiveness
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Kenny Dorham
If Ever I Would Leave You - Remasted 199...
117 bpm • A# Maj • 05:09 • -11.96db
34% Popularity • 50% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
34% Popularity • 50% Danceability • 19% Energy • 10% Liveness
91% Instrumentalness • 35% Positiveness
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Lee Morgan
All The Way - Rudy Van Gelder Edition / ...
117 bpm • C min • 07:27 • -9.99db
41% Popularity • 51% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 33% Positiveness
41% Popularity • 51% Danceability • 23% Energy • 13% Liveness
90% Instrumentalness • 33% Positiveness
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McCoy Tyner
Searchin'
117 bpm • C Maj • 04:33 • -13.01db
31% Popularity • 79% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
31% Popularity • 79% Danceability • 33% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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Charlie Christian
I Found a New Baby
105 bpm • A min • 02:54 • -18.32db
31% Popularity • 71% Danceability • 27% Energy • 32% Liveness
5% Instrumentalness • 86% Positiveness
31% Popularity • 71% Danceability • 27% Energy • 32% Liveness
5% Instrumentalness • 86% Positiveness
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Art Blakey
Pierre Et Béatrice - BOF "Des Femmes Di...
117 bpm • A Maj • 01:03 • -7.5db
40% Popularity • 30% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
40% Popularity • 30% Danceability • 31% Energy • 13% Liveness
0% Instrumentalness • 10% Positiveness
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The Art Farmer Quartet
Tonk
105 bpm • C Maj • 04:34 • -23.03db
32% Popularity • 72% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 65% Positiveness
32% Popularity • 72% Danceability • 13% Energy • 12% Liveness
90% Instrumentalness • 65% Positiveness
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Emily Remler
Ballad From A Music Box
105 bpm • F Maj • 07:21 • -30.79db
14% Popularity • 40% Danceability • 2% Energy • 10% Liveness
70% Instrumentalness • 18% Positiveness
14% Popularity • 40% Danceability • 2% Energy • 10% Liveness
70% Instrumentalness • 18% Positiveness
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Lee Morgan
Melancholee - Remastered 2000/Rudy Van G...
105 bpm • F min • 06:14 • -16db
36% Popularity • 44% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
36% Popularity • 44% Danceability • 14% Energy • 11% Liveness
83% Instrumentalness • 27% Positiveness
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Phineas Newborn Jr.
Afternoon in Paris
118 bpm • G# Maj • 06:45 • -20db
23% Popularity • 64% Danceability • 16% Energy • 12% Liveness
74% Instrumentalness • 49% Positiveness
23% Popularity • 64% Danceability • 16% Energy • 12% Liveness
74% Instrumentalness • 49% Positiveness
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Sonny Criss
Black Coffee
118 bpm • F# Maj • 02:44 • -14.37db
44% Popularity • 44% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
44% Popularity • 44% Danceability • 31% Energy • 11% Liveness
84% Instrumentalness • 47% Positiveness
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Ray Bryant Trio
Misty
105 bpm • E min • 04:04 • -16.29db
17% Popularity • 57% Danceability • 17% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
17% Popularity • 57% Danceability • 17% Energy • 10% Liveness
78% Instrumentalness • 17% Positiveness
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Wes Montgomery Trio
'Round Midnight
118 bpm • D# min • 04:53 • -25.45db
49% Popularity • 53% Danceability • 7% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
49% Popularity • 53% Danceability • 7% Energy • 13% Liveness
64% Instrumentalness • 16% Positiveness
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Johnny Griffin
63rd Street Theme
118 bpm • C min • 05:34 • -11.28db
20% Popularity • 66% Danceability • 39% Energy • 9% Liveness
53% Instrumentalness • 57% Positiveness
20% Popularity • 66% Danceability • 39% Energy • 9% Liveness
53% Instrumentalness • 57% Positiveness
