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Big Stuff
Songs like
Big Stuff
by
Jason Moran
Based on a tempo of (+/- 10%) and a similar genre
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Elvin Jones
G.G.
85 bpm • E min • 05:46 • -14.87db
26% Popularity • 39% Danceability • 28% Energy • 12% Liveness
93% Instrumentalness • 12% Positiveness
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Sullivan Fortner
In A Sentimental Mood
85 bpm • C min • 03:24 • -20.25db
26% Popularity • 47% Danceability • 11% Energy • 12% Liveness
73% Instrumentalness • 9% Positiveness
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Jason Moran
Big Stuff
85 bpm • F Maj • 05:16 • -15.2db
3% Popularity • 36% Danceability • 41% Energy • 10% Liveness
85% Instrumentalness • 26% Positiveness
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Craig Taborn
The Shining One
86 bpm • D min • 03:34 • -18.06db
18% Popularity • 41% Danceability • 38% Energy • 9% Liveness
92% Instrumentalness • 49% Positiveness
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Archie Shepp
Sometimes I Feel Like a Motherless Child...
85 bpm • D# min • 03:51 • -21.59db
3% Popularity • 34% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
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Aaron Diehl
The Vagabond
86 bpm • G# Maj • 03:19 • -20.52db
8% Popularity • 32% Danceability • 18% Energy • 8% Liveness
95% Instrumentalness • 21% Positiveness
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Trio 3
Vamp
84 bpm • A# Maj • 05:09 • -9.31db
0% Popularity • 42% Danceability • 58% Energy • 11% Liveness
7% Instrumentalness • 50% Positiveness
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Brian Blade & The Fellowship Band
Return of the Prodigal Son
84 bpm • D Maj • 08:54 • -12.51db
15% Popularity • 23% Danceability • 47% Energy • 34% Liveness
93% Instrumentalness • 20% Positiveness
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Jason Moran
Gangsterism On Canvas
85 bpm • G# Maj • 04:37 • -15.56db
9% Popularity • 35% Danceability • 33% Energy • 13% Liveness
77% Instrumentalness • 23% Positiveness
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Danilo Perez
Rabo de Nube
84 bpm • G# Maj • 03:35 • -20.02db
13% Popularity • 49% Danceability • 15% Energy • 11% Liveness
93% Instrumentalness • 10% Positiveness
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Mark Guiliana Jazz Quartet
2014
84 bpm • D Maj • 03:12 • -18.86db
36% Popularity • 55% Danceability • 9% Energy • 10% Liveness
79% Instrumentalness • 12% Positiveness
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Ted Poor
Emilia
86 bpm • E min • 04:51 • -13.77db
16% Popularity • 39% Danceability • 23% Energy • 10% Liveness
30% Instrumentalness • 32% Positiveness
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Eric Legnini
Introspection #3
86 bpm • C min • 01:14 • -12.61db
41% Popularity • 49% Danceability • 24% Energy • 14% Liveness
95% Instrumentalness • 32% Positiveness
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Brian Blade Fellowship
Crooked Creek
87 bpm • C# Maj • 09:10 • -11.24db
21% Popularity • 34% Danceability • 40% Energy • 11% Liveness
86% Instrumentalness • 27% Positiveness
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Lennie Tristano
Requiem
83 bpm • G min • 04:52 • -11.85db
24% Popularity • 45% Danceability • 44% Energy • 13% Liveness
92% Instrumentalness • 22% Positiveness
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Dave Holland Quintet
Make Believe
83 bpm • A# min • 06:23 • -23db
8% Popularity • 52% Danceability • 5% Energy • 11% Liveness
92% Instrumentalness • 14% Positiveness
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Esbjörn Svensson Trio
Criss Cross
83 bpm • F Maj • 05:48 • -20.01db
15% Popularity • 47% Danceability • 28% Energy • 34% Liveness
22% Instrumentalness • 42% Positiveness
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Bud Powell
A Night in Tunisia
83 bpm • G min • 04:19 • -14.09db
19% Popularity • 50% Danceability • 45% Energy • 5% Liveness
0% Instrumentalness • 78% Positiveness
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Sam Rivers
Gangsterism On A River
83 bpm • A# Maj • 03:41 • -14db
8% Popularity • 37% Danceability • 33% Energy • 13% Liveness
87% Instrumentalness • 26% Positiveness
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Kenny Wheeler
After The Last Time
87 bpm • C Maj • 04:26 • -19db
14% Popularity • 41% Danceability • 6% Energy • 7% Liveness
88% Instrumentalness • 23% Positiveness
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Julian Lage Group
Margaret
83 bpm • D Maj • 06:49 • -15.52db
11% Popularity • 38% Danceability • 20% Energy • 9% Liveness
92% Instrumentalness • 20% Positiveness
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Cedar Walton
Booker's Bossa
83 bpm • D# Maj • 05:21 • -19.82db
14% Popularity • 28% Danceability • 18% Energy • 14% Liveness
89% Instrumentalness • 15% Positiveness
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Bobo Stenson Trio
Polska Of Despair (1)
87 bpm • A Maj • 06:51 • -17db
24% Popularity • 30% Danceability • 36% Energy • 10% Liveness
84% Instrumentalness • 20% Positiveness
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Linda May Han Oh
Speech Impediment
83 bpm • D Maj • 06:57 • -10.11db
15% Popularity • 41% Danceability • 41% Energy • 11% Liveness
58% Instrumentalness • 18% Positiveness
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Jason Moran
He Puts On His Coat And Leaves
82 bpm • D# min • 04:52 • -18.24db
3% Popularity • 26% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 5% Positiveness
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Kenny Wheeler
Gentle piece - instrumental
83 bpm • C# Maj • 06:35 • -19.2db
8% Popularity • 34% Danceability • 11% Energy • 10% Liveness
91% Instrumentalness • 9% Positiveness
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Archie Shepp
Jitterbug Waltz - Bonus Track
82 bpm • D# Maj • 12:59 • -13.46db
3% Popularity • 45% Danceability • 28% Energy • 25% Liveness
91% Instrumentalness • 21% Positiveness
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Anat Fort Trio
It's Your Song
88 bpm • A Maj • 04:16 • -22.4db
32% Popularity • 42% Danceability • 24% Energy • 9% Liveness
95% Instrumentalness • 50% Positiveness
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Tourismo
Movement - Jason Moran
82 bpm • A Maj • 03:30 • -16.14db
5% Popularity • 43% Danceability • 38% Energy • 10% Liveness
84% Instrumentalness • 47% Positiveness
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Bobo Stenson Trio
Kingdom of Coldness
88 bpm • C Maj • 07:37 • -24.92db
13% Popularity • 38% Danceability • 13% Energy • 6% Liveness
83% Instrumentalness • 10% Positiveness
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Gary Burton Quartet
Coral
88 bpm • F# Maj • 04:13 • -21db
22% Popularity • 30% Danceability • 9% Energy • 10% Liveness
77% Instrumentalness • 4% Positiveness
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Kenny Wheeler
Kind folk - instrumental
83 bpm • G Maj • 05:42 • -15.69db
23% Popularity • 38% Danceability • 15% Energy • 11% Liveness
91% Instrumentalness • 22% Positiveness
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Vijay Iyer Trio
Taking Flight
82 bpm • A min • 07:15 • -21.47db
8% Popularity • 35% Danceability • 25% Energy • 8% Liveness
81% Instrumentalness • 26% Positiveness
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Mikkel Ploug
Stockholm Night Lights
82 bpm • C# Maj • 05:21 • -13db
10% Popularity • 36% Danceability • 20% Energy • 12% Liveness
68% Instrumentalness • 7% Positiveness
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Horace Silver
Que Pasa - Remastered 1999/Rudy Van Geld...
82 bpm • C# min • 05:38 • -12.94db
29% Popularity • 42% Danceability • 48% Energy • 9% Liveness
58% Instrumentalness • 79% Positiveness
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Freddie Hubbard
Lament For Booker
82 bpm • A# Maj • 09:40 • -16.19db
6% Popularity • 33% Danceability • 14% Energy • 13% Liveness
92% Instrumentalness • 9% Positiveness
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Brian Blade & The Fellowship Band
Friends Call Her Dot
81 bpm • D min • 04:04 • -22.9db
34% Popularity • 50% Danceability • 12% Energy • 10% Liveness
93% Instrumentalness • 17% Positiveness
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Alex Sipiagin
Next Stop - Tsukiji
89 bpm • A Maj • 08:35 • -13.63db
7% Popularity • 38% Danceability • 44% Energy • 7% Liveness
11% Instrumentalness • 53% Positiveness
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The Bad Plus
Kerosene II
81 bpm • C Maj • 04:44 • -23.12db
12% Popularity • 55% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 25% Positiveness
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Joshua Redman Quartet
Mischief
81 bpm • G min • 05:50 • -16db
19% Popularity • 63% Danceability • 19% Energy • 9% Liveness
5% Instrumentalness • 44% Positiveness
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Dave Liebman
Blind Pig - Bonus Track
90 bpm • E min • 01:07 • -30.37db
24% Popularity • 57% Danceability • 0% Energy • 11% Liveness
92% Instrumentalness • 11% Positiveness
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Jason Moran
Crepuscule With Nellie
81 bpm • C# Maj • 05:57 • -13.21db
5% Popularity • 38% Danceability • 45% Energy • 11% Liveness
88% Instrumentalness • 47% Positiveness
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Sebastian Rochford
Years
81 bpm • A min • 06:10 • -9.73db
0% Popularity • 30% Danceability • 50% Energy • 13% Liveness
91% Instrumentalness • 17% Positiveness
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David S. Ware
Sweet Georgia Bright
90 bpm • G# Maj • 05:15 • -14.31db
12% Popularity • 46% Danceability • 32% Energy • 11% Liveness
2% Instrumentalness • 53% Positiveness
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Archie Shepp
He Cares
90 bpm • A Maj • 06:41 • -14.79db
8% Popularity • 33% Danceability • 10% Energy • 12% Liveness
84% Instrumentalness • 18% Positiveness
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Danilo Perez
Bright Mississippi
90 bpm • C# Maj • 05:39 • -14db
9% Popularity • 52% Danceability • 45% Energy • 8% Liveness
83% Instrumentalness • 78% Positiveness
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Sullivan Fortner
I Didn't Know What Time It Was
90 bpm • F min • 09:24 • -18.5db
17% Popularity • 48% Danceability • 8% Energy • 9% Liveness
92% Instrumentalness • 10% Positiveness
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Amina Figarova
Road to the Sun
80 bpm • A# Maj • 05:11 • -12.03db
15% Popularity • 54% Danceability • 48% Energy • 13% Liveness
0% Instrumentalness • 58% Positiveness
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Aldo Romano
Webb
80 bpm • G Maj • 03:17 • -13.35db
19% Popularity • 56% Danceability • 47% Energy • 30% Liveness
3% Instrumentalness • 40% Positiveness
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Vijay Iyer Trio
Work
90 bpm • D Maj • 06:14 • -22db
15% Popularity • 43% Danceability • 21% Energy • 12% Liveness
80% Instrumentalness • 37% Positiveness
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Jason Moran
The Promise
80 bpm • D min • 01:40 • -9.6db
1% Popularity • 41% Danceability • 29% Energy • 16% Liveness
80% Instrumentalness • 29% Positiveness
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Tomasz Stanko Quartet
Soul of Things, Var. 2
80 bpm • F# Maj • 07:57 • -16.77db
10% Popularity • 43% Danceability • 18% Energy • 11% Liveness
71% Instrumentalness • 12% Positiveness
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Jakob Bro
Vraa
80 bpm • C min • 07:14 • -16.62db
12% Popularity • 47% Danceability • 12% Energy • 13% Liveness
68% Instrumentalness • 13% Positiveness
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JonMaClain
Long Way Back
91 bpm • G Maj • 03:41 • -7.79db
4% Popularity • 91% Danceability • 50% Energy • 16% Liveness
0% Instrumentalness • 74% Positiveness
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Carla Bley
Beautiful Telephones - Pt. 1
80 bpm • C# Maj • 04:35 • -29.85db
14% Popularity • 31% Danceability • 2% Energy • 12% Liveness
93% Instrumentalness • 8% Positiveness
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Vijay Iyer Trio
Optimism
91 bpm • B min • 07:23 • -15db
9% Popularity • 41% Danceability • 33% Energy • 13% Liveness
92% Instrumentalness • 18% Positiveness
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Jason Moran
Auf Einer Burg/In A Fortress
80 bpm • C Maj • 04:19 • -15.88db
5% Popularity • 49% Danceability • 7% Energy • 8% Liveness
90% Instrumentalness • 7% Positiveness
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Sullivan Fortner
Pep Talk
91 bpm • A Maj • 04:24 • -13.52db
16% Popularity • 61% Danceability • 29% Energy • 10% Liveness
76% Instrumentalness • 55% Positiveness
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Kenny Kirkland
Revelations
79 bpm • G Maj • 07:48 • -23.04db
7% Popularity • 34% Danceability • 9% Energy • 14% Liveness
86% Instrumentalness • 16% Positiveness
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Portraits in Jazz
Family
79 bpm • D min • 03:20 • -16db
34% Popularity • 43% Danceability • 19% Energy • 17% Liveness
46% Instrumentalness • 38% Positiveness
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Archie Shepp
Ujama - Bonus Track
79 bpm • G min • 09:38 • -11.89db
2% Popularity • 36% Danceability • 29% Energy • 8% Liveness
93% Instrumentalness • 25% Positiveness
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Melissa Aldana
Alegria
79 bpm • F min • 05:11 • -14.57db
11% Popularity • 32% Danceability • 32% Energy • 8% Liveness
5% Instrumentalness • 35% Positiveness
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Jason Moran
Two Sleepy People
91 bpm • D Maj • 04:07 • -16.46db
4% Popularity • 45% Danceability • 23% Energy • 11% Liveness
8% Instrumentalness • 29% Positiveness
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Paolo Fresu
Palfium
91 bpm • F min • 03:15 • -16db
32% Popularity • 65% Danceability • 28% Energy • 11% Liveness
85% Instrumentalness • 76% Positiveness
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Joshua Redman Quartet
Rejoice
92 bpm • F min • 11:12 • -15db
15% Popularity • 43% Danceability • 34% Energy • 10% Liveness
8% Instrumentalness • 56% Positiveness
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Trio 3
Foot Under Foot
79 bpm • D min • 08:42 • -9.48db
0% Popularity • 29% Danceability • 55% Energy • 32% Liveness
1% Instrumentalness • 20% Positiveness
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Django Bates' Belovèd
Senza Bitterness
79 bpm • F min • 03:25 • -26db
25% Popularity • 27% Danceability • 13% Energy • 9% Liveness
90% Instrumentalness • 16% Positiveness
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Kenny Wheeler
Part 2 - For H. / Part 3 - For Jan
79 bpm • A min • 10:07 • -16.57db
22% Popularity • 25% Danceability • 27% Energy • 11% Liveness
8% Instrumentalness • 27% Positiveness
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Jason Moran
Study No. 6 - Extended Version
79 bpm • A Maj • 04:04 • -18.87db
13% Popularity • 36% Danceability • 29% Energy • 14% Liveness
45% Instrumentalness • 22% Positiveness
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Ferenc Snétberger
Cou Cou
92 bpm • G Maj • 02:55 • -22db
27% Popularity • 56% Danceability • 31% Energy • 15% Liveness
92% Instrumentalness • 16% Positiveness
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Joshua Redman Quartet
Sweet Sorrow
79 bpm • G min • 08:43 • -16.33db
34% Popularity • 53% Danceability • 7% Energy • 12% Liveness
70% Instrumentalness • 29% Positiveness
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Eric Legnini
Introspection #2
92 bpm • C min • 01:29 • -16db
38% Popularity • 48% Danceability • 14% Energy • 13% Liveness
94% Instrumentalness • 37% Positiveness
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George Cables
Helen's Song
92 bpm • G Maj • 06:34 • -14.77db
9% Popularity • 54% Danceability • 40% Energy • 13% Liveness
79% Instrumentalness • 30% Positiveness
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Orrin Evans
Dave
78 bpm • C# Maj • 03:43 • -21db
44% Popularity • 24% Danceability • 7% Energy • 12% Liveness
50% Instrumentalness • 4% Positiveness
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Jason Moran
Blue Blocks
93 bpm • A# min • 04:35 • -13.44db
21% Popularity • 39% Danceability • 51% Energy • 13% Liveness
91% Instrumentalness • 47% Positiveness
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Dejan Terzic
Prometheus
93 bpm • D min • 05:34 • -14.61db
9% Popularity • 46% Danceability • 43% Energy • 9% Liveness
70% Instrumentalness • 54% Positiveness
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Joshua Redman Quartet
I'll Go Mine
78 bpm • C Maj • 07:14 • -8.79db
13% Popularity • 66% Danceability • 57% Energy • 7% Liveness
90% Instrumentalness • 50% Positiveness
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Cedar Walton
Sixth Avenue
78 bpm • A# Maj • 03:51 • -21.06db
35% Popularity • 35% Danceability • 13% Energy • 16% Liveness
93% Instrumentalness • 23% Positiveness
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Craig Taborn
New Glory
93 bpm • A min • 03:14 • -18db
8% Popularity • 48% Danceability • 38% Energy • 9% Liveness
90% Instrumentalness • 91% Positiveness
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Kenny Barron & Dave Holland
The Oracle
93 bpm • G min • 06:15 • -24db
20% Popularity • 56% Danceability • 7% Energy • 10% Liveness
94% Instrumentalness • 38% Positiveness
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Charles Lloyd
Bess, You Is My Woman Now
93 bpm • D min • 03:36 • -16.15db
10% Popularity • 39% Danceability • 6% Energy • 14% Liveness
94% Instrumentalness • 7% Positiveness
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Matthew Shipp Trio
The Unidentifiable
93 bpm • F min • 07:10 • -9.42db
7% Popularity • 39% Danceability • 51% Energy • 12% Liveness
88% Instrumentalness • 60% Positiveness
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Brian Blade & The Fellowship Band
Catalysts
93 bpm • C# min • 05:04 • -11.41db
22% Popularity • 42% Danceability • 52% Energy • 10% Liveness
82% Instrumentalness • 42% Positiveness
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Danilo Perez
Overjoyed
93 bpm • E Maj • 04:52 • -15db
23% Popularity • 53% Danceability • 38% Energy • 9% Liveness
93% Instrumentalness • 59% Positiveness
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Horace Silver
Peace
93 bpm • D# min • 06:02 • -14.47db
32% Popularity • 54% Danceability • 16% Energy • 8% Liveness
86% Instrumentalness • 21% Positiveness
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Larry Goldings
Jesus' blood Never Failed Me
78 bpm • A Maj • 04:18 • -24.06db
13% Popularity • 49% Danceability • 5% Energy • 12% Liveness
86% Instrumentalness • 12% Positiveness
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Michael Wollny
Nacht
94 bpm • D Maj • 03:35 • -16.34db
34% Popularity • 49% Danceability • 35% Energy • 8% Liveness
90% Instrumentalness • 6% Positiveness
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Sam Rivers
Summit
94 bpm • D min • 07:06 • -11.58db
1% Popularity • 34% Danceability • 40% Energy • 10% Liveness
93% Instrumentalness • 15% Positiveness
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Kenny Wheeler
The forks - instrumental
77 bpm • A# min • 06:20 • -15.68db
17% Popularity • 45% Danceability • 16% Energy • 14% Liveness
92% Instrumentalness • 17% Positiveness
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Benny Green
Central Park South
94 bpm • F min • 03:07 • -14.62db
18% Popularity • 58% Danceability • 29% Energy • 12% Liveness
93% Instrumentalness • 36% Positiveness
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Jason Moran
Cradle Song
77 bpm • C Maj • 04:24 • -18.11db
7% Popularity • 30% Danceability • 12% Energy • 14% Liveness
49% Instrumentalness • 6% Positiveness
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Kenny Barron, Dave Holland & Daniel Humair
Quiet Times
94 bpm • G# Maj • 05:32 • -29.76db
12% Popularity • 38% Danceability • 5% Energy • 12% Liveness
87% Instrumentalness • 9% Positiveness
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Mark Turner
Jacky's Place
94 bpm • C# min • 06:02 • -12.76db
10% Popularity • 41% Danceability • 48% Energy • 6% Liveness
62% Instrumentalness • 70% Positiveness
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Carla Bley
Andando El Tiempo: Camino Al Volver
76 bpm • G# min • 08:27 • -16.83db
24% Popularity • 47% Danceability • 13% Energy • 10% Liveness
91% Instrumentalness • 13% Positiveness
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Sullivan Fortner
Cute
95 bpm • C# Maj • 03:17 • -17.32db
13% Popularity • 54% Danceability • 16% Energy • 9% Liveness
93% Instrumentalness • 61% Positiveness
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Tommy Flanagan
Maybe September
95 bpm • A Maj • 04:57 • -23.96db
18% Popularity • 41% Danceability • 11% Energy • 16% Liveness
78% Instrumentalness • 12% Positiveness
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Jason Moran
Jitterbug Waltz
76 bpm • F# Maj • 06:13 • -12.18db
5% Popularity • 34% Danceability • 34% Energy • 11% Liveness
84% Instrumentalness • 19% Positiveness
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Joshua Redman Quartet
The Oneness of Two - In Three
95 bpm • G min • 05:12 • -15.14db
15% Popularity • 56% Danceability • 32% Energy • 10% Liveness
45% Instrumentalness • 38% Positiveness
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Mark Turner
I Loves You Porgy
95 bpm • C Maj • 05:42 • -16.72db
11% Popularity • 40% Danceability • 9% Energy • 9% Liveness
35% Instrumentalness • 25% Positiveness
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Cyrus Chestnut
Gymnopédie No. 3
95 bpm • A min • 04:06 • -19.97db
16% Popularity • 36% Danceability • 19% Energy • 10% Liveness
84% Instrumentalness • 32% Positiveness
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Big Stuff