Songs like Billy's Got His Beer Goggles On - Remastered Version by Neal McCoy
Based on a tempo of (+/- 10%) and a similar genre
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Neal McCoy
Billy's Got His Beer Goggles On
106 bpm • C Maj • 03:38 • -5.04db
40% Popularity • 72% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
40% Popularity • 72% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 82% Positiveness
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Keith Whitley
I'm Over You
106 bpm • E Maj • 03:03 • -15.64db
60% Popularity • 77% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
60% Popularity • 77% Danceability • 34% Energy • 25% Liveness
0% Instrumentalness • 49% Positiveness
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Toby Keith
I Wanna Talk About Me
106 bpm • F Maj • 03:03 • -5db
65% Popularity • 76% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
65% Popularity • 76% Danceability • 87% Energy • 12% Liveness
0% Instrumentalness • 68% Positiveness
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Mel McDaniel
Baby's Got Her Blue Jeans On
107 bpm • A# Maj • 02:59 • -6db
63% Popularity • 87% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
63% Popularity • 87% Danceability • 71% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
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Dwight Yoakam
Ain't That Lonely Yet
107 bpm • F Maj • 03:20 • -5db
53% Popularity • 60% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
53% Popularity • 60% Danceability • 74% Energy • 27% Liveness
0% Instrumentalness • 49% Positiveness
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Billy Currington
Pretty Good At Drinkin' Beer
107 bpm • F Maj • 02:59 • -4db
63% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
63% Popularity • 77% Danceability • 68% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Neal McCoy
21 to 17
106 bpm • D# Maj • 04:23 • -10.63db
11% Popularity • 67% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
11% Popularity • 67% Danceability • 36% Energy • 13% Liveness
0% Instrumentalness • 23% Positiveness
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Brooks Jefferson
Callin' Baton Rouge
107 bpm • D Maj • 02:37 • -1.99db
58% Popularity • 46% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
58% Popularity • 46% Danceability • 94% Energy • 23% Liveness
0% Instrumentalness • 67% Positiveness
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Clint Black
Nobody's Home
105 bpm • C# Maj • 03:29 • -10db
47% Popularity • 68% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 68% Danceability • 47% Energy • 25% Liveness
0% Instrumentalness • 32% Positiveness
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Lonestar
Everything's Changed
104 bpm • F Maj • 03:54 • -7.61db
35% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
35% Popularity • 68% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 46% Positiveness
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Marty Stuart
This One's Gonna Hurt You (For A Long, L...
108 bpm • G# Maj • 03:28 • -10.49db
46% Popularity • 64% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
46% Popularity • 64% Danceability • 35% Energy • 8% Liveness
0% Instrumentalness • 65% Positiveness
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Aaron Tippin
For You I Will
108 bpm • C# Maj • 03:31 • -7db
34% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
34% Popularity • 65% Danceability • 56% Energy • 12% Liveness
0% Instrumentalness • 38% Positiveness
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Neal McCoy
Why Not Tonight
108 bpm • D Maj • 03:36 • -10db
18% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
18% Popularity • 74% Danceability • 57% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Brooks Jefferson
Friends in Low Places
108 bpm • A Maj • 04:18 • -5.84db
62% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
62% Popularity • 55% Danceability • 66% Energy • 8% Liveness
0% Instrumentalness • 62% Positiveness
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Chris Cagle
Chicks Dig It - Single Edit
104 bpm • G Maj • 03:30 • -5db
56% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
56% Popularity • 60% Danceability • 92% Energy • 30% Liveness
0% Instrumentalness • 70% Positiveness
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Jo Dee Messina
My Give A Damn's Busted
104 bpm • D Maj • 03:18 • -4db
49% Popularity • 66% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
49% Popularity • 66% Danceability • 87% Energy • 25% Liveness
0% Instrumentalness • 77% Positiveness
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Joe Nichols
Brokenheartsville
104 bpm • A# Maj • 03:50 • -5.18db
61% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
61% Popularity • 69% Danceability • 63% Energy • 11% Liveness
0% Instrumentalness • 51% Positiveness
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Lorrie Morgan
'Til a Tear Becomes a Rose
104 bpm • F Maj • 03:32 • -12db
41% Popularity • 65% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
41% Popularity • 65% Danceability • 33% Energy • 24% Liveness
0% Instrumentalness • 55% Positiveness
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Neal McCoy
Completely
108 bpm • C Maj • 04:13 • -8.69db
4% Popularity • 51% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
4% Popularity • 51% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 28% Positiveness
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Ronnie Dunn
She's Actin' Single (I'm Drinkin' Double...
108 bpm • F Maj • 03:28 • -6db
45% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
45% Popularity • 69% Danceability • 58% Energy • 8% Liveness
0% Instrumentalness • 60% Positiveness
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Conway Twitty
That's My Job
104 bpm • A Maj • 04:51 • -6.96db
45% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
45% Popularity • 59% Danceability • 37% Energy • 11% Liveness
0% Instrumentalness • 24% Positiveness
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Steve Wariner
Holes In The Floor Of Heaven
109 bpm • C# Maj • 04:48 • -10.11db
49% Popularity • 66% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
49% Popularity • 66% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 38% Positiveness
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Toby Keith
How Do You Like Me Now?!
110 bpm • C Maj • 03:29 • -8.99db
72% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
72% Popularity • 65% Danceability • 67% Energy • 9% Liveness
0% Instrumentalness • 67% Positiveness
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Easton Corbin
Lovin' You Is Fun
110 bpm • G# Maj • 03:19 • -3.03db
55% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
55% Popularity • 70% Danceability • 83% Energy • 36% Liveness
0% Instrumentalness • 60% Positiveness
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Neal McCoy
For a Change
104 bpm • G Maj • 03:22 • -6db
25% Popularity • 75% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
25% Popularity • 75% Danceability • 65% Energy • 17% Liveness
0% Instrumentalness • 92% Positiveness
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Rick Trevino
Learning As You Go
110 bpm • G Maj • 03:29 • -7db
34% Popularity • 60% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
34% Popularity • 60% Danceability • 65% Energy • 19% Liveness
0% Instrumentalness • 48% Positiveness
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Conway Twitty
Tight Fittin' Jeans
102 bpm • F Maj • 02:51 • -13.95db
64% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
64% Popularity • 73% Danceability • 49% Energy • 8% Liveness
0% Instrumentalness • 89% Positiveness
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Aaron Tippin
My Blue Angel
110 bpm • F Maj • 03:23 • -11.95db
45% Popularity • 65% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
45% Popularity • 65% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 50% Positiveness
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BlackHawk
I'm Not Strong Enough to Say No
111 bpm • C# Maj • 04:14 • -8.81db
47% Popularity • 75% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
47% Popularity • 75% Danceability • 51% Energy • 5% Liveness
0% Instrumentalness • 50% Positiveness
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Montgomery Gentry
One In Every Crowd
111 bpm • B Maj • 03:31 • -4.45db
47% Popularity • 64% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
47% Popularity • 64% Danceability • 86% Energy • 29% Liveness
0% Instrumentalness • 67% Positiveness
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Andy Griggs
I'll Go Crazy
111 bpm • D Maj • 03:04 • -9.03db
24% Popularity • 68% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
24% Popularity • 68% Danceability • 64% Energy • 19% Liveness
0% Instrumentalness • 34% Positiveness
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Toby Keith
He Ain't Worth Missing
101 bpm • G Maj • 03:04 • -8.74db
60% Popularity • 80% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
60% Popularity • 80% Danceability • 64% Energy • 3% Liveness
0% Instrumentalness • 95% Positiveness
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Sawyer Brown
Trouble On The Line
101 bpm • A Maj • 02:32 • -9db
33% Popularity • 67% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
33% Popularity • 67% Danceability • 74% Energy • 30% Liveness
0% Instrumentalness • 59% Positiveness
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Doug Stone
A Jukebox with a Country Song
112 bpm • D Maj • 03:27 • -6.25db
40% Popularity • 68% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
40% Popularity • 68% Danceability • 71% Energy • 25% Liveness
0% Instrumentalness • 81% Positiveness
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The Charlie Daniels Band
(What This World Needs Is) A Few More Re...
100 bpm • C Maj • 03:42 • -11db
54% Popularity • 72% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
54% Popularity • 72% Danceability • 57% Energy • 30% Liveness
0% Instrumentalness • 76% Positiveness
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Randy Houser
Boots On
112 bpm • G# Maj • 02:50 • -5db
61% Popularity • 71% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
61% Popularity • 71% Danceability • 89% Energy • 27% Liveness
0% Instrumentalness • 88% Positiveness
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Billy Currington
I Got A Feelin'
112 bpm • D Maj • 03:13 • -5.4db
60% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
60% Popularity • 65% Danceability • 72% Energy • 13% Liveness
0% Instrumentalness • 67% Positiveness
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Phil Vassar
Six-Pack Summer
100 bpm • C Maj • 03:39 • -6.66db
38% Popularity • 72% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
38% Popularity • 72% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 84% Positiveness
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Aaron Tippin
Where The Stars And Stripes And The Eagl...
100 bpm • D Maj • 03:48 • -4db
47% Popularity • 60% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
47% Popularity • 60% Danceability • 77% Energy • 25% Liveness
0% Instrumentalness • 35% Positiveness
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Dan Seals
Everything That Glitters (Is Not Gold)
112 bpm • E Maj • 04:52 • -16.73db
52% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
52% Popularity • 65% Danceability • 26% Energy • 5% Liveness
0% Instrumentalness • 47% Positiveness
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Travis Tritt
Here's a Quarter (Call Someone Who Cares...
112 bpm • G Maj • 02:32 • -7db
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
63% Popularity • 65% Danceability • 57% Energy • 13% Liveness
0% Instrumentalness • 60% Positiveness
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Terri Clark
I Just Wanna Be Mad
100 bpm • A# Maj • 03:26 • -4.48db
44% Popularity • 57% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
44% Popularity • 57% Danceability • 90% Energy • 31% Liveness
0% Instrumentalness • 73% Positiveness
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David Lee Murphy
Dust On The Bottle
100 bpm • B Maj • 03:44 • -11.12db
72% Popularity • 74% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
72% Popularity • 74% Danceability • 61% Energy • 29% Liveness
0% Instrumentalness • 86% Positiveness
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Jo Dee Messina
Stand Beside Me
100 bpm • C Maj • 03:44 • -7.75db
44% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
44% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 33% Positiveness
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Keith Whitley
Brotherly Love
113 bpm • E Maj • 03:19 • -11db
44% Popularity • 68% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
44% Popularity • 68% Danceability • 44% Energy • 32% Liveness
1% Instrumentalness • 45% Positiveness
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Tanya Tucker
Down To My Last Teardrop
113 bpm • E Maj • 03:30 • -8.37db
48% Popularity • 76% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
48% Popularity • 76% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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Darryl Worley
Awful Beautiful Life
113 bpm • D Maj • 03:52 • -7db
43% Popularity • 63% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
43% Popularity • 63% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 64% Positiveness
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Lonestar
Tequila Talkin'
99 bpm • A Maj • 03:24 • -7db
43% Popularity • 70% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
43% Popularity • 70% Danceability • 54% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Steve Wariner
Life's Highway
99 bpm • A# Maj • 03:17 • -14.99db
49% Popularity • 66% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
49% Popularity • 66% Danceability • 37% Energy • 16% Liveness
0% Instrumentalness • 56% Positiveness
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Vince Gill
Don't Let Our Love Start Slippin' Away
113 bpm • D# Maj • 03:44 • -9.31db
58% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
58% Popularity • 74% Danceability • 72% Energy • 35% Liveness
0% Instrumentalness • 66% Positiveness
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John Conlee
Old School
113 bpm • D# Maj • 03:56 • -11db
47% Popularity • 73% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
47% Popularity • 73% Danceability • 39% Energy • 8% Liveness
0% Instrumentalness • 32% Positiveness
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Travis Tritt
Best of Intentions
99 bpm • G# Maj • 04:17 • -7.44db
48% Popularity • 66% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
48% Popularity • 66% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 37% Positiveness
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Andy Griggs
She's More
99 bpm • G Maj • 03:19 • -8db
41% Popularity • 68% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
41% Popularity • 68% Danceability • 53% Energy • 12% Liveness
0% Instrumentalness • 27% Positiveness
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Big & Rich
Comin' to Your City
99 bpm • A min • 03:27 • -1.42db
47% Popularity • 56% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
47% Popularity • 56% Danceability • 94% Energy • 16% Liveness
0% Instrumentalness • 66% Positiveness
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BlackHawk
There You Have It
114 bpm • E Maj • 03:12 • -5.75db
42% Popularity • 71% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
42% Popularity • 71% Danceability • 67% Energy • 35% Liveness
0% Instrumentalness • 78% Positiveness
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Brooks Jefferson
That Summer
114 bpm • A Maj • 04:45 • -7db
48% Popularity • 58% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
48% Popularity • 58% Danceability • 63% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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Wynonna
No One Else On Earth
99 bpm • C Maj • 04:15 • -7.12db
52% Popularity • 78% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
52% Popularity • 78% Danceability • 86% Energy • 20% Liveness
0% Instrumentalness • 96% Positiveness
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Restless Heart
The Bluest Eyes In Texas
114 bpm • A# Maj • 04:47 • -11db
45% Popularity • 64% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
45% Popularity • 64% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 55% Positiveness
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Ronnie Milsap
I Wouldn't Have Missed It For The World
114 bpm • G Maj • 03:37 • -10.84db
58% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
58% Popularity • 66% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 58% Positiveness
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Trisha Yearwood
Walkaway Joe
114 bpm • C Maj • 04:20 • -10.37db
49% Popularity • 62% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
49% Popularity • 62% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 43% Positiveness
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BlackHawk
Like There Ain't No Yesterday
114 bpm • E Maj • 03:16 • -8.17db
35% Popularity • 76% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
35% Popularity • 76% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 83% Positiveness
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Brad Paisley
I'm Gonna Miss Her
98 bpm • F# Maj • 03:14 • -9.69db
65% Popularity • 56% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
65% Popularity • 56% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 35% Positiveness
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Travis Tritt
Where Corn Don't Grow
98 bpm • E Maj • 03:28 • -9.38db
51% Popularity • 56% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
51% Popularity • 56% Danceability • 61% Energy • 15% Liveness
0% Instrumentalness • 48% Positiveness
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Collin Raye
One Boy, One Girl
114 bpm • C Maj • 04:04 • -7.29db
44% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
44% Popularity • 61% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 25% Positiveness
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Jo Dee Messina
I'm Alright
98 bpm • C Maj • 03:19 • -7.75db
61% Popularity • 68% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
61% Popularity • 68% Danceability • 73% Energy • 19% Liveness
0% Instrumentalness • 59% Positiveness
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James Otto
Just Got Started Lovin' You
98 bpm • G Maj • 03:54 • -7.05db
60% Popularity • 70% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
60% Popularity • 70% Danceability • 61% Energy • 24% Liveness
0% Instrumentalness • 88% Positiveness
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Chris Cagle
What A Beautiful Day - Final Version
98 bpm • F# Maj • 03:44 • -5.82db
42% Popularity • 58% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
42% Popularity • 58% Danceability • 81% Energy • 10% Liveness
0% Instrumentalness • 77% Positiveness
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Steve Wariner
Some Fools Never Learn
98 bpm • F# Maj • 04:05 • -17.5db
47% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
47% Popularity • 56% Danceability • 23% Energy • 10% Liveness
0% Instrumentalness • 38% Positiveness
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Earl Thomas Conley
Fire and Smoke
115 bpm • G Maj • 03:13 • -10db
42% Popularity • 72% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
42% Popularity • 72% Danceability • 52% Energy • 41% Liveness
0% Instrumentalness • 76% Positiveness
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Dwight Yoakam
I Sang Dixie
115 bpm • E Maj • 03:47 • -12.5db
47% Popularity • 70% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
47% Popularity • 70% Danceability • 40% Energy • 15% Liveness
0% Instrumentalness • 57% Positiveness
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Deana Carter
How Do I Get There
98 bpm • F Maj • 04:09 • -6.61db
50% Popularity • 69% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
50% Popularity • 69% Danceability • 79% Energy • 34% Liveness
0% Instrumentalness • 67% Positiveness
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Sawyer Brown
Step That Step
98 bpm • E Maj • 02:49 • -15.04db
42% Popularity • 61% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
42% Popularity • 61% Danceability • 52% Energy • 8% Liveness
0% Instrumentalness • 90% Positiveness
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Darius Rucker
Straight To Hell
115 bpm • F Maj • 04:13 • -4.47db
52% Popularity • 58% Danceability • 82% Energy • 77% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 58% Danceability • 82% Energy • 77% Liveness
0% Instrumentalness • 44% Positiveness
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Brad Paisley
Water
98 bpm • F Maj • 04:21 • -5.79db
52% Popularity • 56% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 69% Positiveness
52% Popularity • 56% Danceability • 82% Energy • 57% Liveness
0% Instrumentalness • 69% Positiveness
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Montgomery Gentry
Something to Be Proud Of
98 bpm • C Maj • 04:16 • -6.48db
61% Popularity • 64% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
61% Popularity • 64% Danceability • 69% Energy • 18% Liveness
0% Instrumentalness • 55% Positiveness
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Shelly West
Jose Cuervo
115 bpm • G Maj • 02:40 • -9db
49% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
49% Popularity • 70% Danceability • 58% Energy • 11% Liveness
0% Instrumentalness • 78% Positiveness
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Tanya Tucker
Two Sparrows In A Hurricane
97 bpm • A# Maj • 04:10 • -13.68db
53% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
53% Popularity • 47% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Neal McCoy
This Time I Hurt Her More (Than She Love...
116 bpm • G Maj • 02:26 • -9.66db
23% Popularity • 68% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
23% Popularity • 68% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 59% Positiveness
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BlackHawk
That's Just About Right
97 bpm • F Maj • 04:03 • -10.77db
41% Popularity • 77% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
41% Popularity • 77% Danceability • 44% Energy • 7% Liveness
0% Instrumentalness • 59% Positiveness
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Billy Currington
Like My Dog
97 bpm • A# Maj • 02:46 • -4db
52% Popularity • 70% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
52% Popularity • 70% Danceability • 72% Energy • 14% Liveness
0% Instrumentalness • 48% Positiveness
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Ty Herndon
Living In A Moment
116 bpm • G Maj • 03:52 • -6.87db
42% Popularity • 66% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
42% Popularity • 66% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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Craig Morgan
Little Bit of Life
97 bpm • G Maj • 04:11 • -4.74db
46% Popularity • 67% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
46% Popularity • 67% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 70% Positiveness
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Montgomery Gentry
Hillbilly Shoes
116 bpm • G Maj • 03:12 • -6.07db
50% Popularity • 66% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
50% Popularity • 66% Danceability • 84% Energy • 11% Liveness
0% Instrumentalness • 71% Positiveness
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Neal McCoy
Jessie
116 bpm • D Maj • 03:52 • -7.44db
4% Popularity • 57% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
4% Popularity • 57% Danceability • 41% Energy • 20% Liveness
0% Instrumentalness • 18% Positiveness
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Rodney Atkins
If You're Going Through Hell (Before The...
116 bpm • A Maj • 03:36 • -3.66db
64% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
64% Popularity • 57% Danceability • 90% Energy • 13% Liveness
0% Instrumentalness • 79% Positiveness
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Collin Raye
My Kind of Girl
116 bpm • B Maj • 02:53 • -4db
41% Popularity • 75% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
41% Popularity • 75% Danceability • 86% Energy • 26% Liveness
0% Instrumentalness • 96% Positiveness
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Ty Herndon
It Must Be Love - Single Version
116 bpm • E Maj • 03:32 • -4.58db
37% Popularity • 62% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
37% Popularity • 62% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 73% Positiveness
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Aaron Tippin
I Was Born with a Broken Heart
116 bpm • F Maj • 02:49 • -10.96db
30% Popularity • 70% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
30% Popularity • 70% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 60% Positiveness
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Sawyer Brown
Thank God For You
116 bpm • F Maj • 03:18 • -6.46db
48% Popularity • 80% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
48% Popularity • 80% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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Neal McCoy
Broken Record
116 bpm • A Maj • 03:34 • -5.88db
6% Popularity • 71% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
6% Popularity • 71% Danceability • 91% Energy • 34% Liveness
0% Instrumentalness • 92% Positiveness
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Trace Adkins
(This Ain't) No Thinkin' Thing
116 bpm • A min • 04:02 • -6.3db
53% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
53% Popularity • 64% Danceability • 75% Energy • 11% Liveness
0% Instrumentalness • 55% Positiveness
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Wynonna
No One Else On Earth
97 bpm • C Maj • 04:00 • -9.18db
52% Popularity • 79% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
52% Popularity • 79% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 85% Positiveness
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Sammy Kershaw
She Don't Know She's Beautiful
116 bpm • A Maj • 02:54 • -9.42db
64% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
64% Popularity • 76% Danceability • 65% Energy • 8% Liveness
0% Instrumentalness • 88% Positiveness
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Aaron Tippin
Kiss This
116 bpm • F# min • 02:53 • -5.48db
55% Popularity • 76% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
55% Popularity • 76% Danceability • 71% Energy • 36% Liveness
0% Instrumentalness • 67% Positiveness
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Lonestar
No News
116 bpm • F min • 02:53 • -6db
54% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
54% Popularity • 74% Danceability • 68% Energy • 6% Liveness
0% Instrumentalness • 86% Positiveness
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Steve Wariner
What I Didn't Do
97 bpm • G Maj • 03:09 • -17.12db
41% Popularity • 56% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
41% Popularity • 56% Danceability • 23% Energy • 8% Liveness
0% Instrumentalness • 31% Positiveness
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Little Texas
Amy's Back in Austin
117 bpm • G Maj • 04:37 • -9db
35% Popularity • 64% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
35% Popularity • 64% Danceability • 70% Energy • 6% Liveness
0% Instrumentalness • 79% Positiveness
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Patty Loveless
Chains
117 bpm • D Maj • 02:29 • -12db
46% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
46% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 96% Positiveness
