Songs like Binary Sunset - From "Star Wars: A New Hope"/Alternate by John Williams
Based on a tempo of (+/- 10%) and a similar genre
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Score
Rango Suite
102 bpm • D min • 05:57 • -13.15db
35% Popularity • 68% Danceability • 41% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
35% Popularity • 68% Danceability • 41% Energy • 7% Liveness
90% Instrumentalness • 18% Positiveness
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Julian Nott
Anti-Pesto To The Rescue
102 bpm • G Maj • 03:18 • -13.54db
23% Popularity • 32% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
23% Popularity • 32% Danceability • 34% Energy • 12% Liveness
92% Instrumentalness • 7% Positiveness
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John Williams
March of the Resistance
102 bpm • G min • 02:35 • -9.63db
48% Popularity • 61% Danceability • 40% Energy • 14% Liveness
92% Instrumentalness • 49% Positiveness
48% Popularity • 61% Danceability • 40% Energy • 14% Liveness
92% Instrumentalness • 49% Positiveness
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Edward Elgar
Cello Concerto in E Minor, Op. 85: I. Ad...
102 bpm • E min • 08:13 • -21.03db
38% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 8% Energy • 11% Liveness
92% Instrumentalness • 4% Positiveness
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Richard Wagner
Ride of the Valkyries
102 bpm • B Maj • 04:43 • -18.54db
50% Popularity • 23% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
50% Popularity • 23% Danceability • 23% Energy • 9% Liveness
87% Instrumentalness • 7% Positiveness
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Ilan Eshkeri
Shogun's Sentence
103 bpm • C min • 02:04 • -21.92db
50% Popularity • 15% Danceability • 9% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
50% Popularity • 15% Danceability • 9% Energy • 9% Liveness
50% Instrumentalness • 3% Positiveness
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Score
Name's Rango
102 bpm • A min • 01:31 • -17db
28% Popularity • 55% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 28% Positiveness
28% Popularity • 55% Danceability • 15% Energy • 10% Liveness
97% Instrumentalness • 28% Positiveness
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Klaus Badelt
Pirates of the Caribbean: Main Title The...
103 bpm • D min • 05:33 • -11.56db
43% Popularity • 29% Danceability • 55% Energy • 6% Liveness
88% Instrumentalness • 21% Positiveness
43% Popularity • 29% Danceability • 55% Energy • 6% Liveness
88% Instrumentalness • 21% Positiveness
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Pyotr Ilyich Tchaikovsky
Tchaikovsky: Swan Lake, Op. 20, Act 1: N...
103 bpm • A Maj • 07:16 • -17.51db
45% Popularity • 25% Danceability • 10% Energy • 15% Liveness
83% Instrumentalness • 10% Positiveness
45% Popularity • 25% Danceability • 10% Energy • 15% Liveness
83% Instrumentalness • 10% Positiveness
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Giacomo Puccini
Puccini: Crisantemi
101 bpm • F# min • 07:01 • -31.75db
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
38% Popularity • 14% Danceability • 1% Energy • 10% Liveness
84% Instrumentalness • 4% Positiveness
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Andrew Lloyd Webber
Phantom Fantasia: Masquerade
100 bpm • D# Maj • 02:10 • -16.44db
13% Popularity • 31% Danceability • 29% Energy • 23% Liveness
91% Instrumentalness • 28% Positiveness
13% Popularity • 31% Danceability • 29% Energy • 23% Liveness
91% Instrumentalness • 28% Positiveness
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Howard Shore
Old Friends - Extended Version
104 bpm • G Maj • 05:01 • -17.88db
48% Popularity • 37% Danceability • 5% Energy • 14% Liveness
66% Instrumentalness • 4% Positiveness
48% Popularity • 37% Danceability • 5% Energy • 14% Liveness
66% Instrumentalness • 4% Positiveness
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Geoff Zanelli
Through the Tree
100 bpm • A min • 01:25 • -24db
38% Popularity • 52% Danceability • 10% Energy • 64% Liveness
43% Instrumentalness • 16% Positiveness
38% Popularity • 52% Danceability • 10% Energy • 64% Liveness
43% Instrumentalness • 16% Positiveness
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John Powell
Flying with Mother
100 bpm • C Maj • 02:48 • -14.01db
45% Popularity • 43% Danceability • 37% Energy • 33% Liveness
32% Instrumentalness • 49% Positiveness
45% Popularity • 43% Danceability • 37% Energy • 33% Liveness
32% Instrumentalness • 49% Positiveness
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Christopher Willis
Beria's Plan
100 bpm • F# Maj • 01:38 • -22.56db
15% Popularity • 20% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
15% Popularity • 20% Danceability • 11% Energy • 10% Liveness
92% Instrumentalness • 4% Positiveness
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Nicholas Hooper
Fireworks
100 bpm • D Maj • 01:45 • -14db
50% Popularity • 49% Danceability • 50% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
50% Popularity • 49% Danceability • 50% Energy • 12% Liveness
89% Instrumentalness • 7% Positiveness
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John Williams
Main Title
100 bpm • C Maj • 05:24 • -11.73db
44% Popularity • 24% Danceability • 42% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
44% Popularity • 24% Danceability • 42% Energy • 13% Liveness
91% Instrumentalness • 18% Positiveness
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Joseph Shirley
Stronger Together
100 bpm • D Maj • 05:00 • -13db
36% Popularity • 17% Danceability • 43% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
36% Popularity • 17% Danceability • 43% Energy • 12% Liveness
85% Instrumentalness • 4% Positiveness
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Pinar Toprak
Captain Marvel
105 bpm • C Maj • 02:15 • -14.81db
44% Popularity • 37% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
44% Popularity • 37% Danceability • 48% Energy • 12% Liveness
94% Instrumentalness • 11% Positiveness
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John Paesano
The Golden Age
105 bpm • E min • 03:06 • -14db
37% Popularity • 44% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
37% Popularity • 44% Danceability • 44% Energy • 9% Liveness
90% Instrumentalness • 6% Positiveness
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Cinematic Symphony Orchestra
Robin Hood: Prince of Thieves
99 bpm • F Maj • 02:53 • -14.56db
25% Popularity • 21% Danceability • 29% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
25% Popularity • 21% Danceability • 29% Energy • 12% Liveness
80% Instrumentalness • 9% Positiveness
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Lorne Balfe
Giants
105 bpm • G min • 01:38 • -10.11db
30% Popularity • 50% Danceability • 50% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
30% Popularity • 50% Danceability • 50% Energy • 9% Liveness
94% Instrumentalness • 30% Positiveness
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Michael Kamen
The Last Giant Piece
105 bpm • F Maj • 01:44 • -15db
18% Popularity • 42% Danceability • 15% Energy • 48% Liveness
0% Instrumentalness • 16% Positiveness
18% Popularity • 42% Danceability • 15% Energy • 48% Liveness
0% Instrumentalness • 16% Positiveness
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Rob Lane
Opening Titles
99 bpm • D min • 02:44 • -11.22db
32% Popularity • 47% Danceability • 56% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
32% Popularity • 47% Danceability • 56% Energy • 11% Liveness
91% Instrumentalness • 27% Positiveness
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Thomas Newman
EVE
99 bpm • C# Maj • 01:02 • -11db
50% Popularity • 41% Danceability • 46% Energy • 22% Liveness
81% Instrumentalness • 4% Positiveness
50% Popularity • 41% Danceability • 46% Energy • 22% Liveness
81% Instrumentalness • 4% Positiveness
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John Paesano
City of Hope
105 bpm • C Maj • 01:42 • -12db
36% Popularity • 38% Danceability • 46% Energy • 32% Liveness
88% Instrumentalness • 25% Positiveness
36% Popularity • 38% Danceability • 46% Energy • 32% Liveness
88% Instrumentalness • 25% Positiveness
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Bill Conti
Light This Candle
105 bpm • F min • 02:45 • -14.07db
12% Popularity • 22% Danceability • 31% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 31% Energy • 10% Liveness
57% Instrumentalness • 4% Positiveness
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Christopher Drake
Arkham Origins Main Titles
106 bpm • G min • 02:52 • -11.43db
39% Popularity • 24% Danceability • 57% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
39% Popularity • 24% Danceability • 57% Energy • 8% Liveness
83% Instrumentalness • 9% Positiveness
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Andrew Lockington
Journey Theme
106 bpm • G min • 01:14 • -19db
25% Popularity • 33% Danceability • 27% Energy • 14% Liveness
96% Instrumentalness • 22% Positiveness
25% Popularity • 33% Danceability • 27% Energy • 14% Liveness
96% Instrumentalness • 22% Positiveness
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John Powell
Mammoths
98 bpm • C Maj • 01:24 • -13.3db
40% Popularity • 31% Danceability • 54% Energy • 23% Liveness
97% Instrumentalness • 11% Positiveness
40% Popularity • 31% Danceability • 54% Energy • 23% Liveness
97% Instrumentalness • 11% Positiveness
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Ramin Djawadi
Uncharted
106 bpm • G min • 02:06 • -12db
30% Popularity • 62% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
30% Popularity • 62% Danceability • 54% Energy • 10% Liveness
93% Instrumentalness • 48% Positiveness
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Trevor Rabin
National Treasure Suite
98 bpm • A# min • 03:17 • -17.57db
37% Popularity • 63% Danceability • 39% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
37% Popularity • 63% Danceability • 39% Energy • 12% Liveness
78% Instrumentalness • 13% Positiveness
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London Symphony Orchestra
Dragonborn
98 bpm • B min • 04:12 • -12.88db
30% Popularity • 38% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
30% Popularity • 38% Danceability • 42% Energy • 11% Liveness
94% Instrumentalness • 8% Positiveness
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Nicholas Hooper
Flight of the Order of the Phoenix
106 bpm • D Maj • 01:31 • -16db
47% Popularity • 28% Danceability • 53% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
47% Popularity • 28% Danceability • 53% Energy • 9% Liveness
88% Instrumentalness • 3% Positiveness
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John Williams
Obi-Wan
98 bpm • A# min • 04:05 • -17.22db
35% Popularity • 13% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
35% Popularity • 13% Danceability • 9% Energy • 8% Liveness
91% Instrumentalness • 3% Positiveness
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Joseph Loduca
Building The Deathcoaster
98 bpm • D min • 01:58 • -19db
17% Popularity • 28% Danceability • 20% Energy • 18% Liveness
90% Instrumentalness • 7% Positiveness
17% Popularity • 28% Danceability • 20% Energy • 18% Liveness
90% Instrumentalness • 7% Positiveness
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Rupert Gregson-Williams
No Man's Land
98 bpm • E min • 08:52 • -14.33db
38% Popularity • 18% Danceability • 48% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
38% Popularity • 18% Danceability • 48% Energy • 21% Liveness
89% Instrumentalness • 4% Positiveness
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Natalie Holt
Young Leia
97 bpm • G Maj • 01:04 • -17db
38% Popularity • 35% Danceability • 34% Energy • 18% Liveness
82% Instrumentalness • 8% Positiveness
38% Popularity • 35% Danceability • 34% Energy • 18% Liveness
82% Instrumentalness • 8% Positiveness
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Score
The Sunset Shot
107 bpm • A min • 00:53 • -7.78db
23% Popularity • 21% Danceability • 56% Energy • 60% Liveness
96% Instrumentalness • 22% Positiveness
23% Popularity • 21% Danceability • 56% Energy • 60% Liveness
96% Instrumentalness • 22% Positiveness
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Geoff Zanelli
The Dying Gull
107 bpm • G Maj • 01:01 • -9.03db
49% Popularity • 40% Danceability • 70% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
49% Popularity • 40% Danceability • 70% Energy • 12% Liveness
96% Instrumentalness • 35% Positiveness
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John Williams
The Adventures of Han
98 bpm • C min • 03:49 • -14db
31% Popularity • 30% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 23% Positiveness
31% Popularity • 30% Danceability • 36% Energy • 9% Liveness
88% Instrumentalness • 23% Positiveness
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Thomas Newman
Hyperjump
97 bpm • C Maj • 01:04 • -8.77db
29% Popularity • 37% Danceability • 45% Energy • 9% Liveness
96% Instrumentalness • 54% Positiveness
29% Popularity • 37% Danceability • 45% Energy • 9% Liveness
96% Instrumentalness • 54% Positiveness
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Rob Lane
The Call of Destiny / Titles
107 bpm • D# Maj • 01:56 • -11db
38% Popularity • 20% Danceability • 29% Energy • 14% Liveness
98% Instrumentalness • 7% Positiveness
38% Popularity • 20% Danceability • 29% Energy • 14% Liveness
98% Instrumentalness • 7% Positiveness
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Brian Tyler
Teenage Mutant Ninja Turtles
108 bpm • C Maj • 04:45 • -12.06db
34% Popularity • 16% Danceability • 61% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
34% Popularity • 16% Danceability • 61% Energy • 9% Liveness
94% Instrumentalness • 3% Positiveness
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John Paesano
Main Title
108 bpm • G# Maj • 01:04 • -12.07db
50% Popularity • 61% Danceability • 54% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
50% Popularity • 61% Danceability • 54% Energy • 10% Liveness
86% Instrumentalness • 26% Positiveness
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Howard Shore
The Hornburg
108 bpm • C Maj • 04:36 • -18db
44% Popularity • 16% Danceability • 27% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
44% Popularity • 16% Danceability • 27% Energy • 8% Liveness
94% Instrumentalness • 4% Positiveness
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John Williams
Star Wars and the Revenge of the Sith
96 bpm • F Maj • 07:29 • -15.68db
40% Popularity • 27% Danceability • 40% Energy • 16% Liveness
85% Instrumentalness • 21% Positiveness
40% Popularity • 27% Danceability • 40% Energy • 16% Liveness
85% Instrumentalness • 21% Positiveness
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Natalie Holt
TVA
108 bpm • C# Maj • 02:28 • -11.58db
48% Popularity • 49% Danceability • 50% Energy • 77% Liveness
72% Instrumentalness • 11% Positiveness
48% Popularity • 49% Danceability • 50% Energy • 77% Liveness
72% Instrumentalness • 11% Positiveness
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Bear McCreary
Agents of S.H.I.E.L.D. Overture
96 bpm • C# Maj • 02:51 • -13.02db
39% Popularity • 46% Danceability • 49% Energy • 12% Liveness
79% Instrumentalness • 19% Positiveness
39% Popularity • 46% Danceability • 49% Energy • 12% Liveness
79% Instrumentalness • 19% Positiveness
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Martin Phipps
Toulon
96 bpm • F# min • 03:25 • -13.37db
36% Popularity • 25% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
36% Popularity • 25% Danceability • 40% Energy • 11% Liveness
88% Instrumentalness • 15% Positiveness
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William Ross
Overcoming the Past
109 bpm • D# Maj • 04:28 • -16db
30% Popularity • 16% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
30% Popularity • 16% Danceability • 10% Energy • 13% Liveness
96% Instrumentalness • 3% Positiveness
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Geoff Zanelli
She Needs the Sea
96 bpm • G Maj • 02:32 • -11.76db
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
35% Popularity • 18% Danceability • 46% Energy • 11% Liveness
85% Instrumentalness • 6% Positiveness
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Orchestre Philharmonique National de Pologne
Father Kolbe's Preaching
109 bpm • E Maj • 02:26 • -11.57db
34% Popularity • 23% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
34% Popularity • 23% Danceability • 29% Energy • 11% Liveness
93% Instrumentalness • 5% Positiveness
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Eliott Tordo Erhu
The Force Theme - Orchestral Version
95 bpm • G# Maj • 03:27 • -16.78db
31% Popularity • 12% Danceability • 20% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
31% Popularity • 12% Danceability • 20% Energy • 14% Liveness
86% Instrumentalness • 4% Positiveness
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Thomas Newman
Static
95 bpm • F# Maj • 01:43 • -26.54db
29% Popularity • 17% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 5% Positiveness
29% Popularity • 17% Danceability • 7% Energy • 11% Liveness
64% Instrumentalness • 5% Positiveness
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Tyler Bates
Black Tears
95 bpm • A min • 02:43 • -10.51db
43% Popularity • 26% Danceability • 56% Energy • 3% Liveness
71% Instrumentalness • 20% Positiveness
43% Popularity • 26% Danceability • 56% Energy • 3% Liveness
71% Instrumentalness • 20% Positiveness
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The Outatime Orchestra
Back To The Future - Original Score/End ...
110 bpm • C# Maj • 03:17 • -15.5db
47% Popularity • 24% Danceability • 33% Energy • 31% Liveness
8% Instrumentalness • 9% Positiveness
47% Popularity • 24% Danceability • 33% Energy • 31% Liveness
8% Instrumentalness • 9% Positiveness
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Randy Edelman
Bruce And Linda
110 bpm • E Maj • 02:41 • -16.97db
29% Popularity • 19% Danceability • 20% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
29% Popularity • 19% Danceability • 20% Energy • 21% Liveness
89% Instrumentalness • 6% Positiveness
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Harald Kloser
The Day After Tomorrow
110 bpm • C Maj • 03:27 • -20.47db
48% Popularity • 20% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
48% Popularity • 20% Danceability • 21% Energy • 9% Liveness
89% Instrumentalness • 4% Positiveness
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Trevor Rabin
Finding Charlotte
95 bpm • F min • 01:05 • -16db
41% Popularity • 32% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
41% Popularity • 32% Danceability • 35% Energy • 12% Liveness
84% Instrumentalness • 15% Positiveness
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Score
It's A Miracle
110 bpm • A min • 01:57 • -11.01db
21% Popularity • 20% Danceability • 41% Energy • 29% Liveness
53% Instrumentalness • 9% Positiveness
21% Popularity • 20% Danceability • 41% Energy • 29% Liveness
53% Instrumentalness • 9% Positiveness
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Greg Edmonson
Nate's Theme
110 bpm • G Maj • 01:45 • -19db
39% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 46% Positiveness
39% Popularity • 23% Danceability • 26% Energy • 16% Liveness
95% Instrumentalness • 46% Positiveness
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Basil Poledouris
Main Title & Opening Credits
111 bpm • E min • 03:34 • -17.3db
12% Popularity • 20% Danceability • 19% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
12% Popularity • 20% Danceability • 19% Energy • 16% Liveness
83% Instrumentalness • 9% Positiveness
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Danny Cannon
Gotham Main Title - Extended Version
94 bpm • F Maj • 01:07 • -13db
24% Popularity • 34% Danceability • 50% Energy • 14% Liveness
95% Instrumentalness • 30% Positiveness
24% Popularity • 34% Danceability • 50% Energy • 14% Liveness
95% Instrumentalness • 30% Positiveness
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Stuart Philips
Battlestar Galactica: Main Title
94 bpm • C Maj • 03:25 • -15.51db
23% Popularity • 27% Danceability • 30% Energy • 27% Liveness
86% Instrumentalness • 16% Positiveness
23% Popularity • 27% Danceability • 30% Energy • 27% Liveness
86% Instrumentalness • 16% Positiveness
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Rob Lane
Merlin's Arrival at Camelot
94 bpm • G# Maj • 03:08 • -16db
35% Popularity • 15% Danceability • 32% Energy • 24% Liveness
92% Instrumentalness • 6% Positiveness
35% Popularity • 15% Danceability • 32% Energy • 24% Liveness
92% Instrumentalness • 6% Positiveness
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John Powell
Test Drive
111 bpm • D Maj • 02:36 • -9.49db
65% Popularity • 26% Danceability • 58% Energy • 33% Liveness
98% Instrumentalness • 24% Positiveness
65% Popularity • 26% Danceability • 58% Energy • 33% Liveness
98% Instrumentalness • 24% Positiveness
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Nicholas Hooper
Ginny
111 bpm • E min • 01:30 • -27.74db
46% Popularity • 22% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
46% Popularity • 22% Danceability • 8% Energy • 11% Liveness
94% Instrumentalness • 15% Positiveness
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Jack Trombey
Homeward Bound
111 bpm • F Maj • 02:17 • -8db
30% Popularity • 39% Danceability • 70% Energy • 11% Liveness
96% Instrumentalness • 41% Positiveness
30% Popularity • 39% Danceability • 70% Energy • 11% Liveness
96% Instrumentalness • 41% Positiveness
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Mikhail Lesogorov
Battlefront 2 - Battle of Geonosis - Epi...
93 bpm • C# Maj • 01:09 • -7.23db
24% Popularity • 52% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
24% Popularity • 52% Danceability • 58% Energy • 15% Liveness
0% Instrumentalness • 8% Positiveness
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Carlos Rafael Rivera
Main Title
93 bpm • C Maj • 01:49 • -10.98db
50% Popularity • 47% Danceability • 61% Energy • 41% Liveness
82% Instrumentalness • 49% Positiveness
50% Popularity • 47% Danceability • 61% Energy • 41% Liveness
82% Instrumentalness • 49% Positiveness
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San Fernando Symphonic Assembly
Homeward Bound: King Arthur's Theme
112 bpm • F Maj • 02:22 • -8db
22% Popularity • 33% Danceability • 78% Energy • 10% Liveness
96% Instrumentalness • 39% Positiveness
22% Popularity • 33% Danceability • 78% Energy • 10% Liveness
96% Instrumentalness • 39% Positiveness
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London Symphony Orchestra
Gundam (7th Movement: Yureru Kokoro to C...
93 bpm • G Maj • 04:59 • -12.68db
8% Popularity • 20% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
8% Popularity • 20% Danceability • 32% Energy • 10% Liveness
86% Instrumentalness • 14% Positiveness
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John Williams
Anakin vs. Obi-Wan
93 bpm • C Maj • 03:56 • -14.41db
52% Popularity • 32% Danceability • 42% Energy • 12% Liveness
80% Instrumentalness • 14% Positiveness
52% Popularity • 32% Danceability • 42% Energy • 12% Liveness
80% Instrumentalness • 14% Positiveness
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Nathan Johnson
Theme from Glass Onion
93 bpm • B Maj • 01:53 • -9.88db
29% Popularity • 18% Danceability • 40% Energy • 9% Liveness
7% Instrumentalness • 12% Positiveness
29% Popularity • 18% Danceability • 40% Energy • 9% Liveness
7% Instrumentalness • 12% Positiveness
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Joe Hisaishi
Saka No Ue No Kumo
92 bpm • G Maj • 10:27 • -18.37db
17% Popularity • 18% Danceability • 14% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
17% Popularity • 18% Danceability • 14% Energy • 9% Liveness
85% Instrumentalness • 6% Positiveness
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Michael Kamen
Parapluie - Instrumental
113 bpm • G min • 02:17 • -13.5db
23% Popularity • 20% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
23% Popularity • 20% Danceability • 24% Energy • 10% Liveness
87% Instrumentalness • 4% Positiveness
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Alan Menken
Transformation
113 bpm • F Maj • 05:49 • -17.07db
42% Popularity • 21% Danceability • 20% Energy • 7% Liveness
31% Instrumentalness • 7% Positiveness
42% Popularity • 21% Danceability • 20% Energy • 7% Liveness
31% Instrumentalness • 7% Positiveness
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London Symphony Orchestra
"In The Hall Of The Mountain King" from ...
112 bpm • G Maj • 02:30 • -17.72db
52% Popularity • 48% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
52% Popularity • 48% Danceability • 13% Energy • 10% Liveness
96% Instrumentalness • 12% Positiveness
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John Williams
Luke and Leia
92 bpm • A Maj • 04:46 • -21.06db
36% Popularity • 17% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
36% Popularity • 17% Danceability • 6% Energy • 12% Liveness
78% Instrumentalness • 3% Positiveness
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John Powell
Coming Back Around
113 bpm • E Maj • 02:51 • -7.5db
50% Popularity • 35% Danceability • 81% Energy • 5% Liveness
87% Instrumentalness • 12% Positiveness
50% Popularity • 35% Danceability • 81% Energy • 5% Liveness
87% Instrumentalness • 12% Positiveness
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Stephen Barton
Cal Kestis
113 bpm • E min • 05:33 • -25db
33% Popularity • 43% Danceability • 14% Energy • 12% Liveness
65% Instrumentalness • 14% Positiveness
33% Popularity • 43% Danceability • 14% Energy • 12% Liveness
65% Instrumentalness • 14% Positiveness
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Jerry Goldsmith, Ron Jones
Star Trek: The Next Generation Main Titl...
113 bpm • A# Maj • 01:44 • -14.46db
39% Popularity • 44% Danceability • 25% Energy • 11% Liveness
22% Instrumentalness • 16% Positiveness
39% Popularity • 44% Danceability • 25% Energy • 11% Liveness
22% Instrumentalness • 16% Positiveness
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Thomas Newman
Finding Nemo
113 bpm • F Maj • 01:19 • -22.79db
52% Popularity • 20% Danceability • 9% Energy • 17% Liveness
98% Instrumentalness • 4% Positiveness
52% Popularity • 20% Danceability • 9% Energy • 17% Liveness
98% Instrumentalness • 4% Positiveness
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John Paesano
Daredevil
92 bpm • D Maj • 01:41 • -14.28db
28% Popularity • 24% Danceability • 26% Energy • 5% Liveness
78% Instrumentalness • 6% Positiveness
28% Popularity • 24% Danceability • 26% Energy • 5% Liveness
78% Instrumentalness • 6% Positiveness
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John Williams
Love Pledge and the Arena
93 bpm • D min • 08:30 • -16.15db
46% Popularity • 22% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
46% Popularity • 22% Danceability • 31% Energy • 11% Liveness
86% Instrumentalness • 5% Positiveness
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John Powell
Toothless Found
113 bpm • C min • 03:45 • -12.92db
36% Popularity • 21% Danceability • 37% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
36% Popularity • 21% Danceability • 37% Energy • 8% Liveness
97% Instrumentalness • 4% Positiveness
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Mark Mothersbaugh
Introducing Flint
92 bpm • E min • 04:16 • -12.06db
24% Popularity • 22% Danceability • 21% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
24% Popularity • 22% Danceability • 21% Energy • 29% Liveness
81% Instrumentalness • 5% Positiveness
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John Lunn
Duneagle
92 bpm • F# min • 02:06 • -14.23db
46% Popularity • 31% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
46% Popularity • 31% Danceability • 20% Energy • 9% Liveness
91% Instrumentalness • 28% Positiveness
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Bear McCreary
Theme from the Walking Dead
91 bpm • C min • 00:49 • -14.29db
46% Popularity • 40% Danceability • 54% Energy • 27% Liveness
74% Instrumentalness • 14% Positiveness
46% Popularity • 40% Danceability • 54% Energy • 27% Liveness
74% Instrumentalness • 14% Positiveness
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Score
Rango And Beans
114 bpm • D min • 01:04 • -25.47db
28% Popularity • 34% Danceability • 8% Energy • 13% Liveness
34% Instrumentalness • 33% Positiveness
28% Popularity • 34% Danceability • 8% Energy • 13% Liveness
34% Instrumentalness • 33% Positiveness
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John Williams
Jar Jar's Introduction and the Swim to O...
91 bpm • C Maj • 05:05 • -25.78db
32% Popularity • 20% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 20% Danceability • 5% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Craig Safan
The Last Starfighter: Main Title
114 bpm • D# Maj • 03:15 • -10.74db
25% Popularity • 27% Danceability • 29% Energy • 7% Liveness
94% Instrumentalness • 12% Positiveness
25% Popularity • 27% Danceability • 29% Energy • 7% Liveness
94% Instrumentalness • 12% Positiveness
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Luis Humanoide
Trust Only in the Force
91 bpm • G Maj • 01:15 • -15.82db
40% Popularity • 21% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
40% Popularity • 21% Danceability • 43% Energy • 12% Liveness
89% Instrumentalness • 20% Positiveness
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Giuseppe Verdi
Requiem: II. Dies irae "Dies irae"
91 bpm • C min • 02:00 • -15.2db
38% Popularity • 25% Danceability • 28% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
38% Popularity • 25% Danceability • 28% Energy • 10% Liveness
84% Instrumentalness • 18% Positiveness
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Brian Tyler
Can You Dig It (Iron Man 3 Main Titles)
91 bpm • E min • 02:42 • -6.91db
42% Popularity • 52% Danceability • 92% Energy • 34% Liveness
70% Instrumentalness • 34% Positiveness
42% Popularity • 52% Danceability • 92% Energy • 34% Liveness
70% Instrumentalness • 34% Positiveness
► Preview
Ilan Eshkeri
The Way of the Ghost
114 bpm • G min • 04:14 • -15db
45% Popularity • 17% Danceability • 16% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
45% Popularity • 17% Danceability • 16% Energy • 15% Liveness
92% Instrumentalness • 4% Positiveness
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John Williams
The Sith Spacecraft and the Droid Battle
114 bpm • C Maj • 02:36 • -14.69db
35% Popularity • 31% Danceability • 62% Energy • 17% Liveness
91% Instrumentalness • 26% Positiveness
35% Popularity • 31% Danceability • 62% Energy • 17% Liveness
91% Instrumentalness • 26% Positiveness
