Songs like Binchois: Triste plaisir et douleureuse joie by Gilles Binchois
Based on a tempo of (+/- 10%) and a similar genre
► Preview
Carlo Gesualdo
Io parto e non piu dissi
80 bpm • A min • 03:06 • -27db
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
22% Popularity • 12% Danceability • 4% Energy • 12% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Giaches de Wert
O Crux ave, spes unica
80 bpm • C min • 03:40 • -24.46db
15% Popularity • 12% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
15% Popularity • 12% Danceability • 9% Energy • 7% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Ratpert
Ardua spes mundi
80 bpm • F Maj • 08:16 • -19.23db
3% Popularity • 17% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
3% Popularity • 17% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
PÄ“teris Vasks
Klusas dziemas (silent songs): II. Dusi ...
80 bpm • A Maj • 01:35 • -35.5db
29% Popularity • 16% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
29% Popularity • 16% Danceability • 2% Energy • 9% Liveness
38% Instrumentalness • 4% Positiveness
► Preview
Richard I of England
Ja nus hons pris
80 bpm • D min • 02:27 • -29db
13% Popularity • 41% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
13% Popularity • 41% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Hildegard von Bingen
Ordo virtutum: Virtutes – O, Deus, qui...
80 bpm • A min • 09:08 • -24.88db
11% Popularity • 27% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
11% Popularity • 27% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Bernat De Ventadorn
Can vei la lauzeta mover
80 bpm • C# Maj • 05:58 • -31.53db
8% Popularity • 27% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
8% Popularity • 27% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 14% Positiveness
► Preview
Gregorio Allegri
Messe vidi turbam magnam: No. 2, Kyrie
80 bpm • F Maj • 02:39 • -16.68db
25% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
25% Popularity • 20% Danceability • 25% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Gilles Binchois
Binchois: Triste plaisir et douleureuse ...
80 bpm • F# Maj • 04:38 • -28db
11% Popularity • 28% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 14% Positiveness
11% Popularity • 28% Danceability • 2% Energy • 11% Liveness
10% Instrumentalness • 14% Positiveness
► Preview
Pierre de la Rue
Autant en emporte
80 bpm • G# min • 01:17 • -25db
23% Popularity • 24% Danceability • 5% Energy • 14% Liveness
99% Instrumentalness • 19% Positiveness
23% Popularity • 24% Danceability • 5% Energy • 14% Liveness
99% Instrumentalness • 19% Positiveness
► Preview
Guillaume Costeley
J'ayme trop mieux souffrir la mort
80 bpm • C Maj • 02:09 • -26.87db
12% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
12% Popularity • 22% Danceability • 4% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Hildegard von Bingen
Alma Redemptoris Mater
80 bpm • F Maj • 02:09 • -24.16db
12% Popularity • 19% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
12% Popularity • 19% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Anthonello de Caserta
Amour m'a le cuer mis en tel martire (ba...
80 bpm • A# min • 07:53 • -23.35db
8% Popularity • 13% Danceability • 4% Energy • 9% Liveness
62% Instrumentalness • 11% Positiveness
8% Popularity • 13% Danceability • 4% Energy • 9% Liveness
62% Instrumentalness • 11% Positiveness
► Preview
Antoine Busnois
Alleluya
80 bpm • D# Maj • 01:25 • -20.8db
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
35% Popularity • 23% Danceability • 8% Energy • 7% Liveness
11% Instrumentalness • 9% Positiveness
► Preview
Guillaume de Machaut
Amours qui ha le pouoir / Faus samblant
80 bpm • A# min • 02:31 • -22.99db
4% Popularity • 10% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 8% Positiveness
4% Popularity • 10% Danceability • 8% Energy • 16% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Philippe de Vitry
Colla iugo subdere - Bona condit cetera ...
79 bpm • A min • 01:40 • -23.46db
22% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
22% Popularity • 18% Danceability • 11% Energy • 15% Liveness
0% Instrumentalness • 20% Positiveness
► Preview
Léonin
Viderunt omnes No. 1: Notum fecit... (2-...
79 bpm • C# Maj • 00:44 • -21db
27% Popularity • 21% Danceability • 7% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
27% Popularity • 21% Danceability • 7% Energy • 9% Liveness
17% Instrumentalness • 6% Positiveness
► Preview
Hildegard von Bingen
De Sancta Maria: Ave Maria auctrix vitæ...
79 bpm • D# Maj • 09:28 • -25.43db
12% Popularity • 16% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
12% Popularity • 16% Danceability • 3% Energy • 11% Liveness
1% Instrumentalness • 7% Positiveness
► Preview
Johannes Ockeghem
Missa Prolationum: Kyrie
79 bpm • F# Maj • 03:48 • -28.06db
15% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
15% Popularity • 10% Danceability • 6% Energy • 12% Liveness
1% Instrumentalness • 6% Positiveness
► Preview
Francesco Landini
Angelica biltÃ
81 bpm • A Maj • 02:11 • -28db
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
13% Popularity • 31% Danceability • 2% Energy • 9% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Ensemble Gilles Binchois
Messe du 4e ton: V. Laudamus te
81 bpm • E Maj • 00:37 • -21.99db
2% Popularity • 22% Danceability • 7% Energy • 15% Liveness
16% Instrumentalness • 13% Positiveness
2% Popularity • 22% Danceability • 7% Energy • 15% Liveness
16% Instrumentalness • 13% Positiveness
► Preview
The Tallis Scholars
Palestrina: Missa Papae Marcelli - 1a. K...
81 bpm • B Maj • 01:36 • -25.57db
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
42% Popularity • 8% Danceability • 12% Energy • 12% Liveness
88% Instrumentalness • 4% Positiveness
► Preview
Ludwig Senfl
Ach Elslein, liebes Elselein mein
81 bpm • D Maj • 02:16 • -17db
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
11% Popularity • 20% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
► Preview
Christopher Tye
In nomine: Rachell’s Weepinge
81 bpm • C# min • 02:50 • -26db
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
31% Popularity • 7% Danceability • 2% Energy • 11% Liveness
84% Instrumentalness • 7% Positiveness
► Preview
Josquin des Prez
Missa l'homme armé super voces musicale...
79 bpm • A min • 08:07 • -22.17db
28% Popularity • 8% Danceability • 15% Energy • 9% Liveness
47% Instrumentalness • 5% Positiveness
28% Popularity • 8% Danceability • 15% Energy • 9% Liveness
47% Instrumentalness • 5% Positiveness
► Preview
Orlando Gibbons
Pavan
79 bpm • F# Maj • 04:22 • -24db
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
27% Popularity • 13% Danceability • 7% Energy • 16% Liveness
87% Instrumentalness • 15% Positiveness
► Preview
William Byrd
Mass for 5 Voices: VI. Agnus Dei
79 bpm • D# Maj • 03:04 • -22.91db
11% Popularity • 18% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
11% Popularity • 18% Danceability • 8% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Carlo Gesualdo
O dolorosa gioia
79 bpm • G# Maj • 04:40 • -23.45db
11% Popularity • 8% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
11% Popularity • 8% Danceability • 5% Energy • 8% Liveness
1% Instrumentalness • 3% Positiveness
► Preview
Tomás Luis de Victoria
Responsories for Maundy Thursday Nocturn...
79 bpm • G min • 03:00 • -22.11db
30% Popularity • 13% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
30% Popularity • 13% Danceability • 7% Energy • 11% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Alexander Agricola
Missa, "In myne zin": Agnus Dei: Agnus I
79 bpm • A min • 02:31 • -21db
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
30% Popularity • 18% Danceability • 17% Energy • 12% Liveness
27% Instrumentalness • 7% Positiveness
► Preview
Johannes Ockeghem
Intemerata Dei mater
79 bpm • D min • 08:10 • -28db
32% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
32% Popularity • 7% Danceability • 8% Energy • 8% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Luca Marenzio
Basciami Mille Volte a 5 Voci
81 bpm • G min • 02:02 • -19.35db
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
32% Popularity • 21% Danceability • 13% Energy • 11% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
Girolamo Frescobaldi
O Mors Illa
81 bpm • G min • 04:16 • -24db
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
10% Popularity • 12% Danceability • 11% Energy • 18% Liveness
70% Instrumentalness • 4% Positiveness
► Preview
Orlande de Lassus
Al dolce soun
81 bpm • G# Maj • 03:05 • -24.45db
21% Popularity • 11% Danceability • 11% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
21% Popularity • 11% Danceability • 11% Energy • 6% Liveness
92% Instrumentalness • 4% Positiveness
► Preview
Giovanni Gabrieli
In ecclesiis (a 14), C78
79 bpm • A min • 07:44 • -21db
16% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
16% Popularity • 11% Danceability • 11% Energy • 18% Liveness
18% Instrumentalness • 4% Positiveness
► Preview
William Lawes
Lawes: Consort Set No. 2 for 5 Viols in ...
79 bpm • A min • 02:45 • -24db
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
16% Popularity • 25% Danceability • 10% Energy • 10% Liveness
41% Instrumentalness • 29% Positiveness
► Preview
Gregorio Allegri
Motets: Repleti sunt omnes
81 bpm • D min • 01:41 • -17.4db
33% Popularity • 18% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
33% Popularity • 18% Danceability • 14% Energy • 11% Liveness
1% Instrumentalness • 12% Positiveness
► Preview
Claudio Monteverdi
Sestina (Lagrime D'Amante Al Sepolcro De...
81 bpm • A min • 02:26 • -21db
21% Popularity • 26% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
21% Popularity • 26% Danceability • 11% Energy • 19% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Jacob Clemens non Papa
Adieu delices de mon ceur
79 bpm • D min • 01:58 • -33db
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
30% Popularity • 9% Danceability • 0% Energy • 12% Liveness
96% Instrumentalness • 23% Positiveness
► Preview
Orlande de Lassus
Lassus: Tiers livre des chansons à 4, 5...
79 bpm • G# Maj • 02:15 • -18.53db
2% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
2% Popularity • 18% Danceability • 13% Energy • 10% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Nicolas Gombert
Magnificat primi toni
81 bpm • D min • 11:47 • -22.87db
8% Popularity • 9% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 8% Positiveness
8% Popularity • 9% Danceability • 15% Energy • 9% Liveness
6% Instrumentalness • 8% Positiveness
► Preview
Dietrich Buxtehude
Membra Jesu nostri, BuxWV 75: Ad pectus....
79 bpm • C Maj • 02:53 • -23db
14% Popularity • 22% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
14% Popularity • 22% Danceability • 15% Energy • 17% Liveness
0% Instrumentalness • 9% Positiveness
► Preview
Samuel Scheidt
Surrexit Christus hodie
79 bpm • G min • 01:18 • -19db
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
32% Popularity • 32% Danceability • 11% Energy • 31% Liveness
0% Instrumentalness • 38% Positiveness
► Preview
Claudio Monteverdi
Vespro della Beata Vergine, SV 206: VI. ...
79 bpm • G min • 07:23 • -24db
3% Popularity • 22% Danceability • 7% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
3% Popularity • 22% Danceability • 7% Energy • 15% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Gilles Binchois
Chansons: Les tres doulx yeux du viaire ...
79 bpm • D# min • 05:26 • -23.3db
4% Popularity • 10% Danceability • 9% Energy • 10% Liveness
30% Instrumentalness • 5% Positiveness
4% Popularity • 10% Danceability • 9% Energy • 10% Liveness
30% Instrumentalness • 5% Positiveness
► Preview
Giovanni de Macque
Io piango o filli, madrigal à 5
82 bpm • A min • 03:27 • -24.81db
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
29% Popularity • 14% Danceability • 6% Energy • 9% Liveness
3% Instrumentalness • 4% Positiveness
► Preview
Hildegard von Bingen
O Pastor Animarum
78 bpm • C min • 01:23 • -34.57db
16% Popularity • 24% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
16% Popularity • 24% Danceability • 2% Energy • 8% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Antoine Brumel
Sicut lilium
82 bpm • G Maj • 01:50 • -32db
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
31% Popularity • 11% Danceability • 4% Energy • 9% Liveness
75% Instrumentalness • 3% Positiveness
► Preview
The Tallis Scholars
Tallis: Spem in Alium - 2. in Tribulatio...
78 bpm • B min • 02:24 • -18.01db
26% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
26% Popularity • 17% Danceability • 22% Energy • 17% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Guillaume de Machaut
Doulz viaire gracieus
78 bpm • D# Maj • 01:48 • -27.23db
4% Popularity • 19% Danceability • 3% Energy • 12% Liveness
78% Instrumentalness • 9% Positiveness
4% Popularity • 19% Danceability • 3% Energy • 12% Liveness
78% Instrumentalness • 9% Positiveness
► Preview
Maddalena Casulana
Maddalena Casulana : Morir non può il m...
78 bpm • C Maj • 01:29 • -23.96db
16% Popularity • 34% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
16% Popularity • 34% Danceability • 3% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
► Preview
Trio Mediæval
Gammelkjerringvalsen
78 bpm • F min • 02:10 • -25.55db
13% Popularity • 12% Danceability • 4% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 12% Danceability • 4% Energy • 10% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Michael Praetorius
Terpsichore*: Volte
82 bpm • F Maj • 01:20 • -27db
28% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
28% Popularity • 30% Danceability • 2% Energy • 21% Liveness
7% Instrumentalness • 88% Positiveness
► Preview
Antoine Brumel
Du tout plongiet/Fors seulement
82 bpm • C min • 12:28 • -26.43db
24% Popularity • 12% Danceability • 6% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
24% Popularity • 12% Danceability • 6% Energy • 12% Liveness
66% Instrumentalness • 5% Positiveness
► Preview
Clément Janequin
Le Chant des Oyseaulx
82 bpm • G# min • 05:27 • -16db
13% Popularity • 44% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
13% Popularity • 44% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 41% Positiveness
► Preview
Claudio Monteverdi
Vespro della beata Vergine (1610): Conce...
82 bpm • G min • 04:53 • -22.01db
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
17% Popularity • 21% Danceability • 18% Energy • 12% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Alexander Agricola
Ay je rien fet
78 bpm • D min • 03:11 • -16db
9% Popularity • 20% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
9% Popularity • 20% Danceability • 21% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
► Preview
Innocentio Alberti
Pavin of Albarti
78 bpm • E Maj • 01:16 • -27.77db
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
35% Popularity • 15% Danceability • 2% Energy • 12% Liveness
80% Instrumentalness • 17% Positiveness
► Preview
Andrew Lawrence-King
Folias (Imperfectas)
78 bpm • A min • 01:44 • -36.5db
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
29% Popularity • 34% Danceability • 2% Energy • 10% Liveness
92% Instrumentalness • 16% Positiveness
► Preview
Antoine Brumel
Missa "Et ecce terrae motus" A 12 voce: ...
82 bpm • C Maj • 01:38 • -18db
20% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
20% Popularity • 15% Danceability • 26% Energy • 15% Liveness
74% Instrumentalness • 8% Positiveness
► Preview
Hildegard von Bingen
O dulcissime amator (Symphonia virginum)
78 bpm • A min • 09:15 • -29.45db
14% Popularity • 13% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
14% Popularity • 13% Danceability • 1% Energy • 12% Liveness
0% Instrumentalness • 6% Positiveness
► Preview
Philippe Verdelot
Ogn'hor per voi sospiro
78 bpm • G min • 02:22 • -22db
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
20% Popularity • 15% Danceability • 14% Energy • 12% Liveness
4% Instrumentalness • 9% Positiveness
► Preview
Joan Ambrosio Dalza
Tastar de corde
82 bpm • C min • 01:28 • -35.72db
31% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
31% Popularity • 38% Danceability • 1% Energy • 11% Liveness
78% Instrumentalness • 25% Positiveness
► Preview
Michael Praetorius
Terpsichore, Musarum Aoniarum: Ballet, T...
82 bpm • G Maj • 03:13 • -18.61db
24% Popularity • 38% Danceability • 15% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
24% Popularity • 38% Danceability • 15% Energy • 16% Liveness
94% Instrumentalness • 44% Positiveness
► Preview
Ensemble Gilles Binchois
Cancionero de Palacio (Madrid, Palacio R...
78 bpm • F# Maj • 02:41 • -24.75db
0% Popularity • 16% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
0% Popularity • 16% Danceability • 7% Energy • 13% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
The Tallis Scholars
Tallis: Lamentations of Jeremiah I - 2. ...
83 bpm • F min • 02:37 • -28.03db
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
37% Popularity • 8% Danceability • 4% Energy • 10% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Hildegard von Bingen
Caritas habundat in omnia
83 bpm • D min • 02:12 • -26.97db
16% Popularity • 25% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
16% Popularity • 25% Danceability • 6% Energy • 9% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Guillaume de Machaut
De toutes flours
83 bpm • C# Maj • 06:37 • -26.39db
4% Popularity • 12% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 8% Positiveness
4% Popularity • 12% Danceability • 3% Energy • 8% Liveness
1% Instrumentalness • 8% Positiveness
► Preview
Jean Richafort
Requiem in memoriam Josquin Desprez: II....
78 bpm • F Maj • 04:42 • -20db
12% Popularity • 13% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
12% Popularity • 13% Danceability • 16% Energy • 10% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Gregorio Allegri
Motets: Cantate domino
77 bpm • F Maj • 03:11 • -18db
22% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
22% Popularity • 18% Danceability • 16% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Pyotr Ilyich Tchaikovsky
Liturgy of St. John Chrysostom, Op. 41, ...
77 bpm • E Maj • 03:32 • -34.53db
22% Popularity • 7% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 3% Positiveness
22% Popularity • 7% Danceability • 1% Energy • 9% Liveness
11% Instrumentalness • 3% Positiveness
► Preview
The Tallis Scholars
Allegri: Miserere - 06. Cor Mundum Crea ...
77 bpm • G Maj • 01:14 • -38db
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
35% Popularity • 16% Danceability • 2% Energy • 12% Liveness
22% Instrumentalness • 3% Positiveness
► Preview
Pierre de la Rue
Pierre de la Rue: Il viendra le jour des...
83 bpm • A min • 02:29 • -18.83db
3% Popularity • 9% Danceability • 20% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
3% Popularity • 9% Danceability • 20% Energy • 12% Liveness
8% Instrumentalness • 4% Positiveness
► Preview
Michael Praetorius
Terpsichore*: Bransle Double 3
77 bpm • G min • 01:42 • -26.88db
31% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
31% Popularity • 66% Danceability • 2% Energy • 15% Liveness
71% Instrumentalness • 67% Positiveness
► Preview
Gilles Binchois
Je ne vis onques
83 bpm • E min • 04:01 • -24.01db
2% Popularity • 18% Danceability • 8% Energy • 10% Liveness
6% Instrumentalness • 16% Positiveness
2% Popularity • 18% Danceability • 8% Energy • 10% Liveness
6% Instrumentalness • 16% Positiveness
► Preview
Orlande de Lassus
Prophetiae Sibyllarum: Prologue
83 bpm • G Maj • 01:18 • -26db
28% Popularity • 15% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
28% Popularity • 15% Danceability • 7% Energy • 11% Liveness
61% Instrumentalness • 4% Positiveness
► Preview
Adam de la Halle
Trop desir a veoir
83 bpm • G Maj • 01:03 • -18.22db
2% Popularity • 26% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
2% Popularity • 26% Danceability • 24% Energy • 14% Liveness
0% Instrumentalness • 7% Positiveness
► Preview
The Tallis Scholars
Allegri: Miserere - 03. Tibi Soli Peccav...
77 bpm • A# Maj • 01:04 • -23db
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
38% Popularity • 24% Danceability • 10% Energy • 12% Liveness
2% Instrumentalness • 4% Positiveness
► Preview
Pierre Attaingnant
Basse danse la Magdalena
83 bpm • D min • 02:13 • -29db
15% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
15% Popularity • 25% Danceability • 1% Energy • 15% Liveness
0% Instrumentalness • 30% Positiveness
► Preview
Heinrich Isaac
Missa Presulem ephebeatum: I. Kyrie
83 bpm • D min • 01:09 • -17.68db
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
39% Popularity • 18% Danceability • 15% Energy • 9% Liveness
1% Instrumentalness • 9% Positiveness
► Preview
Gilles Binchois
I. Profecias y Evocaciones Antiguas : Ev...
77 bpm • E min • 02:30 • -18.91db
2% Popularity • 21% Danceability • 4% Energy • 45% Liveness
0% Instrumentalness • 4% Positiveness
2% Popularity • 21% Danceability • 4% Energy • 45% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Hildegard von Bingen
Ordo Virtutum, Szene III, Finale: "In pr...
77 bpm • A min • 05:46 • -21.72db
14% Popularity • 20% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
14% Popularity • 20% Danceability • 11% Energy • 8% Liveness
0% Instrumentalness • 5% Positiveness
► Preview
Tomás Luis de Victoria
Requiem Mass, 1605: Introit, Requiem aet...
77 bpm • G Maj • 06:19 • -20.02db
16% Popularity • 7% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
16% Popularity • 7% Danceability • 15% Energy • 8% Liveness
91% Instrumentalness • 4% Positiveness
► Preview
Juan del Encina
Si abra en este baldres
83 bpm • F Maj • 01:28 • -15db
17% Popularity • 62% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
17% Popularity • 62% Danceability • 31% Energy • 20% Liveness
0% Instrumentalness • 74% Positiveness
► Preview
Jehan Chardavoine
Quand j'etais libre
77 bpm • F Maj • 02:27 • -22.42db
4% Popularity • 36% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
4% Popularity • 36% Danceability • 4% Energy • 19% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Pérotin
Sederunt principes (4-part organum / pla...
77 bpm • E Maj • 13:34 • -21.03db
13% Popularity • 15% Danceability • 12% Energy • 6% Liveness
7% Instrumentalness • 4% Positiveness
13% Popularity • 15% Danceability • 12% Energy • 6% Liveness
7% Instrumentalness • 4% Positiveness
► Preview
Gilles Binchois
Chansons: Pour prison ne pour maladie
83 bpm • D# min • 04:31 • -22.47db
3% Popularity • 16% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
3% Popularity • 16% Danceability • 7% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
► Preview
Hildegard von Bingen
Antiphon, O quam mirabilis est
83 bpm • A Maj • 03:31 • -27.57db
31% Popularity • 24% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
31% Popularity • 24% Danceability • 3% Energy • 7% Liveness
0% Instrumentalness • 4% Positiveness
► Preview
Claudio Monteverdi
Altri canti d'amor
83 bpm • B min • 03:27 • -23.95db
13% Popularity • 16% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
13% Popularity • 16% Danceability • 3% Energy • 12% Liveness
1% Instrumentalness • 4% Positiveness
► Preview
Alfonso X El Sabio
Cantigas de Santa Maria, No. 60: Entre A...
84 bpm • F Maj • 03:20 • -20.89db
21% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
21% Popularity • 36% Danceability • 7% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
► Preview
William Byrd
Byrd: Mass for Five Voices - 01. Kyrie
84 bpm • C# Maj • 01:35 • -24db
24% Popularity • 17% Danceability • 16% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
24% Popularity • 17% Danceability • 16% Energy • 7% Liveness
32% Instrumentalness • 4% Positiveness
► Preview
John Taverner
Quemadmodum
76 bpm • C min • 06:30 • -24db
10% Popularity • 7% Danceability • 11% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
10% Popularity • 7% Danceability • 11% Energy • 12% Liveness
57% Instrumentalness • 4% Positiveness
► Preview
Gilles Binchois
Triste plaisir
83 bpm • D min • 02:14 • -29.63db
4% Popularity • 24% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
4% Popularity • 24% Danceability • 1% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
► Preview
Michael Praetorius
Terpsichore*: Spagnoletta
84 bpm • A# Maj • 00:56 • -26.39db
32% Popularity • 61% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 51% Positiveness
32% Popularity • 61% Danceability • 18% Energy • 9% Liveness
93% Instrumentalness • 51% Positiveness
► Preview
Guglielmo Ebreo da Pesaro
Falla con misuras
84 bpm • E min • 01:26 • -27db
36% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
36% Popularity • 14% Danceability • 5% Energy • 10% Liveness
87% Instrumentalness • 24% Positiveness
► Preview
Baude Cordier
Tout par compas, Fol. 12 (Rondeau/Canon)
84 bpm • D# Maj • 02:49 • -20.68db
27% Popularity • 31% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
27% Popularity • 31% Danceability • 2% Energy • 16% Liveness
0% Instrumentalness • 27% Positiveness
► Preview
Cristobal de Morales
Sequentia: Pie Jesu
76 bpm • D# Maj • 01:48 • -26db
26% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
26% Popularity • 7% Danceability • 6% Energy • 11% Liveness
74% Instrumentalness • 4% Positiveness
► Preview
John Taverner
Mother of God Here I Stand
84 bpm • F# Maj • 03:10 • -41db
19% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
19% Popularity • 8% Danceability • 1% Energy • 11% Liveness
63% Instrumentalness • 4% Positiveness
