Songs like Birdhouse in Your Soul by They Might Be Giants
Based on a tempo of (+/- 10%) and a similar genre
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Jonathan Coulton
The Future Soon
100 bpm • D Maj • 03:50 • -6.57db
33% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
33% Popularity • 59% Danceability • 72% Energy • 9% Liveness
0% Instrumentalness • 51% Positiveness
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Lemon Demon
A Mask of My Own Face
100 bpm • C Maj • 03:30 • -11.55db
56% Popularity • 81% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
56% Popularity • 81% Danceability • 32% Energy • 13% Liveness
0% Instrumentalness • 97% Positiveness
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They Might Be Giants
Birdhouse in Your Soul
100 bpm • G# Maj • 03:18 • -8.32db
57% Popularity • 61% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
57% Popularity • 61% Danceability • 82% Energy • 28% Liveness
0% Instrumentalness • 45% Positiveness
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Flight of the Conchords
Hiphopopotamus vs. Rhymenoceros
100 bpm • A min • 02:09 • -9.39db
47% Popularity • 83% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
47% Popularity • 83% Danceability • 55% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Butthole Surfers
Dracula From Houston
100 bpm • E Maj • 03:42 • -3.9db
47% Popularity • 58% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
47% Popularity • 58% Danceability • 92% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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Talking Heads
Take Me to the River - 2005 Remaster
100 bpm • D Maj • 05:02 • -8.1db
58% Popularity • 66% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
58% Popularity • 66% Danceability • 48% Energy • 6% Liveness
1% Instrumentalness • 83% Positiveness
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Jonathan Coulton
I Feel Fantastic
100 bpm • B min • 03:05 • -5.89db
39% Popularity • 79% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
39% Popularity • 79% Danceability • 86% Energy • 7% Liveness
0% Instrumentalness • 77% Positiveness
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David Bowie
Starman - 2012 Remaster
100 bpm • F Maj • 04:14 • -10.3db
78% Popularity • 49% Danceability • 45% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
78% Popularity • 49% Danceability • 45% Energy • 54% Liveness
0% Instrumentalness • 55% Positiveness
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Tally Hall
Welcome to Tally Hall
101 bpm • E Maj • 05:10 • -6.68db
50% Popularity • 71% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
50% Popularity • 71% Danceability • 78% Energy • 31% Liveness
0% Instrumentalness • 54% Positiveness
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Taco
Puttin' on the Ritz
99 bpm • C Maj • 04:41 • -17db
60% Popularity • 80% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
60% Popularity • 80% Danceability • 29% Energy • 18% Liveness
0% Instrumentalness • 81% Positiveness
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Siouxsie and the Banshees
Dear Prudence
101 bpm • F Maj • 03:48 • -4.39db
59% Popularity • 43% Danceability • 90% Energy • 69% Liveness
0% Instrumentalness • 42% Positiveness
59% Popularity • 43% Danceability • 90% Energy • 69% Liveness
0% Instrumentalness • 42% Positiveness
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Talking Heads
Uh-Oh, Love Comes to Town - 2005 Remaste...
100 bpm • A Maj • 02:49 • -5.15db
51% Popularity • 70% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
51% Popularity • 70% Danceability • 66% Energy • 28% Liveness
0% Instrumentalness • 73% Positiveness
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The Jam
Town Called Malice
102 bpm • G Maj • 02:53 • -8.92db
67% Popularity • 54% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 78% Positiveness
67% Popularity • 54% Danceability • 91% Energy • 7% Liveness
1% Instrumentalness • 78% Positiveness
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Violent Femmes
Country Death Song
102 bpm • A Maj • 05:02 • -15.22db
40% Popularity • 68% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
40% Popularity • 68% Danceability • 38% Energy • 14% Liveness
0% Instrumentalness • 75% Positiveness
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Tally Hall
Taken for a Ride
99 bpm • G# Maj • 04:43 • -5.87db
48% Popularity • 46% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
48% Popularity • 46% Danceability • 57% Energy • 16% Liveness
0% Instrumentalness • 25% Positiveness
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Autoheart
Lent
102 bpm • D# Maj • 03:13 • -4db
53% Popularity • 62% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
53% Popularity • 62% Danceability • 93% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Ben Folds Five
Battle of Who Could Care Less
98 bpm • A# Maj • 03:16 • -5.4db
38% Popularity • 47% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 61% Positiveness
38% Popularity • 47% Danceability • 80% Energy • 52% Liveness
0% Instrumentalness • 61% Positiveness
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Fountains Of Wayne
Sink to the Bottom
97 bpm • E Maj • 03:12 • -6.42db
48% Popularity • 47% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
48% Popularity • 47% Danceability • 71% Energy • 28% Liveness
0% Instrumentalness • 81% Positiveness
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Soul Coughing
Circles
102 bpm • C Maj • 03:06 • -7db
47% Popularity • 70% Danceability • 52% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
47% Popularity • 70% Danceability • 52% Energy • 11% Liveness
4% Instrumentalness • 61% Positiveness
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Talking Heads
Burning Down the House
103 bpm • F min • 04:01 • -13.14db
66% Popularity • 78% Danceability • 87% Energy • 4% Liveness
1% Instrumentalness • 56% Positiveness
66% Popularity • 78% Danceability • 87% Energy • 4% Liveness
1% Instrumentalness • 56% Positiveness
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Tally Hall
Hymn for a Scarecrow
98 bpm • C Maj • 04:50 • -8.24db
47% Popularity • 30% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
47% Popularity • 30% Danceability • 52% Energy • 14% Liveness
0% Instrumentalness • 25% Positiveness
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AJJ
People Ii: The Reckoning
97 bpm • C Maj • 04:08 • -7.84db
45% Popularity • 68% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
45% Popularity • 68% Danceability • 48% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Moxy Früvous
Stuck in the 90's
103 bpm • D Maj • 04:29 • -10.02db
18% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
18% Popularity • 62% Danceability • 52% Energy • 13% Liveness
0% Instrumentalness • 41% Positiveness
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Ben Folds Five
Philosophy
97 bpm • C Maj • 04:36 • -7.17db
38% Popularity • 37% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
38% Popularity • 37% Danceability • 88% Energy • 17% Liveness
0% Instrumentalness • 49% Positiveness
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The White Stripes
We're Going to Be Friends
97 bpm • G Maj • 02:20 • -5.75db
67% Popularity • 53% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
67% Popularity • 53% Danceability • 44% Energy • 9% Liveness
0% Instrumentalness • 44% Positiveness
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Beck
Where It's At - Album Version W/ Intro
97 bpm • D Maj • 05:29 • -7.41db
44% Popularity • 67% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 54% Positiveness
44% Popularity • 67% Danceability • 67% Energy • 9% Liveness
2% Instrumentalness • 54% Positiveness
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Tally Hall
The Whole World and You
98 bpm • F Maj • 01:44 • -9.12db
58% Popularity • 78% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 79% Positiveness
58% Popularity • 78% Danceability • 47% Energy • 39% Liveness
0% Instrumentalness • 79% Positiveness
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John Linnell
Montana
103 bpm • B Maj • 03:17 • -3.56db
16% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
16% Popularity • 52% Danceability • 81% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Violent Femmes
Blister In The Sun
97 bpm • C Maj • 02:25 • -8.9db
73% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
73% Popularity • 73% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 88% Positiveness
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Ben Folds Five
Brick
97 bpm • D Maj • 04:31 • -10.25db
54% Popularity • 54% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
54% Popularity • 54% Danceability • 45% Energy • 15% Liveness
0% Instrumentalness • 27% Positiveness
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Talking Heads
Burning Down the House - 2005 Remaster
103 bpm • F min • 04:01 • -11.11db
54% Popularity • 78% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 57% Positiveness
54% Popularity • 78% Danceability • 87% Energy • 6% Liveness
1% Instrumentalness • 57% Positiveness
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Warren Zevon
Werewolves of London
104 bpm • G Maj • 03:29 • -8.72db
66% Popularity • 75% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
66% Popularity • 75% Danceability • 62% Energy • 6% Liveness
1% Instrumentalness • 93% Positiveness
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Will Wood and the Tapeworms
Thermodynamic Lawyer Esq, G.F.D.
104 bpm • C Maj • 03:39 • -3.13db
58% Popularity • 33% Danceability • 94% Energy • 83% Liveness
0% Instrumentalness • 47% Positiveness
58% Popularity • 33% Danceability • 94% Energy • 83% Liveness
0% Instrumentalness • 47% Positiveness
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The Smiths
This Charming Man - 2011 Remaster
104 bpm • B Maj • 02:42 • -5.9db
79% Popularity • 61% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
79% Popularity • 61% Danceability • 85% Energy • 8% Liveness
0% Instrumentalness • 75% Positiveness
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John Linnell
South Carolina
96 bpm • C Maj • 03:46 • -5.77db
24% Popularity • 70% Danceability • 74% Energy • 9% Liveness
12% Instrumentalness • 72% Positiveness
24% Popularity • 70% Danceability • 74% Energy • 9% Liveness
12% Instrumentalness • 72% Positiveness
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Ben Folds Five
Underground
104 bpm • E Maj • 04:11 • -7.3db
39% Popularity • 57% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
39% Popularity • 57% Danceability • 68% Energy • 14% Liveness
0% Instrumentalness • 32% Positiveness
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They Might Be Giants
You're on Fire
104 bpm • E Maj • 02:41 • -4db
40% Popularity • 67% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
40% Popularity • 67% Danceability • 84% Energy • 14% Liveness
0% Instrumentalness • 96% Positiveness
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Tally Hall
You & Me
96 bpm • A min • 02:52 • -5.64db
52% Popularity • 65% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
52% Popularity • 65% Danceability • 64% Energy • 6% Liveness
0% Instrumentalness • 94% Positiveness
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Flight of the Conchords
Business Time
96 bpm • F min • 04:04 • -8.62db
44% Popularity • 82% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
44% Popularity • 82% Danceability • 77% Energy • 10% Liveness
1% Instrumentalness • 88% Positiveness
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The Housemartins
Happy Hour
96 bpm • A# Maj • 02:25 • -11.05db
57% Popularity • 54% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
57% Popularity • 54% Danceability • 84% Energy • 19% Liveness
0% Instrumentalness • 90% Positiveness
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The White Stripes
Fell In Love With a Girl
96 bpm • E min • 01:50 • -1.57db
73% Popularity • 36% Danceability • 98% Energy • 94% Liveness
0% Instrumentalness • 30% Positiveness
73% Popularity • 36% Danceability • 98% Energy • 94% Liveness
0% Instrumentalness • 30% Positiveness
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The Smiths
Girlfriend in a Coma - 2011 Remaster
104 bpm • G Maj • 02:02 • -9db
64% Popularity • 68% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
64% Popularity • 68% Danceability • 63% Energy • 10% Liveness
0% Instrumentalness • 96% Positiveness
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They Might Be Giants
Stuff Is Way
104 bpm • C Maj • 01:37 • -10.5db
55% Popularity • 87% Danceability • 34% Energy • 16% Liveness
3% Instrumentalness • 50% Positiveness
55% Popularity • 87% Danceability • 34% Energy • 16% Liveness
3% Instrumentalness • 50% Positiveness
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Tally Hall
&
96 bpm • B Maj • 03:14 • -5.12db
63% Popularity • 53% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
63% Popularity • 53% Danceability • 88% Energy • 35% Liveness
0% Instrumentalness • 73% Positiveness
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The Waitresses
I Know What Boys Like
105 bpm • B Maj • 03:14 • -6db
39% Popularity • 72% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
39% Popularity • 72% Danceability • 90% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Adam Ant
Goody Two Shoes
95 bpm • C# min • 03:29 • -3.47db
53% Popularity • 62% Danceability • 99% Energy • 5% Liveness
1% Instrumentalness • 54% Positiveness
53% Popularity • 62% Danceability • 99% Energy • 5% Liveness
1% Instrumentalness • 54% Positiveness
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Ben Folds Five
Song for the Dumped
105 bpm • G Maj • 03:51 • -6.62db
37% Popularity • 55% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
37% Popularity • 55% Danceability • 86% Energy • 16% Liveness
0% Instrumentalness • 59% Positiveness
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The Scary Jokes
Catabolic Seed
105 bpm • F# Maj • 02:34 • -11db
43% Popularity • 74% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
43% Popularity • 74% Danceability • 51% Energy • 7% Liveness
0% Instrumentalness • 17% Positiveness
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Lemon Demon
Amnesia Was Her Name
105 bpm • G Maj • 04:03 • -11.48db
56% Popularity • 86% Danceability • 34% Energy • 6% Liveness
14% Instrumentalness • 74% Positiveness
56% Popularity • 86% Danceability • 34% Energy • 6% Liveness
14% Instrumentalness • 74% Positiveness
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They Might Be Giants
New York City
105 bpm • E Maj • 03:03 • -7.04db
31% Popularity • 53% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
31% Popularity • 53% Danceability • 84% Energy • 23% Liveness
0% Instrumentalness • 84% Positiveness
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Happy Mondays
Step On - 2007 Remaster
105 bpm • G Maj • 05:18 • -7.16db
57% Popularity • 60% Danceability • 89% Energy • 12% Liveness
55% Instrumentalness • 45% Positiveness
57% Popularity • 60% Danceability • 89% Energy • 12% Liveness
55% Instrumentalness • 45% Positiveness
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Squeeze
Tempted
95 bpm • F# min • 04:00 • -14db
59% Popularity • 73% Danceability • 36% Energy • 5% Liveness
9% Instrumentalness • 39% Positiveness
59% Popularity • 73% Danceability • 36% Energy • 5% Liveness
9% Instrumentalness • 39% Positiveness
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Paul Simon
Me and Julio Down by the Schoolyard
105 bpm • A Maj • 02:44 • -10.59db
71% Popularity • 63% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
71% Popularity • 63% Danceability • 82% Energy • 10% Liveness
0% Instrumentalness • 80% Positiveness
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Ben Folds
Rockin' the Suburbs
95 bpm • C Maj • 04:58 • -5db
41% Popularity • 61% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
41% Popularity • 61% Danceability • 90% Energy • 26% Liveness
0% Instrumentalness • 64% Positiveness
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XTC
Then She Appeared - 2001 Remaster
106 bpm • D Maj • 03:51 • -6db
42% Popularity • 52% Danceability • 72% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
42% Popularity • 52% Danceability • 72% Energy • 75% Liveness
0% Instrumentalness • 60% Positiveness
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The Smiths
Cemetry Gates - 2011 Remaster
105 bpm • G Maj • 02:41 • -7.01db
64% Popularity • 55% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
64% Popularity • 55% Danceability • 80% Energy • 22% Liveness
0% Instrumentalness • 62% Positiveness
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David Bowie
Sound and Vision - 2017 Remaster
106 bpm • D Maj • 03:04 • -8.58db
62% Popularity • 67% Danceability • 80% Energy • 6% Liveness
5% Instrumentalness • 76% Positiveness
62% Popularity • 67% Danceability • 80% Energy • 6% Liveness
5% Instrumentalness • 76% Positiveness
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R.E.M.
What’s The Frequency, Kenneth? - Remas...
94 bpm • D Maj • 04:00 • -4db
57% Popularity • 37% Danceability • 95% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
57% Popularity • 37% Danceability • 95% Energy • 17% Liveness
25% Instrumentalness • 70% Positiveness
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The Waterboys
The Whole of the Moon - 2004 Remaster
106 bpm • C Maj • 05:02 • -7.17db
67% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
67% Popularity • 60% Danceability • 80% Energy • 12% Liveness
0% Instrumentalness • 58% Positiveness
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Fish in a Birdcage
Rule #4 - Fish in a Birdcage
106 bpm • F min • 03:01 • -9.6db
65% Popularity • 84% Danceability • 50% Energy • 23% Liveness
2% Instrumentalness • 79% Positiveness
65% Popularity • 84% Danceability • 50% Energy • 23% Liveness
2% Instrumentalness • 79% Positiveness
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Primal Scream
Movin' on Up
94 bpm • F Maj • 03:48 • -12.44db
60% Popularity • 52% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
60% Popularity • 52% Danceability • 76% Energy • 7% Liveness
0% Instrumentalness • 58% Positiveness
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Flight of the Conchords
Hurt Feelings
106 bpm • C# Maj • 02:38 • -7.41db
46% Popularity • 90% Danceability • 59% Energy • 44% Liveness
0% Instrumentalness • 57% Positiveness
46% Popularity • 90% Danceability • 59% Energy • 44% Liveness
0% Instrumentalness • 57% Positiveness
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David Bowie
Magic Dance
106 bpm • A Maj • 04:12 • -6.19db
57% Popularity • 74% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
57% Popularity • 74% Danceability • 85% Energy • 14% Liveness
0% Instrumentalness • 71% Positiveness
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Lemon Demon
When He Died
94 bpm • A# Maj • 04:33 • -8.83db
47% Popularity • 70% Danceability • 64% Energy • 36% Liveness
1% Instrumentalness • 57% Positiveness
47% Popularity • 70% Danceability • 64% Energy • 36% Liveness
1% Instrumentalness • 57% Positiveness
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Neutral Milk Hotel
In the Aeroplane Over the Sea
94 bpm • G Maj • 03:22 • -5.12db
66% Popularity • 27% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
66% Popularity • 27% Danceability • 71% Energy • 12% Liveness
0% Instrumentalness • 24% Positiveness
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They Might Be Giants
Your Racist Friend
94 bpm • D Maj • 02:55 • -7.07db
37% Popularity • 57% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
37% Popularity • 57% Danceability • 85% Energy • 21% Liveness
0% Instrumentalness • 76% Positiveness
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The Replacements
Androgynous
106 bpm • B Maj • 03:10 • -9db
45% Popularity • 48% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
45% Popularity • 48% Danceability • 36% Energy • 8% Liveness
0% Instrumentalness • 39% Positiveness
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Dexys Midnight Runners
Come On Eileen
107 bpm • D Maj • 04:47 • -7.05db
78% Popularity • 45% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
78% Popularity • 45% Danceability • 66% Energy • 26% Liveness
0% Instrumentalness • 78% Positiveness
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The Presidents Of The United States Of America
Peaches
94 bpm • B Maj • 02:51 • -4db
67% Popularity • 41% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
67% Popularity • 41% Danceability • 85% Energy • 5% Liveness
0% Instrumentalness • 62% Positiveness
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The Stranglers
Golden Brown
94 bpm • F# Maj • 03:26 • -15.47db
70% Popularity • 56% Danceability • 38% Energy • 14% Liveness
12% Instrumentalness • 60% Positiveness
70% Popularity • 56% Danceability • 38% Energy • 14% Liveness
12% Instrumentalness • 60% Positiveness
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Neutral Milk Hotel
King of Carrot Flowers Pt. 1
94 bpm • F Maj • 02:00 • -6.47db
63% Popularity • 41% Danceability • 52% Energy • 41% Liveness
89% Instrumentalness • 34% Positiveness
63% Popularity • 41% Danceability • 52% Energy • 41% Liveness
89% Instrumentalness • 34% Positiveness
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They Might Be Giants
Particle Man
94 bpm • A Maj • 01:55 • -8db
45% Popularity • 71% Danceability • 64% Energy • 44% Liveness
0% Instrumentalness • 94% Positiveness
45% Popularity • 71% Danceability • 64% Energy • 44% Liveness
0% Instrumentalness • 94% Positiveness
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Self
Pattycake
107 bpm • A min • 04:05 • -6.16db
26% Popularity • 91% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
26% Popularity • 91% Danceability • 64% Energy • 4% Liveness
0% Instrumentalness • 95% Positiveness
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CAKE
Love You Madly
107 bpm • A Maj • 03:57 • -8.4db
57% Popularity • 75% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
57% Popularity • 75% Danceability • 81% Energy • 17% Liveness
0% Instrumentalness • 66% Positiveness
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The Presidents Of The United States Of America
Dune Buggy
93 bpm • C# Maj • 02:44 • -3db
46% Popularity • 69% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
46% Popularity • 69% Danceability • 84% Energy • 6% Liveness
0% Instrumentalness • 85% Positiveness
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Tim Curry
Sweet Transvestite
107 bpm • E Maj • 03:24 • -12.24db
54% Popularity • 54% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
54% Popularity • 54% Danceability • 42% Energy • 25% Liveness
0% Instrumentalness • 53% Positiveness
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The Lemonheads
Mrs. Robinson - Remastered
107 bpm • E min • 03:44 • -7db
61% Popularity • 49% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
61% Popularity • 49% Danceability • 94% Energy • 28% Liveness
0% Instrumentalness • 84% Positiveness
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They Might Be Giants
They'll Need a Crane
93 bpm • D Maj • 02:33 • -4db
36% Popularity • 63% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
36% Popularity • 63% Danceability • 84% Energy • 25% Liveness
0% Instrumentalness • 65% Positiveness
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Will Wood
The Main Character
108 bpm • C Maj • 04:25 • -4.33db
62% Popularity • 64% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
62% Popularity • 64% Danceability • 75% Energy • 31% Liveness
0% Instrumentalness • 67% Positiveness
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Pavement
Harness Your Hopes - B-side
108 bpm • D Maj • 03:26 • -7.8db
76% Popularity • 60% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 58% Positiveness
76% Popularity • 60% Danceability • 57% Energy • 13% Liveness
4% Instrumentalness • 58% Positiveness
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Tally Hall
Good Day
108 bpm • E Maj • 03:26 • -7db
50% Popularity • 69% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
50% Popularity • 69% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 57% Positiveness
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of Montreal
We Will Commit Wolf Murder
108 bpm • C Maj • 05:29 • -5.92db
45% Popularity • 32% Danceability • 91% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
45% Popularity • 32% Danceability • 91% Energy • 56% Liveness
0% Instrumentalness • 32% Positiveness
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No Doubt
Just A Girl
108 bpm • D Maj • 03:29 • -4.82db
76% Popularity • 64% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
76% Popularity • 64% Danceability • 91% Energy • 14% Liveness
0% Instrumentalness • 77% Positiveness
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Space
Female of the Species
108 bpm • G min • 03:19 • -6.48db
48% Popularity • 65% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
48% Popularity • 65% Danceability • 77% Energy • 16% Liveness
0% Instrumentalness • 68% Positiveness
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OK Go
Upside Down & Inside Out
93 bpm • C Maj • 03:07 • -4.95db
47% Popularity • 56% Danceability • 82% Energy • 87% Liveness
0% Instrumentalness • 54% Positiveness
47% Popularity • 56% Danceability • 82% Energy • 87% Liveness
0% Instrumentalness • 54% Positiveness
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They Might Be Giants
Lucky Ball and Chain
108 bpm • G Maj • 02:46 • -10.2db
37% Popularity • 69% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
37% Popularity • 69% Danceability • 74% Energy • 34% Liveness
0% Instrumentalness • 58% Positiveness
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Steam Powered Giraffe
I'll Rust With You
92 bpm • F min • 03:42 • -3.95db
43% Popularity • 47% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
43% Popularity • 47% Danceability • 82% Energy • 16% Liveness
0% Instrumentalness • 41% Positiveness
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David Bowie
Golden Years - 2016 Remaster
108 bpm • F# min • 04:03 • -10.36db
62% Popularity • 68% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
62% Popularity • 68% Danceability • 70% Energy • 11% Liveness
0% Instrumentalness • 93% Positiveness
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Ben Folds
Zak and Sara
92 bpm • F Maj • 03:11 • -3.47db
27% Popularity • 50% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 26% Positiveness
27% Popularity • 50% Danceability • 89% Energy • 51% Liveness
0% Instrumentalness • 26% Positiveness
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Ben Folds Five
Jackson Cannery
109 bpm • G Maj • 03:23 • -7db
33% Popularity • 60% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
33% Popularity • 60% Danceability • 72% Energy • 23% Liveness
0% Instrumentalness • 68% Positiveness
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The Cure
The Lovecats
92 bpm • A min • 03:40 • -12.9db
61% Popularity • 75% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
61% Popularity • 75% Danceability • 57% Energy • 24% Liveness
0% Instrumentalness • 96% Positiveness
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They Might Be Giants
Women & Men
109 bpm • G Maj • 01:46 • -11db
32% Popularity • 70% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
32% Popularity • 70% Danceability • 47% Energy • 11% Liveness
0% Instrumentalness • 92% Positiveness
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R.E.M.
Stand - Remastered 2013
109 bpm • E Maj • 03:12 • -10.06db
56% Popularity • 65% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
56% Popularity • 65% Danceability • 74% Energy • 9% Liveness
0% Instrumentalness • 93% Positiveness
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Fountains Of Wayne
Radiation Vibe
110 bpm • A Maj • 03:41 • -6db
42% Popularity • 59% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
42% Popularity • 59% Danceability • 78% Energy • 17% Liveness
0% Instrumentalness • 51% Positiveness
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The Sundays
Here's Where the Story Ends
109 bpm • G Maj • 03:50 • -8.62db
57% Popularity • 62% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
57% Popularity • 62% Danceability • 69% Energy • 14% Liveness
0% Instrumentalness • 84% Positiveness
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AJJ
Rejoice
91 bpm • C Maj • 03:15 • -7.64db
42% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
42% Popularity • 49% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 59% Positiveness
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Lemon Demon
Jaws
110 bpm • C Maj • 04:10 • -11.55db
50% Popularity • 84% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
50% Popularity • 84% Danceability • 56% Energy • 9% Liveness
0% Instrumentalness • 96% Positiveness
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The Mountain Goats
Cry for Judas
91 bpm • A Maj • 03:12 • -7.34db
13% Popularity • 59% Danceability • 78% Energy • 19% Liveness
82% Instrumentalness • 80% Positiveness
13% Popularity • 59% Danceability • 78% Energy • 19% Liveness
82% Instrumentalness • 80% Positiveness
