Songs like Birdman by Abbie Lou Johnston
Based on a tempo of (+/- 10%) and a similar genre
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Jensine Fleischer
Adalene
78 bpm • G# Maj • 01:50 • -23db
37% Popularity • 45% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 37% Positiveness
37% Popularity • 45% Danceability • 10% Energy • 9% Liveness
97% Instrumentalness • 37% Positiveness
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Kiara Leonard
Larks
78 bpm • F Maj • 02:54 • -29.45db
51% Popularity • 42% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
51% Popularity • 42% Danceability • 6% Energy • 9% Liveness
89% Instrumentalness • 17% Positiveness
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Abbie Lou Johnston
Birdman
78 bpm • D Maj • 03:21 • -20db
39% Popularity • 48% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
39% Popularity • 48% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 18% Positiveness
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Jiřà Horák
Hourglass
78 bpm • E min • 02:02 • -29.78db
51% Popularity • 40% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
51% Popularity • 40% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 38% Positiveness
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Martin Rapide
Through My Eyes
78 bpm • F min • 02:53 • -24.95db
22% Popularity • 39% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
22% Popularity • 39% Danceability • 2% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
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Ingeborg
The Northern Fairy
78 bpm • A min • 02:10 • -23.17db
31% Popularity • 53% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 57% Positiveness
31% Popularity • 53% Danceability • 5% Energy • 11% Liveness
96% Instrumentalness • 57% Positiveness
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Manu Calhu
Beneath the Surface
78 bpm • C Maj • 03:17 • -20db
32% Popularity • 46% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 23% Positiveness
32% Popularity • 46% Danceability • 6% Energy • 13% Liveness
94% Instrumentalness • 23% Positiveness
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Elliot Ziegler
Zéphyrine
78 bpm • G min • 02:20 • -24.65db
30% Popularity • 51% Danceability • 2% Energy • 17% Liveness
96% Instrumentalness • 45% Positiveness
30% Popularity • 51% Danceability • 2% Energy • 17% Liveness
96% Instrumentalness • 45% Positiveness
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Charles Bolt
New Night, New Dream
78 bpm • D# Maj • 03:01 • -20.96db
37% Popularity • 47% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 33% Positiveness
37% Popularity • 47% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 33% Positiveness
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Dawn Huntley
The Edge of Love
78 bpm • A# Maj • 02:02 • -27.57db
49% Popularity • 40% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
49% Popularity • 40% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 35% Positiveness
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Hermosa Dawn
The Shores
78 bpm • C# Maj • 02:01 • -19.69db
38% Popularity • 40% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
38% Popularity • 40% Danceability • 12% Energy • 11% Liveness
92% Instrumentalness • 21% Positiveness
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MettaForm
Go Gently
78 bpm • E Maj • 02:35 • -30.16db
39% Popularity • 31% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
39% Popularity • 31% Danceability • 1% Energy • 9% Liveness
94% Instrumentalness • 29% Positiveness
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Sacha Hoedemaker
Forgiveness
78 bpm • D# Maj • 02:15 • -26.98db
38% Popularity • 44% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
38% Popularity • 44% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 15% Positiveness
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Seth Fernsby
Avenues
79 bpm • D Maj • 02:19 • -32.15db
42% Popularity • 41% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
42% Popularity • 41% Danceability • 3% Energy • 10% Liveness
89% Instrumentalness • 20% Positiveness
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Vala Capon
Presto arriverà il sole
77 bpm • D Maj • 02:32 • -26.16db
27% Popularity • 38% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
27% Popularity • 38% Danceability • 4% Energy • 10% Liveness
92% Instrumentalness • 42% Positiveness
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Mildred Wolf
A Place Like This
77 bpm • E Maj • 02:01 • -24db
39% Popularity • 42% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
39% Popularity • 42% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 21% Positiveness
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The Masked Pianoman
Tolerance
79 bpm • G Maj • 02:20 • -33.6db
35% Popularity • 34% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
35% Popularity • 34% Danceability • 1% Energy • 12% Liveness
96% Instrumentalness • 9% Positiveness
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Ragnar Seaholm
Sailing The Sea Of Ghosts
77 bpm • F min • 02:59 • -22.89db
31% Popularity • 41% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 33% Positiveness
31% Popularity • 41% Danceability • 8% Energy • 13% Liveness
90% Instrumentalness • 33% Positiveness
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Melvin Norberg
Tanken för oss vidare
79 bpm • A# Maj • 02:11 • -27.47db
36% Popularity • 42% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
36% Popularity • 42% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 24% Positiveness
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Helena Gabriel
I Try
79 bpm • A# Maj • 01:49 • -26.88db
33% Popularity • 32% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 39% Positiveness
33% Popularity • 32% Danceability • 4% Energy • 11% Liveness
89% Instrumentalness • 39% Positiveness
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Bert Evins
Prelude For Growth
77 bpm • D# Maj • 02:29 • -30.26db
38% Popularity • 34% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
38% Popularity • 34% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Coralia del Villar
Quérete a ti mesmo
79 bpm • F Maj • 02:45 • -26.38db
52% Popularity • 52% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
52% Popularity • 52% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 20% Positiveness
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Alida Sørby
Svanninge Bakker
79 bpm • D Maj • 01:57 • -22db
33% Popularity • 33% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
33% Popularity • 33% Danceability • 8% Energy • 10% Liveness
92% Instrumentalness • 35% Positiveness
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Carl Stark Willgold
Grace
76 bpm • D# Maj • 02:15 • -25db
42% Popularity • 24% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
42% Popularity • 24% Danceability • 3% Energy • 12% Liveness
92% Instrumentalness • 38% Positiveness
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Jean DeVoite
A Quiet Triumph
80 bpm • D# Maj • 02:04 • -20.98db
52% Popularity • 63% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
52% Popularity • 63% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
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Charles Bolt
Distance
80 bpm • C Maj • 02:26 • -25.27db
36% Popularity • 70% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
36% Popularity • 70% Danceability • 3% Energy • 11% Liveness
97% Instrumentalness • 33% Positiveness
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Michael Brogadaccio
Flow
80 bpm • F min • 02:23 • -23.33db
28% Popularity • 53% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 46% Positiveness
28% Popularity • 53% Danceability • 5% Energy • 11% Liveness
94% Instrumentalness • 46% Positiveness
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Peter Cavallo
Rainy Day
80 bpm • G min • 03:06 • -24.33db
33% Popularity • 20% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
33% Popularity • 20% Danceability • 6% Energy • 12% Liveness
96% Instrumentalness • 4% Positiveness
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Alida Sørby
Kjæreste
76 bpm • C# Maj • 02:23 • -26db
38% Popularity • 46% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 34% Positiveness
38% Popularity • 46% Danceability • 2% Energy • 12% Liveness
96% Instrumentalness • 34% Positiveness
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Vinnie Gianni
Dreaming
76 bpm • C Maj • 02:19 • -27.96db
45% Popularity • 52% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
45% Popularity • 52% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
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Roman Nadler
Cerulean
80 bpm • C Maj • 02:22 • -21.33db
30% Popularity • 21% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
30% Popularity • 21% Danceability • 7% Energy • 12% Liveness
94% Instrumentalness • 39% Positiveness
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Domitila James
Guinevere
80 bpm • F# Maj • 01:54 • -24.5db
30% Popularity • 44% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 41% Positiveness
30% Popularity • 44% Danceability • 11% Energy • 10% Liveness
96% Instrumentalness • 41% Positiveness
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Evening Tales from the Stars
Lyra
76 bpm • C# Maj • 02:45 • -29.4db
55% Popularity • 32% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 44% Positiveness
55% Popularity • 32% Danceability • 5% Energy • 11% Liveness
97% Instrumentalness • 44% Positiveness
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Jani Lechleiter
Mirno
80 bpm • C# min • 02:01 • -34.35db
38% Popularity • 29% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 47% Positiveness
38% Popularity • 29% Danceability • 2% Energy • 10% Liveness
90% Instrumentalness • 47% Positiveness
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Nicholas Wright
Cathedral
76 bpm • D# Maj • 03:19 • -30.91db
32% Popularity • 43% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
32% Popularity • 43% Danceability • 1% Energy • 11% Liveness
94% Instrumentalness • 16% Positiveness
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Federico Montoya
Theme from Lazarus
80 bpm • E Maj • 01:41 • -23.19db
31% Popularity • 42% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 37% Positiveness
31% Popularity • 42% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 37% Positiveness
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Eline Neteland
Fordi jeg vil
80 bpm • E Maj • 02:43 • -31.4db
40% Popularity • 42% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 41% Positiveness
40% Popularity • 42% Danceability • 4% Energy • 8% Liveness
93% Instrumentalness • 41% Positiveness
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Zdenek Lemelin
Des ponts plutôt que des murs
76 bpm • C# min • 02:28 • -25.09db
34% Popularity • 62% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 54% Positiveness
34% Popularity • 62% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 54% Positiveness
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Ray Hutchcraft
Cottonwood Shores
76 bpm • B Maj • 02:19 • -24.23db
30% Popularity • 35% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 34% Positiveness
30% Popularity • 35% Danceability • 11% Energy • 12% Liveness
96% Instrumentalness • 34% Positiveness
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Ulrich Volker
Kleine Forelle
80 bpm • D# Maj • 01:58 • -26.31db
45% Popularity • 55% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 36% Positiveness
45% Popularity • 55% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 36% Positiveness
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Jen Libby
Remembrance
76 bpm • F Maj • 02:28 • -24db
38% Popularity • 43% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 69% Positiveness
38% Popularity • 43% Danceability • 1% Energy • 12% Liveness
97% Instrumentalness • 69% Positiveness
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Signe Bratlie
Spørsmål
76 bpm • D# min • 03:16 • -29.14db
35% Popularity • 38% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
35% Popularity • 38% Danceability • 2% Energy • 11% Liveness
93% Instrumentalness • 16% Positiveness
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Zach Levi
Midnight Sun
76 bpm • C Maj • 02:40 • -26.15db
37% Popularity • 59% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
37% Popularity • 59% Danceability • 8% Energy • 11% Liveness
95% Instrumentalness • 18% Positiveness
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Jonas Holmes
Ouroboros
81 bpm • C min • 02:05 • -25.64db
38% Popularity • 34% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
38% Popularity • 34% Danceability • 6% Energy • 12% Liveness
95% Instrumentalness • 22% Positiveness
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September Meredyth
Watch You Bloom
75 bpm • E Maj • 02:01 • -28.85db
38% Popularity • 43% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 69% Positiveness
38% Popularity • 43% Danceability • 3% Energy • 11% Liveness
90% Instrumentalness • 69% Positiveness
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Vittoria Emanuelle
Time to Heal
75 bpm • C Maj • 02:34 • -23db
31% Popularity • 34% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
31% Popularity • 34% Danceability • 12% Energy • 11% Liveness
96% Instrumentalness • 19% Positiveness
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Steven Vrancken
Gracewood (Revisited)
75 bpm • E Maj • 02:20 • -21.48db
38% Popularity • 37% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
38% Popularity • 37% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 16% Positiveness
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Alec Windt
In Love
75 bpm • D Maj • 01:56 • -24db
35% Popularity • 52% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 44% Positiveness
35% Popularity • 52% Danceability • 1% Energy • 10% Liveness
96% Instrumentalness • 44% Positiveness
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Sophie Wendel
Promises Kept
75 bpm • G# Maj • 01:43 • -24.38db
25% Popularity • 43% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 41% Positiveness
25% Popularity • 43% Danceability • 3% Energy • 10% Liveness
93% Instrumentalness • 41% Positiveness
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Coralia del Villar
Libélula
81 bpm • C Maj • 02:45 • -28.84db
54% Popularity • 33% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 20% Positiveness
54% Popularity • 33% Danceability • 0% Energy • 10% Liveness
97% Instrumentalness • 20% Positiveness
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Kathrin Holtz
Les débuts
75 bpm • C Maj • 02:13 • -29.06db
44% Popularity • 32% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
44% Popularity • 32% Danceability • 1% Energy • 12% Liveness
93% Instrumentalness • 15% Positiveness
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Domenik Kalinsky
Reflection of the Unknown
75 bpm • G Maj • 03:03 • -27.11db
33% Popularity • 43% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
33% Popularity • 43% Danceability • 3% Energy • 11% Liveness
88% Instrumentalness • 12% Positiveness
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Mark Mintuny
Beloved
81 bpm • D Maj • 02:13 • -25db
40% Popularity • 30% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 65% Positiveness
40% Popularity • 30% Danceability • 1% Energy • 11% Liveness
90% Instrumentalness • 65% Positiveness
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Jacques Moni
Manus in Mano
75 bpm • D# Maj • 03:00 • -28.1db
37% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
37% Popularity • 24% Danceability • 1% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Charlotte Funke
Episode
75 bpm • G Maj • 02:30 • -30.75db
43% Popularity • 37% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
43% Popularity • 37% Danceability • 1% Energy • 10% Liveness
97% Instrumentalness • 18% Positiveness
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Rosa La Corte
Da adesso fino all'eternitÃ
81 bpm • C min • 02:03 • -21.91db
30% Popularity • 50% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
30% Popularity • 50% Danceability • 3% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Ingeborg
Watching Dew Drops
75 bpm • D min • 02:00 • -25db
31% Popularity • 51% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 41% Positiveness
31% Popularity • 51% Danceability • 2% Energy • 8% Liveness
97% Instrumentalness • 41% Positiveness
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Carluccio
Now and Then
74 bpm • F Maj • 02:27 • -28.04db
40% Popularity • 27% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
40% Popularity • 27% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 32% Positiveness
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Marcus Ackermann
Partings
74 bpm • C Maj • 03:04 • -27.71db
21% Popularity • 47% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
21% Popularity • 47% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 24% Positiveness
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Antoine Minot
Romance no 1 "Nordica"
82 bpm • A# Maj • 02:52 • -28.55db
41% Popularity • 28% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
41% Popularity • 28% Danceability • 4% Energy • 11% Liveness
94% Instrumentalness • 13% Positiveness
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Saeko Seki
Grace
82 bpm • F Maj • 02:34 • -23.01db
28% Popularity • 39% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
28% Popularity • 39% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 15% Positiveness
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Ambrosiae
Forevermore
82 bpm • F Maj • 02:34 • -24.24db
67% Popularity • 47% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
67% Popularity • 47% Danceability • 2% Energy • 12% Liveness
90% Instrumentalness • 33% Positiveness
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Federcio Vernazza
Silk Road
74 bpm • A Maj • 01:53 • -22.11db
31% Popularity • 60% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
31% Popularity • 60% Danceability • 4% Energy • 11% Liveness
97% Instrumentalness • 10% Positiveness
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Heddwch
Dolce Far Niente
74 bpm • B Maj • 02:12 • -23.04db
45% Popularity • 47% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
45% Popularity • 47% Danceability • 3% Energy • 10% Liveness
88% Instrumentalness • 14% Positiveness
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Floriscope
Petals
74 bpm • B Maj • 02:37 • -23.47db
45% Popularity • 43% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
45% Popularity • 43% Danceability • 3% Energy • 9% Liveness
94% Instrumentalness • 31% Positiveness
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R. Strachan
Out from Under
74 bpm • D# Maj • 02:46 • -21.45db
42% Popularity • 38% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
42% Popularity • 38% Danceability • 1% Energy • 12% Liveness
94% Instrumentalness • 34% Positiveness
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Alavilla Mailla
Scenery
74 bpm • C# Maj • 02:17 • -33.68db
36% Popularity • 48% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
36% Popularity • 48% Danceability • 2% Energy • 11% Liveness
94% Instrumentalness • 28% Positiveness
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Abbie Lou Johnston
Something For Nothing
74 bpm • D# Maj • 03:19 • -19.4db
1% Popularity • 32% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
1% Popularity • 32% Danceability • 11% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Auguste Léon
Solitaire
73 bpm • D Maj • 03:04 • -28.35db
31% Popularity • 32% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 20% Positiveness
31% Popularity • 32% Danceability • 1% Energy • 9% Liveness
95% Instrumentalness • 20% Positiveness
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Domenico Cattaneo
La gatta frettolosa fece i gattini ciech...
74 bpm • D# min • 01:47 • -25.17db
30% Popularity • 32% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
30% Popularity • 32% Danceability • 7% Energy • 11% Liveness
96% Instrumentalness • 26% Positiveness
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Bryan Colbert
With Certainty of Tides
73 bpm • G# Maj • 02:13 • -28.2db
34% Popularity • 28% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
34% Popularity • 28% Danceability • 2% Energy • 9% Liveness
89% Instrumentalness • 18% Positiveness
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Charlie Key
Love of Us
73 bpm • G# Maj • 02:46 • -28.06db
27% Popularity • 66% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
27% Popularity • 66% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 53% Positiveness
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Michel Vernier
A Moment For Us
73 bpm • F Maj • 02:12 • -23.46db
30% Popularity • 47% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
30% Popularity • 47% Danceability • 3% Energy • 11% Liveness
95% Instrumentalness • 43% Positiveness
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Jani Lechleiter
Má sestra
73 bpm • D# min • 02:05 • -25.2db
61% Popularity • 50% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
61% Popularity • 50% Danceability • 3% Energy • 10% Liveness
95% Instrumentalness • 26% Positiveness
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Baudouin Béringer
Belle Vie De Tous Les Jours
83 bpm • C Maj • 02:37 • -26db
55% Popularity • 33% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
55% Popularity • 33% Danceability • 1% Energy • 11% Liveness
93% Instrumentalness • 37% Positiveness
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Anthony Sullivan
From This Day
73 bpm • G# Maj • 02:14 • -21.74db
30% Popularity • 42% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
30% Popularity • 42% Danceability • 0% Energy • 10% Liveness
94% Instrumentalness • 19% Positiveness
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Ruben Galloway
The Ocean and Me
73 bpm • E min • 02:50 • -27.43db
24% Popularity • 43% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 18% Positiveness
24% Popularity • 43% Danceability • 4% Energy • 8% Liveness
96% Instrumentalness • 18% Positiveness
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Charlie Key
Into The Light
73 bpm • E min • 01:40 • -24.91db
44% Popularity • 47% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 17% Positiveness
44% Popularity • 47% Danceability • 1% Energy • 7% Liveness
97% Instrumentalness • 17% Positiveness
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Berlioz
Still
73 bpm • D Maj • 02:16 • -30.16db
45% Popularity • 54% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 30% Positiveness
45% Popularity • 54% Danceability • 4% Energy • 10% Liveness
96% Instrumentalness • 30% Positiveness
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Yitzhak Benjamin
Tomorrow
73 bpm • C Maj • 02:07 • -28.27db
32% Popularity • 38% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
32% Popularity • 38% Danceability • 0% Energy • 10% Liveness
95% Instrumentalness • 29% Positiveness
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April Baxter
Enchanted
73 bpm • C Maj • 02:27 • -27.68db
48% Popularity • 54% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 15% Positiveness
48% Popularity • 54% Danceability • 3% Energy • 12% Liveness
94% Instrumentalness • 15% Positiveness
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Little Florence
My Day
72 bpm • D# Maj • 02:39 • -24.68db
31% Popularity • 58% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
31% Popularity • 58% Danceability • 3% Energy • 10% Liveness
94% Instrumentalness • 28% Positiveness
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Ricki Westberg
The Morning After
72 bpm • F min • 02:30 • -24.33db
24% Popularity • 44% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 37% Positiveness
24% Popularity • 44% Danceability • 5% Energy • 13% Liveness
95% Instrumentalness • 37% Positiveness
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Peter Cavallo
Motionless
72 bpm • A min • 02:44 • -24.57db
31% Popularity • 39% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
31% Popularity • 39% Danceability • 4% Energy • 9% Liveness
93% Instrumentalness • 18% Positiveness
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Odin Sørlie
Auriga
72 bpm • A# Maj • 02:14 • -30.37db
39% Popularity • 40% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 61% Positiveness
39% Popularity • 40% Danceability • 3% Energy • 13% Liveness
96% Instrumentalness • 61% Positiveness
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Yitzhak Benjamin
Whirlwind
72 bpm • A# min • 02:01 • -22.83db
31% Popularity • 27% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
31% Popularity • 27% Danceability • 1% Energy • 10% Liveness
92% Instrumentalness • 19% Positiveness
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Davorka Poljak
Isonzo
72 bpm • D Maj • 01:47 • -21.64db
41% Popularity • 37% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
41% Popularity • 37% Danceability • 13% Energy • 10% Liveness
94% Instrumentalness • 50% Positiveness
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Abbie Lou Johnston
Pause To Think
84 bpm • C min • 03:45 • -21.02db
22% Popularity • 53% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
22% Popularity • 53% Danceability • 6% Energy • 10% Liveness
95% Instrumentalness • 18% Positiveness
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Albie Monroy
The Mystery
72 bpm • C# Maj • 03:06 • -24db
20% Popularity • 51% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 25% Positiveness
20% Popularity • 51% Danceability • 3% Energy • 9% Liveness
97% Instrumentalness • 25% Positiveness
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Steven Windhaug
Days Off
72 bpm • D# Maj • 02:30 • -28.41db
37% Popularity • 38% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
37% Popularity • 38% Danceability • 1% Energy • 14% Liveness
94% Instrumentalness • 6% Positiveness
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Sarah Spring
Under Cold Water
85 bpm • A# min • 02:06 • -26.35db
43% Popularity • 26% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
43% Popularity • 26% Danceability • 11% Energy • 10% Liveness
86% Instrumentalness • 32% Positiveness
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Allysa Nelson
Thankful
72 bpm • C Maj • 03:07 • -25.52db
35% Popularity • 35% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
35% Popularity • 35% Danceability • 2% Energy • 10% Liveness
94% Instrumentalness • 11% Positiveness
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Davorka Poljak
Kozjak
84 bpm • B Maj • 02:28 • -25.41db
29% Popularity • 42% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
29% Popularity • 42% Danceability • 1% Energy • 9% Liveness
92% Instrumentalness • 18% Positiveness
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Javi Lobe
Light
72 bpm • G Maj • 02:17 • -30.83db
36% Popularity • 27% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
36% Popularity • 27% Danceability • 2% Energy • 9% Liveness
94% Instrumentalness • 4% Positiveness
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Thomas Erwin
Curiosity
71 bpm • D# Maj • 02:23 • -27.63db
23% Popularity • 31% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
23% Popularity • 31% Danceability • 1% Energy • 10% Liveness
94% Instrumentalness • 10% Positiveness
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Jenna Elizabeth
Lullaby to Brooklyn
72 bpm • D# Maj • 02:27 • -26.59db
37% Popularity • 37% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
37% Popularity • 37% Danceability • 1% Energy • 11% Liveness
96% Instrumentalness • 32% Positiveness
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Léon Branche
Leniency
85 bpm • A# Maj • 02:23 • -30db
31% Popularity • 36% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
31% Popularity • 36% Danceability • 2% Energy • 11% Liveness
88% Instrumentalness • 11% Positiveness
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Orlene de Brisay
Tiens-toi à moi
71 bpm • A Maj • 02:02 • -24.17db
32% Popularity • 43% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
32% Popularity • 43% Danceability • 5% Energy • 9% Liveness
94% Instrumentalness • 26% Positiveness
