Songs like Biscuit Town by King Krule
Based on a tempo of (+/- 10%) and a similar genre
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King Krule
Biscuit Town
107 bpm • G Maj • 03:42 • -7.82db
43% Popularity • 76% Danceability • 55% Energy • 26% Liveness
2% Instrumentalness • 51% Positiveness
43% Popularity • 76% Danceability • 55% Energy • 26% Liveness
2% Instrumentalness • 51% Positiveness
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The Koreatown Oddity
Weed in LA
107 bpm • B min • 02:18 • -7.07db
37% Popularity • 68% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
37% Popularity • 68% Danceability • 81% Energy • 26% Liveness
0% Instrumentalness • 80% Positiveness
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Drugdealer
Suddenly
108 bpm • E Maj • 03:17 • -7.54db
54% Popularity • 65% Danceability • 46% Energy • 50% Liveness
5% Instrumentalness • 58% Positiveness
54% Popularity • 65% Danceability • 46% Energy • 50% Liveness
5% Instrumentalness • 58% Positiveness
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Show Me the Body
Metallic Taste
108 bpm • G Maj • 03:13 • -6.43db
47% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
47% Popularity • 67% Danceability • 38% Energy • 10% Liveness
0% Instrumentalness • 31% Positiveness
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Hiatus Kaiyote
Laputa (Taylor McFerrin Remix Anderson ....
106 bpm • F min • 04:04 • -8db
43% Popularity • 45% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
43% Popularity • 45% Danceability • 66% Energy • 12% Liveness
0% Instrumentalness • 49% Positiveness
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Archy Marshall
Empty Vessels
106 bpm • A min • 03:29 • -12db
25% Popularity • 43% Danceability • 45% Energy • 36% Liveness
2% Instrumentalness • 41% Positiveness
25% Popularity • 43% Danceability • 45% Energy • 36% Liveness
2% Instrumentalness • 41% Positiveness
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King Krule
Portrait In Black and Blue
109 bpm • D min • 02:53 • -10db
40% Popularity • 30% Danceability • 51% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
40% Popularity • 30% Danceability • 51% Energy • 33% Liveness
1% Instrumentalness • 10% Positiveness
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Melody's Echo Chamber
Cross My Heart
109 bpm • G Maj • 06:55 • -7.24db
31% Popularity • 62% Danceability • 79% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
31% Popularity • 62% Danceability • 79% Energy • 9% Liveness
1% Instrumentalness • 57% Positiveness
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Standing On The Corner
Vomets
105 bpm • C Maj • 03:19 • -10.16db
38% Popularity • 35% Danceability • 61% Energy • 31% Liveness
35% Instrumentalness • 56% Positiveness
38% Popularity • 35% Danceability • 61% Energy • 31% Liveness
35% Instrumentalness • 56% Positiveness
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Mild High Club
Skiptracing
109 bpm • B min • 03:39 • -9.2db
53% Popularity • 72% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
53% Popularity • 72% Danceability • 68% Energy • 40% Liveness
0% Instrumentalness • 82% Positiveness
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Dean Blunt
the rot
105 bpm • F# Maj • 03:43 • -8.24db
50% Popularity • 34% Danceability • 78% Energy • 12% Liveness
28% Instrumentalness • 47% Positiveness
50% Popularity • 34% Danceability • 78% Energy • 12% Liveness
28% Instrumentalness • 47% Positiveness
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Archy Marshall
Thames Water
108 bpm • D# min • 07:01 • -10.08db
32% Popularity • 51% Danceability • 54% Energy • 34% Liveness
23% Instrumentalness • 21% Positiveness
32% Popularity • 51% Danceability • 54% Energy • 34% Liveness
23% Instrumentalness • 21% Positiveness
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King Krule
The Noose of Jah City
109 bpm • E Maj • 04:01 • -9db
43% Popularity • 58% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
43% Popularity • 58% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 4% Positiveness
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Tirzah
Do You Know
110 bpm • C# Maj • 03:37 • -7.14db
29% Popularity • 63% Danceability • 25% Energy • 13% Liveness
8% Instrumentalness • 15% Positiveness
29% Popularity • 63% Danceability • 25% Energy • 13% Liveness
8% Instrumentalness • 15% Positiveness
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George Clanton
Livin' Loose
110 bpm • G# Maj • 05:49 • -5.42db
46% Popularity • 30% Danceability • 95% Energy • 62% Liveness
0% Instrumentalness • 32% Positiveness
46% Popularity • 30% Danceability • 95% Energy • 62% Liveness
0% Instrumentalness • 32% Positiveness
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Slauson Malone 1
The Wake Pt. 3 & 2 (see page 87, 58, and...
104 bpm • E min • 05:34 • -10.67db
36% Popularity • 45% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
36% Popularity • 45% Danceability • 34% Energy • 8% Liveness
0% Instrumentalness • 22% Positiveness
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Animal Collective
Man Of Oil
110 bpm • B Maj • 05:25 • -11.13db
41% Popularity • 63% Danceability • 56% Energy • 38% Liveness
1% Instrumentalness • 77% Positiveness
41% Popularity • 63% Danceability • 56% Energy • 38% Liveness
1% Instrumentalness • 77% Positiveness
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Archy Marshall
Buffed Sky
105 bpm • B Maj • 02:37 • -14.55db
28% Popularity • 63% Danceability • 44% Energy • 45% Liveness
15% Instrumentalness • 38% Positiveness
28% Popularity • 63% Danceability • 44% Energy • 45% Liveness
15% Instrumentalness • 38% Positiveness
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Toro y Moi
Rose Quartz
110 bpm • C min • 04:13 • -12.37db
52% Popularity • 76% Danceability • 48% Energy • 31% Liveness
72% Instrumentalness • 41% Positiveness
52% Popularity • 76% Danceability • 48% Energy • 31% Liveness
72% Instrumentalness • 41% Positiveness
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Lil Ugly Mane
benadryl submarine
110 bpm • F Maj • 03:40 • -6db
42% Popularity • 67% Danceability • 91% Energy • 47% Liveness
22% Instrumentalness • 93% Positiveness
42% Popularity • 67% Danceability • 91% Energy • 47% Liveness
22% Instrumentalness • 93% Positiveness
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Quadry
1:04 PM
104 bpm • C Maj • 02:10 • -6.62db
39% Popularity • 81% Danceability • 85% Energy • 12% Liveness
8% Instrumentalness • 79% Positiveness
39% Popularity • 81% Danceability • 85% Energy • 12% Liveness
8% Instrumentalness • 79% Positiveness
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Tirzah
No Romance
104 bpm • D# Maj • 03:57 • -8.17db
44% Popularity • 74% Danceability • 52% Energy • 6% Liveness
62% Instrumentalness • 79% Positiveness
44% Popularity • 74% Danceability • 52% Energy • 6% Liveness
62% Instrumentalness • 79% Positiveness
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Salami Rose Joe Louis
Nostalgic Montage
110 bpm • A Maj • 02:10 • -17.71db
49% Popularity • 47% Danceability • 19% Energy • 10% Liveness
10% Instrumentalness • 7% Positiveness
49% Popularity • 47% Danceability • 19% Energy • 10% Liveness
10% Instrumentalness • 7% Positiveness
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Archy Marshall
Ammi Ammi
110 bpm • B Maj • 03:29 • -11.87db
32% Popularity • 61% Danceability • 57% Energy • 60% Liveness
42% Instrumentalness • 49% Positiveness
32% Popularity • 61% Danceability • 57% Energy • 60% Liveness
42% Instrumentalness • 49% Positiveness
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Unknown Mortal Orchestra
So Good at Being in Trouble
104 bpm • C Maj • 03:50 • -10.14db
65% Popularity • 83% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
65% Popularity • 83% Danceability • 44% Energy • 12% Liveness
88% Instrumentalness • 59% Positiveness
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Dean Blunt
MOLLY & AQUAFINA
110 bpm • F Maj • 04:06 • -15.9db
40% Popularity • 42% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
40% Popularity • 42% Danceability • 10% Energy • 12% Liveness
9% Instrumentalness • 10% Positiveness
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Broadcast
Accidentals
110 bpm • F# Maj • 03:28 • -12.83db
36% Popularity • 24% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
36% Popularity • 24% Danceability • 46% Energy • 10% Liveness
92% Instrumentalness • 22% Positiveness
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Jerkcurb
Night on Earth
103 bpm • E Maj • 05:40 • -7.22db
41% Popularity • 27% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
41% Popularity • 27% Danceability • 49% Energy • 12% Liveness
0% Instrumentalness • 13% Positiveness
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Cosmo Pyke
Wish You Were Gone
103 bpm • A min • 04:21 • -5.34db
44% Popularity • 44% Danceability • 74% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
44% Popularity • 44% Danceability • 74% Energy • 41% Liveness
0% Instrumentalness • 34% Positiveness
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King Krule
(Don't Let The Dragon) Draag On
103 bpm • G Maj • 02:31 • -14.28db
37% Popularity • 70% Danceability • 21% Energy • 11% Liveness
62% Instrumentalness • 16% Positiveness
37% Popularity • 70% Danceability • 21% Energy • 11% Liveness
62% Instrumentalness • 16% Positiveness
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Animal Collective
In The Flowers
111 bpm • C Maj • 05:22 • -8db
41% Popularity • 22% Danceability • 75% Energy • 40% Liveness
12% Instrumentalness • 48% Positiveness
41% Popularity • 22% Danceability • 75% Energy • 40% Liveness
12% Instrumentalness • 48% Positiveness
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Jai Paul
All Night - Unfinished
111 bpm • F# min • 03:12 • -12.89db
39% Popularity • 55% Danceability • 30% Energy • 12% Liveness
5% Instrumentalness • 44% Positiveness
39% Popularity • 55% Danceability • 30% Energy • 12% Liveness
5% Instrumentalness • 44% Positiveness
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Nick Hakim
Miss Chew
112 bpm • D# Maj • 04:25 • -5.43db
28% Popularity • 66% Danceability • 66% Energy • 34% Liveness
1% Instrumentalness • 36% Positiveness
28% Popularity • 66% Danceability • 66% Energy • 34% Liveness
1% Instrumentalness • 36% Positiveness
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Dean Blunt
100
102 bpm • A# min • 03:20 • -6.47db
62% Popularity • 61% Danceability • 81% Energy • 27% Liveness
6% Instrumentalness • 48% Positiveness
62% Popularity • 61% Danceability • 81% Energy • 27% Liveness
6% Instrumentalness • 48% Positiveness
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Cosmo Pyke
Chronic Sunshine
111 bpm • G Maj • 04:30 • -5db
54% Popularity • 43% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
54% Popularity • 43% Danceability • 77% Energy • 35% Liveness
0% Instrumentalness • 50% Positiveness
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Crumb
Recently Played
112 bpm • F min • 02:00 • -11.05db
49% Popularity • 57% Danceability • 33% Energy • 23% Liveness
23% Instrumentalness • 12% Positiveness
49% Popularity • 57% Danceability • 33% Energy • 23% Liveness
23% Instrumentalness • 12% Positiveness
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King Krule
The Krockadile
103 bpm • G Maj • 04:51 • -7.82db
35% Popularity • 44% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
35% Popularity • 44% Danceability • 78% Energy • 10% Liveness
0% Instrumentalness • 18% Positiveness
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Archy Marshall
New Builds
102 bpm • F# min • 01:33 • -14.86db
27% Popularity • 72% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 77% Positiveness
27% Popularity • 72% Danceability • 40% Energy • 12% Liveness
3% Instrumentalness • 77% Positiveness
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Jai Paul
Crush - Unfinished
111 bpm • F Maj • 03:45 • -8.04db
42% Popularity • 68% Danceability • 34% Energy • 12% Liveness
4% Instrumentalness • 57% Positiveness
42% Popularity • 68% Danceability • 34% Energy • 12% Liveness
4% Instrumentalness • 57% Positiveness
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Tame Impala
It Is Not Meant To Be
102 bpm • C Maj • 05:21 • -4.68db
55% Popularity • 43% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 46% Positiveness
55% Popularity • 43% Danceability • 90% Energy • 45% Liveness
0% Instrumentalness • 46% Positiveness
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infinite bisous
Lost in Translation /2
112 bpm • G min • 03:44 • -12.54db
26% Popularity • 90% Danceability • 18% Energy • 5% Liveness
10% Instrumentalness • 20% Positiveness
26% Popularity • 90% Danceability • 18% Energy • 5% Liveness
10% Instrumentalness • 20% Positiveness
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billy woods
Spongebob
112 bpm • E min • 03:52 • -11.72db
40% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
40% Popularity • 70% Danceability • 50% Energy • 11% Liveness
0% Instrumentalness • 29% Positiveness
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Crumb
BNR
102 bpm • A Maj • 03:01 • -8.41db
45% Popularity • 64% Danceability • 60% Energy • 12% Liveness
60% Instrumentalness • 38% Positiveness
45% Popularity • 64% Danceability • 60% Energy • 12% Liveness
60% Instrumentalness • 38% Positiveness
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Dean Blunt
9
113 bpm • F min • 01:27 • -15db
54% Popularity • 49% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
54% Popularity • 49% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 8% Positiveness
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Arthur Russell
Answers Me
101 bpm • A# min • 02:10 • -22db
33% Popularity • 69% Danceability • 16% Energy • 17% Liveness
67% Instrumentalness • 20% Positiveness
33% Popularity • 69% Danceability • 16% Energy • 17% Liveness
67% Instrumentalness • 20% Positiveness
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Radiohead
Kid A
113 bpm • F Maj • 04:44 • -15.52db
56% Popularity • 63% Danceability • 43% Energy • 28% Liveness
85% Instrumentalness • 16% Positiveness
56% Popularity • 63% Danceability • 43% Energy • 28% Liveness
85% Instrumentalness • 16% Positiveness
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Stereolab
Miss Modular
113 bpm • F# min • 04:29 • -10.58db
44% Popularity • 76% Danceability • 52% Energy • 11% Liveness
69% Instrumentalness • 80% Positiveness
44% Popularity • 76% Danceability • 52% Energy • 11% Liveness
69% Instrumentalness • 80% Positiveness
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Drugdealer
The End Of Comedy
113 bpm • D# Maj • 02:31 • -7db
37% Popularity • 55% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
37% Popularity • 55% Danceability • 30% Energy • 18% Liveness
0% Instrumentalness • 43% Positiveness
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Tyler, The Creator
Garden Shed
113 bpm • D min • 03:43 • -8.45db
64% Popularity • 42% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
64% Popularity • 42% Danceability • 46% Energy • 12% Liveness
2% Instrumentalness • 15% Positiveness
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Melody's Echo Chamber
Shirim
101 bpm • C Maj • 04:46 • -10.99db
48% Popularity • 65% Danceability • 71% Energy • 25% Liveness
44% Instrumentalness • 53% Positiveness
48% Popularity • 65% Danceability • 71% Energy • 25% Liveness
44% Instrumentalness • 53% Positiveness
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Slauson Malone 1
Smile #1
101 bpm • A# Maj • 03:04 • -5.02db
27% Popularity • 43% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
27% Popularity • 43% Danceability • 85% Energy • 38% Liveness
0% Instrumentalness • 35% Positiveness
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Mount Kimbie
We Go Home Together
101 bpm • G min • 02:35 • -11.26db
36% Popularity • 31% Danceability • 44% Energy • 32% Liveness
5% Instrumentalness • 8% Positiveness
36% Popularity • 31% Danceability • 44% Energy • 32% Liveness
5% Instrumentalness • 8% Positiveness
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King Krule
Logos
114 bpm • B min • 03:50 • -13.34db
40% Popularity • 75% Danceability • 44% Energy • 11% Liveness
57% Instrumentalness • 32% Positiveness
40% Popularity • 75% Danceability • 44% Energy • 11% Liveness
57% Instrumentalness • 32% Positiveness
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Cornelius
Mic Check
101 bpm • C# Maj • 03:01 • -10.38db
36% Popularity • 52% Danceability • 74% Energy • 35% Liveness
23% Instrumentalness • 31% Positiveness
36% Popularity • 52% Danceability • 74% Energy • 35% Liveness
23% Instrumentalness • 31% Positiveness
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Radiohead
Separator
114 bpm • D# Maj • 05:19 • -9.8db
50% Popularity • 69% Danceability • 78% Energy • 9% Liveness
74% Instrumentalness • 63% Positiveness
50% Popularity • 69% Danceability • 78% Energy • 9% Liveness
74% Instrumentalness • 63% Positiveness
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J Dilla
Nothing Like This
101 bpm • A# min • 02:34 • -5.88db
26% Popularity • 59% Danceability • 92% Energy • 6% Liveness
76% Instrumentalness • 56% Positiveness
26% Popularity • 59% Danceability • 92% Energy • 6% Liveness
76% Instrumentalness • 56% Positiveness
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King Gizzard & The Lizard Wizard
Work This Time
114 bpm • C# min • 04:36 • -6.27db
50% Popularity • 73% Danceability • 50% Energy • 12% Liveness
15% Instrumentalness • 57% Positiveness
50% Popularity • 73% Danceability • 50% Energy • 12% Liveness
15% Instrumentalness • 57% Positiveness
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Navy Blue
Twenty
114 bpm • F min • 01:13 • -15db
39% Popularity • 37% Danceability • 69% Energy • 42% Liveness
94% Instrumentalness • 29% Positiveness
39% Popularity • 37% Danceability • 69% Energy • 42% Liveness
94% Instrumentalness • 29% Positiveness
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King Krule
Cementality
114 bpm • A min • 03:43 • -13.06db
36% Popularity • 42% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
36% Popularity • 42% Danceability • 19% Energy • 16% Liveness
0% Instrumentalness • 7% Positiveness
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Flying Lotus
Spontaneous
114 bpm • F min • 02:08 • -8db
47% Popularity • 65% Danceability • 79% Energy • 23% Liveness
93% Instrumentalness • 4% Positiveness
47% Popularity • 65% Danceability • 79% Energy • 23% Liveness
93% Instrumentalness • 4% Positiveness
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Yves Tumor
Dream Palette
100 bpm • G# Maj • 02:55 • -5db
40% Popularity • 55% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
40% Popularity • 55% Danceability • 92% Energy • 29% Liveness
0% Instrumentalness • 60% Positiveness
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Horsey
Seahorse
100 bpm • A Maj • 04:18 • -12.13db
36% Popularity • 28% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
36% Popularity • 28% Danceability • 34% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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Yellow Days
What's It All For?
100 bpm • D# min • 04:11 • -7.75db
41% Popularity • 82% Danceability • 67% Energy • 11% Liveness
3% Instrumentalness • 70% Positiveness
41% Popularity • 82% Danceability • 67% Energy • 11% Liveness
3% Instrumentalness • 70% Positiveness
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Unknown Mortal Orchestra
Not in Love We’re Just High
100 bpm • F Maj • 03:37 • -6db
37% Popularity • 87% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
37% Popularity • 87% Danceability • 36% Energy • 14% Liveness
0% Instrumentalness • 46% Positiveness
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King Krule
Will I Come
100 bpm • G min • 01:54 • -10.52db
36% Popularity • 65% Danceability • 46% Energy • 17% Liveness
5% Instrumentalness • 18% Positiveness
36% Popularity • 65% Danceability • 46% Energy • 17% Liveness
5% Instrumentalness • 18% Positiveness
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Standing On The Corner
Santa Maria (Dedicated to Chuchita)
100 bpm • F min • 04:10 • -7.1db
25% Popularity • 58% Danceability • 95% Energy • 78% Liveness
0% Instrumentalness • 63% Positiveness
25% Popularity • 58% Danceability • 95% Energy • 78% Liveness
0% Instrumentalness • 63% Positiveness
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Archy Marshall
Dull Boys
115 bpm • G Maj • 03:25 • -8.89db
28% Popularity • 53% Danceability • 50% Energy • 68% Liveness
49% Instrumentalness • 13% Positiveness
28% Popularity • 53% Danceability • 50% Energy • 68% Liveness
49% Instrumentalness • 13% Positiveness
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Broadcast
Come On Let's Go
115 bpm • D Maj • 03:17 • -10db
53% Popularity • 58% Danceability • 66% Energy • 7% Liveness
10% Instrumentalness • 34% Positiveness
53% Popularity • 58% Danceability • 66% Energy • 7% Liveness
10% Instrumentalness • 34% Positiveness
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black midi
Marlene Dietrich
115 bpm • G Maj • 02:53 • -11.05db
40% Popularity • 60% Danceability • 43% Energy • 11% Liveness
21% Instrumentalness • 46% Positiveness
40% Popularity • 60% Danceability • 43% Energy • 11% Liveness
21% Instrumentalness • 46% Positiveness
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Unknown Mortal Orchestra
If You’re Going to Break Yourself
116 bpm • C# Maj • 04:37 • -7.76db
34% Popularity • 68% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 59% Positiveness
34% Popularity • 68% Danceability • 38% Energy • 11% Liveness
8% Instrumentalness • 59% Positiveness
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King Krule
Empty Stomach Space Cadet
100 bpm • B min • 02:07 • -10.15db
48% Popularity • 61% Danceability • 49% Energy • 21% Liveness
74% Instrumentalness • 19% Positiveness
48% Popularity • 61% Danceability • 49% Energy • 21% Liveness
74% Instrumentalness • 19% Positiveness
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Standing On The Corner
That Awful Sound
115 bpm • G Maj • 02:05 • -8db
32% Popularity • 35% Danceability • 58% Energy • 15% Liveness
2% Instrumentalness • 28% Positiveness
32% Popularity • 35% Danceability • 58% Energy • 15% Liveness
2% Instrumentalness • 28% Positiveness
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Blue Iverson
Hush Money
99 bpm • C# Maj • 01:42 • -8.36db
49% Popularity • 71% Danceability • 80% Energy • 14% Liveness
28% Instrumentalness • 96% Positiveness
49% Popularity • 71% Danceability • 80% Energy • 14% Liveness
28% Instrumentalness • 96% Positiveness
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TOPS
Way to be Loved
116 bpm • B min • 04:23 • -9db
53% Popularity • 58% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
53% Popularity • 58% Danceability • 52% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Slauson Malone 1
Smile #6 (see page 198 and 158)
116 bpm • E min • 04:00 • -10db
32% Popularity • 62% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
32% Popularity • 62% Danceability • 29% Energy • 23% Liveness
0% Instrumentalness • 6% Positiveness
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Crumb
Locket
98 bpm • C# Maj • 05:18 • -10.46db
61% Popularity • 39% Danceability • 48% Energy • 9% Liveness
72% Instrumentalness • 8% Positiveness
61% Popularity • 39% Danceability • 48% Energy • 9% Liveness
72% Instrumentalness • 8% Positiveness
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King Krule
Border Line
100 bpm • B min • 03:05 • -8.3db
50% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
50% Popularity • 64% Danceability • 55% Energy • 8% Liveness
0% Instrumentalness • 35% Positiveness
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Standing On The Corner
Bns
100 bpm • F min • 03:04 • -8.87db
35% Popularity • 44% Danceability • 58% Energy • 49% Liveness
0% Instrumentalness • 24% Positiveness
35% Popularity • 44% Danceability • 58% Energy • 49% Liveness
0% Instrumentalness • 24% Positiveness
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Dean Blunt
CHANCER
117 bpm • B min • 01:27 • -0.92db
45% Popularity • 21% Danceability • 65% Energy • 30% Liveness
20% Instrumentalness • 41% Positiveness
45% Popularity • 21% Danceability • 65% Energy • 30% Liveness
20% Instrumentalness • 41% Positiveness
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Mild High Club
Note to Self
98 bpm • A# min • 02:20 • -9.93db
54% Popularity • 71% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
54% Popularity • 71% Danceability • 38% Energy • 19% Liveness
0% Instrumentalness • 68% Positiveness
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Broadcast
I Found The F
98 bpm • A min • 02:21 • -6db
55% Popularity • 60% Danceability • 72% Energy • 34% Liveness
2% Instrumentalness • 20% Positiveness
55% Popularity • 60% Danceability • 72% Energy • 34% Liveness
2% Instrumentalness • 20% Positiveness
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Archy Marshall
Any God of Yours
98 bpm • C# Maj • 01:38 • -10.92db
31% Popularity • 73% Danceability • 46% Energy • 10% Liveness
76% Instrumentalness • 46% Positiveness
31% Popularity • 73% Danceability • 46% Energy • 10% Liveness
76% Instrumentalness • 46% Positiveness
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King Krule
Bermondsey Bosom (Right)
99 bpm • B Maj • 01:05 • -9.82db
31% Popularity • 55% Danceability • 57% Energy • 13% Liveness
10% Instrumentalness • 36% Positiveness
31% Popularity • 55% Danceability • 57% Energy • 13% Liveness
10% Instrumentalness • 36% Positiveness
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Standing On The Corner
Off a Little Bit
116 bpm • C# Maj • 03:42 • -8.06db
28% Popularity • 39% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
28% Popularity • 39% Danceability • 70% Energy • 23% Liveness
0% Instrumentalness • 29% Positiveness
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Slauson Malone 1
Closed Place, Open World
98 bpm • G# min • 02:43 • -12.11db
29% Popularity • 49% Danceability • 43% Energy • 13% Liveness
89% Instrumentalness • 52% Positiveness
29% Popularity • 49% Danceability • 43% Energy • 13% Liveness
89% Instrumentalness • 52% Positiveness
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Cosmo Pyke
After School Club
117 bpm • G Maj • 05:14 • -3.1db
34% Popularity • 34% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
34% Popularity • 34% Danceability • 88% Energy • 36% Liveness
0% Instrumentalness • 36% Positiveness
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Mild High Club
Chapel Perilous
118 bpm • C# Maj • 04:32 • -10db
38% Popularity • 51% Danceability • 43% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
38% Popularity • 51% Danceability • 43% Energy • 10% Liveness
8% Instrumentalness • 18% Positiveness
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infinite bisous
Lost in Translation /1
117 bpm • F min • 03:20 • -17.94db
33% Popularity • 65% Danceability • 28% Energy • 41% Liveness
55% Instrumentalness • 31% Positiveness
33% Popularity • 65% Danceability • 28% Energy • 41% Liveness
55% Instrumentalness • 31% Positiveness
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King Krule
Ceiling
98 bpm • F Maj • 02:55 • -8.44db
35% Popularity • 60% Danceability • 80% Energy • 55% Liveness
1% Instrumentalness • 41% Positiveness
35% Popularity • 60% Danceability • 80% Energy • 55% Liveness
1% Instrumentalness • 41% Positiveness
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Standing On The Corner
Girl
117 bpm • A Maj • 05:27 • -7db
41% Popularity • 38% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 52% Positiveness
41% Popularity • 38% Danceability • 64% Energy • 52% Liveness
0% Instrumentalness • 52% Positiveness
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Slauson Malone 1
WON'T BLEED ME: The Sequel (see page 39)
97 bpm • D Maj • 00:56 • -5.53db
37% Popularity • 63% Danceability • 63% Energy • 76% Liveness
66% Instrumentalness • 33% Positiveness
37% Popularity • 63% Danceability • 63% Energy • 76% Liveness
66% Instrumentalness • 33% Positiveness
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ARTHUR
Scared
97 bpm • B min • 01:34 • -8.25db
23% Popularity • 45% Danceability • 48% Energy • 56% Liveness
0% Instrumentalness • 24% Positiveness
23% Popularity • 45% Danceability • 48% Energy • 56% Liveness
0% Instrumentalness • 24% Positiveness
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Yves Tumor
Strawberry Privilege
118 bpm • F min • 03:52 • -11db
46% Popularity • 75% Danceability • 53% Energy • 13% Liveness
80% Instrumentalness • 34% Positiveness
46% Popularity • 75% Danceability • 53% Energy • 13% Liveness
80% Instrumentalness • 34% Positiveness
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The Voidz
Pink Ocean
97 bpm • D Maj • 05:26 • -3.7db
50% Popularity • 59% Danceability • 89% Energy • 38% Liveness
60% Instrumentalness • 65% Positiveness
50% Popularity • 59% Danceability • 89% Energy • 38% Liveness
60% Instrumentalness • 65% Positiveness
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King Krule
Half Man Half Shark
117 bpm • B min • 05:02 • -6db
32% Popularity • 52% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
32% Popularity • 52% Danceability • 86% Energy • 11% Liveness
1% Instrumentalness • 34% Positiveness
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Flying Lotus
More
97 bpm • B min • 04:17 • -6db
42% Popularity • 71% Danceability • 80% Energy • 11% Liveness
3% Instrumentalness • 36% Positiveness
42% Popularity • 71% Danceability • 80% Energy • 11% Liveness
3% Instrumentalness • 36% Positiveness
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Against All Logic
I Never Dream
118 bpm • C# min • 06:45 • -4db
35% Popularity • 69% Danceability • 87% Energy • 6% Liveness
79% Instrumentalness • 36% Positiveness
35% Popularity • 69% Danceability • 87% Energy • 6% Liveness
79% Instrumentalness • 36% Positiveness
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Atoms For Peace
Ingenue
97 bpm • F Maj • 04:30 • -10.56db
49% Popularity • 68% Danceability • 54% Energy • 13% Liveness
81% Instrumentalness • 44% Positiveness
49% Popularity • 68% Danceability • 54% Energy • 13% Liveness
81% Instrumentalness • 44% Positiveness
