Songs like Bite The Hand by boygenius
Based on a tempo of (+/- 10%) and a similar genre
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Ethel Cain
Michelle Pfeiffer
100 bpm • E Maj • 04:31 • -7.32db
50% Popularity • 34% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
50% Popularity • 34% Danceability • 70% Energy • 16% Liveness
0% Instrumentalness • 28% Positiveness
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The Beths
Jump Rope Gazers
100 bpm • F Maj • 05:12 • -11.91db
43% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
43% Popularity • 56% Danceability • 41% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Mitski
First Love/Late Spring
100 bpm • C Maj • 04:38 • -8.2db
79% Popularity • 44% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 10% Positiveness
79% Popularity • 44% Danceability • 54% Energy • 20% Liveness
1% Instrumentalness • 10% Positiveness
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Indigo De Souza
All of This Will End
100 bpm • C Maj • 02:59 • -6.55db
44% Popularity • 60% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
44% Popularity • 60% Danceability • 65% Energy • 16% Liveness
0% Instrumentalness • 21% Positiveness
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boygenius
Bite The Hand
100 bpm • A# Maj • 03:12 • -8.12db
62% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
62% Popularity • 54% Danceability • 51% Energy • 11% Liveness
3% Instrumentalness • 19% Positiveness
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Sharon Van Etten
Every Time the Sun Comes Up
100 bpm • C# Maj • 04:22 • -8.74db
62% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
62% Popularity • 66% Danceability • 52% Energy • 20% Liveness
0% Instrumentalness • 30% Positiveness
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Ethel Cain
Thoroughfare
100 bpm • A Maj • 09:27 • -11db
57% Popularity • 55% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
57% Popularity • 55% Danceability • 26% Energy • 23% Liveness
0% Instrumentalness • 17% Positiveness
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Maya Hawke
To Love a Boy
100 bpm • D# min • 02:17 • -13.56db
52% Popularity • 68% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
52% Popularity • 68% Danceability • 20% Energy • 9% Liveness
2% Instrumentalness • 34% Positiveness
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Phoebe Bridgers
Garden Song
100 bpm • C Maj • 03:39 • -16.65db
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
66% Popularity • 43% Danceability • 27% Energy • 11% Liveness
1% Instrumentalness • 17% Positiveness
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Haley Heynderickx
The Bug Collector
100 bpm • A# Maj • 03:48 • -9.71db
70% Popularity • 54% Danceability • 42% Energy • 10% Liveness
33% Instrumentalness • 53% Positiveness
70% Popularity • 54% Danceability • 42% Energy • 10% Liveness
33% Instrumentalness • 53% Positiveness
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Leith Ross
I'd Have to Think About It
101 bpm • F Maj • 02:30 • -14db
56% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
56% Popularity • 51% Danceability • 21% Energy • 12% Liveness
0% Instrumentalness • 51% Positiveness
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Julien Baker
Rejoice
101 bpm • G Maj • 03:33 • -8.15db
38% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
38% Popularity • 48% Danceability • 11% Energy • 11% Liveness
0% Instrumentalness • 12% Positiveness
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Indigo De Souza
The Sun Is Bad
99 bpm • G# Maj • 02:38 • -8.46db
44% Popularity • 38% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
44% Popularity • 38% Danceability • 39% Energy • 9% Liveness
0% Instrumentalness • 17% Positiveness
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Alex G
Hope
99 bpm • F# Maj • 02:36 • -5.43db
56% Popularity • 55% Danceability • 60% Energy • 12% Liveness
47% Instrumentalness • 41% Positiveness
56% Popularity • 55% Danceability • 60% Energy • 12% Liveness
47% Instrumentalness • 41% Positiveness
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Better Oblivion Community Center
Chesapeake
99 bpm • C# Maj • 04:04 • -13.33db
42% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
42% Popularity • 51% Danceability • 23% Energy • 12% Liveness
0% Instrumentalness • 9% Positiveness
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Frightened Rabbit
How It Gets In
99 bpm • A Maj • 02:41 • -7db
30% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
30% Popularity • 35% Danceability • 58% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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The Last Dinner Party
Nothing Matters
101 bpm • D Maj • 03:02 • -5.1db
77% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
77% Popularity • 59% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Julien Baker
Relative Fiction
101 bpm • A Maj • 04:19 • -7.74db
44% Popularity • 51% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
44% Popularity • 51% Danceability • 56% Energy • 11% Liveness
1% Instrumentalness • 36% Positiveness
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FKA twigs
cellophane
98 bpm • D Maj • 03:24 • -11.86db
57% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
57% Popularity • 43% Danceability • 28% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Phoebe Bridgers
Georgia
102 bpm • D Maj • 04:07 • -11.88db
61% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
61% Popularity • 48% Danceability • 44% Energy • 10% Liveness
1% Instrumentalness • 29% Positiveness
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quinnie
touch tank
102 bpm • E Maj • 02:59 • -7db
66% Popularity • 67% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 48% Positiveness
66% Popularity • 67% Danceability • 50% Energy • 43% Liveness
0% Instrumentalness • 48% Positiveness
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Mitski
Francis Forever
102 bpm • D Maj • 02:29 • -9.17db
77% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
77% Popularity • 54% Danceability • 45% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Free Cake For Every Creature
In Your Car
98 bpm • D Maj • 02:03 • -9db
48% Popularity • 61% Danceability • 48% Energy • 11% Liveness
52% Instrumentalness • 69% Positiveness
48% Popularity • 61% Danceability • 48% Energy • 11% Liveness
52% Instrumentalness • 69% Positiveness
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Taylor Swift
Nothing New (Taylor’s Version)
102 bpm • C Maj • 04:18 • -9.46db
74% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
74% Popularity • 61% Danceability • 38% Energy • 15% Liveness
0% Instrumentalness • 45% Positiveness
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Ethel Cain
Strangers
102 bpm • C Maj • 05:44 • -8.93db
64% Popularity • 37% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
64% Popularity • 37% Danceability • 32% Energy • 8% Liveness
0% Instrumentalness • 18% Positiveness
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The Last Dinner Party
Sinner
102 bpm • C Maj • 02:56 • -4.79db
68% Popularity • 59% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
68% Popularity • 59% Danceability • 81% Energy • 9% Liveness
1% Instrumentalness • 37% Positiveness
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Better Oblivion Community Center
Big Black Heart
102 bpm • C# Maj • 03:26 • -9.98db
39% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
39% Popularity • 66% Danceability • 42% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Leith Ross
(You) On My Arm
98 bpm • D# Maj • 04:04 • -6.97db
56% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
56% Popularity • 59% Danceability • 62% Energy • 33% Liveness
0% Instrumentalness • 39% Positiveness
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Lucy Dacus
Thumbs
98 bpm • G min • 04:25 • -16db
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
45% Popularity • 47% Danceability • 10% Energy • 13% Liveness
0% Instrumentalness • 27% Positiveness
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Indigo De Souza
Losing
103 bpm • G Maj • 02:19 • -8.33db
44% Popularity • 72% Danceability • 42% Energy • 12% Liveness
15% Instrumentalness • 25% Positiveness
44% Popularity • 72% Danceability • 42% Energy • 12% Liveness
15% Instrumentalness • 25% Positiveness
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Haley Blais
Survivor's Guilt
103 bpm • B Maj • 03:30 • -10.8db
40% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
40% Popularity • 77% Danceability • 47% Energy • 10% Liveness
0% Instrumentalness • 70% Positiveness
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Ethel Cain
Sun Bleached Flies
103 bpm • E Maj • 07:36 • -10db
62% Popularity • 27% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
62% Popularity • 27% Danceability • 31% Energy • 9% Liveness
0% Instrumentalness • 11% Positiveness
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Waxahatchee
Lilacs
103 bpm • G Maj • 03:15 • -9db
54% Popularity • 74% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
54% Popularity • 74% Danceability • 70% Energy • 8% Liveness
0% Instrumentalness • 43% Positiveness
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Mitski
Pink in the Night
103 bpm • D Maj • 02:16 • -9.64db
65% Popularity • 21% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
65% Popularity • 21% Danceability • 41% Energy • 30% Liveness
0% Instrumentalness • 11% Positiveness
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MUNA
Silk Chiffon
97 bpm • G# Maj • 03:26 • -6.22db
65% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
65% Popularity • 62% Danceability • 74% Energy • 11% Liveness
0% Instrumentalness • 44% Positiveness
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Indigo De Souza
Boys
103 bpm • D Maj • 03:32 • -15.65db
54% Popularity • 74% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
54% Popularity • 74% Danceability • 22% Energy • 11% Liveness
0% Instrumentalness • 19% Positiveness
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Miya Folick
Give It To Me
96 bpm • D Maj • 05:10 • -6db
29% Popularity • 28% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
29% Popularity • 28% Danceability • 41% Energy • 11% Liveness
1% Instrumentalness • 16% Positiveness
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Julien Baker
Favor
104 bpm • F Maj • 04:38 • -9db
48% Popularity • 49% Danceability • 58% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
48% Popularity • 49% Danceability • 58% Energy • 10% Liveness
30% Instrumentalness • 27% Positiveness
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Snail Mail
Let's Find an Out
96 bpm • C min • 02:13 • -9db
45% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
45% Popularity • 57% Danceability • 45% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Ethel Cain
Knuckle Velvet
104 bpm • E Maj • 03:22 • -10db
51% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
51% Popularity • 47% Danceability • 38% Energy • 12% Liveness
0% Instrumentalness • 7% Positiveness
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Maya Hawke
Thérèse
104 bpm • A min • 03:27 • -12db
52% Popularity • 62% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
52% Popularity • 62% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 34% Positiveness
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Julia Jacklin
to Perth, before the border closes
96 bpm • D Maj • 02:56 • -12.44db
58% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
58% Popularity • 59% Danceability • 27% Energy • 11% Liveness
0% Instrumentalness • 23% Positiveness
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Frankie Cosmos
Sappho
95 bpm • G Maj • 01:52 • -6.78db
56% Popularity • 64% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
56% Popularity • 64% Danceability • 40% Energy • 13% Liveness
0% Instrumentalness • 46% Positiveness
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Julien Baker
Sour Breath
105 bpm • B Maj • 03:04 • -9.12db
48% Popularity • 32% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
48% Popularity • 32% Danceability • 24% Energy • 11% Liveness
0% Instrumentalness • 14% Positiveness
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Japanese Breakfast
Road Head
95 bpm • E Maj • 03:15 • -8.73db
52% Popularity • 54% Danceability • 67% Energy • 15% Liveness
16% Instrumentalness • 16% Positiveness
52% Popularity • 54% Danceability • 67% Energy • 15% Liveness
16% Instrumentalness • 16% Positiveness
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Ethel Cain
Family Tree
96 bpm • F Maj • 07:10 • -10db
58% Popularity • 24% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
58% Popularity • 24% Danceability • 34% Energy • 11% Liveness
2% Instrumentalness • 8% Positiveness
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Taylor Swift
seven
95 bpm • E Maj • 03:28 • -10.77db
73% Popularity • 60% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
73% Popularity • 60% Danceability • 49% Energy • 9% Liveness
0% Instrumentalness • 42% Positiveness
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Bright Eyes
Lua
105 bpm • D Maj • 04:31 • -17.03db
56% Popularity • 62% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
56% Popularity • 62% Danceability • 16% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Snail Mail
Anytime
95 bpm • C# Maj • 04:38 • -10db
35% Popularity • 54% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
35% Popularity • 54% Danceability • 18% Energy • 10% Liveness
0% Instrumentalness • 9% Positiveness
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boygenius
Leonard Cohen
95 bpm • D Maj • 01:42 • -12.14db
60% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
60% Popularity • 56% Danceability • 31% Energy • 10% Liveness
0% Instrumentalness • 55% Positiveness
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Suki Waterhouse
OMG
106 bpm • F# min • 02:58 • -4.95db
68% Popularity • 55% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 55% Danceability • 69% Energy • 7% Liveness
0% Instrumentalness • 30% Positiveness
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Ethel Cain
Family Tree (Intro)
105 bpm • E Maj • 03:41 • -9.38db
57% Popularity • 26% Danceability • 57% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
57% Popularity • 26% Danceability • 57% Energy • 14% Liveness
5% Instrumentalness • 9% Positiveness
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Harry Styles
From the Dining Table
94 bpm • G# Maj • 03:31 • -16.29db
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
71% Popularity • 67% Danceability • 16% Energy • 11% Liveness
5% Instrumentalness • 20% Positiveness
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Mercury Rev
Jesseye' Lisabeth
94 bpm • F min • 03:04 • -9.65db
16% Popularity • 28% Danceability • 32% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
16% Popularity • 28% Danceability • 32% Energy • 7% Liveness
1% Instrumentalness • 21% Positiveness
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Odie Leigh
No Doubt
94 bpm • C Maj • 03:46 • -5.54db
43% Popularity • 62% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
43% Popularity • 62% Danceability • 64% Energy • 10% Liveness
0% Instrumentalness • 48% Positiveness
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boygenius
Me & My Dog
94 bpm • C Maj • 03:26 • -9.05db
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
62% Popularity • 49% Danceability • 51% Energy • 12% Liveness
1% Instrumentalness • 20% Positiveness
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Chappell Roan
Love Me Anyway
94 bpm • G# Maj • 03:53 • -7db
58% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
58% Popularity • 61% Danceability • 46% Energy • 7% Liveness
0% Instrumentalness • 27% Positiveness
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Ethel Cain
Crush
95 bpm • E Maj • 03:24 • -10.94db
65% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
65% Popularity • 53% Danceability • 36% Energy • 11% Liveness
0% Instrumentalness • 22% Positiveness
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Japanese Breakfast
Boyish
107 bpm • D Maj • 03:33 • -7.46db
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
54% Popularity • 23% Danceability • 46% Energy • 19% Liveness
0% Instrumentalness • 36% Positiveness
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Indigo De Souza
Hold U
107 bpm • A min • 04:16 • -11.47db
48% Popularity • 84% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
48% Popularity • 84% Danceability • 40% Energy • 7% Liveness
0% Instrumentalness • 60% Positiveness
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Phoebe Bridgers
Motion Sickness
107 bpm • C# Maj • 03:49 • -9.02db
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
76% Popularity • 65% Danceability • 55% Energy • 8% Liveness
4% Instrumentalness • 62% Positiveness
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boygenius
Cool About It
93 bpm • D Maj • 03:00 • -13.66db
74% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
74% Popularity • 56% Danceability • 20% Energy • 12% Liveness
0% Instrumentalness • 41% Positiveness
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Chappell Roan
Pink Pony Club
107 bpm • F# Maj • 04:18 • -6.16db
71% Popularity • 62% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
71% Popularity • 62% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 54% Positiveness
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Ethel Cain
Hard Times
107 bpm • A# Maj • 05:03 • -10.64db
58% Popularity • 49% Danceability • 36% Energy • 27% Liveness
1% Instrumentalness • 15% Positiveness
58% Popularity • 49% Danceability • 36% Energy • 27% Liveness
1% Instrumentalness • 15% Positiveness
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Father John Misty
Nancy From Now On
107 bpm • C Maj • 03:54 • -9.17db
65% Popularity • 53% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 50% Positiveness
65% Popularity • 53% Danceability • 64% Energy • 9% Liveness
4% Instrumentalness • 50% Positiveness
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Lucy Dacus
Please Stay
93 bpm • B Maj • 04:19 • -14db
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
55% Popularity • 64% Danceability • 14% Energy • 17% Liveness
0% Instrumentalness • 33% Positiveness
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Leith Ross
To Me
107 bpm • G Maj • 03:57 • -19.35db
39% Popularity • 45% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
39% Popularity • 45% Danceability • 9% Energy • 11% Liveness
3% Instrumentalness • 29% Positiveness
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Mitski
Once More to See You
93 bpm • A Maj • 03:00 • -13.65db
70% Popularity • 54% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
70% Popularity • 54% Danceability • 41% Energy • 10% Liveness
1% Instrumentalness • 35% Positiveness
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Tomberlin
Wasted
93 bpm • E Maj • 02:29 • -10db
55% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
55% Popularity • 77% Danceability • 57% Energy • 14% Liveness
14% Instrumentalness • 72% Positiveness
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Ethel Cain
Everytime - Spotify Singles
95 bpm • C Maj • 03:54 • -10.07db
50% Popularity • 45% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
50% Popularity • 45% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 16% Positiveness
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Florist
Vacation
108 bpm • C Maj • 03:47 • -13.94db
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
48% Popularity • 62% Danceability • 27% Energy • 8% Liveness
14% Instrumentalness • 11% Positiveness
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MUNA
Loose Garment
93 bpm • C# Maj • 03:10 • -9.2db
45% Popularity • 48% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
45% Popularity • 48% Danceability • 55% Energy • 14% Liveness
0% Instrumentalness • 26% Positiveness
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Taylor Swift
coney island
108 bpm • G# Maj • 04:35 • -11.27db
58% Popularity • 53% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
58% Popularity • 53% Danceability • 54% Energy • 14% Liveness
0% Instrumentalness • 30% Positiveness
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Arlo Parks
Pegasus
108 bpm • A# Maj • 03:06 • -9.03db
55% Popularity • 71% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
55% Popularity • 71% Danceability • 54% Energy • 7% Liveness
0% Instrumentalness • 7% Positiveness
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Lala Lala
Siren 042
108 bpm • B Maj • 02:41 • -7.37db
47% Popularity • 60% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
47% Popularity • 60% Danceability • 60% Energy • 11% Liveness
1% Instrumentalness • 45% Positiveness
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Ethel Cain
Inbred
95 bpm • A# min • 04:47 • -10.59db
52% Popularity • 23% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
52% Popularity • 23% Danceability • 39% Energy • 20% Liveness
0% Instrumentalness • 15% Positiveness
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Julien Baker
Heatwave
108 bpm • G Maj • 02:44 • -6.44db
42% Popularity • 59% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
42% Popularity • 59% Danceability • 53% Energy • 16% Liveness
0% Instrumentalness • 62% Positiveness
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The Japanese House
Touching Yourself
108 bpm • D# Maj • 03:01 • -5.99db
65% Popularity • 71% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
65% Popularity • 71% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 93% Positiveness
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Suki Waterhouse
Brutally
92 bpm • G Maj • 03:28 • -12db
54% Popularity • 55% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
54% Popularity • 55% Danceability • 19% Energy • 12% Liveness
1% Instrumentalness • 22% Positiveness
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dodie
She
92 bpm • D Maj • 03:33 • -15.05db
61% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
61% Popularity • 48% Danceability • 15% Energy • 11% Liveness
3% Instrumentalness • 23% Positiveness
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Lizzy McAlpine
I Guess
92 bpm • E Maj • 03:44 • -8.73db
61% Popularity • 52% Danceability • 32% Energy • 11% Liveness
8% Instrumentalness • 33% Positiveness
61% Popularity • 52% Danceability • 32% Energy • 11% Liveness
8% Instrumentalness • 33% Positiveness
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MUNA
Stayaway
92 bpm • A Maj • 03:31 • -5.42db
49% Popularity • 42% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
49% Popularity • 42% Danceability • 84% Energy • 21% Liveness
0% Instrumentalness • 63% Positiveness
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Adrianne Lenker
Ruined
109 bpm • F Maj • 04:32 • -12.45db
56% Popularity • 40% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
56% Popularity • 40% Danceability • 13% Energy • 9% Liveness
0% Instrumentalness • 16% Positiveness
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Sarah Kinsley
The King
109 bpm • F# Maj • 03:26 • -6db
58% Popularity • 63% Danceability • 67% Energy • 9% Liveness
11% Instrumentalness • 72% Positiveness
58% Popularity • 63% Danceability • 67% Energy • 9% Liveness
11% Instrumentalness • 72% Positiveness
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boygenius
Souvenir
109 bpm • F# min • 03:32 • -11.19db
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
63% Popularity • 60% Danceability • 30% Energy • 9% Liveness
47% Instrumentalness • 18% Positiveness
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Weyes Blood
Mirror Forever
110 bpm • C Maj • 05:05 • -11db
44% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
44% Popularity • 36% Danceability • 28% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Wasia Project
ur so pretty
91 bpm • E Maj • 02:12 • -13db
70% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
70% Popularity • 32% Danceability • 23% Energy • 15% Liveness
0% Instrumentalness • 23% Positiveness
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Babygirl
I Wish I Never Met You
110 bpm • C# Maj • 03:31 • -9.15db
54% Popularity • 82% Danceability • 49% Energy • 15% Liveness
4% Instrumentalness • 91% Positiveness
54% Popularity • 82% Danceability • 49% Energy • 15% Liveness
4% Instrumentalness • 91% Positiveness
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Adrianne Lenker
not a lot, just forever
92 bpm • C# Maj • 04:10 • -13.24db
68% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
68% Popularity • 35% Danceability • 27% Energy • 9% Liveness
0% Instrumentalness • 30% Positiveness
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Fiona Apple
Valentine
110 bpm • D Maj • 03:32 • -15.67db
52% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
52% Popularity • 51% Danceability • 18% Energy • 9% Liveness
0% Instrumentalness • 14% Positiveness
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Sufjan Stevens
Should Have Known Better
91 bpm • G Maj • 05:07 • -20.7db
62% Popularity • 49% Danceability • 17% Energy • 13% Liveness
26% Instrumentalness • 30% Positiveness
62% Popularity • 49% Danceability • 17% Energy • 13% Liveness
26% Instrumentalness • 30% Positiveness
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Japanese Breakfast
The Body Is a Blade
110 bpm • G Maj • 03:40 • -6db
44% Popularity • 52% Danceability • 72% Energy • 16% Liveness
15% Instrumentalness • 39% Positiveness
44% Popularity • 52% Danceability • 72% Energy • 16% Liveness
15% Instrumentalness • 39% Positiveness
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Indigo De Souza
You Can Be Mean
110 bpm • D Maj • 02:25 • -6.3db
52% Popularity • 65% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
52% Popularity • 65% Danceability • 68% Energy • 25% Liveness
0% Instrumentalness • 44% Positiveness
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Chappell Roan
After Midnight
110 bpm • F Maj • 03:24 • -3.84db
68% Popularity • 71% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
68% Popularity • 71% Danceability • 89% Energy • 6% Liveness
0% Instrumentalness • 84% Positiveness
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Taylor Swift
mirrorball
110 bpm • D Maj • 03:28 • -10.04db
77% Popularity • 55% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
77% Popularity • 55% Danceability • 41% Energy • 6% Liveness
0% Instrumentalness • 38% Positiveness
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The Last Dinner Party
My Lady of Mercy
91 bpm • G Maj • 02:55 • -6.1db
61% Popularity • 33% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
61% Popularity • 33% Danceability • 59% Energy • 7% Liveness
1% Instrumentalness • 42% Positiveness
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Leith Ross
Coming Back to Me
110 bpm • D Maj • 03:57 • -19db
43% Popularity • 42% Danceability • 8% Energy • 70% Liveness
0% Instrumentalness • 7% Positiveness
43% Popularity • 42% Danceability • 8% Energy • 70% Liveness
0% Instrumentalness • 7% Positiveness
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Bon Iver
For Emma
111 bpm • E min • 03:40 • -11.12db
68% Popularity • 67% Danceability • 61% Energy • 13% Liveness
18% Instrumentalness • 57% Positiveness
68% Popularity • 67% Danceability • 61% Energy • 13% Liveness
18% Instrumentalness • 57% Positiveness
