Songs like Black and Tan Fantasy by Paolo Fresu
Based on a tempo of (+/- 10%) and a similar genre
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Rita Marcotulli
Tuareg
137 bpm • E min • 04:48 • -17db
13% Popularity • 33% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
13% Popularity • 33% Danceability • 11% Energy • 12% Liveness
84% Instrumentalness • 13% Positiveness
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Espen Eriksen Trio
Above the Horizon
137 bpm • D min • 05:42 • -11.56db
17% Popularity • 58% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 28% Positiveness
17% Popularity • 58% Danceability • 33% Energy • 9% Liveness
89% Instrumentalness • 28% Positiveness
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Paolo Fresu
Postcard from Home
137 bpm • A# Maj • 05:03 • -18.24db
25% Popularity • 47% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
25% Popularity • 47% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 13% Positiveness
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Anat Fort Trio
If
137 bpm • A Maj • 01:18 • -20.75db
46% Popularity • 29% Danceability • 15% Energy • 14% Liveness
67% Instrumentalness • 10% Positiveness
46% Popularity • 29% Danceability • 15% Energy • 14% Liveness
67% Instrumentalness • 10% Positiveness
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Antonio Faraò
I Could Have Done More
136 bpm • E min • 04:44 • -14db
19% Popularity • 35% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
19% Popularity • 35% Danceability • 20% Energy • 10% Liveness
91% Instrumentalness • 7% Positiveness
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David Linx
Heartland
136 bpm • D min • 07:17 • -10.55db
2% Popularity • 39% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
2% Popularity • 39% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 28% Positiveness
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Rita Marcotulli
Cosa sono le nuvole
136 bpm • A min • 02:38 • -15db
26% Popularity • 45% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
26% Popularity • 45% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 14% Positiveness
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Marcin Wasilewski
Ballad Of The Sad Young Men
138 bpm • G Maj • 05:29 • -21.78db
41% Popularity • 37% Danceability • 9% Energy • 16% Liveness
91% Instrumentalness • 8% Positiveness
41% Popularity • 37% Danceability • 9% Energy • 16% Liveness
91% Instrumentalness • 8% Positiveness
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Sophie Alour
Duo oud, saxophone (Improvisation)
139 bpm • C min • 01:23 • -14.43db
42% Popularity • 48% Danceability • 7% Energy • 10% Liveness
73% Instrumentalness • 83% Positiveness
42% Popularity • 48% Danceability • 7% Energy • 10% Liveness
73% Instrumentalness • 83% Positiveness
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Esbjörn Svensson Trio
The Well-Wisher
139 bpm • G Maj • 03:43 • -19db
17% Popularity • 67% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 64% Positiveness
17% Popularity • 67% Danceability • 31% Energy • 11% Liveness
94% Instrumentalness • 64% Positiveness
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Alboran Trio
Nic's Road
135 bpm • A min • 06:25 • -20db
14% Popularity • 39% Danceability • 16% Energy • 26% Liveness
53% Instrumentalness • 24% Positiveness
14% Popularity • 39% Danceability • 16% Energy • 26% Liveness
53% Instrumentalness • 24% Positiveness
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David Linx
Contradiction Takes Its Place, Pt. 1
138 bpm • G# min • 02:11 • -24.9db
2% Popularity • 46% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
2% Popularity • 46% Danceability • 4% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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Piero Umiliani
The Gal With the Nylon Hair
139 bpm • G Maj • 03:22 • -16.73db
0% Popularity • 51% Danceability • 13% Energy • 36% Liveness
1% Instrumentalness • 41% Positiveness
0% Popularity • 51% Danceability • 13% Energy • 36% Liveness
1% Instrumentalness • 41% Positiveness
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Lyle Mays
Bill Evans
135 bpm • A min • 04:49 • -23.56db
29% Popularity • 46% Danceability • 8% Energy • 12% Liveness
48% Instrumentalness • 13% Positiveness
29% Popularity • 46% Danceability • 8% Energy • 12% Liveness
48% Instrumentalness • 13% Positiveness
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Anat Fort Trio
En If
135 bpm • A Maj • 05:54 • -21.11db
24% Popularity • 41% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
24% Popularity • 41% Danceability • 13% Energy • 8% Liveness
88% Instrumentalness • 12% Positiveness
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Espen Eriksen Trio
Naked Trees
139 bpm • C min • 05:36 • -11.9db
20% Popularity • 55% Danceability • 35% Energy • 12% Liveness
83% Instrumentalness • 24% Positiveness
20% Popularity • 55% Danceability • 35% Energy • 12% Liveness
83% Instrumentalness • 24% Positiveness
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Roberto Cipelli
Strategia, pt. 3
139 bpm • D# min • 01:39 • -18.92db
7% Popularity • 61% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 40% Positiveness
7% Popularity • 61% Danceability • 8% Energy • 13% Liveness
93% Instrumentalness • 40% Positiveness
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Helge Lien Trio
Popkoral
135 bpm • F Maj • 04:27 • -21db
32% Popularity • 38% Danceability • 12% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
32% Popularity • 38% Danceability • 12% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Aaron Parks
Song For Sashou
135 bpm • B min • 06:22 • -22.77db
23% Popularity • 51% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
23% Popularity • 51% Danceability • 14% Energy • 12% Liveness
90% Instrumentalness • 32% Positiveness
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Andy Sheppard Quartet
Romaria
134 bpm • G Maj • 05:11 • -21.94db
42% Popularity • 38% Danceability • 5% Energy • 15% Liveness
68% Instrumentalness • 18% Positiveness
42% Popularity • 38% Danceability • 5% Energy • 15% Liveness
68% Instrumentalness • 18% Positiveness
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Anat Fort Trio
Minnesota
135 bpm • D Maj • 07:34 • -21db
25% Popularity • 45% Danceability • 16% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
25% Popularity • 45% Danceability • 16% Energy • 13% Liveness
83% Instrumentalness • 14% Positiveness
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Paolo Fresu
What Lies Ahead
134 bpm • G Maj • 03:05 • -13.88db
27% Popularity • 34% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
27% Popularity • 34% Danceability • 4% Energy • 11% Liveness
0% Instrumentalness • 8% Positiveness
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Omar Sosa
S'Inguldu
140 bpm • C Maj • 05:32 • -13.64db
7% Popularity • 75% Danceability • 31% Energy • 10% Liveness
64% Instrumentalness • 60% Positiveness
7% Popularity • 75% Danceability • 31% Energy • 10% Liveness
64% Instrumentalness • 60% Positiveness
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Carla Bley
Vashkar
134 bpm • F# Maj • 07:22 • -16.18db
24% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
24% Popularity • 50% Danceability • 12% Energy • 14% Liveness
83% Instrumentalness • 22% Positiveness
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Matthieu Saglio
Amanecer
140 bpm • G min • 06:32 • -14.86db
40% Popularity • 57% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
40% Popularity • 57% Danceability • 26% Energy • 11% Liveness
85% Instrumentalness • 33% Positiveness
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Ralph Towner
Wistful Thinking
133 bpm • A min • 04:19 • -19.52db
16% Popularity • 46% Danceability • 2% Energy • 14% Liveness
77% Instrumentalness • 17% Positiveness
16% Popularity • 46% Danceability • 2% Energy • 14% Liveness
77% Instrumentalness • 17% Positiveness
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Anat Fort Trio
Paul Motian (2)
134 bpm • D Maj • 04:00 • -26.55db
26% Popularity • 30% Danceability • 9% Energy • 6% Liveness
63% Instrumentalness • 4% Positiveness
26% Popularity • 30% Danceability • 9% Energy • 6% Liveness
63% Instrumentalness • 4% Positiveness
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Roberto Cipelli
A Saint Germain des près
133 bpm • G# Maj • 06:25 • -9.09db
6% Popularity • 54% Danceability • 34% Energy • 15% Liveness
4% Instrumentalness • 32% Positiveness
6% Popularity • 54% Danceability • 34% Energy • 15% Liveness
4% Instrumentalness • 32% Positiveness
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Bobo Stenson Trio
Doubt Thou The Stars
133 bpm • G min • 07:57 • -22.11db
18% Popularity • 46% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
18% Popularity • 46% Danceability • 28% Energy • 15% Liveness
94% Instrumentalness • 19% Positiveness
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Eric Legnini Trio
Prelude to a Kiss
141 bpm • A min • 04:26 • -18.99db
29% Popularity • 45% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
29% Popularity • 45% Danceability • 12% Energy • 11% Liveness
94% Instrumentalness • 7% Positiveness
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Gilad Hekselman
Place Like No Home
133 bpm • G# Maj • 01:44 • -21db
36% Popularity • 45% Danceability • 10% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
36% Popularity • 45% Danceability • 10% Energy • 11% Liveness
69% Instrumentalness • 14% Positiveness
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Jan Lundgren Trio
The Poet
133 bpm • A min • 06:20 • -23.71db
9% Popularity • 50% Danceability • 25% Energy • 16% Liveness
56% Instrumentalness • 30% Positiveness
9% Popularity • 50% Danceability • 25% Energy • 16% Liveness
56% Instrumentalness • 30% Positiveness
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Branford Marsalis Quartet
Muldoon
133 bpm • A# min • 04:16 • -18.3db
35% Popularity • 43% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 15% Positiveness
35% Popularity • 43% Danceability • 3% Energy • 8% Liveness
85% Instrumentalness • 15% Positiveness
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Roberto Cipelli
Practical Arrangement
132 bpm • A min • 03:42 • -14.92db
11% Popularity • 46% Danceability • 9% Energy • 12% Liveness
58% Instrumentalness • 25% Positiveness
11% Popularity • 46% Danceability • 9% Energy • 12% Liveness
58% Instrumentalness • 25% Positiveness
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Paolo Fresu
Fishermen, Strawberry and Devil Crab
132 bpm • C min • 13:34 • -13.33db
3% Popularity • 31% Danceability • 19% Energy • 68% Liveness
16% Instrumentalness • 8% Positiveness
3% Popularity • 31% Danceability • 19% Energy • 68% Liveness
16% Instrumentalness • 8% Positiveness
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Gabriele Mirabassi
Gli amori sospesi
142 bpm • A# Maj • 07:06 • -12db
15% Popularity • 47% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
15% Popularity • 47% Danceability • 21% Energy • 10% Liveness
90% Instrumentalness • 22% Positiveness
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Enrico Rava
Donna
132 bpm • C min • 05:17 • -17.09db
15% Popularity • 51% Danceability • 6% Energy • 8% Liveness
47% Instrumentalness • 18% Positiveness
15% Popularity • 51% Danceability • 6% Energy • 8% Liveness
47% Instrumentalness • 18% Positiveness
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Eric Legnini Trio
Portrait in Black and White "Zingaro"
132 bpm • D# Maj • 02:38 • -19.09db
46% Popularity • 67% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 74% Positiveness
46% Popularity • 67% Danceability • 33% Energy • 16% Liveness
86% Instrumentalness • 74% Positiveness
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Jakob Manz
Jazz Is a Spirit
142 bpm • D Maj • 04:00 • -15.8db
13% Popularity • 70% Danceability • 23% Energy • 8% Liveness
4% Instrumentalness • 51% Positiveness
13% Popularity • 70% Danceability • 23% Energy • 8% Liveness
4% Instrumentalness • 51% Positiveness
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Furio Di Castri
Caribbian Love
142 bpm • F min • 01:43 • -24db
34% Popularity • 36% Danceability • 2% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
34% Popularity • 36% Danceability • 2% Energy • 9% Liveness
11% Instrumentalness • 32% Positiveness
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Paolo Fresu
Desertico
132 bpm • C Maj • 05:53 • -10.47db
10% Popularity • 66% Danceability • 38% Energy • 8% Liveness
3% Instrumentalness • 38% Positiveness
10% Popularity • 66% Danceability • 38% Energy • 8% Liveness
3% Instrumentalness • 38% Positiveness
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Lars Danielsson
Amigos
132 bpm • A Maj • 02:50 • -14.03db
16% Popularity • 58% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 43% Positiveness
16% Popularity • 58% Danceability • 16% Energy • 14% Liveness
93% Instrumentalness • 43% Positiveness
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Stefano Bollani
Luz Negra
142 bpm • A min • 05:00 • -14.78db
30% Popularity • 56% Danceability • 43% Energy • 14% Liveness
89% Instrumentalness • 42% Positiveness
30% Popularity • 56% Danceability • 43% Energy • 14% Liveness
89% Instrumentalness • 42% Positiveness
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Omar Sosa
Valeriana Wok
143 bpm • C min • 03:02 • -15.66db
17% Popularity • 45% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
17% Popularity • 45% Danceability • 5% Energy • 8% Liveness
0% Instrumentalness • 30% Positiveness
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Enrico Rava
Easy Living
142 bpm • C Maj • 04:14 • -20.99db
16% Popularity • 37% Danceability • 1% Energy • 9% Liveness
19% Instrumentalness • 17% Positiveness
16% Popularity • 37% Danceability • 1% Energy • 9% Liveness
19% Instrumentalness • 17% Positiveness
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Mats Eilertsen
22
132 bpm • A# min • 04:58 • -28.56db
28% Popularity • 33% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 7% Positiveness
28% Popularity • 33% Danceability • 14% Energy • 10% Liveness
78% Instrumentalness • 7% Positiveness
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Paolo Fresu
Why
132 bpm • F min • 05:00 • -9.79db
9% Popularity • 69% Danceability • 41% Energy • 6% Liveness
32% Instrumentalness • 51% Positiveness
9% Popularity • 69% Danceability • 41% Energy • 6% Liveness
32% Instrumentalness • 51% Positiveness
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David Linx
O grande Kilapy
132 bpm • D Maj • 03:48 • -15.55db
2% Popularity • 55% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
2% Popularity • 55% Danceability • 20% Energy • 9% Liveness
1% Instrumentalness • 33% Positiveness
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Colin Vallon
Reste
143 bpm • D# Maj • 01:36 • -23.39db
39% Popularity • 30% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
39% Popularity • 30% Danceability • 5% Energy • 14% Liveness
93% Instrumentalness • 13% Positiveness
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Grégory Privat
Song for Jojo
131 bpm • B min • 03:27 • -17db
32% Popularity • 37% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
32% Popularity • 37% Danceability • 16% Energy • 9% Liveness
92% Instrumentalness • 4% Positiveness
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Enrico Rava
My funny valentine
131 bpm • C min • 09:58 • -13.68db
9% Popularity • 48% Danceability • 21% Energy • 5% Liveness
35% Instrumentalness • 25% Positiveness
9% Popularity • 48% Danceability • 21% Energy • 5% Liveness
35% Instrumentalness • 25% Positiveness
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Marcin Wasilewski
Hyperballad
131 bpm • C min • 05:52 • -20.86db
22% Popularity • 39% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
22% Popularity • 39% Danceability • 10% Energy • 11% Liveness
78% Instrumentalness • 12% Positiveness
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Paolo Fresu
Les poètes
131 bpm • F# Maj • 04:21 • -12.31db
9% Popularity • 57% Danceability • 40% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
9% Popularity • 57% Danceability • 40% Energy • 72% Liveness
0% Instrumentalness • 29% Positiveness
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Roberto Cipelli
Donna dona
131 bpm • F Maj • 05:08 • -16.84db
3% Popularity • 45% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
3% Popularity • 45% Danceability • 4% Energy • 12% Liveness
90% Instrumentalness • 16% Positiveness
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Tord Gustavsen Trio
Blessed Feet
144 bpm • G# Maj • 06:04 • -17db
38% Popularity • 42% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 42% Positiveness
38% Popularity • 42% Danceability • 34% Energy • 11% Liveness
89% Instrumentalness • 42% Positiveness
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Espen Eriksen Trio
Back To Base
131 bpm • D# Maj • 04:30 • -17.32db
18% Popularity • 45% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
18% Popularity • 45% Danceability • 37% Energy • 11% Liveness
90% Instrumentalness • 53% Positiveness
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Michel Bisceglia
The Last Drive
144 bpm • C Maj • 02:46 • -26db
32% Popularity • 50% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
32% Popularity • 50% Danceability • 6% Energy • 11% Liveness
91% Instrumentalness • 4% Positiveness
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Esbjörn Svensson
Prelude in D-Minor
130 bpm • F Maj • 04:13 • -15db
21% Popularity • 44% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
21% Popularity • 44% Danceability • 11% Energy • 8% Liveness
90% Instrumentalness • 26% Positiveness
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Paolo Fresu
The Beatniks
130 bpm • D Maj • 04:30 • -16.6db
20% Popularity • 54% Danceability • 14% Energy • 11% Liveness
33% Instrumentalness • 28% Positiveness
20% Popularity • 54% Danceability • 14% Energy • 11% Liveness
33% Instrumentalness • 28% Positiveness
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Niklas Fernqvist
St. Joseph
130 bpm • B Maj • 05:04 • -20.43db
33% Popularity • 54% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
33% Popularity • 54% Danceability • 16% Energy • 11% Liveness
91% Instrumentalness • 28% Positiveness
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Ralph Towner
Blue In Green
130 bpm • D min • 05:44 • -20.05db
15% Popularity • 53% Danceability • 5% Energy • 9% Liveness
45% Instrumentalness • 12% Positiveness
15% Popularity • 53% Danceability • 5% Energy • 9% Liveness
45% Instrumentalness • 12% Positiveness
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Tord Gustavsen Quartet
Staying There
130 bpm • F min • 04:52 • -15db
25% Popularity • 63% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
25% Popularity • 63% Danceability • 22% Energy • 11% Liveness
92% Instrumentalness • 28% Positiveness
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Michel Bisceglia
Blue Bird Prologue
144 bpm • D min • 09:58 • -26db
10% Popularity • 44% Danceability • 1% Energy • 9% Liveness
37% Instrumentalness • 7% Positiveness
10% Popularity • 44% Danceability • 1% Energy • 9% Liveness
37% Instrumentalness • 7% Positiveness
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David Helbock
Theme from Schindler's List
130 bpm • G min • 05:04 • -22.23db
24% Popularity • 48% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
24% Popularity • 48% Danceability • 5% Energy • 10% Liveness
92% Instrumentalness • 9% Positiveness
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Trio Viret
Saint Awawa
130 bpm • E min • 06:03 • -12.55db
23% Popularity • 46% Danceability • 71% Energy • 70% Liveness
89% Instrumentalness • 32% Positiveness
23% Popularity • 46% Danceability • 71% Energy • 70% Liveness
89% Instrumentalness • 32% Positiveness
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Lars Danielsson
Dardodentro
130 bpm • F Maj • 02:53 • -21.14db
12% Popularity • 46% Danceability • 2% Energy • 9% Liveness
80% Instrumentalness • 32% Positiveness
12% Popularity • 46% Danceability • 2% Energy • 9% Liveness
80% Instrumentalness • 32% Positiveness
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Eric Legnini Trio
Nightfall
129 bpm • B min • 03:30 • -13.2db
29% Popularity • 63% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 43% Positiveness
29% Popularity • 63% Danceability • 40% Energy • 13% Liveness
94% Instrumentalness • 43% Positiveness
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Airelle Besson
Birsay
128 bpm • B min • 02:27 • -16.88db
26% Popularity • 61% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 76% Positiveness
26% Popularity • 61% Danceability • 1% Energy • 9% Liveness
3% Instrumentalness • 76% Positiveness
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Tord Gustavsen Quartet
On Every Corner
129 bpm • C min • 05:12 • -18.9db
24% Popularity • 43% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
24% Popularity • 43% Danceability • 14% Energy • 10% Liveness
88% Instrumentalness • 12% Positiveness
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Fred Nardin Trio
Prelude to Memory of T.
128 bpm • F# Maj • 01:17 • -21.23db
44% Popularity • 66% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
44% Popularity • 66% Danceability • 8% Energy • 10% Liveness
95% Instrumentalness • 65% Positiveness
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Piero Umiliani
The Valley of the Moon
128 bpm • E min • 03:47 • -30.45db
0% Popularity • 34% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
0% Popularity • 34% Danceability • 2% Energy • 14% Liveness
90% Instrumentalness • 15% Positiveness
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Lars Danielsson
De la solitude mesurée
129 bpm • C Maj • 02:34 • -22.54db
16% Popularity • 45% Danceability • 2% Energy • 13% Liveness
21% Instrumentalness • 30% Positiveness
16% Popularity • 45% Danceability • 2% Energy • 13% Liveness
21% Instrumentalness • 30% Positiveness
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Gianluigi Trovesi
Moonlight Serenade - Var.
128 bpm • F Maj • 01:11 • -21.96db
35% Popularity • 18% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
35% Popularity • 18% Danceability • 1% Energy • 10% Liveness
88% Instrumentalness • 3% Positiveness
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Paolo Fresu
Zeus' Desire
128 bpm • F Maj • 03:43 • -10.32db
24% Popularity • 62% Danceability • 28% Energy • 10% Liveness
56% Instrumentalness • 8% Positiveness
24% Popularity • 62% Danceability • 28% Energy • 10% Liveness
56% Instrumentalness • 8% Positiveness
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Aaron Parks
Praise
128 bpm • F Maj • 04:43 • -19.24db
37% Popularity • 64% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 31% Positiveness
37% Popularity • 64% Danceability • 24% Energy • 8% Liveness
86% Instrumentalness • 31% Positiveness
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Espen Eriksen Trio
Anthem
128 bpm • A# Maj • 08:16 • -15.65db
38% Popularity • 64% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
38% Popularity • 64% Danceability • 22% Energy • 12% Liveness
88% Instrumentalness • 40% Positiveness
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Dominic Miller
Verveine
147 bpm • E Maj • 01:45 • -23.95db
42% Popularity • 42% Danceability • 15% Energy • 11% Liveness
59% Instrumentalness • 30% Positiveness
42% Popularity • 42% Danceability • 15% Energy • 11% Liveness
59% Instrumentalness • 30% Positiveness
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Airelle Besson
Ma ion
147 bpm • A min • 07:03 • -16.39db
19% Popularity • 51% Danceability • 7% Energy • 34% Liveness
83% Instrumentalness • 30% Positiveness
19% Popularity • 51% Danceability • 7% Energy • 34% Liveness
83% Instrumentalness • 30% Positiveness
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Jakob Bro
Reconstructing A Dream
147 bpm • E min • 09:17 • -22db
18% Popularity • 27% Danceability • 11% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
18% Popularity • 27% Danceability • 11% Energy • 9% Liveness
58% Instrumentalness • 4% Positiveness
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Paolo Fresu
I Loves You Porgy - Live
147 bpm • F Maj • 08:14 • -16.72db
10% Popularity • 46% Danceability • 10% Energy • 96% Liveness
14% Instrumentalness • 14% Positiveness
10% Popularity • 46% Danceability • 10% Energy • 96% Liveness
14% Instrumentalness • 14% Positiveness
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Emil Brandqvist Trio
Still Awake
148 bpm • A# min • 04:41 • -19.67db
20% Popularity • 39% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
20% Popularity • 39% Danceability • 32% Energy • 11% Liveness
90% Instrumentalness • 56% Positiveness
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Espen Eriksen Trio
Anthem
128 bpm • D# Maj • 04:41 • -20.89db
22% Popularity • 53% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 19% Positiveness
22% Popularity • 53% Danceability • 18% Energy • 13% Liveness
93% Instrumentalness • 19% Positiveness
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Markus Stockhausen
Mona
148 bpm • G min • 05:00 • -13.4db
25% Popularity • 48% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
25% Popularity • 48% Danceability • 27% Energy • 10% Liveness
87% Instrumentalness • 32% Positiveness
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Tord Gustavsen Quartet
The Embrace
127 bpm • D min • 04:58 • -15.1db
20% Popularity • 56% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
20% Popularity • 56% Danceability • 21% Energy • 9% Liveness
87% Instrumentalness • 24% Positiveness
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Michel Bisceglia
Waiting for the Bird
148 bpm • A min • 07:59 • -22db
9% Popularity • 37% Danceability • 7% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
9% Popularity • 37% Danceability • 7% Energy • 8% Liveness
5% Instrumentalness • 4% Positiveness
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Paolo Fresu
Preghiera in gennaio
127 bpm • A Maj • 06:12 • -16.88db
4% Popularity • 41% Danceability • 12% Energy • 69% Liveness
2% Instrumentalness • 11% Positiveness
4% Popularity • 41% Danceability • 12% Energy • 69% Liveness
2% Instrumentalness • 11% Positiveness
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Enrico Rava
Drops
127 bpm • A# Maj • 02:28 • -17.39db
33% Popularity • 45% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 15% Positiveness
33% Popularity • 45% Danceability • 1% Energy • 8% Liveness
84% Instrumentalness • 15% Positiveness
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Jacques Loussier Trio
Gnossienne No. 1
127 bpm • F min • 03:55 • -21.46db
30% Popularity • 49% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
30% Popularity • 49% Danceability • 14% Energy • 11% Liveness
86% Instrumentalness • 34% Positiveness
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Bill Charlap Trio
Spring Can Really Hang You Up The Most
148 bpm • D min • 07:54 • -25.34db
47% Popularity • 39% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
47% Popularity • 39% Danceability • 5% Energy • 10% Liveness
85% Instrumentalness • 7% Positiveness
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Joshua Espinoza
And So it Goes
126 bpm • C Maj • 04:44 • -19.71db
43% Popularity • 58% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
43% Popularity • 58% Danceability • 14% Energy • 11% Liveness
90% Instrumentalness • 18% Positiveness
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Esbjörn Svensson Trio
I Mean You
126 bpm • A# Maj • 06:47 • -20db
30% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
30% Popularity • 75% Danceability • 28% Energy • 3% Liveness
90% Instrumentalness • 76% Positiveness
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Paolo Fresu
Ambre
148 bpm • G# Maj • 05:31 • -14.19db
12% Popularity • 49% Danceability • 15% Energy • 10% Liveness
16% Instrumentalness • 21% Positiveness
12% Popularity • 49% Danceability • 15% Energy • 10% Liveness
16% Instrumentalness • 21% Positiveness
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Myriam Alter
In Sicily
149 bpm • C# Maj • 06:55 • -12db
13% Popularity • 33% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
13% Popularity • 33% Danceability • 24% Energy • 10% Liveness
3% Instrumentalness • 21% Positiveness
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Triosence
Can't Let Go
126 bpm • A# Maj • 04:24 • -18.06db
17% Popularity • 52% Danceability • 29% Energy • 9% Liveness
88% Instrumentalness • 29% Positiveness
17% Popularity • 52% Danceability • 29% Energy • 9% Liveness
88% Instrumentalness • 29% Positiveness
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Markus Stockhausen
Mondtraum
125 bpm • E min • 05:10 • -25db
15% Popularity • 37% Danceability • 2% Energy • 5% Liveness
90% Instrumentalness • 29% Positiveness
15% Popularity • 37% Danceability • 2% Energy • 5% Liveness
90% Instrumentalness • 29% Positiveness
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Didier Lockwood
Tea for Two
126 bpm • G# Maj • 02:27 • -16.22db
31% Popularity • 63% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 38% Positiveness
31% Popularity • 63% Danceability • 13% Energy • 12% Liveness
84% Instrumentalness • 38% Positiveness
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Bobo Stenson Trio
Canción Contra La Indecisión
125 bpm • C Maj • 04:12 • -23.6db
39% Popularity • 59% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
39% Popularity • 59% Danceability • 14% Energy • 8% Liveness
87% Instrumentalness • 39% Positiveness
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Paolo Fresu
Didjo
125 bpm • F min • 07:53 • -13.9db
11% Popularity • 63% Danceability • 34% Energy • 22% Liveness
57% Instrumentalness • 28% Positiveness
11% Popularity • 63% Danceability • 34% Energy • 22% Liveness
57% Instrumentalness • 28% Positiveness
