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Black Dress
Songs like
Black Dress
by
Ed Harcourt
Based on a tempo of (+/- 10%) and a similar genre
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Ed Harcourt
Still I Dream of It
84 bpm • D Maj • 05:24 • -9.99db
4% Popularity • 35% Danceability • 47% Energy • 12% Liveness
2% Instrumentalness • 36% Positiveness
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Thomas Dybdahl
All's Not Lost
83 bpm • E min • 05:57 • -11.12db
6% Popularity • 45% Danceability • 48% Energy • 10% Liveness
0% Instrumentalness • 29% Positiveness
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The New Pornographers
Challengers
83 bpm • D Maj • 03:31 • -9db
44% Popularity • 60% Danceability • 39% Energy • 11% Liveness
5% Instrumentalness • 30% Positiveness
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James Yuill
How Could I Lose
85 bpm • G min • 03:15 • -9.01db
10% Popularity • 54% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 33% Positiveness
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The Leisure Society
A Matter of Time
85 bpm • D Maj • 06:02 • -9.41db
17% Popularity • 58% Danceability • 43% Energy • 12% Liveness
0% Instrumentalness • 53% Positiveness
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M. Ward
Hold Time
85 bpm • D# Maj • 03:05 • -10.9db
2% Popularity • 9% Danceability • 38% Energy • 13% Liveness
49% Instrumentalness • 14% Positiveness
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Ed Harcourt
Black Dress
84 bpm • G# Maj • 03:17 • -10.73db
14% Popularity • 47% Danceability • 60% Energy • 15% Liveness
1% Instrumentalness • 86% Positiveness
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The Soundtrack Of Our Lives
Tonight
85 bpm • D Maj • 03:42 • -9.53db
27% Popularity • 19% Danceability • 28% Energy • 14% Liveness
36% Instrumentalness • 23% Positiveness
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Willy Mason
Hard Hand To Hold
85 bpm • D Maj • 04:16 • -12.29db
17% Popularity • 37% Danceability • 45% Energy • 7% Liveness
0% Instrumentalness • 74% Positiveness
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Martin Rossiter
Drop Anchor
83 bpm • G Maj • 03:52 • -12.35db
10% Popularity • 43% Danceability • 17% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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Okkervil River
Calling And Not Calling My Ex
83 bpm • D Maj • 04:21 • -6db
22% Popularity • 35% Danceability • 53% Energy • 27% Liveness
0% Instrumentalness • 50% Positiveness
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The Leisure Society
The Sleeper
86 bpm • G Maj • 03:50 • -9.81db
27% Popularity • 50% Danceability • 34% Energy • 9% Liveness
0% Instrumentalness • 12% Positiveness
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Ed Harcourt
Shadowboxing
83 bpm • E Maj • 03:22 • -8.17db
8% Popularity • 49% Danceability • 52% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Joseph Arthur
Black Lexus
82 bpm • F Maj • 03:14 • -8db
10% Popularity • 37% Danceability • 51% Energy • 22% Liveness
0% Instrumentalness • 23% Positiveness
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The National
Daughters of the Soho Riots
86 bpm • A Maj • 03:58 • -13db
37% Popularity • 56% Danceability • 44% Energy • 12% Liveness
71% Instrumentalness • 31% Positiveness
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American Music Club
The Decibels and the Little Pills
86 bpm • F Maj • 05:41 • -9.84db
10% Popularity • 47% Danceability • 62% Energy • 12% Liveness
78% Instrumentalness • 43% Positiveness
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Belle and Sebastian
The Cat With The Cream
82 bpm • C Maj • 05:17 • -11.69db
25% Popularity • 38% Danceability • 45% Energy • 12% Liveness
78% Instrumentalness • 18% Positiveness
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Bell X1
Starlings over Brighton Pier
82 bpm • E min • 04:50 • -10.41db
27% Popularity • 50% Danceability • 46% Energy • 9% Liveness
53% Instrumentalness • 17% Positiveness
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Ed Harcourt
The Way That I Live
85 bpm • F Maj • 04:26 • -6.9db
25% Popularity • 22% Danceability • 46% Energy • 9% Liveness
0% Instrumentalness • 23% Positiveness
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Mark Eitzel
Can You See?
81 bpm • C Maj • 03:01 • -13.41db
9% Popularity • 25% Danceability • 47% Energy • 10% Liveness
2% Instrumentalness • 58% Positiveness
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M. Ward
Epistemology
87 bpm • D Maj • 03:49 • -7db
3% Popularity • 39% Danceability • 84% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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The Elected
Not Going Home
88 bpm • A# Maj • 04:45 • -5.38db
15% Popularity • 50% Danceability • 79% Energy • 11% Liveness
0% Instrumentalness • 60% Positiveness
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Iron & Wine
Die
81 bpm • G Maj • 01:06 • -13db
35% Popularity • 48% Danceability • 19% Energy • 36% Liveness
0% Instrumentalness • 64% Positiveness
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Bell X1
The Trailing Skirts of God
81 bpm • F Maj • 04:55 • -7db
20% Popularity • 58% Danceability • 71% Energy • 9% Liveness
77% Instrumentalness • 53% Positiveness
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Ed Harcourt
Rain on the Pretty Ones
87 bpm • G# Maj • 04:17 • -8.67db
12% Popularity • 16% Danceability • 42% Energy • 11% Liveness
16% Instrumentalness • 24% Positiveness
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Belle and Sebastian
Blue Eyes Of A Millionaire
88 bpm • G# Maj • 03:40 • -10.38db
13% Popularity • 59% Danceability • 55% Energy • 13% Liveness
0% Instrumentalness • 43% Positiveness
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Sondre Lerche
It's Over
88 bpm • D Maj • 03:11 • -9.84db
12% Popularity • 44% Danceability • 31% Energy • 11% Liveness
2% Instrumentalness • 31% Positiveness
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Bingo Gazingo
Intensive Moments
80 bpm • A Maj • 02:54 • -8.46db
2% Popularity • 54% Danceability • 80% Energy • 34% Liveness
0% Instrumentalness • 59% Positiveness
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Tom McRae
I Ain't Scared of Lightning - 2020 Remas...
88 bpm • G Maj • 01:23 • -20.04db
20% Popularity • 44% Danceability • 9% Energy • 13% Liveness
7% Instrumentalness • 35% Positiveness
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The Leisure Society
A Short Weekend Begins with Longing
88 bpm • A Maj • 03:17 • -9.17db
32% Popularity • 50% Danceability • 48% Energy • 9% Liveness
4% Instrumentalness • 45% Positiveness
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Ed Harcourt
Something to Live For
81 bpm • G Maj • 02:32 • -14.92db
7% Popularity • 20% Danceability • 26% Energy • 25% Liveness
0% Instrumentalness • 25% Positiveness
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The Low Anthem
Ticket Taker
88 bpm • F Maj • 03:08 • -12.6db
14% Popularity • 52% Danceability • 26% Energy • 12% Liveness
0% Instrumentalness • 30% Positiveness
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King Creosote
Bats In The Attic
88 bpm • G# Maj • 03:43 • -15db
37% Popularity • 46% Danceability • 29% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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Magnet
Where Happiness Lives
88 bpm • C Maj • 03:36 • -11db
19% Popularity • 52% Danceability • 58% Energy • 28% Liveness
1% Instrumentalness • 63% Positiveness
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Guillemots
I Don't Feel Amazing Now
80 bpm • C Maj • 05:27 • -8.26db
17% Popularity • 46% Danceability • 64% Energy • 30% Liveness
0% Instrumentalness • 33% Positiveness
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Admiral Fallow
Dead Against Smoking
80 bpm • C Maj • 05:46 • -8.41db
18% Popularity • 43% Danceability • 45% Energy • 36% Liveness
5% Instrumentalness • 13% Positiveness
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Ed Harcourt
Strangers
87 bpm • D# Maj • 03:30 • -7.86db
8% Popularity • 66% Danceability • 35% Energy • 7% Liveness
0% Instrumentalness • 70% Positiveness
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Shearwater
Landscape At Speed
89 bpm • C min • 04:33 • -11.81db
15% Popularity • 52% Danceability • 46% Energy • 18% Liveness
65% Instrumentalness • 4% Positiveness
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The Leisure Society
A Fighting Chance
79 bpm • F# Maj • 03:32 • -11.42db
23% Popularity • 42% Danceability • 42% Energy • 8% Liveness
1% Instrumentalness • 10% Positiveness
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Sondre Lerche
You Know so Well
90 bpm • D Maj • 04:15 • -8.95db
10% Popularity • 52% Danceability • 45% Energy • 14% Liveness
0% Instrumentalness • 42% Positiveness
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Guillemots
Falling Out Of Reach
79 bpm • A# Maj • 04:54 • -10db
12% Popularity • 31% Danceability • 42% Energy • 14% Liveness
0% Instrumentalness • 56% Positiveness
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The Concretes
Sunbeams
90 bpm • C Maj • 03:24 • -5.82db
9% Popularity • 50% Danceability • 62% Energy • 12% Liveness
0% Instrumentalness • 57% Positiveness
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Ed Harcourt
1987
80 bpm • F Maj • 04:23 • -8.5db
31% Popularity • 37% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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Teitur
Sleeping With The Lights On
90 bpm • E Maj • 03:40 • -9db
22% Popularity • 58% Danceability • 54% Energy • 17% Liveness
0% Instrumentalness • 60% Positiveness
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I Am Kloot
Astray
90 bpm • C Maj • 01:41 • -14.26db
28% Popularity • 59% Danceability • 20% Energy • 11% Liveness
0% Instrumentalness • 58% Positiveness
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The New Pornographers
Hey, Snow White
78 bpm • G Maj • 04:25 • -5.1db
20% Popularity • 56% Danceability • 54% Energy • 12% Liveness
0% Instrumentalness • 25% Positiveness
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Guillemots
Little Bear
89 bpm • E Maj • 04:49 • -18.58db
23% Popularity • 18% Danceability • 4% Energy • 9% Liveness
6% Instrumentalness • 4% Positiveness
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Aberfeldy
Young Forever
91 bpm • A min • 01:45 • -15db
11% Popularity • 58% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 56% Positiveness
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Shearwater
The World in 1984
78 bpm • G Maj • 03:01 • -8.43db
11% Popularity • 46% Danceability • 43% Energy • 9% Liveness
8% Instrumentalness • 11% Positiveness
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Sondre Lerche
Suffused with Love
91 bpm • C Maj • 02:50 • -6.45db
17% Popularity • 66% Danceability • 64% Energy • 17% Liveness
9% Instrumentalness • 63% Positiveness
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The Leisure Society
Come to Your Senses
92 bpm • G# Maj • 02:31 • -13.83db
27% Popularity • 52% Danceability • 39% Energy • 10% Liveness
0% Instrumentalness • 59% Positiveness
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Kings of Convenience
I Don't Know What I Can Save You From
92 bpm • D# Maj • 04:37 • -16db
47% Popularity • 62% Danceability • 28% Energy • 12% Liveness
77% Instrumentalness • 70% Positiveness
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Guillemots
Blue Would Still Be Blue
92 bpm • B Maj • 05:14 • -18.5db
14% Popularity • 52% Danceability • 2% Energy • 22% Liveness
0% Instrumentalness • 50% Positiveness
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Elvis Perkins
Ash Wednesday
77 bpm • C Maj • 06:30 • -9.36db
18% Popularity • 50% Danceability • 37% Energy • 22% Liveness
0% Instrumentalness • 19% Positiveness
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Ed Harcourt
In My Time of Dust
93 bpm • A Maj • 04:09 • -9.97db
11% Popularity • 35% Danceability • 61% Energy • 7% Liveness
0% Instrumentalness • 48% Positiveness
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Sondre Lerche
Stupid Memory
91 bpm • A Maj • 04:10 • -8.29db
16% Popularity • 52% Danceability • 71% Energy • 15% Liveness
49% Instrumentalness • 55% Positiveness
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Belle and Sebastian
This Is Just a Modern Rock Song
93 bpm • D Maj • 07:12 • -10.96db
24% Popularity • 30% Danceability • 37% Energy • 10% Liveness
4% Instrumentalness • 15% Positiveness
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Shout Out Louds
Oh, Sweetheart
93 bpm • G Maj • 03:20 • -3.6db
25% Popularity • 32% Danceability • 90% Energy • 39% Liveness
0% Instrumentalness • 66% Positiveness
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Teenage Fanclub
Sweet Days Waiting
94 bpm • A Maj • 03:35 • -10.24db
1% Popularity • 54% Danceability • 54% Energy • 12% Liveness
83% Instrumentalness • 52% Positiveness
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Fionn Regan
Be Good or Be Gone
94 bpm • G# Maj • 03:19 • -12.51db
40% Popularity • 60% Danceability • 28% Energy • 11% Liveness
19% Instrumentalness • 43% Positiveness
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Ed Harcourt
Those Crimson Tears
93 bpm • C Maj • 05:09 • -11.69db
11% Popularity • 51% Danceability • 19% Energy • 9% Liveness
24% Instrumentalness • 15% Positiveness
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Sondre Lerche
Counter Spark
93 bpm • G Maj • 04:13 • -6.59db
10% Popularity • 56% Danceability • 65% Energy • 10% Liveness
3% Instrumentalness • 44% Positiveness
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Efterklang
Natural Tune
94 bpm • D min • 03:26 • -13.62db
22% Popularity • 54% Danceability • 40% Energy • 10% Liveness
52% Instrumentalness • 37% Positiveness
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Cherry Ghost
False Alarm
75 bpm • D Maj • 03:56 • -8.16db
15% Popularity • 36% Danceability • 61% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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The National
Racing Like a Pro
94 bpm • A# Maj • 03:24 • -9.77db
35% Popularity • 35% Danceability • 39% Energy • 9% Liveness
67% Instrumentalness • 11% Positiveness
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Doves
Caught By The River
94 bpm • C# Maj • 05:55 • -5.86db
41% Popularity • 15% Danceability • 75% Energy • 7% Liveness
0% Instrumentalness • 24% Positiveness
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Ed Harcourt
Anvils & Hammers
94 bpm • C Maj • 03:53 • -14.43db
26% Popularity • 53% Danceability • 32% Energy • 13% Liveness
46% Instrumentalness • 58% Positiveness
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The Leisure Society
Love's Enormous Wings
94 bpm • C min • 02:31 • -11.2db
33% Popularity • 73% Danceability • 25% Energy • 9% Liveness
0% Instrumentalness • 56% Positiveness
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Lloyd Cole
Trigger Happy
95 bpm • E Maj • 02:59 • -11.11db
26% Popularity • 54% Danceability • 51% Energy • 11% Liveness
1% Instrumentalness • 76% Positiveness
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Guillemots
Fleet
95 bpm • D Maj • 04:43 • -9.71db
16% Popularity • 61% Danceability • 46% Energy • 29% Liveness
4% Instrumentalness • 17% Positiveness
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Tim Booth
Harbour
95 bpm • F Maj • 03:48 • -9.23db
8% Popularity • 68% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 79% Positiveness
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Camera Obscura
The Nights Are Cold
95 bpm • C Maj • 03:39 • -13.61db
18% Popularity • 51% Danceability • 33% Energy • 11% Liveness
58% Instrumentalness • 26% Positiveness
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The Plan
Embrace Me Beauty
96 bpm • C# Maj • 04:41 • -4.34db
9% Popularity • 49% Danceability • 80% Energy • 7% Liveness
0% Instrumentalness • 53% Positiveness
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Ed Harcourt
Until Tomorrow Then
96 bpm • G# Maj • 03:56 • -9.13db
11% Popularity • 34% Danceability • 51% Energy • 16% Liveness
2% Instrumentalness • 34% Positiveness
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Phosphorescent
A Charm / A Blade
97 bpm • D Maj • 05:20 • -6.65db
27% Popularity • 24% Danceability • 66% Energy • 4% Liveness
24% Instrumentalness • 24% Positiveness
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Iron & Wine
My Side of the Road
97 bpm • F Maj • 03:21 • -8.3db
8% Popularity • 67% Danceability • 57% Energy • 8% Liveness
0% Instrumentalness • 69% Positiveness
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Joel Alme
When the Moon Shakes
97 bpm • G Maj • 03:31 • -6.35db
18% Popularity • 41% Danceability • 55% Energy • 11% Liveness
0% Instrumentalness • 40% Positiveness
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I Am Kloot
Bigger Wheels - Remastered
97 bpm • D Maj • 03:28 • -6.11db
20% Popularity • 62% Danceability • 80% Energy • 34% Liveness
1% Instrumentalness • 85% Positiveness
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Elvis Perkins
All the Night Without Love
98 bpm • E min • 03:11 • -9.29db
20% Popularity • 42% Danceability • 52% Energy • 12% Liveness
0% Instrumentalness • 32% Positiveness
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Bell X1
Eve, The Apple Of My Eye
72 bpm • A Maj • 05:33 • -8.27db
38% Popularity • 46% Danceability • 40% Energy • 11% Liveness
3% Instrumentalness • 10% Positiveness
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The Veils
The Wild Son
72 bpm • E Maj • 03:00 • -6.71db
19% Popularity • 32% Danceability • 64% Energy • 14% Liveness
0% Instrumentalness • 45% Positiveness
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Ed Harcourt
The Last Cigarette
72 bpm • A# Maj • 03:30 • -13.03db
31% Popularity • 37% Danceability • 28% Energy • 11% Liveness
10% Instrumentalness • 28% Positiveness
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Bingo Gazingo
The Cook Who Couldn't Cook
98 bpm • A# min • 02:40 • -15.29db
6% Popularity • 78% Danceability • 40% Energy • 36% Liveness
5% Instrumentalness • 76% Positiveness
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Fionn Regan
Catacombs
99 bpm • A Maj • 03:24 • -8.71db
18% Popularity • 64% Danceability • 69% Energy • 20% Liveness
0% Instrumentalness • 61% Positiveness
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John Grant
Queen of Denmark
98 bpm • C Maj • 04:48 • -9.2db
33% Popularity • 38% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 38% Positiveness
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Bell X1
Slowset
98 bpm • C Maj • 03:54 • -9.37db
15% Popularity • 60% Danceability • 51% Energy • 10% Liveness
0% Instrumentalness • 42% Positiveness
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Cat Power
Lived in Bars
99 bpm • G Maj • 03:44 • -10db
42% Popularity • 51% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Fanfarlo
Ghosts
99 bpm • G Maj • 04:18 • -6.79db
18% Popularity • 27% Danceability • 71% Energy • 16% Liveness
4% Instrumentalness • 15% Positiveness
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Dolorean
Heather Remind Me How This Ends
71 bpm • G# Maj • 02:44 • -13.52db
17% Popularity • 61% Danceability • 32% Energy • 10% Liveness
1% Instrumentalness • 41% Positiveness
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Beirut
Goshen
99 bpm • B Maj • 03:20 • -10db
38% Popularity • 29% Danceability • 26% Energy • 10% Liveness
1% Instrumentalness • 10% Positiveness
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The Leisure Society
Are We Happy?
99 bpm • F# min • 02:53 • -13.82db
15% Popularity • 54% Danceability • 23% Energy • 34% Liveness
0% Instrumentalness • 31% Positiveness
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Guillemots
If The World Ends
99 bpm • F# Maj • 06:20 • -15.05db
22% Popularity • 16% Danceability • 28% Energy • 13% Liveness
30% Instrumentalness • 10% Positiveness
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Ed Harcourt
All of Your Days Will Be Blessed
99 bpm • G Maj • 03:42 • -7.66db
13% Popularity • 27% Danceability • 83% Energy • 30% Liveness
0% Instrumentalness • 34% Positiveness
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Neil Halstead
Queen Bee
100 bpm • D Maj • 02:52 • -10.43db
12% Popularity • 68% Danceability • 60% Energy • 12% Liveness
11% Instrumentalness • 95% Positiveness
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King Creosote
Curtain Craft
100 bpm • A Maj • 04:00 • -12.79db
8% Popularity • 76% Danceability • 30% Energy • 10% Liveness
0% Instrumentalness • 16% Positiveness
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My Jerusalem
It's Torture! - Ed Harcourt Louchebag Re...
100 bpm • G# Maj • 05:34 • -6.73db
0% Popularity • 54% Danceability • 63% Energy • 19% Liveness
0% Instrumentalness • 64% Positiveness
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The Leisure Society
Save It for Someone Who Cares
100 bpm • F# Maj • 04:01 • -10.86db
22% Popularity • 57% Danceability • 39% Energy • 13% Liveness
0% Instrumentalness • 64% Positiveness
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M. Ward
Crawl After You
101 bpm • C Maj • 03:39 • -7.36db
1% Popularity • 47% Danceability • 43% Energy • 15% Liveness
0% Instrumentalness • 33% Positiveness
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Fanfarlo
I'm a Pilot
100 bpm • A Maj • 04:30 • -6.43db
31% Popularity • 50% Danceability • 57% Energy • 17% Liveness
0% Instrumentalness • 30% Positiveness
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Tom McRae
End of the World News (Dose Me Up) - 202...
101 bpm • A min • 03:48 • -5.9db
27% Popularity • 52% Danceability • 68% Energy • 12% Liveness
0% Instrumentalness • 22% Positiveness
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Black Dress