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Black Is The Colour
Songs like
Black Is The Colour
by
Paul Weller
Based on a tempo of (+/- 10%) and a similar genre
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Grant Lee Buffalo
You Just Have to Be Crazy
113 bpm • C# Maj • 03:36 • -17db
35% Popularity • 67% Danceability • 12% Energy • 11% Liveness
0% Instrumentalness • 5% Positiveness
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Paul Weller
Black Is The Colour
113 bpm • C# min • 03:29 • -10db
33% Popularity • 55% Danceability • 29% Energy • 12% Liveness
0% Instrumentalness • 28% Positiveness
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The Walkabouts
Forgiveness Song
113 bpm • C Maj • 07:22 • -10.59db
13% Popularity • 39% Danceability • 41% Energy • 11% Liveness
3% Instrumentalness • 20% Positiveness
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Christy Moore
Gortatagort
113 bpm • D Maj • 03:42 • -16.66db
7% Popularity • 62% Danceability • 25% Energy • 10% Liveness
9% Instrumentalness • 38% Positiveness
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Fairground Attraction
Whispers
113 bpm • D Maj • 03:50 • -20db
31% Popularity • 50% Danceability • 5% Energy • 11% Liveness
0% Instrumentalness • 57% Positiveness
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Passengers
Your Blue Room
113 bpm • D# min • 05:27 • -12db
38% Popularity • 52% Danceability • 46% Energy • 12% Liveness
84% Instrumentalness • 31% Positiveness
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John Martyn
He's Got All The Whiskey
114 bpm • E min • 03:21 • -15db
36% Popularity • 80% Danceability • 32% Energy • 9% Liveness
8% Instrumentalness • 79% Positiveness
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Tindersticks
Travelling Light
112 bpm • D Maj • 04:51 • -18db
36% Popularity • 49% Danceability • 23% Energy • 18% Liveness
3% Instrumentalness • 28% Positiveness
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Mike Scott
Bring 'Em All In
112 bpm • E min • 03:58 • -15db
38% Popularity • 55% Danceability • 26% Energy • 8% Liveness
39% Instrumentalness • 54% Positiveness
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Amy Winehouse
I Heard It Through The Grapevine - Live ...
114 bpm • F# min • 03:54 • -7.27db
54% Popularity • 59% Danceability • 67% Energy • 97% Liveness
0% Instrumentalness • 63% Positiveness
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Bronski Beat
Smalltown Boy - Reprise 2014
112 bpm • A# Maj • 02:45 • -8db
39% Popularity • 66% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 26% Positiveness
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Chris Eckman
Nothing Left to Hate
112 bpm • G# min • 04:50 • -11.41db
16% Popularity • 61% Danceability • 40% Energy • 34% Liveness
36% Instrumentalness • 35% Positiveness
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The Silencers
Wayfaring Stranger
112 bpm • G Maj • 03:07 • -23.18db
11% Popularity • 48% Danceability • 8% Energy • 8% Liveness
65% Instrumentalness • 23% Positiveness
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I Am Kloot
Here for the World
114 bpm • A Maj • 03:26 • -8.37db
20% Popularity • 61% Danceability • 50% Energy • 12% Liveness
1% Instrumentalness • 23% Positiveness
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Minor Majority
The Dark Half
112 bpm • G min • 03:32 • -10db
31% Popularity • 60% Danceability • 46% Energy • 12% Liveness
0% Instrumentalness • 31% Positiveness
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Albert Niland
Wuthering Heights
114 bpm • C# Maj • 03:45 • -16.38db
16% Popularity • 50% Danceability • 24% Energy • 70% Liveness
0% Instrumentalness • 31% Positiveness
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Dave Stewart and the Spiritual Cowboys
Soul Years - 2 Meter Session
112 bpm • D Maj • 04:36 • -16.54db
9% Popularity • 59% Danceability • 37% Energy • 10% Liveness
18% Instrumentalness • 46% Positiveness
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Paul Weller
Broken Stones
112 bpm • A# Maj • 03:16 • -15.1db
51% Popularity • 91% Danceability • 29% Energy • 13% Liveness
0% Instrumentalness • 96% Positiveness
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The Blue Nile
Tomorrow Morning
111 bpm • G Maj • 04:15 • -6db
32% Popularity • 60% Danceability • 48% Energy • 11% Liveness
0% Instrumentalness • 20% Positiveness
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Stef Kamil Carlens
Dream Blues
115 bpm • C min • 05:03 • -10.2db
8% Popularity • 69% Danceability • 42% Energy • 14% Liveness
1% Instrumentalness • 57% Positiveness
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Timesbold
Bone Song
115 bpm • F# min • 03:39 • -10.06db
13% Popularity • 54% Danceability • 42% Energy • 10% Liveness
0% Instrumentalness • 22% Positiveness
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June Tabor
Love Will Tear Us Apart
115 bpm • A# Maj • 03:30 • -12.92db
29% Popularity • 40% Danceability • 19% Energy • 14% Liveness
0% Instrumentalness • 34% Positiveness
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Lonnie Mack
Tough on Me, Tough on You - 2 Meter Sess...
111 bpm • G min • 03:22 • -21.13db
10% Popularity • 63% Danceability • 13% Energy • 13% Liveness
0% Instrumentalness • 22% Positiveness
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Richard Thompson
I Misunderstood - 2 Meter Session
115 bpm • F Maj • 03:54 • -21.96db
9% Popularity • 81% Danceability • 9% Energy • 11% Liveness
1% Instrumentalness • 59% Positiveness
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Frazey Ford
Three Golden Trees
115 bpm • D# Maj • 05:04 • -11.9db
42% Popularity • 62% Danceability • 34% Energy • 10% Liveness
1% Instrumentalness • 30% Positiveness
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The Housemartins
Flag Day
115 bpm • D min • 05:25 • -15db
31% Popularity • 63% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 40% Positiveness
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Cult With No Name
Swept Away
111 bpm • G# min • 03:40 • -10.91db
17% Popularity • 57% Danceability • 30% Energy • 9% Liveness
80% Instrumentalness • 7% Positiveness
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The Pogues
Summer in Siam
116 bpm • C Maj • 04:07 • -14.44db
36% Popularity • 38% Danceability • 36% Energy • 10% Liveness
0% Instrumentalness • 69% Positiveness
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Charlotte Gainsbourg
Just Like a Woman
110 bpm • F# Maj • 04:15 • -13.42db
28% Popularity • 59% Danceability • 32% Energy • 9% Liveness
1% Instrumentalness • 16% Positiveness
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Bob Geldof
Crucified Me
115 bpm • F# Maj • 02:09 • -24.18db
16% Popularity • 56% Danceability • 5% Energy • 9% Liveness
0% Instrumentalness • 22% Positiveness
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The Lost Brothers
After the Fire
110 bpm • A# Maj • 03:34 • -15.26db
17% Popularity • 63% Danceability • 43% Energy • 11% Liveness
38% Instrumentalness • 52% Positiveness
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dEUS
Serpentine
110 bpm • B min • 03:16 • -17.91db
29% Popularity • 62% Danceability • 19% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Johnny Cash
If You Could Read My Mind
110 bpm • A Maj • 04:29 • -12.94db
40% Popularity • 63% Danceability • 25% Energy • 8% Liveness
0% Instrumentalness • 36% Positiveness
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I Am Kloot
From Your Favourite Sky
116 bpm • B Maj • 02:46 • -5.75db
35% Popularity • 46% Danceability • 62% Energy • 18% Liveness
0% Instrumentalness • 23% Positiveness
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Mike Scott
Rare, Precious and Gone
116 bpm • F# min • 04:06 • -9db
28% Popularity • 70% Danceability • 67% Energy • 21% Liveness
0% Instrumentalness • 88% Positiveness
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Turin Brakes
Sea Change
110 bpm • E min • 04:02 • -10db
25% Popularity • 61% Danceability • 68% Energy • 11% Liveness
1% Instrumentalness • 22% Positiveness
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Joan Armatrading
Baby Blue Eyes
110 bpm • D Maj • 03:57 • -6.67db
12% Popularity • 55% Danceability • 69% Energy • 18% Liveness
1% Instrumentalness • 45% Positiveness
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The Goldborns
Going Out
110 bpm • G# Maj • 02:54 • -9.27db
20% Popularity • 68% Danceability • 81% Energy • 72% Liveness
0% Instrumentalness • 73% Positiveness
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The Walkabouts
The Light Will Stay On
110 bpm • G# Maj • 05:26 • -10.09db
35% Popularity • 33% Danceability • 36% Energy • 8% Liveness
2% Instrumentalness • 14% Positiveness
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Morcheeba
I Am the Spring - 2 Meter Session
117 bpm • B min • 03:05 • -21.41db
8% Popularity • 67% Danceability • 7% Energy • 8% Liveness
1% Instrumentalness • 36% Positiveness
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Mike Scott
Sensitive Children
116 bpm • A Maj • 02:40 • -12.03db
32% Popularity • 40% Danceability • 41% Energy • 24% Liveness
42% Instrumentalness • 45% Positiveness
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J.J. Cale
You Keep Me Hangin' On
117 bpm • C Maj • 03:26 • -16.51db
38% Popularity • 68% Danceability • 30% Energy • 14% Liveness
12% Instrumentalness • 50% Positiveness
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Turin Brakes
Feeling Oblivion
110 bpm • G Maj • 03:41 • -12.03db
31% Popularity • 32% Danceability • 42% Energy • 16% Liveness
0% Instrumentalness • 38% Positiveness
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Nits
Fire In My Head
117 bpm • C Maj • 03:57 • -23.49db
11% Popularity • 32% Danceability • 9% Energy • 13% Liveness
19% Instrumentalness • 10% Positiveness
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Steve Forbert
Cellophane City
117 bpm • F Maj • 05:36 • -16.25db
31% Popularity • 63% Danceability • 38% Energy • 14% Liveness
4% Instrumentalness • 72% Positiveness
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Stuart A. Staples
This Road Is Long
109 bpm • C Maj • 03:44 • -14.44db
15% Popularity • 39% Danceability • 26% Energy • 15% Liveness
0% Instrumentalness • 14% Positiveness
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Mike Scott
My Dark Side
109 bpm • F# min • 03:58 • -9.48db
23% Popularity • 62% Danceability • 59% Energy • 10% Liveness
1% Instrumentalness • 56% Positiveness
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I Am Kloot
From There To Here
117 bpm • E min • 01:43 • -17.25db
32% Popularity • 43% Danceability • 13% Energy • 12% Liveness
95% Instrumentalness • 35% Positiveness
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Tindersticks
Let's Pretend
117 bpm • C Maj • 03:21 • -10.07db
43% Popularity • 54% Danceability • 45% Energy • 14% Liveness
77% Instrumentalness • 19% Positiveness
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Joan Armatrading
Dry Land
117 bpm • A# Maj • 04:21 • -9.8db
25% Popularity • 55% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 13% Positiveness
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Lloyd Cole and the Commotions
Hey Rusty
117 bpm • D Maj • 04:30 • -11.93db
28% Popularity • 63% Danceability • 68% Energy • 10% Liveness
19% Instrumentalness • 42% Positiveness
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Stuart A. Staples
That Leaving Feeling
109 bpm • F# min • 04:02 • -9db
35% Popularity • 36% Danceability • 43% Energy • 18% Liveness
0% Instrumentalness • 37% Positiveness
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Richard Thompson
I Misunderstood
117 bpm • C min • 03:57 • -12db
30% Popularity • 70% Danceability • 28% Energy • 10% Liveness
33% Instrumentalness • 64% Positiveness
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The Walkabouts
Bordertown
109 bpm • A min • 06:10 • -10.97db
13% Popularity • 41% Danceability • 28% Energy • 69% Liveness
0% Instrumentalness • 9% Positiveness
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The Unthanks
Starless
117 bpm • G min • 06:00 • -14.6db
11% Popularity • 31% Danceability • 8% Energy • 11% Liveness
23% Instrumentalness • 4% Positiveness
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Beth Orton
Sisters Of Mercy
117 bpm • A Maj • 04:40 • -14.84db
26% Popularity • 45% Danceability • 16% Energy • 70% Liveness
0% Instrumentalness • 14% Positiveness
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CousteauX
Of This Goodbye
118 bpm • B min • 05:40 • -9.46db
10% Popularity • 43% Danceability • 40% Energy • 11% Liveness
37% Instrumentalness • 13% Positiveness
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Steve Harley
Compared With You (Your Eyes Don't Seem ...
118 bpm • G Maj • 04:37 • -11.4db
22% Popularity • 53% Danceability • 28% Energy • 20% Liveness
0% Instrumentalness • 34% Positiveness
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Van Morrison
Sometimes I Feel Like a Motherless Child
118 bpm • F# min • 04:28 • -10.45db
33% Popularity • 56% Danceability • 44% Energy • 10% Liveness
36% Instrumentalness • 42% Positiveness
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Tindersticks
Buried Bones
118 bpm • D Maj • 04:03 • -13db
35% Popularity • 55% Danceability • 39% Energy • 15% Liveness
65% Instrumentalness • 46% Positiveness
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Dexys
Both Sides Now
118 bpm • B Maj • 03:45 • -8.12db
30% Popularity • 80% Danceability • 64% Energy • 5% Liveness
0% Instrumentalness • 84% Positiveness
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Lloyd Cole and the Commotions
Speedboat
118 bpm • A Maj • 04:38 • -11db
30% Popularity • 69% Danceability • 46% Energy • 8% Liveness
2% Instrumentalness • 69% Positiveness
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CousteauX
Wish You Were Her
108 bpm • E Maj • 03:50 • -8.48db
10% Popularity • 46% Danceability • 72% Energy • 33% Liveness
48% Instrumentalness • 58% Positiveness
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Dez Mona
A Little Bit of a Dream
118 bpm • B min • 03:16 • -9db
18% Popularity • 64% Danceability • 52% Energy • 11% Liveness
0% Instrumentalness • 38% Positiveness
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The Slow Show
Dresden
118 bpm • C Maj • 05:03 • -8.25db
34% Popularity • 54% Danceability • 68% Energy • 36% Liveness
78% Instrumentalness • 12% Positiveness
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Nits
Two Skaters
118 bpm • F Maj • 06:51 • -20db
19% Popularity • 69% Danceability • 13% Energy • 9% Liveness
3% Instrumentalness • 31% Positiveness
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Calvin Russell
A Crack in Time - 2 Meter Session
118 bpm • C Maj • 05:14 • -14.59db
9% Popularity • 47% Danceability • 23% Energy • 11% Liveness
1% Instrumentalness • 47% Positiveness
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John Martyn
Under My Wing
108 bpm • B min • 04:10 • -11.29db
11% Popularity • 81% Danceability • 52% Energy • 8% Liveness
32% Instrumentalness • 77% Positiveness
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Jacob & Drinkwater
There's a Shadow on the Sun
118 bpm • A min • 03:35 • -13.55db
22% Popularity • 66% Danceability • 16% Energy • 10% Liveness
1% Instrumentalness • 13% Positiveness
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Bob Geldof
A Rose At Night
118 bpm • D Maj • 05:42 • -17.09db
10% Popularity • 58% Danceability • 35% Energy • 13% Liveness
0% Instrumentalness • 48% Positiveness
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Lloyd Cole
For Crying Out Loud
108 bpm • G Maj • 05:01 • -13.78db
9% Popularity • 66% Danceability • 34% Energy • 11% Liveness
0% Instrumentalness • 37% Positiveness
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Bill Fay
Never Ending Happening
108 bpm • B Maj • 03:43 • -14.23db
26% Popularity • 57% Danceability • 23% Energy • 12% Liveness
2% Instrumentalness • 17% Positiveness
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Josienne Clarke and Ben Walker
Chicago
108 bpm • F# min • 04:40 • -13db
25% Popularity • 68% Danceability • 28% Energy • 9% Liveness
3% Instrumentalness • 16% Positiveness
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Frazey Ford
Indian Ocean
108 bpm • A# Maj • 06:08 • -13db
36% Popularity • 56% Danceability • 25% Energy • 9% Liveness
43% Instrumentalness • 19% Positiveness
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Stone Foundation
Street Rituals
108 bpm • C# Maj • 04:24 • -12.51db
15% Popularity • 75% Danceability • 45% Energy • 36% Liveness
1% Instrumentalness • 89% Positiveness
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Suggs
OOH DO U FINK U R
119 bpm • C Maj • 02:23 • -6.96db
22% Popularity • 55% Danceability • 83% Energy • 29% Liveness
0% Instrumentalness • 69% Positiveness
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Kliffs
Outside of Cool, Vol. 1
108 bpm • D Maj • 04:03 • -11.19db
31% Popularity • 62% Danceability • 53% Energy • 11% Liveness
1% Instrumentalness • 4% Positiveness
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The Orchestra of Syrian Musicians
Blackbird
119 bpm • C Maj • 03:09 • -7.63db
16% Popularity • 29% Danceability • 36% Energy • 72% Liveness
0% Instrumentalness • 14% Positiveness
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Karen Elson
Wonder Blind
108 bpm • D Maj • 03:52 • -11.17db
25% Popularity • 42% Danceability • 35% Energy • 11% Liveness
0% Instrumentalness • 15% Positiveness
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Tindersticks
Sometimes It Hurts
119 bpm • C Maj • 04:38 • -11.72db
23% Popularity • 41% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 34% Positiveness
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The Finn Brothers
Only Talking Sense
119 bpm • D Maj • 03:04 • -12.39db
28% Popularity • 67% Danceability • 44% Energy • 19% Liveness
9% Instrumentalness • 60% Positiveness
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Jools Holland
Will It Go Round in Circles
107 bpm • G Maj • 03:30 • -4.61db
19% Popularity • 56% Danceability • 97% Energy • 82% Liveness
0% Instrumentalness • 72% Positiveness
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Dexys
You Wear It Well
119 bpm • F Maj • 04:50 • -8.73db
12% Popularity • 67% Danceability • 63% Energy • 6% Liveness
1% Instrumentalness • 60% Positiveness
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Stone Foundation
Your Balloon Is Rising
120 bpm • G Maj • 04:52 • -12.08db
28% Popularity • 45% Danceability • 39% Energy • 11% Liveness
1% Instrumentalness • 50% Positiveness
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Dayna Kurtz
Those Were the Days
120 bpm • D min • 04:35 • -8.25db
7% Popularity • 37% Danceability • 27% Energy • 15% Liveness
0% Instrumentalness • 22% Positiveness
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John Grant
Marz
120 bpm • A# Maj • 03:58 • -10.86db
45% Popularity • 53% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 40% Positiveness
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Texas
Future Is Promises - 2 Meter Session
106 bpm • C Maj • 03:33 • -12.66db
12% Popularity • 61% Danceability • 31% Energy • 12% Liveness
0% Instrumentalness • 62% Positiveness
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Paul Weller
The Soul Searchers
120 bpm • B min • 05:01 • -7.52db
27% Popularity • 68% Danceability • 58% Energy • 13% Liveness
61% Instrumentalness • 48% Positiveness
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Nick Cave & Warren Ellis
The Rider Song
120 bpm • G Maj • 02:30 • -9.17db
36% Popularity • 52% Danceability • 44% Energy • 17% Liveness
77% Instrumentalness • 45% Positiveness
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The Housemartins
You've Got A Friend
106 bpm • A Maj • 03:30 • -16.19db
28% Popularity • 56% Danceability • 23% Energy • 9% Liveness
0% Instrumentalness • 38% Positiveness
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Steve Harley
Stranger Comes To Town
120 bpm • C Maj • 04:10 • -5.68db
12% Popularity • 47% Danceability • 50% Energy • 28% Liveness
0% Instrumentalness • 28% Positiveness
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John Bramwell
Sat Beneath the Lightning Tree
106 bpm • C# min • 04:02 • -13.75db
34% Popularity • 60% Danceability • 12% Energy • 14% Liveness
0% Instrumentalness • 16% Positiveness
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Mick Jagger
Angel In My Heart
106 bpm • G min • 03:27 • -7db
32% Popularity • 47% Danceability • 37% Energy • 8% Liveness
0% Instrumentalness • 15% Positiveness
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Paul Weller
All Along The Watchtower
120 bpm • A min • 05:54 • -5.5db
17% Popularity • 66% Danceability • 82% Energy • 26% Liveness
2% Instrumentalness • 70% Positiveness
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The Lost Brothers
Halfway Towards a Healing
106 bpm • A min • 03:57 • -11.54db
10% Popularity • 72% Danceability • 38% Energy • 10% Liveness
2% Instrumentalness • 39% Positiveness
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King Creosote
Something To Believe In
121 bpm • D Maj • 03:14 • -10db
35% Popularity • 24% Danceability • 22% Energy • 18% Liveness
0% Instrumentalness • 21% Positiveness
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The Style Council
It's A Very Deep Sea
105 bpm • A# Maj • 05:33 • -11db
32% Popularity • 36% Danceability • 38% Energy • 68% Liveness
0% Instrumentalness • 24% Positiveness
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Ocean Colour Scene
So Low
121 bpm • F Maj • 03:54 • -6.37db
34% Popularity • 44% Danceability • 80% Energy • 11% Liveness
0% Instrumentalness • 68% Positiveness
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Joan Armatrading
Willow - Uk Single Edited Version
121 bpm • C Maj • 04:03 • -20db
36% Popularity • 58% Danceability • 13% Energy • 8% Liveness
5% Instrumentalness • 22% Positiveness
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Paul Weller
You're The Best Thing
106 bpm • G# Maj • 05:34 • -9.81db
31% Popularity • 31% Danceability • 43% Energy • 16% Liveness
0% Instrumentalness • 36% Positiveness
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Black Is The Colour