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Black Myself
Songs like
Black Myself
by
Amythyst Kiah
Based on a tempo of (+/- 10%) and a similar genre
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Jason Isbell and the 400 Unit
Driver 8
153 bpm • A Maj • 03:35 • -8.42db
28% Popularity • 54% Danceability • 68% Energy • 23% Liveness
0% Instrumentalness • 66% Positiveness
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Southern Avenue
Keep On
153 bpm • C Maj • 03:12 • -3db
26% Popularity • 51% Danceability • 80% Energy • 18% Liveness
0% Instrumentalness • 68% Positiveness
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Terry Allen
Abandonitis
153 bpm • A min • 03:59 • -8.74db
26% Popularity • 56% Danceability • 60% Energy • 9% Liveness
0% Instrumentalness • 62% Positiveness
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The War And Treaty
Down to the River
152 bpm • F# Maj • 03:51 • -7db
39% Popularity • 46% Danceability • 70% Energy • 12% Liveness
0% Instrumentalness • 77% Positiveness
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Amythyst Kiah
Black Myself
153 bpm • A Maj • 03:21 • -4db
42% Popularity • 56% Danceability • 84% Energy • 20% Liveness
0% Instrumentalness • 89% Positiveness
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Jamestown Revival
Moving Man
152 bpm • F Maj • 04:09 • -15.57db
22% Popularity • 76% Danceability • 19% Energy • 12% Liveness
0% Instrumentalness • 35% Positiveness
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Rod Gator
Mermentau Bridge
152 bpm • G Maj • 03:36 • -6.51db
14% Popularity • 74% Danceability • 70% Energy • 4% Liveness
0% Instrumentalness • 72% Positiveness
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Todd Snider
The Get Together
152 bpm • G min • 02:39 • -9.2db
8% Popularity • 82% Danceability • 38% Energy • 36% Liveness
0% Instrumentalness • 70% Positiveness
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Sarah Jarosz
I’ll Be Gone
152 bpm • F# min • 03:35 • -6.71db
30% Popularity • 60% Danceability • 71% Energy • 21% Liveness
0% Instrumentalness • 47% Positiveness
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Adia Victoria
You Was Born To Die
155 bpm • D min • 03:01 • -9.42db
26% Popularity • 37% Danceability • 44% Energy • 12% Liveness
0% Instrumentalness • 48% Positiveness
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Amythyst Kiah
My Old Man
154 bpm • A Maj • 03:24 • -13.07db
11% Popularity • 50% Danceability • 24% Energy • 10% Liveness
0% Instrumentalness • 50% Positiveness
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Katie Pruitt
Ohio
152 bpm • E min • 03:21 • -8.14db
26% Popularity • 39% Danceability • 48% Energy • 28% Liveness
0% Instrumentalness • 43% Positiveness
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Yola
Diamond Studded Shoes
151 bpm • C Maj • 03:24 • -6.17db
42% Popularity • 52% Danceability • 82% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Willy Mason
Worth It
155 bpm • B min • 04:45 • -7.7db
26% Popularity • 52% Danceability • 71% Energy • 9% Liveness
0% Instrumentalness • 58% Positiveness
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Ida Mae
Road to Avalon
151 bpm • F Maj • 04:36 • -8.27db
22% Popularity • 46% Danceability • 36% Energy • 10% Liveness
2% Instrumentalness • 19% Positiveness
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Luke Winslow-King
Lissa's Song
155 bpm • E Maj • 05:07 • -13.65db
25% Popularity • 40% Danceability • 25% Energy • 11% Liveness
1% Instrumentalness • 27% Positiveness
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Amythyst Kiah
Grinnin' in Your Face
155 bpm • C min • 02:48 • -13db
19% Popularity • 60% Danceability • 33% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Nick Waterhouse
B. Santa Ana, 1986
151 bpm • F Maj • 02:34 • -6db
33% Popularity • 54% Danceability • 72% Energy • 5% Liveness
0% Instrumentalness • 66% Positiveness
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Heartless Bastards
How Low
156 bpm • E Maj • 04:04 • -5.37db
36% Popularity • 55% Danceability • 84% Energy • 9% Liveness
0% Instrumentalness • 64% Positiveness
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Amythyst Kiah & Her Chest of Glass
Trouble so Hard
156 bpm • G Maj • 06:02 • -7db
30% Popularity • 42% Danceability • 46% Energy • 11% Liveness
0% Instrumentalness • 13% Positiveness
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Samantha Fish
Dirty
156 bpm • G# Maj • 03:27 • -9.11db
30% Popularity • 61% Danceability • 46% Energy • 12% Liveness
5% Instrumentalness • 30% Positiveness
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Jesse Roper
Does Anybody Know
150 bpm • C# Maj • 03:28 • -6db
52% Popularity • 68% Danceability • 68% Energy • 10% Liveness
0% Instrumentalness • 79% Positiveness
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Amythyst Kiah
Fake Plastic Trees
156 bpm • A# Maj • 04:36 • -13.59db
11% Popularity • 39% Danceability • 24% Energy • 9% Liveness
0% Instrumentalness • 27% Positiveness
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David Huckfelt
Bury Me Not (The Dying Cowboy)
156 bpm • C# min • 04:32 • -7.79db
9% Popularity • 48% Danceability • 77% Energy • 29% Liveness
2% Instrumentalness • 55% Positiveness
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Kelsey Waldon
Mississippi Goddam
150 bpm • G min • 04:54 • -5.94db
10% Popularity • 55% Danceability • 72% Energy • 10% Liveness
0% Instrumentalness • 32% Positiveness
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Gov't Mule
Make It Rain
150 bpm • E min • 06:41 • -7.81db
40% Popularity • 55% Danceability • 50% Energy • 21% Liveness
2% Instrumentalness • 57% Positiveness
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Ida Mae
Click Click Domino
150 bpm • D Maj • 03:23 • -5.8db
31% Popularity • 46% Danceability • 75% Energy • 21% Liveness
1% Instrumentalness • 62% Positiveness
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Pokey LaFarge
End Of My Rope
157 bpm • C Maj • 02:58 • -5.41db
31% Popularity • 65% Danceability • 84% Energy • 10% Liveness
0% Instrumentalness • 73% Positiveness
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iskwē
Long Way Down
157 bpm • B min • 03:18 • -8.98db
10% Popularity • 65% Danceability • 66% Energy • 30% Liveness
0% Instrumentalness • 75% Positiveness
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Christone "Kingfish" Ingram
662
158 bpm • E min • 03:17 • -4.85db
46% Popularity • 48% Danceability • 94% Energy • 10% Liveness
0% Instrumentalness • 82% Positiveness
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Shemekia Copeland
She Don't Wear Pink
148 bpm • A# min • 02:58 • -4.92db
14% Popularity • 77% Danceability • 66% Energy • 14% Liveness
0% Instrumentalness • 80% Positiveness
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Bad Flamingo
Comes Easy to Me
148 bpm • B min • 02:49 • -14.1db
20% Popularity • 63% Danceability • 29% Energy • 11% Liveness
4% Instrumentalness • 49% Positiveness
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Tami Neilson
Sister Mavis
147 bpm • A Maj • 02:44 • -6.81db
8% Popularity • 29% Danceability • 78% Energy • 28% Liveness
0% Instrumentalness • 87% Positiveness
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Carsie Blanton
Party At The End Of The World
148 bpm • G Maj • 03:43 • -6.37db
21% Popularity • 57% Danceability • 59% Energy • 9% Liveness
0% Instrumentalness • 53% Positiveness
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Buffalo Nichols
Another Man
147 bpm • D Maj • 03:14 • -7.74db
28% Popularity • 52% Danceability • 44% Energy • 10% Liveness
0% Instrumentalness • 40% Positiveness
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John Hiatt
Little Goodnight
147 bpm • A Maj • 04:43 • -9.71db
13% Popularity • 54% Danceability • 60% Energy • 11% Liveness
4% Instrumentalness • 81% Positiveness
► Preview
Amythyst Kiah
Aragon Mill
160 bpm • E Maj • 03:59 • -12.75db
10% Popularity • 51% Danceability • 22% Energy • 12% Liveness
0% Instrumentalness • 50% Positiveness
► Preview
John Németh
Come and Take It
160 bpm • G Maj • 02:54 • -9.82db
23% Popularity • 48% Danceability • 43% Energy • 27% Liveness
13% Instrumentalness • 66% Positiveness
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Jonah Tolchin
Black Hole
160 bpm • E Maj • 04:02 • -6.67db
23% Popularity • 52% Danceability • 83% Energy • 16% Liveness
10% Instrumentalness • 78% Positiveness
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Allison Russell
All Of The Women
146 bpm • A min • 05:24 • -10.26db
28% Popularity • 50% Danceability • 30% Energy • 8% Liveness
0% Instrumentalness • 19% Positiveness
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Samantha Fish
Love Letters
160 bpm • C# Maj • 03:38 • -8.97db
32% Popularity • 64% Danceability • 38% Energy • 8% Liveness
0% Instrumentalness • 56% Positiveness
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Bones Owens
Lightning Strike
161 bpm • F Maj • 02:58 • -4.87db
27% Popularity • 57% Danceability • 95% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
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Eddie 9V
Miss James
145 bpm • E min • 04:06 • -8.22db
9% Popularity • 44% Danceability • 66% Energy • 29% Liveness
21% Instrumentalness • 68% Positiveness
► Preview
Christone "Kingfish" Ingram
Rock & Roll
145 bpm • D Maj • 04:50 • -7.18db
40% Popularity • 53% Danceability • 47% Energy • 8% Liveness
0% Instrumentalness • 34% Positiveness
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Sean Rowe
Squid Tattoo
145 bpm • B Maj • 04:30 • -6db
23% Popularity • 57% Danceability • 78% Energy • 11% Liveness
0% Instrumentalness • 85% Positiveness
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Sunny War
Age of a Man
145 bpm • D# Maj • 03:39 • -6.05db
29% Popularity • 66% Danceability • 51% Energy • 9% Liveness
0% Instrumentalness • 36% Positiveness
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Hiss Golden Messenger
Hardlytown
145 bpm • C# Maj • 03:17 • -10.93db
39% Popularity • 60% Danceability • 45% Energy • 16% Liveness
0% Instrumentalness • 88% Positiveness
► Preview
Amythyst Kiah
Sugar
145 bpm • F min • 03:44 • -9db
14% Popularity • 48% Danceability • 72% Energy • 11% Liveness
45% Instrumentalness • 64% Positiveness
► Preview
Our Native Daughters
Black Myself
145 bpm • B min • 03:54 • -6db
29% Popularity • 77% Danceability • 53% Energy • 9% Liveness
0% Instrumentalness • 86% Positiveness
► Preview
Parker Millsap
Dammit
144 bpm • D Maj • 04:09 • -7.4db
15% Popularity • 64% Danceability • 66% Energy • 8% Liveness
46% Instrumentalness • 44% Positiveness
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Amythyst Kiah & Her Chest of Glass
Wildebeest
144 bpm • F Maj • 04:47 • -7.3db
10% Popularity • 61% Danceability • 65% Energy • 11% Liveness
1% Instrumentalness • 35% Positiveness
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Ida Mae
Little Liars
144 bpm • C min • 03:55 • -9.55db
22% Popularity • 72% Danceability • 34% Energy • 6% Liveness
0% Instrumentalness • 74% Positiveness
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Robert Finley
Country Boy
144 bpm • G Maj • 05:44 • -8db
38% Popularity • 68% Danceability • 73% Energy • 10% Liveness
2% Instrumentalness • 73% Positiveness
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Amythyst Kiah
Soapbox
162 bpm • C Maj • 01:37 • -14.3db
21% Popularity • 43% Danceability • 20% Energy • 28% Liveness
0% Instrumentalness • 42% Positiveness
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Marcus King
No One Above You
163 bpm • F Maj • 05:12 • -5.29db
22% Popularity • 32% Danceability • 75% Energy • 25% Liveness
0% Instrumentalness • 67% Positiveness
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Yola
Ride Out In The Country
143 bpm • C Maj • 03:15 • -5.85db
36% Popularity • 44% Danceability • 67% Energy • 24% Liveness
0% Instrumentalness • 59% Positiveness
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Adia Victoria
Far From Dixie
164 bpm • D Maj • 04:01 • -7.17db
17% Popularity • 60% Danceability • 63% Energy • 7% Liveness
0% Instrumentalness • 29% Positiveness
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Cordovas
I'ma Be Me
164 bpm • D Maj • 03:10 • -6.77db
8% Popularity • 62% Danceability • 78% Energy • 29% Liveness
0% Instrumentalness • 92% Positiveness
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Rodney Crowell
Triage
142 bpm • D min • 03:49 • -8.81db
10% Popularity • 68% Danceability • 51% Energy • 30% Liveness
2% Instrumentalness • 48% Positiveness
► Preview
Amythyst Kiah
Dark Holler
162 bpm • B min • 04:40 • -14.61db
15% Popularity • 52% Danceability • 21% Energy • 10% Liveness
0% Instrumentalness • 44% Positiveness
► Preview
Our Native Daughters
Blood and Bones
165 bpm • C# Maj • 04:45 • -9db
17% Popularity • 59% Danceability • 49% Energy • 14% Liveness
0% Instrumentalness • 63% Positiveness
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Fantastic Negrito
Oh Betty
142 bpm • C Maj • 03:56 • -7.93db
35% Popularity • 55% Danceability • 64% Energy • 24% Liveness
0% Instrumentalness • 53% Positiveness
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Parker Millsap
Hades Pleads
165 bpm • A Maj • 02:36 • -6.96db
47% Popularity • 57% Danceability • 63% Energy • 40% Liveness
0% Instrumentalness • 71% Positiveness
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The War And Treaty
Lover's Game
142 bpm • F# min • 02:49 • -4.54db
35% Popularity • 39% Danceability • 94% Energy • 38% Liveness
0% Instrumentalness • 47% Positiveness
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The Wild Feathers
Ain’t Lookin’
142 bpm • A Maj • 03:22 • -3.91db
30% Popularity • 36% Danceability • 79% Energy • 36% Liveness
0% Instrumentalness • 62% Positiveness
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Amythyst Kiah
Hitchin' a Ride
142 bpm • B min • 04:30 • -13.9db
22% Popularity • 49% Danceability • 30% Energy • 9% Liveness
1% Instrumentalness • 27% Positiveness
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Pokey LaFarge
Get It ‘Fore It’s Gone
165 bpm • G Maj • 03:34 • -6.22db
32% Popularity • 55% Danceability • 72% Energy • 33% Liveness
0% Instrumentalness • 77% Positiveness
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Tedeschi Trucks Band
Soul Sweet Song
165 bpm • A Maj • 03:55 • -7.48db
47% Popularity • 40% Danceability • 77% Energy • 15% Liveness
1% Instrumentalness • 77% Positiveness
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Jason Isbell and the 400 Unit
I've Been Loving You Too Long
141 bpm • A Maj • 03:11 • -7.44db
19% Popularity • 53% Danceability • 39% Energy • 9% Liveness
2% Instrumentalness • 15% Positiveness
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John Hiatt
Long Black Electric Cadillac
166 bpm • E Maj • 03:25 • -8.94db
29% Popularity • 49% Danceability • 64% Energy • 9% Liveness
1% Instrumentalness • 88% Positiveness
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Neal Francis
Can't Stop the Rain
166 bpm • F Maj • 04:06 • -3.26db
23% Popularity • 39% Danceability • 93% Energy • 45% Liveness
29% Instrumentalness • 54% Positiveness
► Preview
Amythyst Kiah
Darling Corey
167 bpm • D# min • 04:03 • -8.81db
2% Popularity • 55% Danceability • 23% Energy • 11% Liveness
0% Instrumentalness • 61% Positiveness
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Waylon Payne
All the Trouble
167 bpm • B Maj • 04:26 • -8.55db
14% Popularity • 47% Danceability • 54% Energy • 10% Liveness
0% Instrumentalness • 35% Positiveness
► Preview
Jonah Tolchin
Thousand Mile Night
141 bpm • D Maj • 03:53 • -14db
42% Popularity • 58% Danceability • 35% Energy • 10% Liveness
7% Instrumentalness • 50% Positiveness
► Preview
Suzanne Santo
Fall for That
140 bpm • B min • 04:00 • -5db
38% Popularity • 33% Danceability • 85% Energy • 35% Liveness
0% Instrumentalness • 31% Positiveness
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D’orjay The Singing Shaman
New Kind of Outlaw
140 bpm • C Maj • 04:12 • -6db
10% Popularity • 56% Danceability • 88% Energy • 39% Liveness
0% Instrumentalness • 69% Positiveness
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Parker Millsap
Vulnerable
140 bpm • F Maj • 03:08 • -6.87db
15% Popularity • 62% Danceability • 51% Energy • 12% Liveness
10% Instrumentalness • 60% Positiveness
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Our Native Daughters
I Knew I Could Fly
167 bpm • C Maj • 03:41 • -17.17db
36% Popularity • 54% Danceability • 25% Energy • 11% Liveness
5% Instrumentalness • 86% Positiveness
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Nicki Bluhm
To Rise You Gotta Fall
167 bpm • A Maj • 04:56 • -9db
25% Popularity • 42% Danceability • 63% Energy • 10% Liveness
4% Instrumentalness • 79% Positiveness
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Aaron Lee Tasjan
Feminine Walk
140 bpm • D Maj • 03:35 • -6.81db
5% Popularity • 58% Danceability • 58% Energy • 9% Liveness
0% Instrumentalness • 60% Positiveness
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Ida Mae
Learn to Love You Better
168 bpm • E Maj • 03:34 • -6.13db
18% Popularity • 58% Danceability • 67% Energy • 32% Liveness
0% Instrumentalness • 54% Positiveness
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Elles Bailey
Stones
139 bpm • G Maj • 03:25 • -6.1db
33% Popularity • 27% Danceability • 73% Energy • 17% Liveness
0% Instrumentalness • 35% Positiveness
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Tedeschi Trucks Band
Circles 'Round The Sun
168 bpm • F min • 06:16 • -9.24db
23% Popularity • 47% Danceability • 73% Energy • 44% Liveness
59% Instrumentalness • 70% Positiveness
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Robert Finley
My Story
139 bpm • G Maj • 03:14 • -6.67db
22% Popularity • 61% Danceability • 56% Energy • 20% Liveness
0% Instrumentalness • 59% Positiveness
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Marcus King
No Pain
139 bpm • D Maj • 03:53 • -10.08db
42% Popularity • 59% Danceability • 51% Energy • 9% Liveness
1% Instrumentalness • 34% Positiveness
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Lukas Nelson and Promise of the Real
Leave ‘em Behind
139 bpm • G Maj • 03:25 • -6.4db
35% Popularity • 54% Danceability • 60% Energy • 13% Liveness
0% Instrumentalness • 68% Positiveness
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Zach Person
Can't Stop Running
169 bpm • F Maj • 03:33 • -7.09db
15% Popularity • 43% Danceability • 83% Energy • 35% Liveness
0% Instrumentalness • 60% Positiveness
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Kyshona
Worried Mind
138 bpm • A Maj • 02:43 • -4.74db
19% Popularity • 47% Danceability • 71% Energy • 20% Liveness
20% Instrumentalness • 68% Positiveness
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Rhiannon Giddens
At the Purchaser's Option
138 bpm • C# Maj • 04:16 • -11.68db
39% Popularity • 89% Danceability • 26% Energy • 9% Liveness
0% Instrumentalness • 52% Positiveness
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Adia Victoria
In The Pines
138 bpm • A Maj • 03:37 • -12.01db
18% Popularity • 51% Danceability • 32% Energy • 10% Liveness
0% Instrumentalness • 12% Positiveness
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Tony Joe White
Bubba Jones
170 bpm • C Maj • 04:26 • -7.23db
33% Popularity • 41% Danceability • 61% Energy • 13% Liveness
0% Instrumentalness • 53% Positiveness
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Nathaniel Rateliff
Pretty Good
137 bpm • A Maj • 03:49 • -5.35db
31% Popularity • 49% Danceability • 70% Energy • 10% Liveness
1% Instrumentalness • 57% Positiveness
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GA-20
Jolene
137 bpm • C# Maj • 03:57 • -8.33db
32% Popularity • 62% Danceability • 44% Energy • 11% Liveness
0% Instrumentalness • 54% Positiveness
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The Reverend Peyton's Big Damn Band
Ways and Means
170 bpm • F# min • 03:38 • -7.47db
21% Popularity • 33% Danceability • 82% Energy • 11% Liveness
2% Instrumentalness • 50% Positiveness
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Taj Mahal
Hooray Hooray
137 bpm • G Maj • 04:19 • -9.05db
32% Popularity • 52% Danceability • 60% Energy • 36% Liveness
0% Instrumentalness • 77% Positiveness
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Buddy Guy
Gunsmoke Blues
172 bpm • G Maj • 03:08 • -7.06db
31% Popularity • 41% Danceability • 39% Energy • 12% Liveness
9% Instrumentalness • 28% Positiveness
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Jason Isbell and the 400 Unit
Honeysuckle Blue
172 bpm • D Maj • 05:16 • -5.98db
31% Popularity • 26% Danceability • 83% Energy • 32% Liveness
0% Instrumentalness • 64% Positiveness
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The War And Treaty
Little Boy Blue
136 bpm • E min • 02:01 • -7.36db
17% Popularity • 56% Danceability • 44% Energy • 23% Liveness
0% Instrumentalness • 50% Positiveness
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Samantha Fish
Kill Or Be Kind
172 bpm • D min • 03:45 • -9.38db
40% Popularity • 62% Danceability • 40% Energy • 7% Liveness
4% Instrumentalness • 56% Positiveness
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Yola
Hold On
173 bpm • D Maj • 03:29 • -5.89db
45% Popularity • 42% Danceability • 60% Energy • 33% Liveness
0% Instrumentalness • 55% Positiveness
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Black Myself