Songs like Black Orpheus by Atlantic Five Jazz Band
Based on a tempo of (+/- 10%) and a similar genre
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Otis Williams
In Paradise
128 bpm • D# Maj • 03:35 • -14.75db
24% Popularity • 56% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
24% Popularity • 56% Danceability • 23% Energy • 7% Liveness
1% Instrumentalness • 40% Positiveness
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Courtney Pine
The Morning After the Night Before
128 bpm • C min • 04:52 • -14.6db
28% Popularity • 46% Danceability • 14% Energy • 10% Liveness
23% Instrumentalness • 29% Positiveness
28% Popularity • 46% Danceability • 14% Energy • 10% Liveness
23% Instrumentalness • 29% Positiveness
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Atlantic Five Jazz Band
Black Orpheus
128 bpm • A min • 05:54 • -13.78db
15% Popularity • 44% Danceability • 22% Energy • 14% Liveness
92% Instrumentalness • 17% Positiveness
15% Popularity • 44% Danceability • 22% Energy • 14% Liveness
92% Instrumentalness • 17% Positiveness
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Jacques Loussier Trio
Goldberg Variations: Aria (1)
128 bpm • G Maj • 02:28 • -20db
35% Popularity • 42% Danceability • 20% Energy • 8% Liveness
77% Instrumentalness • 34% Positiveness
35% Popularity • 42% Danceability • 20% Energy • 8% Liveness
77% Instrumentalness • 34% Positiveness
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Bobby Gordon
You Turned The Tables On Me
127 bpm • D# Maj • 05:11 • -14.32db
20% Popularity • 71% Danceability • 13% Energy • 18% Liveness
46% Instrumentalness • 42% Positiveness
20% Popularity • 71% Danceability • 13% Energy • 18% Liveness
46% Instrumentalness • 42% Positiveness
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Stephen Kummer
People Will Say We're In Love
127 bpm • G Maj • 04:39 • -18.21db
22% Popularity • 60% Danceability • 16% Energy • 32% Liveness
71% Instrumentalness • 46% Positiveness
22% Popularity • 60% Danceability • 16% Energy • 32% Liveness
71% Instrumentalness • 46% Positiveness
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Tim Lin
A Weaver of Dreams
129 bpm • C Maj • 06:16 • -12.31db
43% Popularity • 53% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
43% Popularity • 53% Danceability • 28% Energy • 11% Liveness
88% Instrumentalness • 23% Positiveness
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Peter Cincotti
Spinning Wheel
129 bpm • D Maj • 03:09 • -12.31db
16% Popularity • 60% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
16% Popularity • 60% Danceability • 26% Energy • 11% Liveness
94% Instrumentalness • 33% Positiveness
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Dan Nimmer Trio
Just Us
127 bpm • C# Maj • 05:38 • -12.54db
38% Popularity • 46% Danceability • 30% Energy • 20% Liveness
77% Instrumentalness • 13% Positiveness
38% Popularity • 46% Danceability • 30% Energy • 20% Liveness
77% Instrumentalness • 13% Positiveness
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Tommy Flanagan Trio
Willow Weep for Me
129 bpm • G Maj • 06:27 • -14.24db
37% Popularity • 51% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
37% Popularity • 51% Danceability • 27% Energy • 10% Liveness
66% Instrumentalness • 22% Positiveness
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The Oscar Brown Jazz Trio
Misty
127 bpm • G# Maj • 06:07 • -20.41db
14% Popularity • 53% Danceability • 9% Energy • 9% Liveness
69% Instrumentalness • 26% Positiveness
14% Popularity • 53% Danceability • 9% Energy • 9% Liveness
69% Instrumentalness • 26% Positiveness
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CMC 3
Setembro
126 bpm • C Maj • 05:32 • -17.09db
24% Popularity • 48% Danceability • 23% Energy • 10% Liveness
64% Instrumentalness • 7% Positiveness
24% Popularity • 48% Danceability • 23% Energy • 10% Liveness
64% Instrumentalness • 7% Positiveness
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Carl Bagge Trio
You Must Believe In Spring
130 bpm • G Maj • 03:42 • -20.77db
35% Popularity • 42% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 21% Positiveness
35% Popularity • 42% Danceability • 14% Energy • 7% Liveness
88% Instrumentalness • 21% Positiveness
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Atlantic Five Jazz Band
Saving All My Love for You
127 bpm • C Maj • 05:23 • -12db
49% Popularity • 50% Danceability • 29% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
49% Popularity • 50% Danceability • 29% Energy • 12% Liveness
95% Instrumentalness • 27% Positiveness
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Alastair Cameron
A Fun Night
130 bpm • A min • 02:37 • -23db
18% Popularity • 73% Danceability • 22% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
18% Popularity • 73% Danceability • 22% Energy • 9% Liveness
91% Instrumentalness • 32% Positiveness
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Rob Barron
Pure Imagination
126 bpm • F min • 05:58 • -16.71db
23% Popularity • 52% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
23% Popularity • 52% Danceability • 28% Energy • 10% Liveness
93% Instrumentalness • 38% Positiveness
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Leif Shires
What A Wonderful World
126 bpm • G min • 03:46 • -12.85db
37% Popularity • 54% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 15% Positiveness
37% Popularity • 54% Danceability • 24% Energy • 14% Liveness
92% Instrumentalness • 15% Positiveness
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CMC 3
Love Is Here To Stay
130 bpm • C Maj • 04:22 • -17db
44% Popularity • 61% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 49% Positiveness
44% Popularity • 61% Danceability • 25% Energy • 12% Liveness
89% Instrumentalness • 49% Positiveness
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Bill Charlap
Blue Orchids
130 bpm • C min • 05:54 • -19db
15% Popularity • 62% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
15% Popularity • 62% Danceability • 3% Energy • 10% Liveness
90% Instrumentalness • 32% Positiveness
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Atlantic Five Jazz Band
All in love is fair
130 bpm • A# Maj • 03:53 • -12db
7% Popularity • 54% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 36% Positiveness
7% Popularity • 54% Danceability • 19% Energy • 14% Liveness
90% Instrumentalness • 36% Positiveness
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Bob Enos
Honeybun
126 bpm • D# Maj • 03:18 • -13db
20% Popularity • 68% Danceability • 20% Energy • 9% Liveness
5% Instrumentalness • 42% Positiveness
20% Popularity • 68% Danceability • 20% Energy • 9% Liveness
5% Instrumentalness • 42% Positiveness
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Christian McBride Trio
I Guess I'll Have to Forget
131 bpm • A# Maj • 08:26 • -27.33db
30% Popularity • 51% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 51% Positiveness
30% Popularity • 51% Danceability • 7% Energy • 12% Liveness
89% Instrumentalness • 51% Positiveness
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Lori Mechem
The Girl From Ipanema - Return To Ipanem...
125 bpm • F min • 04:17 • -15.67db
33% Popularity • 80% Danceability • 33% Energy • 7% Liveness
79% Instrumentalness • 59% Positiveness
33% Popularity • 80% Danceability • 33% Energy • 7% Liveness
79% Instrumentalness • 59% Positiveness
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Various Artists
Autumn Leaves-Barney Kessel
131 bpm • C min • 04:52 • -17.95db
21% Popularity • 62% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
21% Popularity • 62% Danceability • 9% Energy • 11% Liveness
86% Instrumentalness • 20% Positiveness
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Massimo Faraò, Lorenzo Conte & Bobby Durham
Raindrops Keep Fallin' On My Head
131 bpm • F Maj • 04:51 • -19.2db
14% Popularity • 69% Danceability • 20% Energy • 9% Liveness
5% Instrumentalness • 54% Positiveness
14% Popularity • 69% Danceability • 20% Energy • 9% Liveness
5% Instrumentalness • 54% Positiveness
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Aldo Romano
L.A. 58
131 bpm • C Maj • 04:06 • -11.62db
40% Popularity • 48% Danceability • 49% Energy • 14% Liveness
8% Instrumentalness • 58% Positiveness
40% Popularity • 48% Danceability • 49% Energy • 14% Liveness
8% Instrumentalness • 58% Positiveness
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Ellis Marsalis
I Can't Give You Anything But Love
131 bpm • C Maj • 05:18 • -26db
24% Popularity • 59% Danceability • 9% Energy • 17% Liveness
18% Instrumentalness • 46% Positiveness
24% Popularity • 59% Danceability • 9% Energy • 17% Liveness
18% Instrumentalness • 46% Positiveness
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Atlantic Five Jazz Band
Smile
125 bpm • F min • 03:26 • -12.43db
15% Popularity • 70% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 55% Positiveness
15% Popularity • 70% Danceability • 28% Energy • 12% Liveness
91% Instrumentalness • 55% Positiveness
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MauColi
Desafinado
125 bpm • C Maj • 05:14 • -11.97db
30% Popularity • 68% Danceability • 56% Energy • 26% Liveness
46% Instrumentalness • 41% Positiveness
30% Popularity • 68% Danceability • 56% Energy • 26% Liveness
46% Instrumentalness • 41% Positiveness
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Art Hirahara
Ebb And Flow
125 bpm • A# Maj • 03:52 • -14.2db
15% Popularity • 46% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 29% Positiveness
15% Popularity • 46% Danceability • 33% Energy • 12% Liveness
93% Instrumentalness • 29% Positiveness
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Jacques Loussier
Suite Pour Orchestre N 3 En Ré Majeur B...
131 bpm • C Maj • 03:24 • -22.02db
24% Popularity • 49% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
24% Popularity • 49% Danceability • 7% Energy • 10% Liveness
88% Instrumentalness • 25% Positiveness
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Gypsy Jazz Caravan
Bossa Morticia
131 bpm • E min • 03:54 • -15.44db
26% Popularity • 66% Danceability • 28% Energy • 11% Liveness
26% Instrumentalness • 51% Positiveness
26% Popularity • 66% Danceability • 28% Energy • 11% Liveness
26% Instrumentalness • 51% Positiveness
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Dylan Lytle
How My Heart Sings
131 bpm • E min • 03:05 • -20.41db
41% Popularity • 53% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
41% Popularity • 53% Danceability • 9% Energy • 10% Liveness
95% Instrumentalness • 19% Positiveness
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Denis Solee
Manhattan
132 bpm • G# Maj • 03:21 • -14.48db
41% Popularity • 64% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 51% Positiveness
41% Popularity • 64% Danceability • 20% Energy • 11% Liveness
93% Instrumentalness • 51% Positiveness
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Jacques Loussier Trio
Concerto In F Minor, BWV 1056: Largo
124 bpm • G# Maj • 03:19 • -24.89db
23% Popularity • 52% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
23% Popularity • 52% Danceability • 6% Energy • 11% Liveness
94% Instrumentalness • 20% Positiveness
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Enrico Pieranunzi
1ère gymnopédie
132 bpm • D Maj • 03:42 • -17.73db
42% Popularity • 47% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
42% Popularity • 47% Danceability • 32% Energy • 11% Liveness
91% Instrumentalness • 30% Positiveness
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Zander Jazz Trio
Let There Be Love
132 bpm • D# Maj • 03:02 • -14.45db
44% Popularity • 65% Danceability • 30% Energy • 20% Liveness
68% Instrumentalness • 36% Positiveness
44% Popularity • 65% Danceability • 30% Energy • 20% Liveness
68% Instrumentalness • 36% Positiveness
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Atlantic Five Jazz Band
Isn't She Lovely?
132 bpm • C Maj • 04:00 • -14.68db
40% Popularity • 68% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 36% Positiveness
40% Popularity • 68% Danceability • 26% Energy • 10% Liveness
84% Instrumentalness • 36% Positiveness
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The Flax
Whisky on the Rocks
124 bpm • G# Maj • 03:19 • -14.78db
36% Popularity • 63% Danceability • 20% Energy • 11% Liveness
40% Instrumentalness • 38% Positiveness
36% Popularity • 63% Danceability • 20% Energy • 11% Liveness
40% Instrumentalness • 38% Positiveness
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Antonio Vernuccio
Jazz Feel One
132 bpm • A# min • 03:09 • -11.31db
13% Popularity • 60% Danceability • 49% Energy • 31% Liveness
81% Instrumentalness • 22% Positiveness
13% Popularity • 60% Danceability • 49% Energy • 31% Liveness
81% Instrumentalness • 22% Positiveness
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Mason Embry Trio
On The Street Where You Live
132 bpm • A# Maj • 04:22 • -17.44db
28% Popularity • 63% Danceability • 24% Energy • 13% Liveness
78% Instrumentalness • 49% Positiveness
28% Popularity • 63% Danceability • 24% Energy • 13% Liveness
78% Instrumentalness • 49% Positiveness
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Harry Connick, Jr.
Oh! Ain't That Sweet
124 bpm • C# Maj • 04:37 • -16.36db
18% Popularity • 70% Danceability • 36% Energy • 7% Liveness
2% Instrumentalness • 46% Positiveness
18% Popularity • 70% Danceability • 36% Energy • 7% Liveness
2% Instrumentalness • 46% Positiveness
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Hara Noda
Lights Ahead
132 bpm • C Maj • 03:53 • -13.46db
41% Popularity • 64% Danceability • 38% Energy • 10% Liveness
79% Instrumentalness • 32% Positiveness
41% Popularity • 64% Danceability • 38% Energy • 10% Liveness
79% Instrumentalness • 32% Positiveness
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marcus schinkel trio
Swingin' Patetique
124 bpm • G# Maj • 04:53 • -11db
21% Popularity • 64% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 54% Positiveness
21% Popularity • 64% Danceability • 50% Energy • 12% Liveness
82% Instrumentalness • 54% Positiveness
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Mandevilla
Someone to watch over me
124 bpm • G# Maj • 04:18 • -20.4db
38% Popularity • 52% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
38% Popularity • 52% Danceability • 13% Energy • 11% Liveness
96% Instrumentalness • 12% Positiveness
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Kyle Eastwood
Cinema Paradiso - Love Theme
132 bpm • E min • 03:52 • -16db
23% Popularity • 32% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
23% Popularity • 32% Danceability • 7% Energy • 10% Liveness
95% Instrumentalness • 16% Positiveness
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Ruben Gonzalez
Como Siento Yo
124 bpm • E min • 02:41 • -20.28db
31% Popularity • 44% Danceability • 12% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
31% Popularity • 44% Danceability • 12% Energy • 15% Liveness
92% Instrumentalness • 15% Positiveness
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Bob Mintzer
La vita è bella (Soundtrack of R. Benig...
123 bpm • C Maj • 05:39 • -15db
18% Popularity • 51% Danceability • 45% Energy • 70% Liveness
29% Instrumentalness • 47% Positiveness
18% Popularity • 51% Danceability • 45% Energy • 70% Liveness
29% Instrumentalness • 47% Positiveness
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Jacques Loussier Trio
Rêverie
123 bpm • F Maj • 05:05 • -29db
21% Popularity • 36% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
21% Popularity • 36% Danceability • 3% Energy • 9% Liveness
92% Instrumentalness • 9% Positiveness
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Riley Foster
Yesterdays
123 bpm • D min • 04:30 • -17.49db
31% Popularity • 55% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
31% Popularity • 55% Danceability • 18% Energy • 11% Liveness
87% Instrumentalness • 16% Positiveness
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Steeve Laffont
Je suis en amour
123 bpm • F# min • 02:58 • -7.92db
31% Popularity • 73% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 81% Positiveness
31% Popularity • 73% Danceability • 50% Energy • 11% Liveness
88% Instrumentalness • 81% Positiveness
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Trio X of Sweden
Lacrimosa
123 bpm • A min • 04:48 • -12.57db
21% Popularity • 46% Danceability • 30% Energy • 30% Liveness
87% Instrumentalness • 24% Positiveness
21% Popularity • 46% Danceability • 30% Energy • 30% Liveness
87% Instrumentalness • 24% Positiveness
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John Lewis
Afternoon In Paris
134 bpm • F Maj • 09:17 • -18db
26% Popularity • 64% Danceability • 15% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
26% Popularity • 64% Danceability • 15% Energy • 9% Liveness
3% Instrumentalness • 48% Positiveness
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Michael Silverman
Jazz Bossa
122 bpm • G# Maj • 03:24 • -14.3db
23% Popularity • 59% Danceability • 59% Energy • 12% Liveness
40% Instrumentalness • 75% Positiveness
23% Popularity • 59% Danceability • 59% Energy • 12% Liveness
40% Instrumentalness • 75% Positiveness
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The Blue Green
Gentle rain
134 bpm • F min • 04:16 • -17.81db
37% Popularity • 51% Danceability • 39% Energy • 9% Liveness
85% Instrumentalness • 65% Positiveness
37% Popularity • 51% Danceability • 39% Energy • 9% Liveness
85% Instrumentalness • 65% Positiveness
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Wolfgang Haffner
Tres Notas para Decir Te Quiero
122 bpm • E min • 04:27 • -17db
27% Popularity • 60% Danceability • 32% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
27% Popularity • 60% Danceability • 32% Energy • 10% Liveness
83% Instrumentalness • 19% Positiveness
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Andy Sheppard Quartet
Romaria
134 bpm • G Maj • 05:11 • -21.94db
42% Popularity • 38% Danceability • 5% Energy • 15% Liveness
68% Instrumentalness • 18% Positiveness
42% Popularity • 38% Danceability • 5% Energy • 15% Liveness
68% Instrumentalness • 18% Positiveness
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Ahron Kupner
Dark Coves
134 bpm • C Maj • 02:13 • -21.83db
36% Popularity • 48% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
36% Popularity • 48% Danceability • 2% Energy • 14% Liveness
91% Instrumentalness • 7% Positiveness
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Atlantic Five Jazz Band
Lullaby Of Birdland
122 bpm • D Maj • 03:30 • -8.06db
18% Popularity • 70% Danceability • 46% Energy • 6% Liveness
83% Instrumentalness • 42% Positiveness
18% Popularity • 70% Danceability • 46% Energy • 6% Liveness
83% Instrumentalness • 42% Positiveness
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Bill Charlap
Chorinho
122 bpm • C Maj • 03:57 • -17.1db
23% Popularity • 54% Danceability • 23% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
23% Popularity • 54% Danceability • 23% Energy • 12% Liveness
90% Instrumentalness • 74% Positiveness
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Skip Peck
Suspicion
122 bpm • E min • 03:16 • -14.4db
29% Popularity • 81% Danceability • 34% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
29% Popularity • 81% Danceability • 34% Energy • 12% Liveness
91% Instrumentalness • 39% Positiveness
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Tiny Stills Quartet
Stompin' At The Savoy
121 bpm • C# Maj • 03:19 • -15.04db
29% Popularity • 62% Danceability • 23% Energy • 11% Liveness
62% Instrumentalness • 49% Positiveness
29% Popularity • 62% Danceability • 23% Energy • 11% Liveness
62% Instrumentalness • 49% Positiveness
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Beegie Adair
They Didn't Believe Me
135 bpm • G# Maj • 03:29 • -15.46db
39% Popularity • 58% Danceability • 24% Energy • 15% Liveness
84% Instrumentalness • 53% Positiveness
39% Popularity • 58% Danceability • 24% Energy • 15% Liveness
84% Instrumentalness • 53% Positiveness
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Paul Moretti Trio
Someone To Watch Over Me
121 bpm • C Maj • 03:43 • -21.08db
39% Popularity • 51% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
39% Popularity • 51% Danceability • 7% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
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trompette
Soft Jazz
135 bpm • C min • 02:57 • -16.91db
31% Popularity • 71% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 85% Positiveness
31% Popularity • 71% Danceability • 28% Energy • 11% Liveness
92% Instrumentalness • 85% Positiveness
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Stephan Noel Lang
Alright!
135 bpm • A# Maj • 04:52 • -17.2db
14% Popularity • 81% Danceability • 36% Energy • 9% Liveness
85% Instrumentalness • 65% Positiveness
14% Popularity • 81% Danceability • 36% Energy • 9% Liveness
85% Instrumentalness • 65% Positiveness
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Franz Gordon
I Fly With You
135 bpm • F Maj • 04:00 • -16.31db
38% Popularity • 56% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 21% Positiveness
38% Popularity • 56% Danceability • 24% Energy • 14% Liveness
90% Instrumentalness • 21% Positiveness
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Joshua Redman Quartet
Come What May
135 bpm • A# min • 06:46 • -13.66db
41% Popularity • 53% Danceability • 22% Energy • 28% Liveness
69% Instrumentalness • 20% Positiveness
41% Popularity • 53% Danceability • 22% Energy • 28% Liveness
69% Instrumentalness • 20% Positiveness
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Ellis Marsalis
Charlie Brown
121 bpm • G Maj • 04:24 • -16.44db
21% Popularity • 88% Danceability • 30% Energy • 9% Liveness
13% Instrumentalness • 60% Positiveness
21% Popularity • 88% Danceability • 30% Energy • 9% Liveness
13% Instrumentalness • 60% Positiveness
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Ennio Máno
Aves
136 bpm • G Maj • 04:07 • -16.94db
38% Popularity • 53% Danceability • 16% Energy • 12% Liveness
84% Instrumentalness • 16% Positiveness
38% Popularity • 53% Danceability • 16% Energy • 12% Liveness
84% Instrumentalness • 16% Positiveness
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Atlantic Five Jazz Band
How Insensitive
136 bpm • C Maj • 04:14 • -10.99db
10% Popularity • 66% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 45% Positiveness
10% Popularity • 66% Danceability • 40% Energy • 13% Liveness
87% Instrumentalness • 45% Positiveness
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Justin Kauflin
For Clark
120 bpm • F Maj • 04:41 • -16db
24% Popularity • 46% Danceability • 23% Energy • 18% Liveness
53% Instrumentalness • 9% Positiveness
24% Popularity • 46% Danceability • 23% Energy • 18% Liveness
53% Instrumentalness • 9% Positiveness
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John Moulder
Soul in Twilight
120 bpm • A# Maj • 06:04 • -15.52db
32% Popularity • 40% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
32% Popularity • 40% Danceability • 14% Energy • 12% Liveness
88% Instrumentalness • 15% Positiveness
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James Jackson Jazz Trio
Long Ago (and Far Away)
120 bpm • C Maj • 03:29 • -16.44db
39% Popularity • 67% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
39% Popularity • 67% Danceability • 16% Energy • 13% Liveness
86% Instrumentalness • 30% Positiveness
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The Oscar Brown Jazz Trio
So What
136 bpm • A min • 06:49 • -18.14db
10% Popularity • 59% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
10% Popularity • 59% Danceability • 19% Energy • 11% Liveness
86% Instrumentalness • 56% Positiveness
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Ellis Marsalis
Delilah (Delilah's Theme)
120 bpm • F min • 05:24 • -19.76db
11% Popularity • 51% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
11% Popularity • 51% Danceability • 19% Energy • 12% Liveness
92% Instrumentalness • 10% Positiveness
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Atlantic Five Jazz Band
All Of Me
136 bpm • G Maj • 04:13 • -10.53db
15% Popularity • 68% Danceability • 38% Energy • 7% Liveness
55% Instrumentalness • 56% Positiveness
15% Popularity • 68% Danceability • 38% Energy • 7% Liveness
55% Instrumentalness • 56% Positiveness
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MauColi
The Girl from Ipanema
120 bpm • C Maj • 04:34 • -12.38db
33% Popularity • 67% Danceability • 53% Energy • 15% Liveness
26% Instrumentalness • 76% Positiveness
33% Popularity • 67% Danceability • 53% Energy • 15% Liveness
26% Instrumentalness • 76% Positiveness
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Stephen Kummer
At Last
120 bpm • C Maj • 04:36 • -16.89db
24% Popularity • 49% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 17% Positiveness
24% Popularity • 49% Danceability • 21% Energy • 9% Liveness
76% Instrumentalness • 17% Positiveness
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Brad Hatfield
Waltz with my Girl
136 bpm • C Maj • 02:34 • -22.23db
31% Popularity • 47% Danceability • 12% Energy • 8% Liveness
83% Instrumentalness • 34% Positiveness
31% Popularity • 47% Danceability • 12% Energy • 8% Liveness
83% Instrumentalness • 34% Positiveness
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Ennio Máno
Light Dance
120 bpm • F Maj • 03:39 • -9.31db
48% Popularity • 81% Danceability • 36% Energy • 16% Liveness
90% Instrumentalness • 69% Positiveness
48% Popularity • 81% Danceability • 36% Energy • 16% Liveness
90% Instrumentalness • 69% Positiveness
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Jeanne Newhall
Under Paris Skies
137 bpm • F min • 04:04 • -29.07db
8% Popularity • 31% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
8% Popularity • 31% Danceability • 4% Energy • 11% Liveness
88% Instrumentalness • 14% Positiveness
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Mason Embry Trio
Ain't That A Kick In The Head
137 bpm • D Maj • 03:45 • -16.61db
24% Popularity • 59% Danceability • 29% Energy • 7% Liveness
90% Instrumentalness • 65% Positiveness
24% Popularity • 59% Danceability • 29% Energy • 7% Liveness
90% Instrumentalness • 65% Positiveness
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Wynton Kelly Trio
Portrait Of Jenny
120 bpm • D# Maj • 04:35 • -18.3db
42% Popularity • 50% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
42% Popularity • 50% Danceability • 11% Energy • 14% Liveness
85% Instrumentalness • 20% Positiveness
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MauColi
It Had to Be You
120 bpm • G Maj • 03:04 • -10.28db
37% Popularity • 69% Danceability • 49% Energy • 7% Liveness
46% Instrumentalness • 69% Positiveness
37% Popularity • 69% Danceability • 49% Energy • 7% Liveness
46% Instrumentalness • 69% Positiveness
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Norberg
Sidewalking
120 bpm • A# Maj • 03:13 • -11.52db
38% Popularity • 77% Danceability • 29% Energy • 14% Liveness
34% Instrumentalness • 44% Positiveness
38% Popularity • 77% Danceability • 29% Energy • 14% Liveness
34% Instrumentalness • 44% Positiveness
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Bleecker Jazz Duo
Here's That Rainy Day
120 bpm • D Maj • 04:49 • -18.74db
41% Popularity • 51% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
41% Popularity • 51% Danceability • 7% Energy • 9% Liveness
92% Instrumentalness • 14% Positiveness
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Flatland Park
Lazy Strut
120 bpm • G# Maj • 03:24 • -14.12db
30% Popularity • 77% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 44% Positiveness
30% Popularity • 77% Danceability • 24% Energy • 10% Liveness
77% Instrumentalness • 44% Positiveness
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David Fitzpatrick Trio
Skylark
137 bpm • F min • 04:00 • -21.44db
42% Popularity • 54% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
42% Popularity • 54% Danceability • 6% Energy • 12% Liveness
92% Instrumentalness • 18% Positiveness
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Trio Caiowás
O Cantador
119 bpm • G Maj • 02:45 • -18.12db
23% Popularity • 68% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 25% Positiveness
23% Popularity • 68% Danceability • 15% Energy • 9% Liveness
91% Instrumentalness • 25% Positiveness
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Allen Toussaint
Waltz For Debby
119 bpm • F Maj • 03:14 • -17.42db
23% Popularity • 71% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 61% Positiveness
23% Popularity • 71% Danceability • 34% Energy • 11% Liveness
88% Instrumentalness • 61% Positiveness
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Stephen Kummer
Dearly Beloved
119 bpm • D Maj • 03:28 • -18.17db
25% Popularity • 57% Danceability • 21% Energy • 11% Liveness
76% Instrumentalness • 27% Positiveness
25% Popularity • 57% Danceability • 21% Energy • 11% Liveness
76% Instrumentalness • 27% Positiveness
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Richard J Freitas
Stan's Place
120 bpm • F min • 02:39 • -13db
36% Popularity • 79% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 59% Positiveness
36% Popularity • 79% Danceability • 26% Energy • 10% Liveness
5% Instrumentalness • 59% Positiveness
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Brad Hatfield
Relaxin' at Sids'
119 bpm • A min • 02:17 • -18.02db
42% Popularity • 63% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
42% Popularity • 63% Danceability • 25% Energy • 11% Liveness
90% Instrumentalness • 44% Positiveness
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George Gershwin
Mine
138 bpm • C Maj • 02:55 • -26.25db
32% Popularity • 58% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 54% Positiveness
32% Popularity • 58% Danceability • 16% Energy • 10% Liveness
94% Instrumentalness • 54% Positiveness
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The Sweetgreens
You Don't Know What Love Is
118 bpm • F min • 02:30 • -25.05db
48% Popularity • 58% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 27% Positiveness
48% Popularity • 58% Danceability • 5% Energy • 12% Liveness
89% Instrumentalness • 27% Positiveness
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Denis Solee
Come Fly With Me
138 bpm • F Maj • 03:37 • -14.64db
41% Popularity • 65% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 53% Positiveness
41% Popularity • 65% Danceability • 23% Energy • 12% Liveness
92% Instrumentalness • 53% Positiveness
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Stephen Kummer
Fly Me To The Moon
119 bpm • A min • 03:35 • -14.37db
32% Popularity • 76% Danceability • 30% Energy • 7% Liveness
88% Instrumentalness • 48% Positiveness
32% Popularity • 76% Danceability • 30% Energy • 7% Liveness
88% Instrumentalness • 48% Positiveness
